Numbers 33-34 2011 Adaptation
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
To Download the PDF Press
A Cinema Guild release 2018 / 188 minutes / 2.39:1 / DCP Dolby Digital 5.1 / Turkish PRESS BOOKING Adam Walker Tom Sveen Film Forum, 212.627.2035 Cinema Guild [email protected] [email protected] The Cinema Guild, Inc. 2803 Ocean Ave Brooklyn, NY 11229 Tel: (212) 685-6242, Fax: (212) 685-4717 www.cinemaguild.com Press Materials: http://www.cinemaguild.com/theatrical/wildpeartree_press.htm SYNOPSIS Sinan (Aydin Doğu Demirkol), an aspiring writer, returns home after university hoping to scrape together enough money to publish his first novel. He wanders the town encountering old flames and obstinate gatekeepers and finds his youthful ambition increasingly at odds with the deferred dreams of his gambling- addict father (Murat Cemcir). As his own fantasies mingle with reality, Sinan grapples with the people and the place that have made him who he is. Following in the great tradition of family dramas like Death of a Salesman and Long Day’s Journey Into Night, The Wild Pear Tree weaves an evocative tale of creative struggle and familial responsibility with inspired performances, sumptuous imagery and surprising bursts of humor. It’s one of Ceylan’s most personal works to date, a film as rich, layered and uncompromising as the novel its headstrong hero is working to publish. DIRECTOR’S NOTE To make contact with other entities, every person has to reach out of their sheltered cave and take a certain amount of risk. If one reaches out too much and goes too far, one may lose their own orientation, their own identity. And if one fears this too much, one will start refusing to reach out, restrain themselves and retreat, in turn suspending their own growth and development. -
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak
Emotional and Linguistic Analysis of Dialogue from Animated Comedies: Homer, Hank, Peter and Kenny Speak. by Rose Ann Ko2inski Thesis presented as a partial requirement in the Master of Arts (M.A.) in Human Development School of Graduate Studies Laurentian University Sudbury, Ontario © Rose Ann Kozinski, 2009 Library and Archives Bibliotheque et 1*1 Canada Archives Canada Published Heritage Direction du Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington OttawaONK1A0N4 OttawaONK1A0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-57666-3 Our file Notre reference ISBN: 978-0-494-57666-3 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, prefer, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distribute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation. -
Three Monkeys
THREE MONKEYS (Üç Maymun) Directed by Nuri Bilge Ceylan Winner Best Director Prize, Cannes 2008 Turkey / France/ Italy 2008 / 109 minutes / Scope Certificate: 15 new wave films Three Monkeys Director : Nuri Bilge Ceylan Producer : Zeynep Özbatur Co-producers: Fabienne Vonier Valerio De Paolis Cemal Noyan Nuri Bilge Ceylan Scriptwriters : Ebru Ceylan Ercan Kesal Nuri Bilge Ceylan Director of Photography : Gökhan Tiryaki Editors : Ayhan Ergürsel Bora Gökşingöl Nuri Bilge Ceylan Art Director : Ebru Ceylan Sound Engineer : Murat Şenürkmez Sound Editor : Umut Şenyol Sound Mixer : Olivier Goinard Production Coordination : Arda Topaloglu ZEYNOFILM - NBC FILM - PYRAMIDE PRODUCTIONS - BIM DISTRIBUZIONE In association with IMAJ With the participation of Ministry of Culture and Tourism Eurimages CNC COLOUR – 109 MINUTES - HD - 35mm - DOLBY SR SRD - CINEMASCOPE TURKEY / FRANCE / ITALY new wave films Three Monkeys CAST Yavuz Bingöl Eyüp Hatice Aslan Hacer Ahmet Rıfat Şungar İsmail Ercan Kesal Servet Cafer Köse Bayram Gürkan Aydın The child SYNOPSIS Eyüp takes the blame for his politician boss, Servet, after a hit and run accident. In return, he accepts a pay-off from his boss, believing