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C H R I S T Y &
C h r i s t y & C ooC Since 1773 History and Legacy by Irra K With special thanks to The Stockport library and hat museum FamilyFamily Six reigns of Royals, and Eight generations of the Christy family have forged the brand of Christys London since it’s foundation by Miller Christy in 1773, 237 years ago Following his apprenticeship to a Hatter in Edinburgh, Miller Christy created a company that would survive for generations, outliving thousands of hat makers across the former British Empire: by 1864 for example there were 53 hatting firms in Stockport alone. Throughout hundreds of years, the factory was still managed by direct descendants of the founder of the Firm ValuesValues 1919 Christys readily registered their own The Christy Collection in Stockport is appreciation testament to the influence the company of workers’ had. At its height, it employed 3000 excellent local people leaving a valuable legacy service < - During World War II, hats were not rationed in order to boost morale, and Christys supported the effort within their family-run company, effectively running it like an extended family Celebrating Victory as well as mourning the fallen at the -> end of World War I Trade MarksTrade Marks The Stockport Collection With business of Christy Papers includes a expanding to 500 page booklet detailing foreign lands, trade marks registered safeguarding around the world at the the insignia in height of the British Empire. all it’s forms These involve registering the full name, letters 'C', it’s became vital – insignia, shape, and colours as we shall see In the early days, < - several variations - > of company marks and insignia were circulated, later consolidating into the Christy crown and heraldry which is now recognised the world over Trade Marks iiiiTrade In many territories, Trade Marks were either disputed or had to be re-registered. -
Accat2013.Pdf
Allens Crowns Tiaras A103 1 1/2" Tall A107 1 3/8" Tall A113 1 1/2" Tall Little Princess Tiara* Small Loop Tiara Princess Tiara* A122 1 5/8" Tall A123 2" Tall A133 1 1/4" Tall Small Heart Tiara Royal Princess Tiara* Looping Tiara A162 2" Tall A350 2" Tall AA240 2 1/2" Tall Fleur Di Lis Mardi Gras Tiara* Spring Tiara† ** Interlocking Loop Tiara B102 1 1/2" Tall B110 1 3/8" Tall B120 1 1/2" Tall Loop Tiara Curls & Loop Tiara Loop Tiara* ** Made from cast metal. † Jewel insert available in multiple colors. * Made from cast metal, capped with genuine Austrian rhinestone crystal by Swarovski™. 2 Allens Crowns B149 2" Tall C100 1 1/2" Tall C102 1 5/8" Tall Valentine's Day Tiara* Little Aztec Tiara* Loops Tiara C103 1 3/4" Tall C104 1 1/2" Tall C112 1 5/8" Tall Peak & Loop Tiara Loops & Heart Tiara Three Loops Tiara C117 1 3/8" Tall C206 1 5/8" Tall C301 1 7/8" Tall Five Loops Tiara Shooting Star Tiara Small Jewel Tiara† C350 3" Tall D109 2" Tall D117 1 5/8" Tall Spring Tiara†** Loops & Pearl Tiara Three Loops with Pearls Tiara ** Made from cast metal. † Jewel insert available in multiple colors. * Made from cast metal, capped with genuine Austrian rhinestone crystal by Swarovski™. 3 Allens Crowns D121 2 1/4" Tall E110 2" Tall E113 3" Tall Teardrop & Loops Tiara Peak Tiara Queen Tiara* F100 1 7/8" Tall G111 2 1/4" Tall G120 2" Tall Heart & Loops Tiara Peaked Heart Tiara Loop Tiara* G127 2 3/8" Tall J100 2" Tall J124 2 5/8" Tall Basketweave Tiara Heart Tiara Elevated Star Tiara J168 2" Tall K100 2 1/4" Tall K101 1 7/8" Tall Stars Tiara* Hearts & Loops Tiara Tie the Knot Tiara * Made from cast metal, capped with genuine Austrian rhinestone crystal by Swarovski™. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
The Balmoral Tartan
The Balmoral Tartan Introduction The Balmoral tartan (Fig 1) is said to have been designed in 1853 by Prince Albert, The Prince Consort, Queen Victoria's husband. It is unique in several respects: it is the only tartan known to have been designed by a member of the Royal Family; has a unique construction; and is reserved for members of the Royal Family. It is worn by HM The Queen and several members of the Royal Family but only with the Queen's permission. The only other approved wearers of the Balmoral tartan are the Piper to the Sovereign and pipers on the Balmoral Estate (estate workers and ghillies wear the Balmoral tweed). Fig 1. Specimen of the original Balmoral Tartan c1865. © The Author. There is some