Comunicado De Novedadesjunio 2012

Total Page:16

File Type:pdf, Size:1020Kb

Comunicado De Novedadesjunio 2012 TM & © DC Comics COMUNICADO DE NOVEDADES JUNIO 2012 TM & © DC Comics Batman persigue por enésima vez al Joker, que parece haber emprendido una oleada de asesinatos especialmente truculentos. La hija de una de sus víctimas, una niña pequeña, se va a convertir en un elemento clave de los primeros episodios de la nueva serie original Detective Comics que ECC Ediciones empieza a publicar este mismo mes en Batman núm. 2. Escrita y dibujada por Tony S. Daniel, que ya lleva cierto tiempo vinculado a la franquicia del Caballero Oscuro, esta aventura va a BATMAN núm. 2 servir para presentar a un nuevo adversario que a buen seguro que no deja indiferente • Guion: Tony S. Daniel a nadie. Pero no todo van a ser penas para • Dibujo: Tony S. Daniel el protagonista, ya que está a punto de • Edición original: Detective Comics núms. 1-2 (09-10/2011) USA – DC Comics conocer a la periodista Charlotte Rivers, • Periodicidad: Mensual la bella fémina que podría convertirse e n • Formato: Grapa, 48 págs. Color. 168x257 mm su próxima novia. • PVP: 3,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 8 6 3 ® TM & © DC Comics Tras finalizar su entrenamiento alrededor del mundo, Bruce Wayne se enfrenta a un doble desafío: utilizar la figura deBatman para imponer el orden en Gotham City y retomar el control de Industrias Wayne, BATMAN: El Caballero Oscuro PRESAGIOS tomando las medidas oportunas para emplear la fortuna familiar en beneficio de • Guion: Joe Casey su cruzada contra el crimen. • Dibujo: Cully Hamner En este contexto, un anodino individuo • Edición original: Batman: Tenses núms. 1-2 (10-11/2003) USA – DC Comics llamado Ted Krosby comienza a • Periodicidad: Número único experimentar visiones apocalípticas, • Formato: Rústica, 136 págs. Color. 168x257 mm presagio de un futuro poco esperanzador. • PVP: 12,95 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 9 6 2 TM & © DC Comics Frank Miller sigue narrando el ocaso del Caballero Oscuro en esta secuela directa de la magistral El regreso del Caballero Oscuro, historia con la que Miller revolucionó la industria del cómic norteamericano en los años ochenta. BATMAN: EL CONTRAATAQUE DEL CABALLERO OSCURO El genial autor, otra vez apoyado por la • Guion: Frank Miller colorista Lynn Varley, nos ofrece el último • Dibujo: Frank Miller capítulo de un envejecido Bruce Wayne • Edición original: The Dark Knight Strikes Again (2002-2006) USA – DC Comics obligado a contraatacar de nuevo para • Periodicidad: Número único traer un poco de esperanza a un mundo al • Formato: Cartoné, 272 págs. Color. 168x257 mm borde del abismo. • PVP: 25,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 3 7 5 TM & © DC Comics Hace tres años, Barbara Gordon, la hija ¡EL NUEVO del comisario de Gotham City, vivió la UNIVERSO DC peor noche de su vida cuando abrió la puerta de su casa y el Joker le disparó a EMPIEZA bocajarro, tras lo cual se quedó parapléjica. Pero Barbara no era una joven normal, ya AQUÍ! que llevaba una doble identidad como Batgirl, una de las principales aliadas del Caballero Oscuro. Ahora, se ha recuperado y está dispuesta a retomar su lucha contra el crimen en una nueva serie regular escrita por Gail Simone (Aves de BATGIRL núm. 1 presa) y dibujada por Ardian Syaf (El día más brillante). Y solo hay dos cosas que • Guion: Gail Simone pueden impedir que siga adelante con su • Dibujo: Ardian Syaf carrera: la fobia a las armas de fuego • Edición original: Batgirl núms. 1-4 (09-12/2011) USA – DC Comics y un misterioso enemigo que la tiene en • Periodicidad: Cuatrimestral una lista de víctimas cuyos nombres va • Formato: Rústica, 96 págs. Color. 