it will make life for his wife and teenage son more secure. But whilst Eyüp is in prison, his son falls into bad company. Wanting to help her son, Eyüp’s wife Hacer approaches Servet for an advance, and soon gets more involved with him than she bargained for. When Eyüp returns from prison the pressure amongst the four characters reaches its climax. new wave films Three Monkeys Since the beginning of my early youth, what has most intrigued, perplexed and at the same time scared me, has been the realization of the incredibly wide scope of what goes on in the human psyche. -
Listado Obras Reparto Extraordinario SOGECABLE Emisión Analógica.Xlsx
Listado de obras audiovisuales Reparto Extraordinario SOGECABLE (Emisión Analógica) Canal Plus 1995 - 2005 Cuatro 2005 - 2009 Dossier informativo Departamento de Reparto Página 1 de 818 Tipo Código Titulo Tipo Año Protegida Obra Obra Obra Producción Producción Globalmente Actoral 20021 ¡DISPARA! Cine 1993 Actoral 17837 ¡QUE RUINA DE FUNCION! Cine 1992 Actoral 201670 ¡VAYA PARTIDO!- Cine 2001 Actoral 17770 ¡VIVEN!- Cine 1993 Actoral 136956 ¿DE QUE PLANETA VIENES?- Cine 2000 Actoral 74710 ¿EN VIVO O EN VITRO? Cine 1996 Actoral 53383 ¿QUE HAGO YO AQUI, SI MAÑANA ME CASO? Cine 1994 Actoral 175 ¿QUE HE HECHO YO PARA MERECER ESTO? Cine 1984 Actoral 20505 ¿QUIEN PUEDE MATAR A UN NIÑO? Cine 1976 Actoral 12776 ¿QUIEN TE QUIERE BABEL? Cine 1987 Actoral 102285 101 DALMATAS (MAS VIVOS QUE NUNCA)- Cine 1996 Actoral 134892 102 DALMATAS- Cine 2000 Actoral 99318 12:01 TESTIGO DEL TIEMPO- Cine 1994 Actoral 157523 13 CAMPANADAS Cine 2001 Actoral 135239 15 MINUTOS- Cine 2000 Actoral 256494 20.000 LEGUAS DE VIAJE SUBMARINO I- Cine 1996 Actoral 256495 20.000 LEGUAS DE VIAJE SUBMARINO II- Cine 1996 Actoral 102162 2013 RESCATE EN L.A.- Cine 1995 Actoral 210841 21 GRAMOS- Cine 2003 Actoral 105547 28 DIAS Cine 2000 Actoral 165951 28 DIAS DESPUES Cine 2002 Actoral 177692 3 NINJAS EN EL PARQUE DE ATRACCIONES- Cine 1998 Actoral 147123 40 DIAS Y 40 NOCHES- Cine 2002 Actoral 126095 60 SEGUNDOS- Cine 2000 Actoral 247446 69 SEGUNDOS (X) Cine 2004 Actoral 147857 8 MILLAS- Cine 2002 Actoral 157897 8 MUJERES Cine 2002 Actoral 100249 8 SEGUNDOS- Cine 1994 Página 2 de 818 -
Once Upon a Time in Anatolia
A Cinema Guild Release Once Upon a Time in Anatolia A film by Nuri Bilge Ceylan 157 minutes / 35mm / 2.35 / Dolby Digital / Turkey / Not Rated In Turkish with English Subtitles / Stills available at: www.cinemaguild.com/downloads The Cinema Guild, Inc. 115 West 30th Street, Suite 800 New York, NY 10001‐4061 Tel: (212) 685‐6242, Fax: (212) 685‐4717 www.cinemaguild.com Once Upon a Time in Anatolia Synopsis Late one night, an array of men- a police commissioner, a prosecutor, a doctor, a murder suspect and others- pack themselves into three cars and drive through the endless Anatolian country side, searching for a body across serpentine roads and rolling hills. The suspect claims he was drunk and can’t quite remember where the body was buried; field after field, they dig but discover only dirt. As the night draws on, tensions escalate, and individual stories slowly emerge from the weary small talk of the men. Nothing here is simple, and when the body is found, the real questions begin. At once epic and intimate, Ceylan’s latest explores the twisted web of truth, and the occasional kindness of lies. About the Film Once Upon a Time in Anatolia was the recipient of the Grand Prix at the Cannes film festival in 2011. It was an official selection of New York Film Festival and the Toronto International Film Festival. Once Upon a Time in Anatolia Biography: Born in Bakırköy, Istanbul on 26 January 1959, Nuri Bilge Ceylan spent his childhood in Yenice, his father's hometown in the North Aegean province of Çanakkale. -
The Silence of Lorna