confusion over the exact date of the original design. In 1893 D.W. Stewarti wrote, ''Her Majesty the Queen has not only granted permission for its publication here, but has also graciously afforded information concerning its inception in the early years of the reign, when the sett was designed by the Prince Consort.'' Harrison (1968) ii states that both the Balmoral tartan and Tweed were designed by Prince Albert. Writing of the tartan specimen in Stewart’s Old & Rare Harrison noted that “The illustrations were all woven in fine silk which did not allow of (sic) the reproduction of the pure black and white twist effect of the original. Mr Stewart compromised by using shades of dull mauve as the nearest that his materials allowed. Thus, for generations the Balmoral was looked upon not as a pure grey scheme but as a scheme of very quiet mauves” (Fig 2). -
Kilts & Tartan
Kilts & Tartan Made Easy An expert insider’s frank views and simple tips Dr Nicholas J. Fiddes Founder, Scotweb Governor, Why YOU should wear a kilt, & what kind of kilt to get How to source true quality & avoid the swindlers Find your own tartans & get the best materials Know the outfit for any event & understand accessories This e-book is my gift to you. Please copy & send it to friends! But it was a lot of work, so no plagiarism please. Note my copyright terms below. Version 2.1 – 7 November 2006 This document is copyright Dr Nicholas J. Fiddes (c) 2006. It may be freely copied and circulated only in its entirety and in its original digital format. Individual copies may be printed for personal use only. Internet links should reference the original hosting address, and not host it locally - see back page. It may not otherwise be shared, quoted or reproduced without written permission of the author. Use of any part in any other format without written permission will constitute acceptance of a legal contract for paid licensing of the entire document, at a charge of £20 UK per copy in resultant circulation, including all consequent third party copies. This will be governed by the laws of Scotland. Kilts & Tartan - Made Easy www.clan.com/kiltsandtartan (c) See copyright notice at front Page 1 Why Wear a Kilt? 4 Celebrating Celtic Heritage.................................................................................................. 4 Dressing for Special Occasions.......................................................................................... -
Official Selection 16Th
Prefeitura da Cidade do Rio de Janeiro, Secretaria Municipal de Cultura presents official selection 16th 2021 24 MAY to 13 JUNE >> https://animarte.kinow.tv << INTERNATIONAL STUDENTS MAXI official selection International Students th Maxi 16 2021 SINGAPORE ENGLAND ESTONIA INDIA TAIWAN A Chameleon Story A Flea in a Jar A Kiss for a Dead Man A Little More Blue A Mysterious Hat Kamal Ayesha Fathima, Ong Shu Yi Vicky Carr Anna Dvornik Sugandha Bansal Du, Yen-Ting NTU - Nanyang Technological UCA - University for the Creative Arts EKA - Estonian Academy of Arts MIT Art, Design and Technology TNUA - Taipei National University University University of the Arts ISRAEL / JAPAN RUSSIA FRANCE ENGLAND ENGLAND / TAIWAN A Tasty Fish A Warm Salty Wind Adagio Alma Alona Chihiro Tazuro Maria Korzhova, Maria Laricheva, Guillaume Oury Rola Hafez, Francesco Cordari, Kea Xie Alexandra Megerdichian The School of Visual Theater Sofia Petrova LISAA - L’Institut Supérieur des Arts UAL - University of the Arts London Animatseh Appliqués Escape Studios official selection International Students th Maxi 16 2021 FRANCE USA ENGLAND ENGLAND / USA CROATIA Alone a Wolf’s Winter An Almost Perfect Any Instant Whatever Arachnarche Arbor Inversus Damien Grellety, Victor Dumur, Carla Vacuum Emma Jordan Nikolina Žabčić Humbert, Gaël Bourdeu, Clara Malleviale, Michelle Brand Marine Vilcot, Rebecca Belle, Bérénice Lefevre Andre Huang RCA - Royal College of Art AUB - Arts University Bournemouth ALU - Academy of Fine Arts Zagreb ESMA - École Supérieure des Métiers SJSU - San José -
The Wisconsin Masonic Journal, Publication Number 011-551 (ISSN No
