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(73) History & Political Science
MT Seat No. 2018 .... .... 1100 MT - SOCIAL SCIENCE (73) History & Political Science - Semi Prelim I - PAPER VI (E) Time : 2 hrs. 30 min MODEL ANSWER PAPER Max. Marks : 60 A.1. (A) Choose the correct option and rewrite the complete answers : (i) Vishnubhat Godase wrote down the accounts of his journey from 1 Maharashtra to Ayodhya and back to Maharashtra. (ii) Harishchandra Sakharam Bhavadekar was also known as Savedada. 1 (iii) Louvre Museum has in its collection the much acclaimed painting of 1 Mona Lisa by Leonardo da Vinci. (iv) Indian Hockey team won a gold medal in 1936 at Berlin Olympics 1 under the captaincy of Major Dhyanchand. A.1. (B) Find the incorrect pair in every set and write the correct one. (i) Atyapatya - International running race 1 Atyapatya is Indian outdoor game. (ii) Ekach Pyala - Annasaheb Kirloskar 1 Ekach Pyala is written by Ram Ganesh Gadkari. (iii) Bharatiya Prachin Eitihasik Kosh - Mahadev Shastri Joshi 1 Bharatiya Prachin Eitihasik Kosh - Raghunath Bhaskar Godbole (iv) Gopal Neelkanth Dandekar - Maza Pravas 1 Gopal Neelkanth Dandekar - Hiking tours A.2. (A) Complete the following concept maps. (Any Two) (i) 2 Pune Vadodara Kolhapur Shri Shiv Chhatrapati Kreeda Sankul Vyayam Kashbag Shala Talim Training centres for wrestling Swarnim Kreeda Gujarat Vidyapeeth Sports Hanuman Vyayam Prasarak Mandal Gandhinagar Patiyala Amaravati 2/MT PAPER - VI (ii) 2 (4) Name of the Place Period Contributor/ Artefacts Museum Hanagers (1) The Louvre Paris 18th C Members of the Royal MonaLisa, Museum family and antiquities 3 lakh and eighty brought by Napolean thousand artefacts Bonaparte (2) British London 18th C Sir Hans Sloan and 71 thousand Museum British people from objects British Colonies Total 80 lakh objects (3) National USA 1846CE Smithsonian 12 crore Museum Institution (120 millions) of Natural History (iii) Cultural Tourism 2 Visiting Educational Institutions Get a glimpse of local culture history and traditions Visiting historical monuments at a place Appreciate achievements of local people Participating in local festivals of dance A.2. -
Realism in Vijay Tendulkar's Ghashiram Kotwal (1972)
SJ IMPACT FACTOR: 2.912 CRDEEP Journals Global Journal of Current Research Anamika Gupta Vol. 5 No. 2 ISSN: 2320-2920 Global Journal of Current Research Vol. 5 No. 2. 2017. Pp. 88-97 ©Copyright by CRDEEP. All Rights Reserved. Full Length Research Paper Realism in Vijay Tendulkar’s Ghashiram Kotwal (1972) Anamika Gupta Research Scholar, Department of English & MELs, University of Allahabad, Allahabad. Article history Abstract Received: 08-08-2017 This paper is an attempt to expose the use of realism in the play Ghashiram Kotwal (1972) by Vijay Revised: 12-08-2017 Tendulkar. As society and politics have strongly been highlighted in Vijay Tendulkar’s Plays, this Accepted: 14-08-2017 play also highlights the harsh and bare realities of society, especially those of politics, administration and religion. As a social realist, he presents the black side of humanity in his plays. While dealing Corresponding Author: with the realistic portrayal of the contemporary socio-political senerio, Tendulkar underscores various Anamika Gupta, social and political evils such as hypocrisy, casteism, prostitution, decline of moral and human Research Scholar, values, patriarchy, power game, violence (sexual and