ONCE UPON A TIME IN ANATOLIA (Bir Zamanlar Anadolu'da) Directed by Nuri Bilge Ceylan Winner Grand Prix, Cannes 2011 Selected for the forthcoming London Film Festival 2011 Turkey/Bosnia-Herzogovina 2011 / 157 minutes / Scope Certificate: 15 Release date: 16 March 2012 FOR ALL PRESS ENQUIRIES PLEASE CONTACT:- Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/ E-Mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT:- Robert Beeson – New Wave Films 10 Margaret St London W1W 8RL Tel: 020 3178 7095/ E-Mail: [email protected] new wave films Once Upon A Time in Anatolia Director Nuri Bilge Ceylan Producer Zeynep Özbatur Atakan Co-producers: Mirsad Purivatra (Prod2006) Eda Arıkan (1000 volt) İbrahim Şahin (TRT) Müge Kolat (İmaj) Murat Akdilek (Fida Film) Nuri Bilge Ceylan (NBC Film) Scriptwriters Ercan Kesal Ebru Ceylan Nuri Bilge Ceylan Director of Photography Gökhan Tiryaki Editors Bora Gökşingöl Nuri Bilge Ceylan Art Director Dilek Yapkuöz Ayaztuna Sound Engineers Okan Selçuk (Melodika) Mehmet Kılıçel (Selekt) Sound Editor Thomas Robert Sound Mixers Ulaş Ağçe (İmaj) Erkan Altınok (1000 volt) Foley Artist Francois Lepouple Casting Don Kişot Kasting Production Coordinator Çağrı Erdoğan Turkey/Bosnia Herzogovina 2011 157 mins Cinemascope new wave films Once Upon A Time in Anatolia CAST Muhammet Uzuner Doctor Cemal Yılmaz Erdoğan Police Chief Naci Taner Birsel Prosecutor Nusret Ahmet Mümtaz Taylan Driver Arab Ali Fırat Tanış Suspect Kenan Ercan Kesal Mukhtar Erol Eraslan Murder Victim Yaşar Uğur Arslanoğlu Courthouse -
200 SOUTH PARK FRAGEN Hier Findet Ihr Alle Antworten Zum Ultimativen Planearium.De South Park Quiz
200 SOUTH PARK FRAGEN Hier findet ihr alle Antworten zum ultimativen Planearium.de South Park Quiz ALLGEMEINE FRAGEN 1 Welches Jubiläum feiert SP dieses Jahr? 10 Jahre 100 Folgen 20 Jahre 200 Folgen 2 Wovon gibt es in South Park mehr als genug? Erdbeeren Schnee Steinkohle Sand Welcher Anime-Serie wurde eine Folge 3 Sailor Moon Dragonball Pokémon Yu-Gi Oh gewidmet? 4 Welche Klassen besuchten die Kinder bisher? 1. und 2. 3. und 4. 2. und 3. 4. und 5. 5 Was für ein Haustier hat Cartman? Hund Fisch Katze Elefant Großbritannie 6 Aus welchem Land stammt die Serie South Park? U.S.A. Deutschland Niederlande n 7 Worunter hatte Kyle bisher nicht zu leiden? Hämorrhoiden Windpocken Aids Karies Mr. Hankey Cherokee Hair Okama 8 Was wurde nicht mit Realszenen beworben? Chinpokomon Spiel Tampons Gamesphere 9 Welche Farbe hat das Schuldach? Orange Blau Lila Gelb 10 Was steht auf dem Kino South Parks? Bioscope Bijou Cinema Movie Palace Drawn 11 Welche Serie gibt es noch länger als SP? Die Simpsons Family Guy Futurama Together 12 Wann lief die 100. South Park Folge? 5. Staffel 6. Staffel 7. Staffel 8. Staffel 13 Von wie viel Dollar reden Chefs Eltern dauernd? 2,40 3,50 4,60 5,10 Der Maulwurf macht das Geräusch einer 14 Antilope Giraffe Hyäne Ziege sterbenden... Wie viele Flöten (etwa) erzeugen den braunen 15 200.000 400.000 2 Millionen 4 Millionen Ton? 16 Wer ist (laut SP) das intelligenteste Lebewesen? Kühe Delfine Menschen Mannbärsch. 17 Welche Farbe hat Jimmys Wohnzimmerboden? grün gelb braun lila 18 Seit wann gibt es die Website Planearium.de? 2000 -
Gruda Mpp Me Assis.Pdf
MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK ASSIS 2011 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM SOUTH PARK Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Orientador: Prof. Dr. José Sterza Justo Trabalho financiado pela CAPES ASSIS 2011 Dados Internacionais de Catalogação na Publicação (CIP) Biblioteca da F.C.L. – Assis – UNESP Gruda, Mateus Pranzetti Paul G885d O discurso politicamente incorreto e do escracho em South Park / Mateus Pranzetti Paul Gruda. Assis, 2011 127 f. : il. Dissertação de Mestrado – Faculdade de Ciências e Letras de Assis – Universidade Estadual Paulista Orientador: Prof. Dr. José Sterza Justo. 