168x257 mm tachando poco a poco. • PVP: 8,95 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 9 5 5 TM & © DC Comics ¡El Hombre de Acero se enfrenta por primera vez a un enemigo que está a su SUPERMAN núm. 2 altura! Se trata de John Corben, exnovio de Lois Lone y leal soldado que ha • Guion: Grant Morrison, Sholly Fisch decidido someterse a un experimento • Dibujo: Rags Morales, Gene Ha, Brad Walker que sale bastante mal, como vemos en • Edición original: Action Comics núms. 3-4 (11-12/2011) USA – DC Comics Superman núm. 2, un cómic de Grant • Periodicidad: Mensual Morrison (Batman y Robin) y Rags Morales • Formato: Grapa, 56 págs. Color. 168x257 mm (First Wave). • PVP: 3,95 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 8 7 0 TM & © DC Comics DIBUJADO POR Wesley Dodds, el Sandman de los años cuarenta, ha muerto en extrañas MARCOS MARTÍN circunstancias, y a su funeral acuden tanto viejos amigos como nuevos héroes que desean presentarle sus respetos. Este triste acontecimiento será el catalizador JSA de GEOFF JOHNS núm. 1 de la creación de una Sociedad de la Justicia de América contemporánea • Guion: Geoff Johns, David Goyer, James Robinson donde convivirán justicieros de diferentes • Dibujo: Stephen Sadowski, Derec Aucoin, Marcos Martín, Buzz edades y procedencias que se enfrentarán • Edición original: JSA núms. 1-9, Secret Files núm. 1 (08/1999 - 01/2000) a amenazas tan peligrosas como USA – DC Comics Mordru, Ian Karkull o Black Adam, • Periodicidad: Número único uno de los personajes más poderosos • Formato: Cartoné, 256 págs. Color. 168x257 mm. del Universo DC. • PVP: 24,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 6 2 8 0 2 6 TM & © DC Comics El origen del mejor grupo de superhéroes del mundo continúa en Liga de la Justicia núm. 2, un cuaderno escrito por Geoff Johns (Aquaman) y dibujado por Jim Lee (All Star Batman y LIGA DE LA JUSTICIA núm. 2 Robin). Allí, Hal Jordan y Batman acuden a Metropolis en busca de Superman, • Guion: Geoff Johns que no les ofrece una bienvenida • Dibujo: Jim Lee precisamente amistosa. De hecho, las • Edición original: Justice League núm. 2 (10/2011) USA – DC Comics cosas se ponen tan feas que al dúo no le • Periodicidad: Mensual queda más remedio que pedir ayuda a • Formato: Grapa, 32 págs. Color. 168x257 mm. Flash, el Velocista Escarlata. • PVP: 2,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 8 8 7 TM & © DC Comics DIBUJADO La oscuridad se cierne sobre el mundo. Mientras los héroes más poderosos y POR conocidos, como Superman, Batman, ¡EL Flash o Green Lantern, se unen bajo MIKEL NUEVO el nombre de Liga de la Justicia para UNIVERSO DC afrontar las mayores amenazas del JANÍN planeta, un grupo de héroes mucho menos EMPIEZA convencionales se reúnen en “otra” liga para enfrentarse a los peligros más oscuros AQUÍ! y siniestros de esta nueva realidad. Zatanna, Deadman, Shade, John Constantine y Madame Xanadú son los componentes de la nueva Liga de la LIGA DE LA JUSTICIA OSCURA núm. 1 Justicia Oscura, y van a protegernos desde las sombras si consiguen antes • Guion: Peter Milligan sobrevivir los unos a los otros. Peter • Dibujo: Mikel Janín Milligan y el increíble dibujante Mikel • Edición original: Justice League Dark núms. 1-4 (09-12/2011) USA – DC Comics Janín nos traen una de las series más • Periodicidad: Cuatrimestral interesantes e inquietantes del Nuevo • Formato: Rústica, 96 págs. Color. 168x257 mm. Universo DC. • PVP: 8,95 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 9 1 7 TM & © DC Comics GREEN LANTERN núm. 2 Sinestro se ve obligado a pedir ayuda a • Guion: Geoff Johns, Tony Bedard su odiado Hal Jordan en Green Lantern • Dibujo: Doug Mahnke, Tyler Kirkham núm. 2, donde Geoff Johns (Flashpoint) • Edición original: Green Lantern núm. 2, Green Lantern: New Guardians núm. 2 y Doug Mahnke (Crisis Final) narran una (10/2011) USA – DC Comics alianza que hasta hace poco parecía • Periodicidad: Mensual muy poco probable y que tiene un solo • Formato: Grapa, 48 págs. Color. 