political) corruption in politics and Department of English & administration. MELs, University of Allahabad, Allahabad. Keywords: Power, Violence, Power politics, Casteism, Patriarchy, Religion, Corruption, Hypocrisy, Moral degradation, Realism (Political, Social and Psychological). Realism is a movement in art, which started in the mid nineteenth century in France, and later spread to the entire world. Realism entered literature at almost at the same time. Its real objective was to root out what is called romantic in literature and art, to insert what is real. -
Modern India 1857-1972 [Rai Foundation Final]
Subject: MODERN INDIA (1857 – 1969) Credits: 4 SYLLABUS Historical background – British rule and its legacies, National movement, Partition and Independence Origins and goals of the Indian National Congress, Formation of the Muslim League Roles played by Gandhi, Nehru, Jinnah and the British in the development of the Movement for independence Challenges faced by the Government of India, Making the Constitution, Political, Economic and Social developments from 1950-1990, The Nehru Years – challenges of modernization and diversity, Brief on Indira Gandhi Developments post-1990, Economic liberalization, Rise of sectarianism and caste based politics, Challenges to internal security Foreign Policy: post – Nehru years, Pakistan and Kashmir, Nuclear policy, China and the U. S. Suggested Readings: 1. Ramachandra Guha, Makers of Modern India, Belknap Press 2. Akash Kapur, India Becoming: A Portrait of Life in Modern India, Riverhead Hardcover 3. Bipin Chandra, History Of Modern India, Orient Blackswan 4. Barbara D. Metcalf, Thomas R. Metcalf, A Concise History of Modern India, Cambridge University Press CHAPTER 1 IMPERIALISM, COLONIALISM AND NATIONALISM STRUCTURE Learning objectives Imperialism and colonialism: A theoretical perspective Imperialism: Its effects The rise of national consciousness The revolt of 1857 Colonialism: The new administrative system - pre and post 1857 Consolidation of the Raj: Frontier and foreign policy Review questions LEARNING OBJECTIVES After going through this Unit you will be able to learn: What is colonialism, its -
Sebi Registered Depository Participants of Cdsl As on 31-12-2016
SEBI REGISTERED DEPOSITORY PARTICIPANTS OF CDSL AS ON 31-12-2016 NAME OF THE DP REGN. NO. ADD1 ADD2 ADD3 CITY STATE PIN CODE TELEPHONE1 TELEPHONE2 FAX EMAIL 101 B, DLF 1 4A SECURITIES LIMITED IN-DP-CDSL-685-2013 JASOLA VIHAR NEW DELHI UP 110025 011-49002201 011-49002202 [email protected] TOWER A THANE ROAD NO. 16V, (91- IIIFL HOUSE, SUN INDUSTRIAL 2 5PAISA CAPITAL LIMITED IN-DP-192-2016 PLOT NO.B-23, THANE 400064 92)39294000/41035 (91-92)25806654 [email protected] INFOTECH PARK, AREA, WAGHLE MIDC, 000 ESTATE, 3 A C AGARWAL SHARE BROKERS PVT. LTD. IN-DP-186-2016 406, 4TH FLOOR, PAYAL COMPLEX, SAYAJIGUNJ, BARODA GUJARAT 390005 0265-2361672 0265-2362786 [email protected] ITTS HOUSE, 2ND 33, SHREE 4 A.C.CHOKSI SHARE BROKERS PRIVATE LIMITED IN-DP-104-2015 KALAGHODA MUMBAI 400 023 61595100 61595199 [email protected] FLOOR, SAIBABA MARG, 4TH FLOOR FREE 43, FREE PRESS 215, NARIMAN 5 A.K. STOCKMART PVT. LTD. IN-DP-CDSL-458-2008 PRESS JOURNAL MUMBAI 400021 022-67546500 9967003611 022-67544666 [email protected] HOUSE POINT MARG SHREYAS NEAR GORAI GORAI LINK 6 A.S. STOCK BROKING & MANAGEMENT PVT. LTD. IN-DP-CDSL-338-2006 BUNGLOW BRIDGE BUS ROAD, BORIVALI MUMBAI MAHARASHTRA 400092 022-28676040 022-28676041/42 022-28676044 [email protected] NO.70/74 STOP, (W), FORTUNE 8-2- MONARCH ROAD 7 AASMAA SECURITIES PRIVATE LIMITED IN-DP-45-2015 293/82/A/707/708/7 HYDERABAD 33 04060120045 [email protected] NO. 211, JUBILEE 09, SHOP NO. -
