Oral Piercing: an Overview
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The Care of Antiques & Works Of
THE BRITISH ANTIQUE DEALERS’ ASSOCIATION The Care of Antiques & Works of Art The Care of Antiques & Works of Art Antiques have been passed down by our ancestors over the centuries to our present generation, so by their very nature have stood the test of time. They may have taken a few knocks in those earlier ages, but surprisingly, despite all our 21st-century creature comforts, it is the modern world, with its central heating and chemical cleaning products, which poses particular challenges for such objects. You may have spent a considerable sum acquiring a beautiful and valuable antique, so you do not want to throw away that investment by failing to look after it. Half the battle is knowing just when to try and remedy a defect yourself and when to leave it to the experts. Here are some basic recommendations, compiled through extensive consultation with specialists who have the greatest experience of handling antiques on a daily basis – members of The British Antique Dealers’ Association. We hope this guide helps you to decide what to do, and when. INTERNATIONAL DIVISION As specialist fine art & antique Lloyd’s insurance brokers we are delighted to sponsor this BADA guide. Besso Limited • 8‒11 Crescent • London ec3n 2ly near America Square Telephone +44 ⁽0⁾20 7480 1094 Fax +44 ⁽0⁾20 7480 1277 [email protected] • www.besso.co.uk Published for The British Antique Dealers’ Association by CRAFT PUBLISHING 16–24 Underwood Street • London n1 7jq T: +44⁽0⁾207 1483 483 E: [email protected] www.craftpublishing.com The Association gratefully acknowledges the editorial assistance of Nöel Riley in compiling this guide. -
The Pearl Range FACE BRICKS – ONE NEW TEXTURE, 5 CONTEMPORARY COLOURS January 2020 76
INTRODUCING The Pearl Range FACE BRICKS – ONE NEW TEXTURE, 5 CONTEMPORARY COLOURS January 2020 76 230 110 Bricks per sqm = 48.5 Bricks per pack = 264 The Pearl Range Nominal weight per pack = 792kg With clean contemporary lines and even monochromatic colour, the new Pearl Range will add individuality and flare to your next project. Featuring a distinctive smooth face with a subtle cut finish and available in five modern colours. Grey Pearl The Pearl Range Clay Face Bricks 230x110x76mm Amber Pearl Copper Pearl Copper Pearl Ivory Pearl Grey Pearl Black Pearl For more information about the Pearl Range Call us on 13 15 40 Visit our website at www.midlandbrick.com.au Talk to your Midland Brick Sales Representative Shade variations occur from batch to batch. Colours shown in this brochure are indicative only and should not be used for fi nal selection. Whilst every effort is made to supply product consistent with brochures and examples, some colour and texture variation may occur within production runs. Not all colours are available in every region for each product. See your retailer for colours available in your region. Products ordered should be chosen from actual samples current at the time of order and are subject to availability. Photographs in this brochure are only representative of Midland Brick products and the appearance and effect that may be achieved by their use. Samples and displays should be viewed as a guide only. Brochure colours may vary due to the limitations and variations in the printing process. Customers should ensure all delivered products are acceptable, and any concerns about products are made prior to laying. -
Repoussé Work for Amateurs
rf Bi oN? ^ ^ iTION av op OCT i 3 f943 2 MAY 8 1933 DEC 3 1938 MAY 6 id i 28 dec j o m? Digitized by the Internet Archive in 2011 with funding from Boston Public Library http://www.archive.org/details/repoussworkforamOOhasl GROUP OF LEAVES. Repousse Work for Amateurs. : REPOUSSE WORK FOR AMATEURS: BEING THE ART OF ORNAMENTING THIN METAL WITH RAISED FIGURES. tfjLd*- 6 By L. L. HASLOPE. ILLUSTRATED. LONDON L. UPCOTT GILL, 170, STRAND, W.C, 1887. PRINTED BY A. BRADLEY, 170, STRAND, LONDON. 3W PREFACE. " JjJjtfN these days, when of making books there is no end," ^*^ and every description of work, whether professional or amateur, has a literature of its own, it is strange that scarcely anything should have been written on the fascinating arts of Chasing and Repousse Work. It is true that a few articles have appeared in various periodicals on the subject, but with scarcely an exception they treated only of Working on Wood, and the directions given were generally crude and imperfect. This is the more surprising when we consider how fashionable Repousse Work has become of late years, both here and in America; indeed, in the latter country, "Do you pound brass ? " is said to be a very common question. I have written the following pages in the hope that they might, in some measure, supply a want, and prove of service to my brother amateurs. It has been hinted to me that some of my chapters are rather "advanced;" in other words, that I have gone farther than amateurs are likely to follow me. -
2014 State of Ivory Demand in China