1. Humor, sátira, etc. 2. Desenho animado. 3. Psicologia social. I. Título. CDD 158.2 741.58 MATEUS PRANZETTI PAUL GRUDA O DISCURSO POLITICAMENTE INCORRETO E DO ESCRACHO EM “SOUTH PARK” Dissertação apresentada à Faculdade de Ciências e Letras de Assis – UNESP – Universidade Estadual Paulista para a obtenção do título de Mestre em Psicologia (Área de Conhecimento: Psicologia e Sociedade) Data da aprovação: 16/06/2011 COMISSÃO EXAMINADORA Presidente: PROF. DR. JOSÉ STERZA JUSTO – UNESP/Assis Membros: PROF. DR. RAFAEL SIQUEIRA DE GUIMARÃES – UNICENTRO/ Irati PROF. DR. NELSON PEDRO DA SILVA – UNESP/Assis GRUDA, M. P. P. O discurso do humor politicamente incorreto e do escracho em South Park. -
WINTER SLEEP (Kiş Uykusu)
WINTER SLEEP (Kiş Uykusu) A film by Nuri Bilge Ceylan FIPRESCI Prize Cannes 2014 196 min - 1:2.40 - 5.1 - Turkey / Germany / France Opens November 21, 2014 FOR ALL PRESS ENQUIRIES PLEASE CONTACT Sue Porter/Lizzie Frith – Porter Frith Ltd Tel: 020 7833 8444/E-mail: [email protected] FOR ALL OTHER ENQUIRIES PLEASE CONTACT Robert Beeson – New Wave Films [email protected] 10 Margaret Street London W1W 8RL Tel: 020 3178 7095 newwavefilms.co.uk Synopsis The film is set in the hilly landscape of Cappadocia in Central Anatolia, where the local celebrity, a former actor Aydin (Haluk Bilginer), owns a small hotel cut into the hillside. It’s now winter and the off-season. Aydin runs the hotel with his younger wife Nihal (Melisa Sözen), writes a column for the local newspaper, and is playing with the idea of producing a book on Turkish theatre. He has also inherited local properties from his father, but leaves the business of rent collection to his agent. When a local boy, resentful of his father’s humiliation at the hands of the agent, throws a stone at a jeep whilst Aydin and his agent are driving in it, Aydin ducks out of any responsibility or involvement. As the film progresses, the cocoon in which the self-satisfied and insular man has wrapped himself is gradually unravelled . In a series of magnificent set pieces, the film takes a close look at Aydin's interactions with his wife, his recently divorced sister, and the family of the stone-throwing boy. Aydin is finally brought face-to-face with who and what he truly is. -
Nuri Bilge Ceylan Ve Yavaş Sinema
T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA ANABİLİM DALI NURİ BİLGE CEYLAN VE YAVAŞ SİNEMA Yüksek Lisans Tezi Kurtuluş ÖZYAZICI Ankara, 2019 T.C. ANKARA ÜNİVERSİTESİ SOSYAL BİLİMLER ENSTİTÜSÜ RADYO TELEVİZYON SİNEMA ANABİLİM DALI NURİ BİLGE CEYLAN VE YAVAŞ SİNEMA Yüksek Lisans Tezi Kurtuluş ÖZYAZICI Tez Danışmanı Doç. Dr. Ali KARADOĞAN Ankara, 2019 T.C. ANKARA thrivnnsirnsi SoSyAL nir,iıvır,nn ENsrirüsü RADyo rnınvizyoN siNnıvr,q. aNınir,iM DALI Kurtuluş Özvızıcı NURİ gİl,çE CEvLAN VE vAVAş SİNEMA Yiiksek Lisans Tezi Tez Danışmanı: Doç. Dr. Ali KARADOĞaN Tez Jiirisi Üyeleri Adı ve soyadı .bşsı..*,.tıİ .Ki6o ğç, ııı.t (şmutnnD ","|,;,-tro.r.t.D.ü:., ", S.,.krL=r) İİ"a;rU l, Ü*rin. Ux*İ 6$11 fionbf çfo., Tez Srnavr Tarihi: 31.1Z. 2§t9 TURKiYE CUMHURiYETi ANI(ARA UNivnnsirnsi sosyAr, niriulnR ENsrirtisU nntiutinl,UGU'nn Bu belge ile bu tezdeki biifiin bilgilerin akademik kurallara ve etik dawamg ilkelerine uygun olarak toplamp sunuldugunu beyan ederim. Bu kural ve ilkelerin gereli olarak, gahgmada bana ait olmayan ttim veri, diigtince ve sonuglan andrlrmr ve kayna[rru gdsterdigimi aynca beyan ederim. (SnltZZOfl T ezi Hazrlayan O grencinin Adr Soyadr i. q KW}-r\-r. L. r .D1, tl*q ÖNSÖZ Tezin oluşum sürecinden tamamlanana kadarki her aşamasında büyük bir özveriyle destek olan Doç. Dr. Ali Karadoğan’a, sinema sevgimin oluşmasına katkı sunan Prof. Dr. Oğuz Onaran’a, her zaman yanımda olan ailem Şerafettin, Sevim, Nilay ve Yeşim’e ve varlıklarıyla beni cesaretlendiren ve hep mutlu eden Emre, Müge ve Semra’ya çok teşekkür ederim. Onlar olduğu için bu tez yazılabildi. -
