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The Chennai Comprehensive Transportation Study (CCTS)
ACKNOWLEDGEMENT The consultants are grateful to Tmt. Susan Mathew, I.A.S., Addl. Chief Secretary to Govt. & Vice-Chairperson, CMDA and Thiru Dayanand Kataria, I.A.S., Member - Secretary, CMDA for the valuable support and encouragement extended to the Study. Our thanks are also due to the former Vice-Chairman, Thiru T.R. Srinivasan, I.A.S., (Retd.) and former Member-Secretary Thiru Md. Nasimuddin, I.A.S. for having given an opportunity to undertake the Chennai Comprehensive Transportation Study. The consultants also thank Thiru.Vikram Kapur, I.A.S. for the guidance and encouragement given in taking the Study forward. We place our record of sincere gratitude to the Project Management Unit of TNUDP-III in CMDA, comprising Thiru K. Kumar, Chief Planner, Thiru M. Sivashanmugam, Senior Planner, & Tmt. R. Meena, Assistant Planner for their unstinted and valuable contribution throughout the assignment. We thank Thiru C. Palanivelu, Member-Chief Planner for the guidance and support extended. The comments and suggestions of the World Bank on the stage reports are duly acknowledged. The consultants are thankful to the Steering Committee comprising the Secretaries to Govt., and Heads of Departments concerned with urban transport, chaired by Vice- Chairperson, CMDA and the Technical Committee chaired by the Chief Planner, CMDA and represented by Department of Highways, Southern Railways, Metropolitan Transport Corporation, Chennai Municipal Corporation, Chennai Port Trust, Chennai Traffic Police, Chennai Sub-urban Police, Commissionerate of Municipal Administration, IIT-Madras and the representatives of NGOs. The consultants place on record the support and cooperation extended by the officers and staff of CMDA and various project implementing organizations and the residents of Chennai, without whom the study would not have been successful. -
Hacken Lee Cantonese Albums Download Emily Lo Suk Yi Mandarin Immersion
Hacken Lee Cantonese albums download Emily Lo Suk Yi Mandarin Immersion. It's all about Mandarin. And about learning the language through music, movies, and TV serials. I'll have my own personal reviews about new artists and what I'm doing to learn the language. My aim is to post at least once a week and the steps I'm taking to improve my learning. There's no better motivation to learn something than to actually write down your progress. And so, here it is! Mandarin Immersion! Monday, December 04, 2006. The First Song I Learned Lyrics For. The very first song I learned the lyrics to was S.H.E.'s song 戀人未滿 (Not Yet Lovers) (Lian Ren Wei Man) and it was off of their album "Together" (album cover is at left). The reason I learned the lyrics to the song was because after hearing this song many times, I just felt compelled to learn what they were singing. I managed to find their lyrics from S.H.E Angelic Fansite. That site has everything you need to know about the group, including lyrics to all of their songs in Chinese, Pin Yin, and English! This is basically how I'm learning Mandarin - I find songs I like, find the lyrics and try to learn the song. By doing this, I can slowly pick up how to read Chinese characters, learn how to say them (well, sort of), and know the meaning of the words. And so, below is the video for the song 戀人未滿 (Not Yet Lovers) (Lian Ren Wei Man), which by the way, still remains my favorite Mandarin song. -
The Globalization of K-Pop: the Interplay of External and Internal Forces
THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological. -
Famine, Disease, Medicine and the State in Madras Presidency (1876-78)
FAMINE, DISEASE, MEDICINE AND THE STATE IN MADRAS PRESIDENCY (1876-78). LEELA SAMI UNIVERSITY COLLEGE LONDON DOCTOR OF PHILOSOPHY UMI Number: U5922B8 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U592238 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 DECLARATION OF NUMBER OF WORDS FOR MPHIL AND PHD THESES This form should be signed by the candidate’s Supervisor and returned to the University with the theses. Name of Candidate: Leela Sami ThesisTitle: Famine, Disease, Medicine and the State in Madras Presidency (1876-78) College: Unversity College London I confirm that the following thesis does not exceed*: 100,000 words (PhD thesis) Approximate Word Length: 100,000 words Signed....... ... Date ° Candidate Signed .......... .Date. Supervisor The maximum length of a thesis shall be for an MPhil degree 60,000 and for a PhD degree 100,000 words inclusive of footnotes, tables and figures, but exclusive of bibliography and appendices. Please note that supporting data may be placed in an appendix but this data must not be essential to the argument of the thesis. -
Song of Liberty Dona Nobis Pacem
thedr. mit william concert cutter, conductor choir presents petersong of libertychild A BLAKE CANTATA - world premiere - ralphdona vaughan nobis pacem williams WITH SOLOISTS nozomi ando, soprano paulina sliwa, mezzo-soprano sudeep agarwala, tenor daniel cunningham, baritone sunday, may 2 | 4 pm | Kresge Auditorium The MIT Concert Choir Dr. William Cutter, conductor Joseph Turbessi, assistant conductor and pianist Sunday, May 2, 2010 Kresge Auditorium, 4:00 PM PROGRAM Song of Liberty: Peter Child (b. 1953) A Blake Cantata World Premiere I. from The Marriage of Heaven and Hell: The Argument (chorus) II. Fragment Nozomi Ando, soprano Paulina Sliwa, mezzo-soprano Sudeep Agarwala, tenor Daniel Cunningham, baritone III. The Birds (chorus) IV. Auguries of Innocence Sudeep Agarwala, tenor V. from A Song of Liberty: Chorus (chorus) Brief Intermission Dona nobis pacem Ralph Vaughan Williams (1872-1958) I. Agnus Dei (soprano and chorus) – II. Beat! beat! drums! (chorus)– III. Reconciliation (baritone, chorus, and soprano)– IV. Dirge for two veterans (chorus)– V. “The Angel of Death” (baritone, chorus, and soprano)– VI. “O man, greatly beloved” (baritone, chorus, and soprano) Nozomi Ando, soprano Daniel Cunningham, baritone PROGRAM NOTES Song of Liberty: A Blake Cantata Peter Child (2010) My first serious encounter with the poetry of William Blake was when I was a teenager in the late 60s/early 70s. In those days a blend of political revolution, sexual revolution, and mysticism was very much in the air, and to many of us who were part of that rebellious culture Blake seemed astoundingly prescient. The seeds of this piece were sown at that time. My ‘Blake piece’ was a long time coming: the opportunity to write this cantata for the MIT Concert Choir was the catalyst that finally brought it out. -