168x257 mm. objetivo: la reconquista de Korugar. • PVP: 3,50 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 8 9 4 TM & © DC Comics ¡EL NUEVO UNIVERSO DC EMPIEZA AQUÍ! Este mes comienzan las nuevas aventuras de Diana de Themyscira en Wonder Woman núm. 1, un volumen escrito por Brian Azzarello (100 Balas) y dibujado WONDER WOMAN núm. 1 por Cliff Chiang (Human Target). En él, la princesa acude a Virginia a ayudar a Zola, • Guion: Brian Azzarello una mujer embarazada que ha recibido la • Dibujo: Cliff Chiang visita de dos centauros que pretenden • Edición original: Wonder Woman núms. 1-4 (09-12/2011) USA – DC Comics matarla. Y todo porque hay cierta diosa • Periodicidad: Cuatrimestral del Olimpo que no ha digerido muy bien • Formato: Rústica, 96 págs. Color. 168x257 mm. la última infidelidad de su esposo. • PVP: 8,95 € WWW.eccediciones.com 9 7 8 8 4 1 5 5 2 0 9 8 6 TM & © DC Comics DEL GUIONISTA DE LEYENDAS DEL UNIVERSO DC: ¿Qué invitados acudirán al funeral NEIL GAIMAN celebrado por Batman en un oscuro callejón de Gotham City? ¿Acaso • Guion: Neil Gaiman ha muerto realmente el Hombre • Dibujo: Teddy Kristiansen, Andy Kubert, Simon Bisley, Mark Buckingham, Murciélago? ¿Cómo ocupa sus días Mike Hoffman, Bernie Mireault, Mike Allred, Eddie Campbell, Mike Allred, un fantasma que no puede acceder al Mark Buckingham, John Totleben, Matt Wagner, Eric Shanower, Jim Aparo, Más Allá? ¿Por qué son necesarias las Kevin Nowlan, Jason Little habilidades de un Hombre Elemental • Edición original: Whatever Happened to the Caped Crusader?, Solo núm. 8, para descifrar los misterios de la Wednesday Comics 2010 series - Metamorpho, Batman: Black and White núm.
Recommended publications
  • ‚Every Day Is 9/11!•Ž: Re-Constructing Ground Zero In
    JUCS 4 (1+2) pp. 241–261 Intellect Limited 2017 Journal of Urban Cultural Studies Volume 4 Numbers 1 & 2 © 2017 Intellect Ltd Article. English language. doi: 10.1386/jucs.4.1-2.241_1 MARTIN LUND Linnaeus University ‘Every day is 9/11!’: Re-constructing Ground Zero in three US comics ABSTRACT KEYWORDS This article analyses three comics series: writer Brian K. Vaughan and artist Tony comics Harris’ Ex Machina (August 2004–August 2010); writer Brian Wood and artist Ground Zero Riccardo Burchielli’s DMZ (November 2005–February 2012); and writer Garth 9/11 Ennis and artist Darick Robertson’s The Boys (October 2006–November 2012). archifictions Taking literary critic Laura Frost’s concept of ‘archifictions’ as its starting point, the War on Terror article discusses how these series frame the September 11 attacks on New York and architecture their aftermath, but its primary concern is with their engagement with the larger social ramifications of 9/11 and with the War on Terror, and with how this engage- ment is rooted in and centred on Ground Zero. It argues that this rooting allows these comics’ creators to critique post-9/11 US culture and foreign policy, but that it also, ultimately, serves to disarm the critique that each series voices in favour of closure through recourse to recuperative architecture. The attacks on September 11 continue to be felt in US culture. Comics are no exception. Comics publishers, large and small, responded immediately and comics about the attacks or the War on Terror have been coming out ever since. Largely missing from these comics, however, is an engagement with Ground Zero; after depicting the Twin Towers struck or falling, artists and writers rarely give the area a second thought.