THE MARCH 2014 WISCONS IN Bro. Larry Nines named “Citizen of the Year” Mas onic Journ al See page 10. Wisconsin Masonic Calendar 8 West Bend Lodge No. 138, blood drive for the Blood Center MARCH 2014 Southeastern Wisconsin from 2:30 p.m. to 6:30 p.m. Register at 1-2 Beja Shrine Circus, Brown County Veterans Memorial Arena, www.bcw.edu/westbendmasons or contact Bro. Darren Cooksey, 262- 1901 South Oneida Street, Green Bay. Tickets: $24 Reserved, $18 388-1356 or email [email protected] General Admission, greenbaycircus.com. 9 AARP Driver Safety Review for all drivers. 6:00 p.m. Middleton 2 Masonic Service Association Concert at the King Veterans Home Masonic Center, 7409 Franklin Avenue., Middleton. AARP Members at King, 1:30 p.m. Volunteer to help, any and all help is appreciated! $12, Nonmembers $14. Call 608-831-2373. 6-9 Tripoli Shrine Circus, U.S. Cellular Arena, 400 West Kilbourn 12 Grand Master’s Testimonial Dinner, Crowne Plaza, 4402 E. Wash - Ave., Milwaukee, www.milwaukeecircus.com. ington Ave., Madison. See page 5. 8 79th Annual Steamboat Dinner, H.S. Baird Lodge No. 174, 31 S. 12 Children's Dyslexia Center - Madison, Ladies Tea/Lunch. Madison 3rd Ave, Sturgeon Bay. 4:00 p.m. - 7:00 p.m., Free magic show at 3:30 Masonic Center, 301 Wisconsin Avenue. Raffle, silent auction, lunch, p.m. Adults $15.00, kids under 14 free. Veterans and active service entertainment. Doors open at 10:30 a.m. Noon Lunch, followed by discounts. See story on page 3. -
The Sherpa and the Snowman
THE SHERPA AND THE SNOWMAN Charles Stonor the "Snowman" exist an ape DOESlike creature dwelling in the unexplored fastnesses of the Himalayas or is he only a myth ? Here the author describes a quest which began in the foothills of Nepal and led to the lower slopes of Everest. After five months of wandering in the vast alpine stretches on the roof of the world he and his companions had to return without any demon strative proof, but with enough indirect evidence to convince them that the jeti is no myth and that one day he will be found to be of a a very remarkable man-like ape type thought to have died out thousands of years before the dawn of history. " Apart from the search for the snowman," the narrative investigates every aspect of life in this the highest habitable region of the earth's surface, the flora and fauna of the little-known alpine zone below the snow line, the unexpected birds and beasts to be met with in the Great Himalayan Range, the little Buddhist communities perched high up among the crags, and above all the Sherpas themselves that stalwart people chiefly known to us so far for their gallant assistance in climbing expeditions their yak-herding, their happy family life, and the wav they cope with the bleak austerity of their lot. The book is lavishly illustrated with the author's own photographs. THE SHERPA AND THE SNOWMAN "When the first signs of spring appear the Sherpas move out to their grazing grounds, camping for the night among the rocks THE SHERPA AND THE SNOWMAN By CHARLES STONOR With a Foreword by BRIGADIER SIR JOHN HUNT, C.B.E., D.S.O. -
Baseball Caps
HILLS HATS WINTER LOOKBOOK 2019 TWEED HATS Eske Donegal English Luton Check English Tweed Cheesecutter Tweed Cheesecutter 2540 2541 Navy, Black, Olive Brown, Grey S, M, L, XL, XXL S, M, L, XL, XXL Herefordshire Check English Wiltshire Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2542 2544 Blue, Green Brown, Grey, Beige, Blue, Fawn S, M, L, XL, XXL S, M, L, XL, XXL Devon Houndstooth Swindon Houndstooth Lambswool Tweed Cheesecutter Lambswool English Tweed Cheesecutter 2552 2573 Blue, Rust Blue, Green, Wine, Fawn S, M, L, XL, XXL S, M, L, XL, XXL 1 Chester Overcheck Hunston Overcheck Lambswool English Tweed Cheesecutter English Tweed Cheesecutter 2574 2554 Blue, Olive, Brown Black, Blue, Brown, Green S, M, L, XL, XXL S, M, L, XL, XXL Saxilby Overcheck English Glencoe Overcheck Lambswool Tweed Cheesecutter Tweed Cheesecutter 2567 2537 Brown, Green Green, Mustard S, M, L, XL, XXL S, M, L, XL, XXL Bingley Check Lambswool Bramford Houndstooth English Tweed Cheesecutter Tweed Cheesecutter 2551 2556 Olive, Blue Blue, Green S, M, L, XL, XXL S, M, L, XL, XXL 2 TWEED HATS Warrington Herringbone English Tweed Cheesecutter 2576 Charcoal, Brown, Khaki S, M, L, XL, XXL English Wool Tweed Patchwork Cheesecutter 300 Blue, Green, Brown S, M, L, XL, XXL Eske Donegal English Tweed 4 Piece Cheesecutter 2570 Black, Navy, Olive S, M, L, XL, XXL 3 Dartford Herringbone English Tweed 4 Piece Cheesecutter 2570 Black, Brown, Blue, Green S, M, L, XL, XXL Bingley Check English Tweed 7 Piece Cheesecutter 2571 Blue, Olive S, M, L, XL, XXL Warrington Herringbone -
13:40 KEMPTON (AW), 5F
