Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University

Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University

09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University Documentary, Reality TV and 'Real Lives' - View Online P4041 - Lizzie Thynne [1] Nagib, Lu ́ cia and Mello, Ceci ́ lia, Realism and the Audiovisual Media. New York, N.Y.: Palgrave Macmillan, 2009 [Online]. Available: http://eu01.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pa ckage_service_id=10396743000002461&institutionId=2461&customerId=2460 [2] Ward, Paul, Documentary: the Margins of Reality, vol. Short cuts. London: Wallflower, 2005. [3] Pennebaker, D. A., ‘Don’t Look Back.’ Sony BMG Music Entertainment, [U.K.], 2006. [4] ‘Chronique d’un été.’ 27AD [Online]. Available: https://www.youtube.com/watch?v=o6dHtOc8F9I [5] S. Bruzzi, New documentary: a critical introduction, 2nd ed. Abingdon, [England]: 1/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University Routledge, 2006 [Online]. Available: http://sussex.etailer.dpsl.net/home/html/moreinfo.asp?isbn=0203967380&whichpage =1&pagename=category.asp [6] Renov, Michael, Theorizing Documentary. New York: Routledge, 1993. [7] Corner, John, The Art of Record: a Critical Introduction to Documentary. Manchester: Manchester University Press, 1996. [8] W. De Jong, T. Austin, W. De Jong, and ebrary, Inc, Rethinking documentary: new perspectives and practices. Buckingham: Open University, 2008 [Online]. Available: http://suss.eblib.com/patron/FullRecord.aspx?p=361578 [9] Austin, Thomas and Jong, Wilma de, Rethinking Documentary: a Documentary Reader. Maidenhead: Open University Press, 2008. [10] Keith Beattie, Documentary Screens: Non-Fiction Film and Television. Basingstoke: Palgrave Macmillan, 2004. [11] Chanan, Michael, The Politics of Documentary. London: BFI, 2007. [12] D. Eitzen, ‘When is a Documentary?: Documentary as a Mode of reception’, Cinema Journal , vol. 35, no. 1, pp. 81–102, 1995, doi: 1225809. 2/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University [13] David Bordwell and Noe ̈ l Carroll, Post-Theory: Reconstructing Film Studies. Madison: U. of Wisconsin P., 1996. [14] Lucia Ricciardelli, ‘“Documentary Filmmaking in the Postmodern Age: Errol Morris & The Fog of Truth”’, Studies in Documentary Film, vol. 4, no. 1, pp. 35–50, 2010 [Online]. Available: http://www.tandfonline.com/doi/pdf/10.1386/sdf.4.1.35_1 [15] Keith Beattie, Documentary Screens: Non-Fiction Film and Television. Basingstoke: Palgrave Macmillan, 2004. [16] Dave Saunders, Direct Cinema: Observational Documentary and the Politics of the Sixties, vol. Nonfictions. London: Wallflower, 2007. [17] Nichols, Bill, Representing Reality: Issues and Concepts in Documentary. Bloomington, Ind: Indiana University Press, 1991. [18] S. Bruzzi, New Documentary: A Critical Introduction, N.e of 2r.e. London: Routledge, 2006. [19] Barsam, Richard Meran, Nonfiction Film: A Critical History, Rev. and expanded ed. Bloomington: Indiana U.P., 1992. 3/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University [20] E. Barnouw, Documentary: a history of the non-fiction film, 2nd rev. ed. New York: Oxford University Press, 1993 [Online]. Available: http://www.loc.gov/catdir/enhancements/fy0603/92034052-d.html [21] ‘Studies in Documentary Film’, vol. 2, no. 1, pp. 33–45, Mar. 2008 [Online]. Available: http://www.tandfonline.com/toc/rsdf20/2/1#.VdNYevlVhBc [22] Seife, Ethan de, This is Spinal Tap, vol. Cultographies. London: Wallflower, 2007. [23] Documenting the Documentary : Close Readings of Documentary Film and Video: EBSCOhost. [Online]. Available: http://web.b.ebscohost.com/ehost/detail/detail?sid=69f7897e-efc9-400a-b5db-f065ce1588 1e%40sessionmgr115&crlhashurl=login.aspx%253fdirect%253dtrue%2526scope%253dsit e%2526db%253dnlebk%2526db%253dnlabk%2526AN%253d698576&hid=125&vid=0&bd ata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=698576&db=nlebk [24] B. K. Grant and J. Sloniowski, Documenting the documentary: close readings of documentary film and video, vol. Contemporary film and television series. Detroit: Wayne State University Press, 1998. [25] J. Ten Brink, Building bridges: the cinema of Jean Rouch. London: Wallflower, 2007. [26] Documenting the Documentary : Close Readings of Documentary Film and Video: 4/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University EBSCOhost. [Online]. Available: http://web.b.ebscohost.com/ehost/detail/detail?sid=69f7897e-efc9-400a-b5db-f065ce1588 1e%40sessionmgr115&crlhashurl=login.aspx%253fdirect%253dtrue%2526scope%253dsit e%2526db%253dnlebk%2526db%253dnlabk%2526AN%253d698576&hid=125&vid=0&bd ata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=698576&db=nlebk [27] B. K. Grant and J. Sloniowski, Documenting the documentary: close readings of documentary film and video, vol. Contemporary film and television series. Detroit: Wayne State University Press, 1998. [28] L. Thynne, ‘Child of Mine.’ . [29] F. Wiseman, ‘Titicut Follies.’ 1967. [30] L. Thynne, ‘Ethics, Politics and Representation in “Child of Mine”, a Television Documentary on Lesbian Parenting’, Jump Cut , vol. 53, no. Summer, 2011. [31] Alan Rosenthal and John Corner, New Challenges for Documentary, 2nd ed. Manchester: Manchester University Press, 2005. [32] Gross, Larry P., Katz, John Stuart, and Ruby, Jay, Image Ethics: the Moral Rights of Subjects in Photographs, Film, and Television. New York: O.U.P., 1988. [33] 5/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University Alan Rosenthal and John Corner, New Challenges for Documentary, 2nd ed. Manchester: Manchester University Press, 2005. [34] Dovey, Jon, Freakshow: First Person Media and Factual Television. London: Pluto, 2000. [35] Rabinowitz, Paula, They Must Be Represented: The Politics of Documentary. London: Verso, 1994. [36] Benson, Thomas W. and Anderson, Carolyn, Reality Fictions: the Films of Frederick Wiseman, 2nd ed. Carbondale, Ill: Southern Illinois University Press, 2002. [37] B. Winston and British Film Institute, The documentary film book. [38] K. Longinotto, ‘Pink Saris.’ 2010. [39] Garnett, Tony, ‘Prostitute.’ BFI, 2011. [40] P. White, ‘Cinema Solidarity: The Documentary Practice of Kim Longinotto’, Cinema Journal , vol. 46, no. 1, pp. 120–128, 2006, doi: 4137156. 6/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University [41] L. Thynne and N. Al-Ali, ‘An Interview with Kim Longinotto’, Feminist Review, vol. 99, no. 1, pp. 25–38, Nov. 2011, doi: 10.1057/fr.2011.47. [42] Garnett, Tony, ‘Prostitute.’ BFI, 2011. [43] J. Worth, ‘Women Working: Notes on “Taking A Part”’, Camera Obscura: Feminism, Culture, and Media Studies, vol. 2, no. 2 5, pp. 111–114, Mar. 1980, doi: 10.1215/02705346-2-2_5-111. [44] Smaill, Belinda, The Documentary: Politics, Emotion, Culture. Basingstoke, UK: Palgrave Macmillan, 2010. [45] W. De Jong, T. Austin, W. De Jong, and ebrary, Inc, Rethinking documentary: new perspectives and practices. Buckingham: Open University, 2008 [Online]. Available: http://suss.eblib.com/patron/FullRecord.aspx?p=361578 [46] Austin, Thomas and Jong, Wilma de, Rethinking Documentary: a Documentary Reader. Maidenhead: Open University Press, 2008. [47] Rabinowitz, Paula, They Must Be Represented: The Politics of Documentary. London: Verso, 1994. [48] 7/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University Waldman, Diane and Walker, Janet, Feminism and Documentary, vol. Visible evidence. London: University of Minnesota Press, 1999. [49] Kuhn, Annette, Women’s Pictures: Feminism and Cinema, 2nd ed. London: Verso, 1994. [50] Kaplan, E. Ann, Women and Film: Both Sides of the Camera. London: Routledge, 1988. [51] Kaplan, E. Ann, Feminism and Film, vol. Oxford readings in feminism. Oxford: Oxford University Press, 2000. [52] ‘Global Feminism and the State of Feminist Film Theory’, Signs: A Journal of Women and Culture, vol. 30, no. 1, pp. 1236–1248, doi: 3488176. [53] A. Juhasz, ‘“They said we were trying to show reality - all I want to do is show my video”: the Politics of the Realist Feminist Documentary’, Screen, vol. 35, no. 2, pp. 171–190, 1994. [54] A. Juhasz, ‘No Woman Is an Object: Realizing the Feminist Collaborative Video’, Camera Obscura: Feminism, Culture, and Media Studies, vol. 18, no. 3 54, pp. 71–97, Jan. 2003, doi: 10.1215/02705346-18-3_54-71. [55] julia erhart, ‘Performing memory: compensation and redress in contemporary feminist first-person documentary’, Screening the Past, vol. 13, pp. 1–18, 2001 [Online]. Available: 8/24 09/28/21 Documentary, Reality TV and 'Real Lives' - P4041 - Lizzie Thynne | Sussex University http://tlweb.latrobe.edu.au/humanities/screeningthepast/firstrelease/fr1201/jefr13a.htm [56] Foster, Gwendolyn Audrey, Women Filmmakers of the African and Asian Diaspora: Decolonizing the Gaze, Locating Subjectivity. Carbondale, Ill: Southern Illinois U.P., 1997. [57] Holmlund, Chris and Fuchs, Cynthia, Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary, vol. Visible evidence. London: University of Minnesota Press, 1997. [58] Robin, Diana Maury and Jaffe, Ira, Redirecting the Gaze: Gender, Theory, and Cinema in the Third World, vol. The SUNY series. Albany, N.Y.: State University of New York Press, 1999. [59] Levitin, Jacqueline, Plessis, Judith, and Raoul, Valerie, Women Filmmakers: Refocusing. London: Routledge, 2003. [60] Rony, Fatimah Tobing, The Third Eye: Race, Cinema, and Ethnographic Spectacle. Durham, N.C.: Duke University Press, 1996. [61]

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