    [Show full text]
  • Urzedowy Wykaz Drukow
    ISSNISSN 2719-308X 1689-6521 URZĘDOWY WYKAZ DRUKÓW WYDANYCH W RZECZYPOSPOLITEJ POLSKIEJ PRZEWODNIK BIBLIOGRAFICZNY BIBLIOTEKA NARODOWA R. 7675(87) (88) Warszawa, Warszawa, 23–31 15–21 grudnia czerwca 2019 2020 r. r. Nr Nr 52 24 Poz. Poz. 37771–38349 18611–19504 WYKAZ DZIAŁÓW UKD 0 DZIAŁ OGÓLNY. Nauka i wiedza. Bibliologia. 622 Górnictwo Informacja. Bibliografia. Bibliotekarstwo. 629 Technika środków transportu Organizacje. Muzea 63 Rolnictwo 0/9(03) Encyklopedie i leksykony o treści ogólnej 630 Leśnictwo 004 Informatyka 631/635 Uprawa roślin. Ogrodnictwo 005 Zarządzanie 636/639 Zootechnika.Weterynaria 07 Mass media. Środki masowego przekazu. 64 Gospodarstwo domowe. Hotelarstwo. Medioznawstwo Gastronomia 1 FILOZOFIA 65 Telekomunikacja. Przemysł poligraficzny. 159.9 Psychologia Działalność wydawnicza 2 RELIGIA. TEOLOGIA 656 Organizacja transportu 27 Chrześcijaństwo. Kościoły chrześcijańskie 657 Rachunkowość. Księgowość 272 Katolicyzm. Kościół rzymskokatolicki 658 Organizacja przedsiębiorstw. Organizacja 3 NAUKI SPOŁECZNE i technika handlu 30 Metodologia nauk społecznych. Polityka 659 Reklama. Public relations społeczna. Gender studies. Socjografia 66/68 Przemysł. Rzemiosło 311+314 Statystyka. Demografia 69 Przemysł budowlany 316 Socjologia 7 SZTUKA. ROZRYWKI. SPORT 32 Nauki polityczne. Polityka 71 Planowanie przestrzenne. Urbanistyka. 33 Nauki ekonomiczne. Praca. Gospodarka Architektura krajobrazu regionalna. Spółdzielczość 72 Architektura 336 Finanse. Podatki 73/76 Sztuki plastyczne. Rzeźba. Rysunek. 338/339 Gospodarka narodowa. Handel. Gospodarka Rzemiosło artystyczne. Malarstwo. Grafika światowa 77 Fotografia 338.48 Turystyka 78 Muzyka 34+351/354 Prawo. Administracja publiczna 79 Rozrywki towarzyskie. Taniec. Zabawy. Gry 355/359 Wojskowość. Nauki wojskowe. Sztuka wojenna. 791/792 Film. Teatr Siły zbrojne 796/799 Sport. Kultura fizyczna 36 Opieka społeczna. Ubezpieczenia. 8 JĘZYKOZNAWSTWO. NAUKA Konsumeryzm O LITERATURZE. LITERATURA PIĘKNA 37 Oświata.Wychowanie.
    [Show full text]
  • Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
    COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image.
