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DAN KELLY's Ipod 80S PLAYLIST It's the End of The
DAN KELLY’S iPOD 80s PLAYLIST It’s The End of the 70s Cherry Bomb…The Runaways (9/76) Anarchy in the UK…Sex Pistols (12/76) X Offender…Blondie (1/77) See No Evil…Television (2/77) Police & Thieves…The Clash (3/77) Dancing the Night Away…Motors (4/77) Sound and Vision…David Bowie (4/77) Solsbury Hill…Peter Gabriel (4/77) Sheena is a Punk Rocker…Ramones (7/77) First Time…The Boys (7/77) Lust for Life…Iggy Pop (9/7D7) In the Flesh…Blondie (9/77) The Punk…Cherry Vanilla (10/77) Red Hot…Robert Gordon & Link Wray (10/77) 2-4-6-8 Motorway…Tom Robinson (11/77) Rockaway Beach…Ramones (12/77) Statue of Liberty…XTC (1/78) Psycho Killer…Talking Heads (2/78) Fan Mail…Blondie (2/78) This is Pop…XTC (3/78) Who’s Been Sleeping Here…Tuff Darts (4/78) Because the Night…Patty Smith Group (4/78) Ce Plane Pour Moi…Plastic Bertrand (4/78) Do You Wanna Dance?...Ramones (4/78) The Day the World Turned Day-Glo…X-Ray Specs (4/78) The Model…Kraftwerk (5/78) Keep Your Dreams…Suicide (5/78) Miss You…Rolling Stones (5/78) Hot Child in the City…Nick Gilder (6/78) Just What I Needed…The Cars (6/78) Pump It Up…Elvis Costello (6/78) Airport…Motors (7/78) Top of the Pops…The Rezillos (8/78) Another Girl, Another Planet…The Only Ones (8/78) All for the Love of Rock N Roll…Tuff Darts (9/78) Public Image…PIL (10/78) My Best Friend’s Girl…the Cars (10/78) Here Comes the Night…Nick Gilder (11/78) Europe Endless…Kraftwerk (11/78) Slow Motion…Ultravox (12/78) Roxanne…The Police (2/79) Lucky Number (slavic dance version)…Lene Lovich (3/79) Good Times Roll…The Cars (3/79) Dance -
Musicology 98T General Education Course Information Sheet Please Submit This Sheet for Each Proposed Course
Musicology 98T General Education Course Information Sheet Please submit this sheet for each proposed course Department & Course Number Musicology 98T Course Title Prince and the (1980s U.S. Cultural) Revolution Indicate if Seminar and/or Writing II course Seminar 1 Check the recommended GE foundation area(s) and subgroups(s) for this course Foundations of the Arts and Humanities • Literary and Cultural Analysis • Philosophic and Linguistic Analysis • Visual and Performance Arts Analysis and Practice X Foundations of Society and Culture • Historical Analysis X • Social Analysis X Foundations of Scientific Inquiry • Physical Science With Laboratory or Demonstration Component must be 5 units (or more) • Life Science With Laboratory or Demonstration Component must be 5 units (or more) 2. Briefly describe the rationale for assignment to foundation area(s) and subgroup(s) chosen. Class will engage with recorded music, seeking to increase students’ listening skills, allowing them to speak and write critically about musical sound (Visual-Perf. Arts Analysis). Class also will use Prince’s music to engage issues such as generational difference, race, gender, sexuality, religion, censorship, health, and capitalism in 1980s American history (Historical/Social Analyses). 3. List faculty member(s) who will serve as instructor (give academic rank): Schuyler Whelden, Teaching Fellow; Faculty Mentor – Tamara Levitz, Professor Do you intend to use graduate student instructors (TAs) in this course? Yes No X If yes, please indicate the number of TAs 4. Indicate when do you anticipate teaching this course: 2018-2019 Fall Winter Spring Enrollment Enrollment X Enrollment 5. GE Course Units Is this an existing course that has been modified for inclusion in the new GE? Yes No X If yes, provide a brief explanation of what has changed. -
Nytt, Ekstraordinært Album Fra Prince
Prince - Originals 25-04-2019 10:51 CEST Nytt, ekstraordinært album fra Prince Prince vil for alltid bli husket som en formidabel live-artist, listetopper og som en som revolusjonerte musikkbransjen. Men selv om han selv var i rampelyset gjennom sin fire tiår lange karriere, jobbet Prince hele tiden med å finne og utvikle nye talenter. De talentene han respekterte, skrev han også nye låter til. I juni vil The Prince Estate i samarbeid med Warner Bros. Records og TIDAL utgi Originals, et album på 15 låter som inneholder 14 tidligere uutgitte låter, som virkelige viser oss den viktige rollen Prince hadde bak kulissene i andre artisters karrierer. Disse