Vijay Tendulkar's Ghashiram Kotwal
VEDA’S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Vol.5 Issue 1 An International Peer Reviewed Journal 2018 http://www.joell.in RESEARCH ARTICLE VIJAY TENDULKAR’S GHASHIRAM KOTWAL : THEME OF POWER AND KNOWLEDGE Mintu Patra (Research Scholar (M. Phil), Mewar University, Chittorgarh, India) ABSTRACT Vijay Tendulkar (1928-2008) is ranked as one of the three maestros of Indian theatre–Girish Karnad and Badal Sircar may be taken as the other two. Of them Tendulkar has been the most prolific and perhaps the most popular playwright among the general theatre-goers—an artist who dedicated himself completely to the cause of theater. Tendulkar has been persistent in incorporating new form and techniques in his theatre to make it both philosophically thought – provoking and aesthetically satisfying. His theatre is appealing both to the common audience and aesthetically satisfying. His theatre is appealing both to the common audience and intellectual theatre –critics. He uses folk forms in modern theatre made waves. He has experienced how in a hegemonic culture people exploit others through different strategies—social, economic and even cultural. It may be said that this knowledge of Tendulkar functioned as a stimulus for him to undertake such themes as love and betrayal, sex and violence, politics and revenge in course of his long career as a playwright. Again the subject of exploitation is so hauntingly present in his theatre that any sensitive reader might find some affinity with the theoretical propositions of ‘power and knowledge’ as enunciated by Foucault in his seminal work Power/Knowledge: Selected Interviews and Other Writings 1972- 1977. -
Vijay Tendulkar's Ghashiram Kotwal
VEDA’S JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Vol.5 Issue 1 An International Peer Reviewed Journal 2018 http://www.joell.in RESEARCH ARTICLE VIJAY TENDULKAR’S GHASHIRAM KOTWAL : THEME OF POWER AND KNOWLEDGE Mintu Patra (Research Scholar (M. Phil), Mewar University, Chittorgarh, India) ABSTRACT Vijay Tendulkar (1928-2008) is ranked as one of the three maestros of Indian theatre–Girish Karnad and Badal Sircar may be taken as the other two. Of them Tendulkar has been the most prolific and perhaps the most popular playwright among the general theatre-goers—an artist who dedicated himself completely to the cause of theater. Tendulkar has been persistent in incorporating new form and techniques in his theatre to make it both philosophically thought – provoking and aesthetically satisfying. His theatre is appealing both to the common audience and aesthetically satisfying. His theatre is appealing both to the common audience and intellectual theatre –critics. He uses folk forms in modern theatre made waves. He has experienced how in a hegemonic culture people exploit others through different strategies—social, economic and even cultural. It may be said that this knowledge of Tendulkar functioned as a stimulus for him to undertake such themes as love and betrayal, sex and violence, politics and revenge in course of his long career as a playwright. Again the subject of exploitation is so hauntingly present in his theatre that any sensitive reader might find some affinity with the theoretical propositions of ‘power and knowledge’ as enunciated by Foucault in his seminal work Power/Knowledge: Selected Interviews and Other Writings 1972- 1977. -