2012–2014 ABOUT WILDAID WildAid’s mission is to end the illegal wildlife trade in our lifetimes by reducing demand through public awareness campaigns and providing comprehensive marine protection. The illegal wildlife trade is estimated to be worth over $10 billion (USD) per year and has drastically reduced many wildlife populations around the world. Just like the drug trade, law and enforcement efforts have not been able to resolve the problem. Every year, hundreds of millions of dollars are spent protecting animals in the wild, yet virtually nothing is spent on stemming the demand for wildlife parts and products. WildAid is the only organization focused on reducing the demand for these products, with the strong and simple message: when the buying stops, the killing can too. Via public service announcements and short form documentary pieces, WildAid partners with Save the Elephants, African Wildlife Foundation, Virgin Unite, and The Yao Ming Foundation to educate consumers and reduce the demand for ivory products worldwide. Through our highly leveraged pro-bono media distribution outlets, our message reaches hundreds of millions of people each year in China alone. www.wildaid.org CONTACT INFORMATION WILDAID 744 Montgomery St #300 San Francisco, CA 94111 Tel: 415.834.3174 Christina Vallianos [email protected] Special thanks to the following supporters & partners PARTNERS who have made this work possible: Beijing Horizonkey Information & Consulting Co., Ltd. Save the Elephants African Wildlife Foundation Virgin Unite Yao Ming Foundation -
Bone, Antler, Ivory and Teeth (PDF)
Bone, Antler, Ivory, and Teeth Found in such items as tools, jewelry, and decorations Identification and General Information Items derived from skeletal materials are both versatile and durable. Bone, antler, ivory, and teeth have been used for various tools and for ornamentation. Because ivory is easily carved yet durable, it has also long been used by many cultures as a medium for recorded information. Bones and teeth from many different animals, including mammals, birds, and fish, may be found in items in all shapes and sizes. Each culture uses the indigenous animals in its region. Identifying bones and teeth used in an item can be easy or difficult, depending on how they were processed and used. Frequently, bones and teeth were minimally processed, and the surfaces are still visible, allowing identification by color (off-white to pale yellow), shape, and composition. Bird, fish, and reptile bones are usually lighter in mass and color than mammal bones. Bone and antler can be used in their natural form, or polished with sand and other abrasives to a very smooth and glossy surface. Bone is sometimes confused with ivory, which is also yellowish and compact. Sea mammal ivory, which is the prevalent source used by American Indians, is distinct in structure. Walrus ivory, the most common sea mammal ivory, has a dense outer layer and a mottled inner core. Bone and antler in archaeological collections are often burnt and can be blue black to whitish gray. Charred bone or antler can be mistaken for wood. Magnification helps to distinguish bone from similar materials, as it has a thin solid layer surrounding a porous interior structure with a hollow core where the marrow is contained. -
Complications of Oral and Peri-Oral Piercings Piercings Among Group
Research Article Adv Dent & Oral Health Volume 12 Issue 4 - June 2020 Copyright © All rights are reserved by AlBandary Hassan AlJameel DOI: 10.19080/ADOH.2020.12.555845 Complications of Oral and Peri-Oral Piercings Among Group of Females Living in Riyadh City of Saudi Arabia AlBandary Hassan AlJameel1*, Salwa Abdulrahman AlSadhan1, Nassr Saleh AlMaflehi1 and Mashael Sulaiman AlOmran2 1Department of Periodontics and Community Dentistry, College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia 2College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia Submission: June 01, 2020; Published: June 08, 2020 *Corresponding author: AlBandary Hassan AlJameel, Department of Periodontics and Community Dentistry, College of Dentistry, King Saud University, Riyadh, Kingdom of Saudi Arabia Abstract Background: Body piercing, including oral & peri-oral piercing, is the practice of puncturing specific sites of the body to adorn them with decorativeAim: ornaments. Although such practice is common, little is known about it in Arab countries including Saudi Arabia. among a group of female users of oral and peri-oral piercing living in Riyadh, Saudi Arabia. Therefore, the aim of this study was to assess oral piercing related complications and the level of awareness of these complications Method: Sciences (SPSS) To version reach the 22.0. study aim, an on-line, Arabic questionnaire was developed by reviewing relevant literature and was pilot tested, then it was distributed targeting females living in Riyadh, Saudi Arabia. The collected data was entered and analyzed using Statistical Package for Social Results: reported site of oral piercing (81%), and aesthetics being the main reason (84.1%) for having the piercing. -