låtene ble plukket ut av Troy Carter på vegne av The Prince Estate og JAY-Z. Fra den 7. juni vil Originals bli strømmet eksklusivt hos TIDAL i fjorten dager. Slik Prince selv ville ønsket å dele musikken sin med fansen vil albumet strømmes i master lydkvalitet via TIDALs Hi Fi abonnement. Den 21 juni vil deretter Warner Bros Records utgi dette ekstraordinære albumet, som er hentet direkte ut av Prince sitt store arkiv, på alle strømmetjenester samt CD. Et limited edition Deluxe CD+2LP format vil bli utgitt 19. Juli. På midten av 80-tallet dominerte Prince hitlistene både som artist, låtskriver og produsent med låter han skrev samt produserte for andre artister. Samtidig som han utga ni av sine mest kommersielle album, skrev han også en rekke låter for artister som The Time, Vanity 6, Sheila E., Apollonia 6, Jill Jones, the Family, og Mazarati. Til tider ble Prince sine original-innspillinger også brukt på disse artistene sine album, med kun små endringer i det instrumentale og med ny vokal. -
Amherst Today
ALSO INSIDE FALL The 1896 alum 2017 who unearthed our mammoth skeleton is still frustrating and surprising scientists Amherst today. As the College’s first Army ROTC FUTURE student in two decades, Rebecca Segal ’18 is part of the long, rich, VETERAN complex story of Amherst and the military. XXIN THIS ISSUE: FALL 2017XX 20 28 36 Veterans’ Loomis “The Splendor of Days Illuminated Mere Being” FROM THE CIVIL WAR TO AN THE PROFESSOR WHO THE COLLEGE REMEMBERS “ACADEMIC BOOT CAMP” UNEARTHED AMHERST’S ACCLAIMED POET AND THIS SUMMER, AMHERST’S MAMMOTH SKELETON IN LECTURER RICHARD HISTORY OF TEACHING 1923 IS STILL FRUSTRATING WILBUR ’42, WHO DIED MEMBERS OF THE MILITARY AND SURPRISING THIS FALL. BY KATHARINE SCIENTISTS TODAY. BY KATHARINE WHITTEMORE BY GEOFFREY GILLER ’10 WHITTEMORE Inside the College’s Beneski Museum, a local scientist realized that this Tyrannosaurid jaw is different from any other he’s seen. (And he has seen quite a few.) Page 28 Photograph by GEOFFREY GILLER ’10 2 “We take pleasure in First Words A career in pediatric cardiology seeing the impossible inspires a young adult novel. appear possible, and the 4 invisible appear visible.” Voices Readers consider such far-reaching Historian Thomas W. Laqueur, invited to Amherst as issues as China’s one-child policy, a Phi Beta Kappa Visiting Scholar, during his October nuclear war and the search for lecture on how and why the living care for and extraterrestrial life. remember the dead. PAGE 12 6 College Row Support after Hurricane Maria, XX ONLINE: AMHERST.EDU/MAGAZINE XX researching bodily bacteria, Amherst’s “single finest graduate” News Video & Audio and more Jeffrey C. -
Read Black Magnolias Special Issue on Prince
Black Magnolias March-May, 2020 Vol. 8, No. 3 (Special Prince Issue) 1 Black Magnolias ISSN 2155-1391 Copyright 2020 Black Magnolias Black Magnolias is published quarterly by Psychedelic Literature. Subscription Rates: single issue $12.00, annual subscription $40.00. Outside the U.S. add $7.00 postage for single issue and $28.00 postage for annual subscription. All payment in U.S. dollars drawn on an U.S. bank or by International Money Order, made to Psychedelic Literature. Individual issues/copies and annual subscription orders can be purchased at www.psychedelicliterature.com/blackmagnolias.html. Postmaster: Send address changes to Black Magnolias, c/o Psychedelic Literature, 203 Lynn Lane, Clinton, MS 39056. Address all correspondence regarding editorial matters, queries, subscriptions, and advertising to [email protected], or Black Magnolias, 203 Lynn Lane, Clinton, MS 39056, or (601) 383-0024. All submissions must be sent via e-mail as a word attachment. All submissions must include a 50 - 100 word biographical note including hometown and any academic, artistic, and professional information the writer desires to share, along with the writer’s postal mailing address, e-mail address, and phone number. All rights reserved. Rights for individual selections revert to authors upon publication. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the Publishers. Founding Publishers Monica Taylor-McInnis C. Liegh McInnis C. Liegh McInnis, Editor Cover Art Black Magnolias XXX, 2020 Monica Taylor-McInnis Note: Cover art was originally designed by Monica Taylor-McInnis for Africology Journal, and we decided to keep it once we moved the special issue to Black Magnolias. -