Equity Dividend for the Year 2013-14 (2Nd Interim)
WOCKHARDT LIMITED - EQUITY DIVIDEND FOR THE YEAR 2013-14 (2ND INTERIM) Details of unclaimed dividend amount as on date of Annual General Meeting (AGM Date - 2nd August, 2017) SI Name of the Shareholder Address State Pin code Folio No / DP ID Dividend Proposed Date Client ID no. Amount of Transfer to unclaimed in IEPF No. (Rs.) 1 A ARUNKUMAR FLAT NO 302 PLOT NO 355 356 SRUJANAL Andhra Pradesh 500085 IN30051316929442 70.00 16-Mar-2021 BHAGYANAGAR HILLS ADDAGUTTA SOCIETY KUKATPALLY BALANAGAR RANGAREDDY HYDERABAD ANDHRA PRADESH INDIA 2 A C RAJAMANI 35 AZAD SREET ARCOT Tamil Nadu 632503 IN30039412524449 50.00 16-Mar-2021 3 A D RAMYA 6/25 SUN SANDS APTS 4TH SEAWAR D Tamil Nadu 600041 1207650000003316 50.00 16-Mar-2021 TIRUVANMIYUR CHENNAI 4 A K GARG C/O M/S ANAND SWAROOP FATEHGANJ Uttar Pradesh 203001 W0000966 1500.00 16-Mar-2021 [MANDI] BULUNDSHAHAR 5 A M LAZAR ALAMIPALLY KANHANGAD Kerala 671315 W0029284 3000.00 16-Mar-2021 6 A M NARASIMMABHARATHI NO 140/3 BAZAAR STREET AMMIYARKUPPAM Tamil Nadu 631301 1203320004114751 125.00 16-Mar-2021 PALLIPET-TK THIRUVALLUR DT THIRUVALLUR 7 A MALLIKARJUNA RAO DOOR NO 1/1814 Y M PALLI KADAPA Andhra Pradesh 516004 IN30232410966260 250.00 16-Mar-2021 8 A RAMAPRASAD L 4-45-1 ASHOK HOUSE PEDAWALTAIR Andhra Pradesh 530017 1204470001115722 165.00 16-Mar-2021 VISAKHAPATNAM 9 A S SARBUNEESABEGUM OLD NO:1-38 B NEW NO:94 KEELAVELI Tamil Nadu 614809 1201090004870249 100.00 16-Mar-2021 THETHANKUDI SOUTH VEDHARANYAM NAGAPPATTINAM 10 A SAMUVEL CHIRISTIN 39/1 KEEZHA RAMAN PUTHOOR Tamil Nadu 629004 IN30177417179558 1000.00 -
Bestguru.Comcarnatic Music ‐ Vocal 1978 Maharajapuram V
Name of the Artist Name of the Art / Field Awarded in Amba Sanyal (Costume Designing) Allied Theatre Arts 2008 Anant Gopal Shinde (Make‐up) Allied Theatre Arts 2003 Ashok Sagar Bhagat (Lighting) Allied Theatre Arts 2002 Ashok Srivastava (Make‐up) Allied Theatre Arts 1981 D. G. Godse (Scenic Design) Allied Theatre Arts 1988 Dolly Ahluwalia (Costume Design) Allied Theatre Arts 2001 G.N. Dasgupta (Lighting) Allied Theatre Arts 1989 Gautam Bhattacharya (Lighting) Allied Theatre Arts 2006 Goverdhan Panchal (Scenic Design) Allied Theatre Arts 1985 H. V. Sharma (Stagecraft) Allied Theatre Arts 2005 Kajal Ghosh (Theatre Music) ‐ Allied Theatre Arts 2000 Kamal Arora (Make‐up) Allied Theatre Arts 2009 Kamal Jain (Lighting) Allied Theatre Arts 2011 Kamal Tewari (Theatre Music) ‐ Allied Theatre Arts 2000 Kanishka Sen (Lighting) Allied Theatre Arts 1994 Khaled Choudhury (Scenic Design) Allied Theatre Arts 1986 Kuldeep Singh (Music for Theatre) Allied Theatre Arts 2009 M. S. Sathyu (Stagecraft) Allied Theatre Arts 1993 Mahendra Kumar (Scenic Design) Allied Theatre Arts 2007 Mansukh Joshi (Scenic & Light Design) Allied Theatre Arts 1997 N. Krishnamoorthy (Stagecraft) Allied Theatre Arts 1995 Nissar Allana (Stagecraft) Allied Theatre Arts 2002 R. K. Dhingra (Lighting) ‐ Allied Theatre Arts 2000 R. Paramashivan (Theatre Music) Allied Theatre Arts 2005 Robin Das (Scenic Design) ‐ Allied Theatre Arts 2000 Roshen Alkazi (Costume Design) Allied Theatre Arts 1990 Shakti Sen (Make‐up) ‐ Allied Theatre Arts 2000 Sreenivas G. Kappanna (Lighting & Stage Design) Allied Theatre Arts 2003 Suresh Bhardwaj (Lighting) Allied Theatre Arts 2005 Tapas Sen (Lighting) Allied Theatre Arts 1974 V. Ramamurthy (Lighting) Allied Theatre Arts 1977 Alathur S. Srinivasa Iyer Carnatic Music ‐ Vocal 1968 Ariyakudi Ramanuja Iyengar Carnatic Music ‐ Vocal 1952 B. -