Egyptian Culture and Trade Cultural Study
Egyptian Culture and Trade Cultural Study Take a look at the things around you. Can you spot anything that was grown or made within 10 miles of your home? Look at your clothing. How many hundreds or thousands of miles did they travel from the factory to reach you? The importance of international trade is evident everywhere you look. Trade was also important to the economies of ancient civilizations. When Egyptians first settled along the Nile, the resources of the river supplied them with what they needed to survive. Grain grew quickly in the healthy soil of the Nile, so the people had plenty to eat. The Egyptians used mud and stones found along the river to make sturdy homes and monuments. Clothing, paper, and lamp oil were all locally produced from plants and animals. Ancient Egyptians traded along the Nile Of course, ancient Egyptians soon desired River and beyond. The Nile is the winding things that could not be produced locally. blue body of water to the left. Can you guess from the map what the main route of trade from Egypt was? If you guessed the Nile River, you are correct. The Nile River is the longest river in the world. It has the unusual quality of flowing northward into the Mediterranean Sea. Access to the Red Sea and the Mediterranean Sea opened Egypt to foreign cultures and influences. Large boats made of wood navigated up the Nile and sailed throughout the region. These boats returned with items that the Egyptians desired. As Egyptian civilization developed, the need grew for better wood. -
Patients with Oral/Facial Piercings
PATIENTS WITH ORAL/FACIAL PIERCINGS 2 Credits by Wendy Paquette, LPN, BS Erika Vanterainen, EFDA, LPN Home Study Solutions.com, Inc. P.O. Box 21517 St. Petersburg, FL 33742-1517 Phone 1-877-547-8933 Fax 1-727-546-3500 www.homestudysolutions.com November 2015 to December 2022 Home Study Solutions.com, Inc. is an ADA CERP recognized provider. 2/27/2000 to 5/31/2023 California CERP #3759 Florida CEBP #122 A National Continuing Education Provider Home Study Solutions.com, Inc. 1 Revised 2019 Copyrighted 1999 Home Study Solutions.com, Inc. Expiration date is 3 years from the original release date or last review date, whichever is most recent. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by an information storage and retrieval system, without permission in writing from the publisher. If you have any questions or comments about this course, please e-mail [email protected] and put the name of the course on the subject line of the e-mail. We appreciate all feedback. Home Study Solutions.com, Inc. P.O. Box 21517 St. Petersburg, FL 33742-1517 Phone 1-877-547-8933 Fax 1-727-546-3500 www.homestudysolutions.com Printed in the USA Home Study Solutions.com, Inc. 2 PATIENTS WITH ORAL/FACIAL PIERCINGS Course Outline 1. OVERVIEW 2. ANATOMY OF THE TONGUE 3. ANATOMY OF THE LIP 4. THE PIERCING PROCEDURE • Complications and Risks Associated with Oral Jewelry • What role does tongue piercing play with tongue cancer? 5. -
(Licensing of Skin Piercing and Tattooing) Order 2006 Local Authority
THE CIVIC GOVERNMENT (SCOTLAND) ACT 1982 (LICENSING OF SKIN PIERCING AND TATTOOING) ORDER 2006 LOCAL AUTHORITY IMPLEMENTATION GUIDE Version 1.8 Scottish Licensing of Skin Piercing and Tattooing Working Group January 2018 Table of Contents PAGE CHAPTER 1 Introduction and Overview of the Order …………………………. 1 CHAPTER 2 Procedures Covered by the Order ……………………………….. 2 CHAPTER 3 Persons Covered by the Order …………………………………… 7 3.1 Persons or Premises – Licensing Requirements ……………………. 7 3.2 Excluded Persons ………………………………………………………. 9 3.2.1 Regulated Healthcare Professionals ………………………………. 9 3.2.2 Charities Offering Services Free-of-Charge ………………………. 10 CHAPTER 4 Requirements of the Order – Premises ………………………… 10 4.1 General State of Repair ……………………………………………….. 10 4.2 Physical Layout of Premises ………………………………………….. 10 4.3 Requirements of Waiting Area ………………………………………… 11 4.4 Requirements of the Treatment Room ………………………………… 12 CHAPTER 5 Requirements of the Order – Operator and Equipment ……… 15 5.1 The Operator ……………………………………………………………. 15 5.1.1 Cleanliness and Clothing ……………………………………………. 16 5.1.2 Conduct ……………………………………………………………….. 17 5.1.3 Training ……………………………………………………………….. 17 5.2 Equipment ……………………………………………………………… 18 5.2.1 Skin Preparation Equipment ……………………………………….. 19 5.2.2 Anaesthetics ………………………………………………………… 20 5.2.3 Needles ……………………………………………………………… 23 5.2.4 Body Piercing Jewellery …………………………………………… 23 5.2.5 Tattoo Inks ………………………………………………………….. 25 5.2.6 General Stock Requirements …………………………………….. 26 CHAPTER 6 Requirements of the Order – Client Information ……………. 27 6.1 Collection of Information on Client …………………………………….. 27 ii Licensing Implementation Guide – Version 1.8 – January 2018 6.1.1 Age …………………………………………………………………… 27 6.1.2 Medical History ……………………………………………………… 28 6.1.3 Consent Forms ……………………………………………………… 28 6.2 Provision of Information to Client ……………………………………… 29 CHAPTER 7 Requirements of the Order – Peripatetic Operators …………. -
