For One Particularly Battered Unit, What Happens When the Hell of War
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Lil Baby All of a Sudden Free Mp3 Download ALBUM: Lil Baby – Too Hard
lil baby all of a sudden free mp3 download ALBUM: Lil Baby – Too Hard. ALBUM: Lil Baby – Too Hard zip. “Too Hard” is another 2017 Album by “Lil Baby”. Stream & Download “ALBUM: Lil Baby – Too Hard” “Mp3 Download”. Stream And “Listen to ALBUM: Lil Baby – Too Hard” “fakaza Mp3” 320kbps flexyjams cdq Fakaza download datafilehost torrent download Song Below. 01 Lil Baby – To the Top Mp3 Download 02 Lil Baby – Money Mp3 Download 03 Lil Baby – All of a Sudden (feat. Moneybagg Yo) Mp3 Download 04 Lil Baby – Money Forever (feat. Gunna) Mp3 Download 05 Lil Baby – Best of Me Mp3 Download 06 Lil Baby – Ride My Wave Mp3 Download 07 Lil Baby – Hurry Mp3 Download 08 Lil Baby – Sum More (feat. Lil Yachty) Mp3 Download 09 Lil Baby – Going For It Mp3 Download 10 Lil Baby – Slow Mo Mp3 Download 11 Lil Baby – Trap Star Mp3 Download 12 Lil Baby – Eat Or Starve (feat. Rylo) Mp3 Download 13 Lil Baby – Freestyle Mp3 Download 14 Lil Baby – Vision Clear (feat. Lavish the MDK) Mp3 Download 15 Lil Baby – Dive In Mp3 Download 16 Lil Baby – Stick On Me (feat. Rylo) Mp3 Download. All Of A Sudden. Purchase and download this album in a wide variety of formats depending on your needs. Buy the album Starting at $1.49. All Of A Sudden. Copy the following link to share it. You are currently listening to samples. Listen to over 70 million songs with an unlimited streaming plan. Listen to this album and more than 70 million songs with your unlimited streaming plans. -
Sober and Alone: a Phenomenological Exploration of the Loneliness Experienced by Recovering Alcoholics
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Liberty University Digital Commons SOBER AND ALONE: A PHENOMENOLOGICAL EXPLORATION OF THE LONELINESS EXPERIENCED BY RECOVERING ALCOHOLICS by Timothy J. Evans Liberty University A Dissertation Presented in Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy Liberty University February 2010 © Timothy J. Evans, February, 2010 All Rights Reserved ii SOBER AND ALONE: A PHENOMENOLOGICAL EXPLORATION OF THE LONELINESS EXPERIENCED BY RECOVERING ALCOHOLICS A Dissertation Proposal Submitted to the Faculty of Liberty University In partial fulfillment of the requirements for the degree Doctor of Philosophy by Timothy J. Evans Liberty University, Lynchburg, Virginia February, 2010 Dissertation Committee Approval: _________________________________________ FRED MILACCI, D.Ed., Chair date _________________________________________ KENNETH REEVES, Ed.D., Reader date _________________________________________ ROBERT LEHMAN, Ph.D., Reader date _________________________________________ LISA SOSIN. Ph.D., Reader date iii ABSTRACT SOBER AND ALONE: A PHENOMENOLOGICAL EXPLORATION OF THE LONELINESS EXPERIENCED BY RECOVERING ALCOHOLICS By Timothy J. Evans Center for Counseling and Family Studies Liberty University, Lynchburg, Virginia Doctor of Philosophy in Counseling This phenomenological inquiry investigated the loneliness experienced by recovering alcoholics. Select participants responded to open-ended interview questions pertaining to their experience of loneliness as well as its impact on their lives. Moreover, participants were asked to indentify what factor or factors may have contributed to the onset or persistence of their loneliness. Phenomenological analysis of the data revealed that loneliness, as experienced by recovering alcoholics, is a recursive experience that is co-morbid with a number of debilitating affects. Therefore, the loneliness that was experienced during recovery represented just one part of a combination of painful affective experiences. -
Nle Choppa Drops “Different Day” (A Remix of Lil Baby's “Emotionally