Vijay Tendulkar's Ghasiram Kotwal by Mr. Deepak
Vijay Tendulkar’s Ghasiram Kotwal Deepak Assistant Professor (English, MGCUB) Former, Jr. Research Assistant, Penn State University, USA Ghashiram Kotwal Ghashiram Kotwal is a historical play, and the dates goes back to the rule of Nana Peshwa Violence and Sexual instinct play an important role for the construction of theme and content. Ghasiram, the Kotwal, is embodiment of violence whereas Nana Phadnavis represents sexual urge. Gauri, the daughter of Kotwal, stands for the cruelty against women by men to achieve their target. She is silent victim of violence. Vijay Tendulkar Vijay Tendulkar is one of the most controverisal Indian dramatist. His controversial drama includes Silence! The Court is Session and Sakharam Binder but, Ghashiram Kotwal is considered by many his most controversial play. According to Tendulkar, “Ghashirams are creations of socio-political forces which know no barriers of time and place.” Structure Two-act play Song, dance and music are integral part of the plot construction Story revolves around Ghasiram Savaldas’s rise and fall to the position of Kotwal of Poona and then his death through mob after a plot being hatched by Nana Phadnavis. Acquiring power remains the main thrust play, whereas, who challenged the authorities deserves nothing more than death. Various folk forms like Dashavatar, Khel, Tamasha, Kirtan and Bharud are employed by dramatist to make it more appealing to the regional audience. Moral corruption is depicted when Kotwal exchanges his daughter , Gauri, to Nana for the post of Kotwal. In the end, Nana order a mob lynching of Ghasiram without any hesitation: “Use a thorn to take out a thorn. -
Ghashiram Kotwal’’
‘A Study of Dramatic Devices of Politicking invested by Tendulkar in ‘Ghashiram Kotwal’’ A Seminar Paper by Dr. Uttam B. Parekar (Associate Professor, Ph.D. Supervisor, Head (Dept. of English) Yeshwant Mahavidyalaya, Wardha (M.S.) Date: 25th February 2017 Introduction of the Speaker Name: Dr. Uttam Baburao Parekar Date of Birth: 05-07-1959 Qualification: M.A.(English), M.Phil., B.Ed. & Ph.D. Ph.D. Supervisor Principal Investigator of UGC’s Major Research Project Office Address: Yeshwant Mahavidyalaya, Wardha (M.S.) Creative Pursuits: Writing Short Stories & Plays; Drama Actor, Director; Playing Banjo, Flute & Harmonium Home Address: Prof. Uttam B. Parekar, Sahakar-Nagar, Near Sai- Nagar, Wardha, Ta & Dist. Wardha (M.S.) Mobile No. 09921436640 Email: [email protected] Vijay Tendulkar as a celebrated Marathi Playwright 1- Prestigious Awards 2- Translation Works 3- His Plays: Full Length Plays- 27. One Act Plays- 7 4-Place of Tendulkar in the tradition of Marathi dramatists I-Theatre revived after lapse of ten centuries with the setting up of proscenium in 1874 Kirloskar’s ‘Soubhadra’ and translations of Sanskrit & English Plays in to Marathi Musical Plays II- After 1906 Khadilkar’s plays gave social dimension to the plays e. g. ’Kichak Wadha’ III- After 1935 the Realism of Ibsen, Shaw & Existentialism influenced e.g. Atre’s plays IV- Post Independence Playwrights: Tendulkar, Girish Karnad, Mohan Rakesh, Badal Sircar…Anti-Hero, Alienation, Situation into aesthetic experience, naturalism, Reality through history and myths Brecht’s V-Effect -