    [Show full text]
  • Friday, March 21St Saturday, March 22Nd
    Friday, March 21st Hernandez’s Recent Narratives - Derek Royal 9-10:15 AM – Panel 1: The "Body" of 4-6 PM – Dinner the Text 6-7:30 – Phoebe Gloeckner Keynote → “Time is a Man / Space is a Woman”: Narrative + Visual Pleasure = Gender 7:30-9:30 – Reception Ustler Hall Confusion – Aaron Kashtan → Eggs, Birds and “an Hour for Lunch”: A Saturday, March 22nd Vision of the Grotesque Body in Clyde Fans: Book 1 by Seth - John Kennett 9-10:15 – Panel 5: The Figure on the → Love in the Binding – Laurie Taylor Page 10:30-11:45 – Panel 2: Groensteen's → "Gimme Gimme This, Gimme Gimme Networked Relations That": Confused Sexualities and Genres in Cooper and Myerson's Horror Hospital → Memory and Sexuality: An Arthrological Unplugged – James Newlin Study of Alison Bechdel’s Fun Home: A → How to Draw the (DC and) Marvel Way: Family Tragicomic - Adrielle Mitchell How Changes in Representation of Female → The Joy of Plex: Erotic Arthrology, Bodies and Attitudes are Changing Tromplographic Intercourse, and "Superheroine Chic" – Mollie Dezern “Interspecies Romances” in Howard → "The Muse or the Viper: Excessive Chaykin’s American Flagg - Daniel Yezbick Depictions of the Female in Les Bas-Bleus → Our Minds in the Gutters: Native and Cerebus" – Tof Eklund American Women, Sexuality, and George O’Connor’s Graphic Novel Journey into 10:30-11:45 – Panel 7: Let's Transgress Mohawk Country - Melissa Mellon → I for Integrity: Futurity, 11:45-1:15 – Lunch (Inter)Subjectivities, and Sidekicks in Alan 1:15-2:30 – Panel 3: Women on Top Moore's V for Vendetta and Frank
    [Show full text]
  • Decoder Ring--Reprints and Refrigerators in "The American Comic Book (Critical Insights)" Jerry Spiller Art Institute of Charleston, [email protected]
    Against the Grain Volume 27 | Issue 6 Article 43 2015 Decoder Ring--Reprints and Refrigerators in "The American Comic Book (Critical Insights)" Jerry Spiller Art Institute of Charleston, [email protected] Follow this and additional works at: https://docs.lib.purdue.edu/atg Part of the Library and Information Science Commons Recommended Citation Spiller, Jerry (2015) "Decoder Ring--Reprints and Refrigerators in "The American Comic Book (Critical Insights)"," Against the Grain: Vol. 27: Iss. 6, Article 43. DOI: https://doi.org/10.7771/2380-176X.7256 This document has been made available through Purdue e-Pubs, a service of the Purdue University Libraries. Please contact [email protected] for additional information. Decoder Ring — Reprints and Refrigerators in “The American Comic Book (Critical Insights)” Column Editor: Jerry Spiller (Art Institute of Charleston) <[email protected]> often lament that printed academic and schol- “Comic Fandom Through the Ages” sums up The essayists also note the lack of credit arly works lag behind online sources in time- changes in readership and the relationship and “larger than life” appeal afforded to even Iliness. To a degree, this is a simple necessity. between readers, creators, and the tone and positively portrayed female characters, as any I was pleasantly surprised in this regard subject matter and tone. The changes in both heroism or actual plot contributions they make when reading through the Salem Press volume fandom and creators detailed by Munson and are are often simply forgotten or overshadowed The American Comic Book, part of their Critical Helvie work well together to set up Katherine by the acts of male figures.
    [Show full text]
  • Why Wonder Woman Matters
    Why Wonder Woman Matters When I was a kid, being a hero seemed like the easiest thing in the world to be- A Blue Beetle quote from the DC Comics publication The OMAC Project. Introduction The superhero is one of modern American culture’s most popular and pervasive myths. Though the primary medium, the comic book, is often derided as juvenile or material fit for illiterates the superhero narrative maintains a persistent presence in popular culture through films, television, posters and other mediums. There is a great power in the myth of the superhero. The question “Why does Wonder Woman matter?” could be answered simply. Wonder Woman matters because she is a member of this pantheon of modern American gods. Wonder Woman, along with her cohorts Batman and Superman represent societal ideals and provide colorful reminders of how powerful these ideals can be.1 This answer is compelling, but it ignores Wonder Woman’s often turbulent publication history. In contrast with titles starring Batman or Superman, Wonder Woman comic books have often sold poorly. Further, Wonder Woman does not have quite the presence that Batman and Superman both share in popular culture.2 Any other character under similar circumstances—poor sales, lack of direction and near constant revisions—would have been killed off or quietly faded into the background. Yet, Wonder Woman continues to persist as an important figure both within her comic universe and in our popular consciousness. “Why does Wonder Woman matter?” To answer this question an understanding of the superhero and their primary medium, the comic book, is required, Wonder Woman is a comic book character, and her existence in the popular consciousness largely depends on how she is presented within the conventions of the comic book superhero narrative.