1 United States District Court for The
UNITED STATES DISTRICT COURT FOR THE SOUTHERN DISTRICT OF NEW YORK ________________________________________ ) VIACOM INTERNATIONAL INC., ) COMEDY PARTNERS, ) COUNTRY MUSIC TELEVISION, INC., ) PARAMOUNT PICTURES ) Case No. 1:07-CV-02103-LLS CORPORATION, ) (Related Case No. 1:07-CV-03582-LLS) and BLACK ENTERTAINMENT ) TELEVISION LLC, ) DECLARATION OF WARREN ) SOLOW IN SUPPORT OF Plaintiffs, ) PLAINTIFFS’ MOTION FOR v. ) PARTIAL SUMMARY JUDGMENT ) YOUTUBE, INC., YOUTUBE, LLC, and ) GOOGLE INC., ) Defendants. ) ________________________________________ ) I, WARREN SOLOW, declare as follows: 1. I am the Vice President of Information and Knowledge Management at Viacom Inc. I have worked at Viacom Inc. since May 2000, when I was joined the company as Director of Litigation Support. I make this declaration in support of Viacom’s Motion for Partial Summary Judgment on Liability and Inapplicability of the Digital Millennium Copyright Act Safe Harbor Defense. I make this declaration on personal knowledge, except where otherwise noted herein. Ownership of Works in Suit 2. The named plaintiffs (“Viacom”) create and acquire exclusive rights in copyrighted audiovisual works, including motion pictures and television programming. 1 3. Viacom distributes programs and motion pictures through various outlets, including cable and satellite services, movie theaters, home entertainment products (such as DVDs and Blu-Ray discs) and digital platforms. 4. Viacom owns many of the world’s best known entertainment brands, including Paramount Pictures, MTV, BET, VH1, CMT, Nickelodeon, Comedy Central, and SpikeTV. 5. Viacom’s thousands of copyrighted works include the following famous movies: Braveheart, Gladiator, The Godfather, Forrest Gump, Raiders of the Lost Ark, Breakfast at Tiffany’s, Top Gun, Grease, Iron Man, and Star Trek. -
The Transcultural Transmedia Media Mix Bronwin Patrickson and Sherman Young Introduction Entertainment Media Have Undergone Sign
Journal of American Studies of Turkey 33-34 (2011): 43-64 The Transcultural Transmedia Media Mix Bronwin Patrickson and Sherman Young Introduction Entertainment media have undergone significant transformations in the last twenty years. Not only have interaction technologies transformed the way that media is created, distributed and marketed, but global information flows have also transformed the type of media being consumed. Whereas international media markets were previously dominated by American and Western European exports, the past fifteen to twenty years have seen the rise of a new country of origin: Japan. Manga (Japanese comics) titles are now so well established in American markets that many distributors will merely translate and release them as they were written, right to left. The fact that anime films (animated manga, or animated graphics) tend to undergo more extensive alteration is indicative of their broad audience base. Since the late 1990s, for example, anime feature films made by the prominent Japanese production company, Studio Ghibli, have been distributed internationally via the American animation giant, Disney. Japan and America’s entertainment media are now securely positioned within each other’s mainstream popular cultures. With that context in mind, this article examines the mutual influence of Japan and America’s entertainment media industries in terms of their approach to multi-platform production strategies. In a converging media environment engagement may involve viewing, but may equally be linked to extensive participation options such as data remix, or computer game- play. Rather than telling a story in one primary media, producers can now also consider whether they might instead stage a story world through a network of integrated media elements.