NLE CHOPPA DROPS “DIFFERENT DAY” (A REMIX OF LIL BABY’S “EMOTIONALLY SCARRED”) LISTEN HERE – WATCH HERE HOT SINGLE “WALK EM DOWN” [FEAT. RODDY RICCH] NEARS 250 MILLION STREAMS DOWNLOAD ARTWORK HERE May 26, 2020 (Los Angeles, CA) – 17-year-old platinum-selling breakout rap star NLE Choppa channels his emotions on “Different Day” – a remix of Lil Baby’s “Emotionally Scarred” – out now via No Love Entertainment / Warner Records. Wearing his heart on his sleeve, Choppa unloads lyrics painted in anger, loss and loneliness, emotions all teens experience throughout life’s growing pains. Listen to the emotionally-charged remix NOW, and check out the reflective video HERE. Trending on TikTok, YouTube and more, NLE Choppa’s hit single “Walk Em Down” feat. Roddy Ricch is a Top 20 streaming track and video across all DSPs with more than 50 million YouTube views, garnering 243 million global streams. Listen to “Walk Em Down” HERE and watch the video HERE. ABOUT NLE CHOPPA With poise, charisma and cleverness way beyond his years, 17-year-old NLE Choppa burst onto the scene and immediately grabbed our attention and captured our hearts. Choppa has amassed over 2 billion cumulative streams across platforms and nears 600 million total YouTube views, while gaining a cult following that transcends age and socioeconomic status. His breakout hit “Shotta Flow” has achieved an RIAA platinum certification and more than 133 million views alone for its raw, true-to-life music video, while the remix featuring Blueface has garnered over 156 million views and counting. Additionally, Choppa’s singles "Camelot,” “Shotta Flow Remix” and “Shotta Flow 2” earned RIAA platinum certifications, while "Shotta Flow 3" and "Capo" reached certified gold status. -
Uni International 300 N
INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1. The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again—beginning below the first row and continuing on until complete. -
American Auteur Cinema: the Last – Or First – Great Picture Show 37 Thomas Elsaesser
For many lovers of film, American cinema of the late 1960s and early 1970s – dubbed the New Hollywood – has remained a Golden Age. AND KING HORWATH PICTURE SHOW ELSAESSER, AMERICAN GREAT THE LAST As the old studio system gave way to a new gen- FILMFILM FFILMILM eration of American auteurs, directors such as Monte Hellman, Peter Bogdanovich, Bob Rafel- CULTURE CULTURE son, Martin Scorsese, but also Robert Altman, IN TRANSITION IN TRANSITION James Toback, Terrence Malick and Barbara Loden helped create an independent cinema that gave America a different voice in the world and a dif- ferent vision to itself. The protests against the Vietnam War, the Civil Rights movement and feminism saw the emergence of an entirely dif- ferent political culture, reflected in movies that may not always have been successful with the mass public, but were soon recognized as audacious, creative and off-beat by the critics. Many of the films TheThe have subsequently become classics. The Last Great Picture Show brings together essays by scholars and writers who chart the changing evaluations of this American cinema of the 1970s, some- LaLastst Great Great times referred to as the decade of the lost generation, but now more and more also recognised as the first of several ‘New Hollywoods’, without which the cin- American ema of Francis Coppola, Steven Spiel- American berg, Robert Zemeckis, Tim Burton or Quentin Tarantino could not have come into being. PPictureicture NEWNEW HOLLYWOODHOLLYWOOD ISBN 90-5356-631-7 CINEMACINEMA ININ ShowShow EDITEDEDITED BY BY THETHE -
Parenting After Violence