    [Show full text]
  • Bearing Witness to Female Trauma in Comics: An
    BEARING WITNESS TO FEMALE TRAUMA IN COMICS: AN ANALYSIS OF WOMEN IN REFRIGERATORS By Lauren C. Watson, B.A. A thesis submitted to the Graduate Council of Texas State University in partial fulfillment of the requirements for the degree of Master of Arts with a Major in Literature May 2018 Committee Members: Rebecca Bell-Metereau, Chair Rachel Romero Kathleen McClancy COPYRIGHT by Lauren C. Watson 2018 FAIR USE AND AUTHOR’S PERMISSION STATEMENT Fair Use This work is protected by the Copyright Laws of the United States (Public Law 94-553, section 107). Consistent with fair use as defined in the Copyright Laws, brief quotations from this material are allowed with proper acknowledgement. Use of this material for financial gain without the author’s express written permission is not allowed. Duplication Permission As the copyright holder of this work I, Lauren C. Watson, refuse permission to copy in excess of the “Fair Use” exemption without my written permission. DEDICATION For my Great Aunt Vida, an artist and teacher, who was the star of her own story in an age when women were supporting characters. She was tough and kind, stingy and giving in equal measures. Vida Esta gave herself a middle name, because she could and always wanted one. Ms. Light was my first superheroine and she didn’t need super powers. ACKNOWLEDGMENTS Three years ago, I woke up in the middle of the night with an idea for research that was daunting. This thesis is the beginning of bringing that idea to life. So many people helped me along the way.
    [Show full text]
  • Celebrating 10 Years! COMIC-CON 2017 the GUIDE
    ¢ No.9 50 JULY SAN DIEGO SAN DIEGO 2017 COMIC-CON COMIC-CON 48-page anniversary edition! SURVIVAL GUIDE THEGUIDE Celebrating 10 years! COMIC-CON 2017 THE GUIDE TABLE OF CONTENTS Introduction ........................................................................................3 Marvel Heroes ....................................................................................4 Superhero Showdown .......................................................................8 Legends of DC .....................................................................................9 That Was a Comic Book? ................................................................10 Click Picks Comics ...........................................................................12 Heroes & Villains ..............................................................................14 You Know, For Kids! .........................................................................15 Comic-Con Exclusives .....................................................................17 Flights of Fantasy .............................................................................19 Level Up! ............................................................................................20 How to Speak Geek ..........................................................................21 In a Galaxy Far, Far Away ...............................................................26 The Final Frontier .............................................................................27 Invasion! ............................................................................................28
    [Show full text]
  • Mcwilliams Ku 0099D 16650
    ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry © 2019 By Ora Charles McWilliams Submitted to the graduate degree program in American Studies and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Henry Bial Germaine Halegoua Joo Ok Kim Date Defended: 10 May, 2019 ii The dissertation committee for Ora Charles McWilliams certifies that this is the approved version of the following dissertation: ‘Yes, But What Have You Done for Me Lately?’: Intersections of Intellectual Property, Work-for-Hire, and The Struggle of the Creative Precariat in the American Comic Book Industry Co-Chair: Ben Chappell Co-Chair: Elizabeth Esch Date Approved: 24 May 2019 iii Abstract The comic book industry has significant challenges with intellectual property rights. Comic books have rarely been treated as a serious art form or cultural phenomenon. It used to be that creating a comic book would be considered shameful or something done only as side work. Beginning in the 1990s, some comic creators were able to leverage enough cultural capital to influence more media. In the post-9/11 world, generic elements of superheroes began to resonate with audiences; superheroes fight against injustices and are able to confront the evils in today’s America. This has created a billion dollar, Oscar-award-winning industry of superhero movies, as well as allowed created comic book careers for artists and writers.