Gandhi, the Making of the Mahatma, and Gandhi, My Father
The Tale Of Gandhi Through The Lens: An Inter-Textual Analytical Study Of Three Major Films- Gandhi, The Making Of The Mahatma, And Gandhi, My Father C.S.H.N. MURTHY, [email protected] OinamBedajit Meitei, Dapkupar TARIANG Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu Abstract For over half a century Gandhi has been one of the favored characters of a number of films – Nine hours to Rama (1963) to Gandhi, My Father (2007). Gandhian ethos, life and teachings are frequently represented in varied ways in different films. The portrayal of Gandhi in different films can be grouped into two broad categories: i. revolving around his life, percept and practice as one category and ii. involving his ideas, ideals and views either explicitly or implicitly. Using Bingham’s (2010) discursive analysis on biopic films, the study seeks to show how Gandhi is perceived and depicted through the lenses of these three eminent directors vis-à-vis others from the point of intertextuality both ideologically and politically. Further the study would elaborate how different personal and social events in Gandhi’s life are weaved together by these directors to bring out the character of Bapu or Mahatma from Gandhi. For all the above critique, Gandhi’s autobiography-The Story of My Experiments with Truth-has been taken as a base referent. Keywords: Comparative analysis, Inter-textuality, Gandhian Ethos, Portrayal, crisscross critiquing, Mahatma, etc. CINEJ Cinema Journal : The Tale of Gandhi through the lens New articles in this journal are licensed under a Creative Commons Attribution 3.0 United Volume 2.2 (2013) | ISSN 2158-8724 (online) | DOI 10.5195/cinej.2013.66 | http://cinej.pitt.edu 4 States License. -
Emp List-31-Dec-2012
DIRECTORY OF EMPLOYEES OF IDBI BANK LTD AS ON DECEMBER 31, 2012 Name Position Location A Jeyalakshmi Assistant Manager Virudhunagar A Manivannan Manager Kodambakkam,Chennai A Prabhakaran Assistant General Manager Madurai A Rajesh Assistant Manager Saidapet,Chennai A Sankaranarayanan Assistant General Manager Specialised Corporate Branch,Bangalore A Jasmine Jeyarani Assistant General Manager Palani,Tamil Nadu A K Saxena Assistant General Manager Moradabad A Prasanna Kumari Executive Kachiguda A S Manikandan Manager Kochi ‐ Panampilly Nagar, Kerala A S Watwani Assistant Manager Dombivali(East) A V Srinath Manager Thirupur A Yutha Thatheus Vinoth Manager Mogappair, Chennai A. Gothandaraj Assistant Manager Sivakasi A. Imayakumari Assistant Manager Mogappair, Chennai A. Manimegalai Assistant Manager Virudhunagar A. Naveen Assistant Manager Tirupati RAC A. Pranusha Assistant Manager Kukatpally Hyderabad,RAC A. Santoshi Assistant Manager Corporate Centre, Mumbai A. Vinita Executive Nehru Nagar,Bhilai A. Angeline Emmema Assistant Manager Tambaram, Chennai A. Rohini Devi Executive Madurai A. Samuel Raja Ratna Assistant General Manager Greams Road,Chennai A. Uday Kumar Yadav Executive Karimnagar Aakash Adhikari Assistant Manager Bhopal,RAC Aakash Chandrakar Assistant Manager Tilak Road, Pune Aalok Pareek Manager NIMS University,Jaipur Aamir Jalali Bodha Assistant Manager Amritsar Aananthi T.S. Assistant Manager Nanganallur Aanchal Girish Tanwani Assistant Manager Ghatkopar Aarati Kenneth Dsantos Manager CCU, Aurangabad Aariz Badar Assistant Manager