3502 Scotts Lane June 1, 2009 Building 1, Suite 4 Philadelphia, PA 19129 phone: 215.843.2046 fax: 215.843.2049 [email protected] www.instituteforsafefamilies.org Greetings, This Guide is a culmination of years of work. Some time ago, in our commitment to creating “safe families,” we realized that those who worked at the intersection of child welfare, domestic violence and batterers’ intervention didn’t always talk – or listen – to each other very well. Practitioners from each of these systems -- talented, earnest and dedicated – seemed to view families affected by domestic violence from their own, system-bound perspective. Yet, the families with whom they ISF BOARD OF DIRECTORS worked lived their lives in the intersection, in the messy terrain of trauma (oftentimes years of it), JANICE ASHER, MD ASSISTANT CLINICAL PROFESSOR impacted grief, curious loyalties, and patterns of behavior that, while hurtful, seemed to be the only UNIVERSITY OF PENNSYLVANIA available path. We came together to teach and learn from each other, to argue, to sit in the messy SANDRA BLOOM, MD PRESIDENT AND CEO ambivalence, and finally, to identify a way towork together for the health and healing of whole COMMUNITYWORKS KAREN BLOUNT, RN, MS, PNP families. At the center was always our concern for the children. We knew that we needed CHIEF NURSING OFFICER ST. CHRISTOPHER’S HOSPITAL to help parents show their children a new way. FOR CHILDREN JAYNE BROWN, MD Children who have been exposed to domestic violence need our help, but more MEDICAL DIRECTOR importantly, they need their parents’ help. There are some parents who are simply unable to set QUALITY COMMUNITY HEALTH CENTER PATRICIA DEITCH, MBA aside their own hurts and make themselves available for the kind of deep listening and relationship PRESIDENT AND CEO that is necessary for their children’s healing. -
Paramount Platinum HD Title List
Paramount Platinum HD Movie Package 2020-2023 Year Title Start End RUN TIME ACTOR GENRE SYNOPSIS Chevy Chase, Mark Webber, Action/Adventure,Dram When a school in upstate New York is snowed in, a group of students hi-jack a 2000 SNOW DAY 3/2/20 3/29/20 2 hrs Schuyler Fisk a plow to keep the school closed. The winnder of 5 Academy Awards including Best Picture, this film follows 30 1983 TERMS OF ENDEARMENT years in the life of a Texas woman, chronicling her stormy but loving Shirley MacLaine, Debra Winger, relationship with her daughter, and the mother's fitful and hugely 4/1/20 4/26/20 2.5 hrs Jack Nicholson Comedy,Drama entertaining romance with a raffish ex-astronaut. An emotionally scarred young woman returns to her hometown, where, she 2007 BENEATH believes, her sister died some years earlier under mysterious circumstances. Nora Zehetner, Brenna O'Brien, Soon, however, strange occurrences cause her to suspect her sister may still 5/4/20 5/31/20 2 hrs Carly Pope Horror be alive. John Travolta, Nick Loren, James When Danny witnesses his stepfather Rick murder a man, Danny's father 2001 DOMESTIC DISTURBANCE 6/1/20 6/28/20 2 hrs Lashly, Vince Vaughn Crime, Mystery, Thriller Frank has to protect his son from the greatest danger. When a presidential candidate dies unexpectedly in the middle of the 2003 HEAD OF STATE Chris Rock, Bernie Mac, Lynn campaign, Washington, D.C. alderman, Mays Gilliam is unexpectedly picked as 7/1/20 7/26/20 2 hrs Whitfield Comedy his replacement. -
Bryan Stevenson
Teacher’s Guide A Story of Justice and Redemption Bryan Stevenson Study Guide Prepared by Melissanne Scheld September 2014 Copyright © 2014, Random House A NOTE TO EDUCATORS The following guide has been prepared in conjunction with the national Common Core Standards. Each chapter contains summary points, discussion questions for the class and activities requiring various skills and interpretation of the text. The following list of Standards correlates to the discussion questions as a whole whereas, for each of the activities, the relevant and specific Standards are indicated for each of the exercises. English Language Arts: College and Career Readiness Anchor Standards for Reading: Key Ideas & Details: CCRA.R.1-R.3, Integrations of Knowledge and Ideas: CCRA.R.7, CCRA.R.8, Range of Reading and Level of Text