    [Show full text]
  • With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne
    East Tennessee State University Digital Commons @ East Tennessee State University Undergraduate Honors Theses Student Works 12-2017 With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics Kylee Kilbourne Follow this and additional works at: https://dc.etsu.edu/honors Part of the American Popular Culture Commons, Children's and Young Adult Literature Commons, and the Women's Studies Commons Recommended Citation Kilbourne, Kylee, "With Great Power: Examining the Representation and Empowerment of Women in DC and Marvel Comics" (2017). Undergraduate Honors Theses. Paper 433. https://dc.etsu.edu/honors/433 This Honors Thesis - Open Access is brought to you for free and open access by the Student Works at Digital Commons @ East Tennessee State University. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of Digital Commons @ East Tennessee State University. For more information, please contact [email protected]. WITH GREAT POWER: EXAMINING THE REPRESENTATION AND EMPOWERMENT OF WOMEN IN DC AND MARVEL COMICS by Kylee Kilbourne East Tennessee State University December 2017 An Undergraduate Thesis Submitted in Partial Fulfillment For the Midway Honors Scholars Program Department of Literature and Language College of Arts and Sciences ____________________________ Dr. Phyllis Thompson, Advisor ____________________________ Dr. Katherine Weiss, Reader ____________________________ Dr. Michael Cody, Reader 1 ABSTRACT Throughout history, comic books and the media they inspire have reflected modern society as it changes and grows. But women’s roles in comics have often been diminished as they become victims, damsels in distress, and sidekicks. This thesis explores the problems that female characters often face in comic books, but it also shows the positive representation that new creators have introduced over the years.
    [Show full text]
  • Title of Book/Magazine/Newspaper Author/Issue Datepublisher Information Her Info
    TiTle of Book/Magazine/newspaper auThor/issue DaTepuBlisher inforMaTion her info. faciliT Decision DaTe censoreD appealeD uphelD/DenieD appeal DaTe fY # American Curves Winter 2012 magazine LCF censored September 27, 2012 Rifts Game Master Guide Kevin Siembieda book LCF censored June 16, 2014 …and the Truth Shall Set You Free David Icke David Icke book LCF censored October 5, 2018 10 magazine angel's pleasure fluid issue magazine TCF censored May 15, 2017 100 No-Equipment Workout Neila Rey book LCF censored February 19,2016 100 No-Equipment Workouts Neila Rey book LCF censored February 19,2016 100 of the Most Beautiful Women in Painting Ed Rebo book HCF censored February 18, 2011 100 Things You Will Never Find Daniel Smith Quercus book LCF censored October 19, 2018 100 Things You're Not Supposed To Know Russ Kick Hampton Roads book HCF censored June 15, 2018 100 Ways to Win a Ten-Spot Comics Buyers Guide book HCF censored May 30, 2014 1000 Tattoos Carlton Book book EDCF censored March 18, 2015 yes yes 4/7/2015 FY 15-106 1000 Tattoos Ed Henk Schiffmacher book LCF censored December 3, 2007 101 Contradictions in the Bible book HCF censored October 9, 2017 101 Cult Movies Steven Jay Schneider book EDCF censored September 17, 2014 101 Spy Gadgets for the Evil Genius Brad Graham & Kathy McGowan book HCF censored August 31, 2011 yes yes 9/27/2011 FY 12-009 110 Years of Broadway Shows, Stories & Stars: At this Theater Viagas & Botto Applause Theater & Cinema Books book LCF censored November 30, 2018 113 Minutes James Patterson Hachette books book
    [Show full text]
  • The Starman Omnibus Vol. 2 PDF Book
    THE STARMAN OMNIBUS VOL. 2 PDF, EPUB, EBOOK James Robinson | 416 pages | 11 Sep 2012 | DC Comics | 9781401221959 | English | New York, NY, United States The Starman Omnibus Vol. 2 PDF Book Martin Luther King Jr. Collects Starman 2nd Series and 1,,, Stars and S. It's stuck somewhere between a character-driven indie comic like Strangers In Paradise and a classic DC superhero comic. Fate, the Shade, and the Golden Age Sandman. In the pages of Starman we get a looser, more cartoony style from Harris, but with hint at the refined style he currently draws in. This made me realize that I am not a huge fan of Tony Harris's art. All rights reserved. Zero Hour: Crisis in Time 25th Anniversary. However, he got stranded on Earth, the Kingdom Come universe, thus witnessing the dramatic events on that Earth and receiving added damage to his frail mind, worsened by the lack of the advanced medication to which he had had access in his own time. Of course there is his wise mentor in his father, Ted. Books by James Robinson. Help Learn to edit Community portal Recent changes Upload file. Creepy Eerie. From Wikipedia, the free encyclopedia. Much like Opal City itself, Robinson crafts a fantastic blend of old and new in his story. He pickpocketed a pistol and fired on the group. An old guy now, but his thought process is shown here, and his arc striked curiosity inside of me: now I want to know more about the character, and how he was when younger This book gave me a bunch of mixed feelings.
    [Show full text]