Jockey Colours: Black, pink star, pink sleeves, black armlets and stars on pink cap Notes: Timeform says: Foaled March 1. 4,000 gns yearling, Rip Van Winkle filly. Half-sister to 9.5f/1¼m winner Across The Sky and 1¼m winner Rat Pack. Dam, unraced, closely related PDF Form Guide - Free from attheraces.com with to smart winner up to 1¼m High Rock. (Forecast 17.00) 9 (1) TO HAVE A DREAM (IRE) 2 9 - 0 M Dwyer - b f Zoffany - Tessa Romana J S Moore 13:40 KEMPTON (A.W.), 5f Jockey Colours: Light green, light blue seams, striped sleeves, light blue cap, brown star Notes: Watch Racing UK In HD Maiden Fillies' Stakes (Plus 10) (Div 2) (Class 4) (2YO Timeform says: Foaled March 4. €7,000 yearling, Zoffany filly. Dam unraced half-sister to useful 1½m-2m winner Blimey O'Riley. (Forecast 17.00) only) TIMEFORM VIEW: RAPACITY ALEXANDER is the one who stands out on pedigree being a sister to high-class Hong Kong sprinter Peniaphobia so she could be worth chancing. Chupalla and Stormy No(Dr) Silk Form Horse Details Age/Wt Jockey/Trainer OR Clouds both represent powerful yards and are the obvious threats. 1 (9) CHUPALLA 2 9 - 0 J Fanning - M Johnston b f Helmet - Dubai Sunrise Timeform 1-2-3: 1: RAPACITY ALEXANDER Jockey Colours: Dark green, red cap, dark green diamond Notes: 2: CHUPALLA Timeform says: Foaled April 7. Helmet filly. Half-sister to 1m-1¼m winner Bewilder and 1m winner Solar Moon. Dam unraced sister to top-class winner up to 1¼m Dubai Millennium. -
Costume Crafts an Exploration Through Production Experience Michelle L
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2010 Costume crafts an exploration through production experience Michelle L. Hathaway Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Theatre and Performance Studies Commons Recommended Citation Hathaway, Michelle L., "Costume crafts na exploration through production experience" (2010). LSU Master's Theses. 2152. https://digitalcommons.lsu.edu/gradschool_theses/2152 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. COSTUME CRAFTS AN EXPLORATION THROUGH PRODUCTION EXPERIENCE A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Fine Arts in The Department of Theatre by Michelle L. Hathaway B.A., University of Colorado at Denver, 1993 May 2010 Acknowledgments First, I would like to thank my family for their constant unfailing support. In particular Brinna and Audrey, girls you inspire me to greatness everyday. Great thanks to my sister Audrey Hathaway-Czapp for her personal sacrifice in both time and energy to not only help me get through the MFA program but also for her fabulous photographic skills, which are included in this thesis. I offer a huge thank you to my Mom for her support and love. -
Falstaff Owner's Guide
FALSTAFF OWNER’S GUIDE SUPPLEMENT TO THE DARIEN JACKET OWNER’S GUIDE WARNING: Adjusting or opening wrist (or other) zippers for ventilation may result in shifting of the 6 impact pads in some crash situations. This may decrease pad effectiveness or allow an increased injury. LEGAL NOTICE: These garments are not considered to be personal protective equipment as defined in or within the scope of, the personal protective equipment (EC Directive) regulations 1992 (S.I.1992/3139). No liability will be accepted arising out of these garments’ non-compliance with such regulations. INTRODUCTION Congratulations on your choice of an Aerostich Falstaff jacket. Your Falstaff jacket uses a traditional waxed cotton fabric and because of this there are differences from an Aeros- tich GORE-TEX® Cordura Darien jacket. To insure high performance, comfort and satisfaction from your Falstaff jacket please read both the Darien Jacket Owner’s Guide and this Falstaff Owner’s Guide Supplement. Call us at (218) 722-1927 if you have any questions, comments, or suggestions. FALSTAFF WAXED COTTON This tightly woven cotton fabric is impregnated with a paraffin for- mula derived from fabric finishes developed in the late 1800’s and early 1900’s for use in foul weather gear. It is proof against inclement weather but retains some of the breathability of unfinished cotton. When hung in a warm room, or outdoors on a warm day in sunlight, it re-finishes itself and relaxes, so some use marks will fade. The imperfections of the fabric are part of the rugged, worn look. FALSTAFF ABRASION INFORMATION Your Falstaff jacket is not designed for high-speed abrasion protection, or to be used as a substitute for a heavy leather jacket or competition leathers.