Complexity: CCRA.R.10 English Language Arts: College and Career Readiness Anchor Standards for Writing: Text Types and Purposes: CCRA.W.1-CCRA.W.3, Production and Distribution of Writing: CCRA.W.4, Research to Build and Present Knowledge: CCRA.W.7-CCRA.W.9, Range of Writing: CCRA.W.10 English Language Arts: College and Career Readiness Anchor Standards for Speaking and Listening: Comprehension and Collaboration: CCRA.SL.1-CCRA.SL.3, Presentation of Knowledge and Ideas: CCRA.L.4 English Language Arts: College and Career Readiness Anchor Standards for Language: Conventions of Standard English: CCRA.L.1, CCRA.L.2, CCRA.L.6, Vocabulary Acquisition and Use: CCRA.L.6 English Language Arts: Reading: Literature: Key Ideas and Details: RL.11-12.1, -
Beginnings 21: Ohio Writers' Conference 2019
Beginnings XXI A PUBLICATION OF ADULT STUDENT WRITING OF THE Ohio Writers’ Conference Ohio Literacy Resource Center ii iii Foreword “We all have the extraordinary coded within us, waiting to be released.” – Jean Houston, PhD, author and co-founder of the Foundation for Mind Research As a storyteller, I am also a story-gatherer, a keeper of the stories I hear. One of my favorites is a folktale that still offers me encouragement and confidence, a tale of two caterpillars: Two Caterpillars (A folktale from West Africa, shared with me by a man from Nigeria) Two caterpillars crawled in a garden. As they made their way through the grass, they nibbled at this and nibbled at that. Then they saw something gliding down from the sky, something beautiful. It rested on a blade of grass, where it folded and unfolded its yellow wings. Then it fluttered back up into the sky and disappeared in the bright sunlight. Amazed, the caterpillars turned to one another and began to speak. Shaking her head, one caterpillar asked, “Did you see that thing? Did you see how it moved? That looked dangerous! You won’t see me doing something like that. No, no, it’s too scary. I will keep my feet on the ground, stay right here where I know how things are. I will never, never try to do anything like that.” She crawled across the grass again, and she nibbled at this and nibbled at that, while the second caterpillar gazed into the sky, and quietly said to herself, “Someday. Someday, I will fly.” The two caterpillars continued to make their way through the garden. -
The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics
THE BEAUTIFUL STRUGGLE: AN ANALYSIS OF HIP-HOP ICONS, ARCHETYPES AND AESTHETICS ________________________________________________________________________ A Dissertation Submitted to the Temple University Graduate Board ________________________________________________________________________ in Partial Fulfillment of the Requirements for the Degree DOCTOR OF PHILOSOPHY ________________________________________________________________________ by William Edward Boone August, 2008 ii © William Edward Boone 2008 All Rights Reserved iii ABSTRACT The Beautiful Struggle: an Analysis of Hip-Hop Icons, Archetypes and Aesthetics William Edward Boone Doctor of Philosophy Temple University, 2008 Doctoral Advisory Committee Chair: Nathaniel Norment, Ph.D. Hip hop reached its thirty-fifth year of existence in 2008. Hip hop has indeed evolved into a global phenomenon. This dissertation is grounded in Afro-modern, Afrocentric and African-centered theory and utilizes textual and content analysis. This dissertation offers a panoramic view of pre-hip hop era and hip hop era icons, iconology, archetypes and aesthetics and teases out their influence on hip hop aesthetics. I identify specific figures, movements and events within the context of African American and American folk and popular culture traditions and link them to developments within hip hop culture, iconography, and aesthetics. Chapter 1 provides an introduction, which includes a definition of terms, statement of the problem and literature review. It also offers a perfunctory discussion of hip hop -