Body Art Procedure(S) Performed, About Caring for the Body Art and the Surrounding Area
3701-9-01 Definitions As used in this chapter: (A) "Aftercare" means verbal and written guidelines, specific to the body art procedure(s) performed, about caring for the body art and the surrounding area. These guidelines shall include, but not be limited to, information about physical restrictions, wound care, signs and symptoms of infection, and when to seek medical treatment, if necessary. (B) "Antiseptic solution" means an agent that destroys pathogenic microorganisms on human skin or mucosa. (C) "Approval" means written approval from the board of health indicating that the body art establishment has been inspected and meets all terms of this chapter. (D) "Aseptic technique" means a set of specific practices and procedures performed under controlled conditions with the goal of minimizing contamination by pathogens. (E) "Board of health" means the board of health of a city or general health district or the authority having the duties of a board of health under section 3709.05 of the Revised Code. (F) "Body art" means the practice of physical body adornment, including tattooing, permanent cosmetics and/or body piercing. This definition does not include practices that are considered medical procedures by the state medical board, performed with medical devices that include but are not limited to biopsy or dermal punches and scalpels. (G) "Body artist" means an individual, including an operator, who performs one or more of the following procedures: (1) Tattooing; (2) Permanent cosmetics; (3) Body piercing. (H) "Body art establishment" means any place, whether temporary or permanent, stationary or mobile, where tattooing and/or body piercing is performed. -
Complications of Oral Piercing
Y T E I C O S L BALKAN JOURNAL OF STOMATOLOGY A ISSN 1107 - 1141 IC G LO TO STOMA Complications of Oral Piercing SUMMARY A. Dermata1, A. Arhakis2 Over the last decade, piercing of the tongue, lip or cheeks has grown 1General Dental Practitioner in popularity, especially among adolescents and young adults. Oral 2Aristotle University of Thessaloniki piercing usually involves the lips, cheeks, tongue or uvula, with the tongue Dental School, Department of Paediatric Dentistry as the most commonly pierced. It is possible for people with jewellery in Thessaloniki, Greece the intraoral and perioral regions to experience problems, such as pain, infection at the site of the piercing, transmission of systemic infections, endocarditis, oedema, airway problems, aspiration of the jewellery, allergy, bleeding, nerve damage, cracking of teeth and restorations, trauma of the gingiva or mucosa, and Ludwig’s angina, as well as changes in speech, mastication and swallowing, or stimulation of salivary flow. With the increased number of patients with pierced intra- and peri-oral sites, dentists should be prepared to address issues, such as potential damage to the teeth and gingiva, and risk of oral infection that could arise as a result of piercing. As general knowledge about this is poor, patients should be educated regarding the dangers that may follow piercing of the oral cavity. LITERATURE REVIEW (LR) Keywords: Oral Piercings; Complications Balk J Stom, 2013; 17:117-121 Introduction are the tongue and lips, but other areas may also be used for piercing, such as the cheek, uvula, and lingual Body piercing is a form of body art or modification, frenum1,7,9. -
What Is Known and What People with Genital Piercings Tell Us
C Genital Piercings: What Is Known O N And What People with Genital T I N Piercings Tell Us U Myrna L. Armstrong I Carol Caliendo N Alden E. Roberts G urses in many practice Nurses need information about people with genital piercings so that E arenas are encounter- they may provide non-judgmental, clinically competent care. The D ing clients with body genital piercing procedure, types of genital piercings, information U piercings in visible found in the health care literature, and data from 37 subjects who N(face and ears) and semi-visible have self-reported genital piercings are presented. C (navel, nipple, and tongue) sites. A Nurses caring for patients with T urology problems are encounter- health care for a variety of physi- ing more patients with body Additionally, lack of knowledge I cal conditions, including pierc- piercings in intimate sites such and understanding of these client O ing-related infections, bleeding, as the genitals. For example: practices may challenge the nerve damage, or allergic reac- N While performing a physical nurse’s ability to provide non- tions (Meyer, 2000). assessment, the professional judgmental care. Some health For health care providers, the nurse discovers that the 25-year- professionals feel that people physical aspects of treatment and old female client is wearing two who choose to have body pierc- care may pose a dilemma, but so silver rings on her labia. ings deserve whatever outcome might their personal reaction to A 32-year-old male presents occurs (Ferguson, 1999). In con- the genital piercings. The authors with a groin injury.