Cj Just Went
CJ JUST WENT BOOM! “Whoopty” explodes to # 11 in this weeks MMI COMPOSITE 3 out of 6 POWER COMPOSITE categories are TOP 10 TOP 5 MMI ACTION FEBRUARY 22, 2021 Tab le o f Contents 4 #1 Songs THIS week 6 powers 7 action / recurrents 8 hotzone / developiong 9 pro-file 10 video streaming 11 Top 40 callout 12 Hot ac callout 13 future tracks 14 spotlight 15 intelevision 16 methodology 17 the back page Songs this week #1 BY MMI COMPOSITE CATEGORIES 2.22.21 ai r p lay ARIANA GRANDE “34+35” retenTion DUA LIPA “Levitating” callout 24kgoldn “Mood” (ft. Iann Dior) audio OLIVIA RODRIGO “Drivers License” VIDEO CARDI B “Up” SALES CARDI B “Up” COMPOSITE 24kgoldn “Mood” (ft. Iann Dior) Your weekly REsource for music research MondayMorningIntel.com Saweetie IS RADIO’S NEW BEST FRIEND TOP 15 (#14 and building fast) MMI POWER COMPOSITE! DEBUT #17 in MMI CALL-OUT! #13 MMI ACTION (research data out pacing airplay) #8 MMI SALES RANKING mmi-powers 2.22.21 Weighted Airplay, Retention Scores, Streaming Scores, and Sales Scores this week combined and equally weighted deviser Powers Rankers. TW RK TW RK TW RK TW RK TW RK TW RK TW COMP AIRPLAY RETENTION CALLOUT AUDIO VIDEO SALES RANK ARTIST TITLE LABEL 7 3 1 6 15 9 1 24KGOLDN Mood f/Iann Dior RECORDS/Columbia 9 1 18 9 12 5 2 DUA LIPA Levitating Interscope-Warner 4 22 5 1 2 2 3 OLIVIA RODRIGO drivers license Geffen/Interscope 1 5 7 7 13 28 4 ARIANA GRANDE 34+35 Republic 3 2 2 25 18 23 5 CHRIS BROWN X YOUNG THUG Go Crazy Chris Brown/300 Ent.-RCA 11 13 29 3 5 3 6 THE WEEKND Save Your Tears XO/Republic 2 4 3 15 16 33 7 ARIANA GRANDE positions Republic 6 7 12 22 22 13 8 BILLIE EILISH Therefore I Am Darkroom/Interscope 39 x 27 2 1 1 9 CARDI B Up Atlantic 10 6 20 20 17 12 10 TATE MCRAE You Broke Me First RCA 34 x 22 8 6 6 11 CJ Whoopty Warner 12 14 9 17 20 11 12 MACHINE GUN KELLY & BLACKBEAR My Ex’s Best Friend Bad Boy/Interscope 5 9 8 26 27 16 13 JUSTIN BIEBER & BENNY BLANCO Lonely fks/Def Jam-Interscope 27 x 17 16 14 8 14 SAWEETIE Best Friend f/Doja Cat Icy/Artistry/RCA-Warner 19 18 11 19 11 10 15 MEGAN THEE STALLION Body 1501 Certified/300 Ent. -
Global Market View 2020 Independent Music Publishing
INDEPENDENT MUSIC PUBLISHING GLOBAL MARKET VIEW 2020 CONTENTS 1 FOREWORD 2 EXECUTIVE SUMMARY 3 ABOUT IMPF 4 MEMBERS OF IMPF 5 MUSIC PUBLISHING AND INDIE MUSIC PUBLISHERS 6 MAIN CHALLENGES FOR INDIE PUBLISHERS MARKET ANALYSIS 7 GLOBAL TURNOVER OF THE MUSIC INDUSTRY BREAKDOWN OF REPERTOIRE INDIE PUBLISHERS IN EMERGING MARKETS 8 STORIES FROM THE INDUSTRY; WORKING THROUGH A HIT 9 METHODOLOGY 10 ACKNOWLEDGEMENTS 1 1. Foreword Björn Ulvaeus, President of CISAC “I am pleased to introduce this report showing the considerable economic value of the independent publishing sector. This is an important source of knowledge, particularly at a moment of crisis when governments need to understand the true value of music and the creative sector. Earlier this year, I became President of CISAC, representing authors’ societies worldwide. In this role I want to do whatever I can to help better the lives of music creators – to bring them more fairness, better remuneration and more respect of their rights. One way of achieving that is to strengthen the way our organisations work together. We live in a complex, multi-layered music ecosystem. The more societies and publishers can collaborate on solutions, the better they can both serve their ultimate client - the songwriter. I’m pleased to see CISAC and IMPF leading the way. Today, in the middle of the pandemic, music creators are suffering terribly. The recovery will surely come, but at the moment we have no idea when. What we do know is that the present and future are, more than ever, about streaming royalties. And in that sector, so much more needs to be done to get songwriters a better, fairer deal in the digital market.