2014 Program Committee Board of Directors
2014 TABLE OF CONTENTS Welcome……………………………………………………….........................................................4 Schedule at a Glance …………………………………….…………….…………….......................6 Meetings ………………………………………………………........................................................8 Receptions …………………………………………………….......................................................8 Pre-Conferences CAHEP ……………………………………………..............................................................10 Public Policy ……………………………………............................................................. 14 International …………………………………….............................................................17 CEP …………………………………………………............................................................. 20 Grad Student Public Policy ……………….............................................................25 General Conference Thursday breakouts 12:45 – 2:00 PM ......…….................................................. 28 Thursday breakouts 2:15 – 3:30 PM ........…….................................................. 30 Thursday breakouts 3:45 – 5:00 PM ........…….................................................. 33 Welcome and Keynote 5:15 PM: Jonathan R. Alger ....................................... 35 Roundtables sessions 8:00 – 8:45 AM .............................................................38 Presidential Address 9:00 – 10:00 AM: Caroline S. Turner ............................ 42 Friday breakouts 10:15 – 11:30 AM ........………………………................................42 Awards Luncheon 11:45 AM – 1:00 PM ......….................................................45 -
1 MY UNCLE PRINCE. the Music Icon's Nephew President Nelson
MY UNCLE PRINCE. The music icon’s nephew President Nelson continues the Prince legacy by interviewing both those who knew him well and young artists who are influenced by him today. The Prince Story: On April 21, 2016, the world lost one of the most iconic, talented and mysterious artists it has ever known. Born in Minneapolis, Minnesota, Prince Rogers Nelson was the son of a local jazz musician, John L. Nelson and jazz singer Mattie Nelson. The couple would go on to have a daughter, Tyka Nelson, and the family would reside in the urban neighborhood of North Minneapolis. It was from there that the talent of a young genius would develop into a man who would write music history for the next four decades. Upon Prince’s untimely death, people around the world shared their sorrow and memories for a man who meant so much to them, a mythical man who was equally intriguing offstage. In the midst of this was President Nelson, the son of Prince’s beloved sister Tyka. As the next generation, President has a responsibility to his mother, his family and the world to help navigate through the chaos, uncertainty and confusion caused by Prince’s untimely death. Questions keep unfolding in the years after his uncle’s death and as the next generation, he wants the answers. How does the music move forward, now that its creator is gone? How can we preserve the legacy of the music and the man of mystery who still means so much to so many? Join President Nelson as he seeks out musicians, celebrities, friends, music industry insiders and the next generation of artists who provide answers to the question- who was Prince Rogers Nelson? 1 THE HOST As Prince’s nephew and son of Tyka, President Nelson is next in the family line to carry on the Prince legacy. -
Soul・Funk・Black Contemporary・R&B Cd
ISSUE 01 total 550 titles over!! - TAKE FREE - ソウル ソウル CD高価買取リスト CD高価買取リスト 国内CD編①ソウル C D 高 価 買 取リスト ■ ■ 国内 国内 ソウル CD 高価買取リストのトップを飾るのは国内 CD 編。6 0 ~ 80 年代の傑作・定番 CD 化を中心にコンテンポラリー CD編 CD編 ① な隠れ名盤、日本が誇る名編集コンピレーションまで、様々な事情によりいまだ再発の実現していない逸品達。海外から ① の需要も高まる “OBI” 付レア廃盤 CD の怒涛のラインナップ、壮観のジャケット写真とともにどうぞご覧あれ! ビル・サマーズ/コール・イット・ フィエスタ/E.S.P. ブレンダ・ラッセル/恋風 プロセス&ザ・ドゥー・ラグズ/トゥ ペリー・アンド・サンリン/フォー・ ホワット・ユー・ウォント (Pヴァイン / PCD-1305) (ポニーキャニオン / D32Y3587) ー・シャープ ゾーズ・フー・ラブ (ビクター / MVCM-444) (ソニー / SRCS-5791) (東芝 / TOCP-53197) ※「カラフル・チェンジズ」(32DP-771)は ¥6,000買取 参考買取価格 ¥5,000 参考買取価格 ¥2,500 参考買取価格 ¥3,000 参考買取価格 ¥7,500 参考買取価格 ¥2,000 アイヴァン・マティアス/スウィー アトランティック・スター/ユアー イングラム/イングラム・キン ウィリー・コリンズ/ウェア・ユー・ エボニーズ+バーバラ・メイソ ポケッツ/平和の使者 ポケッツ/ソー・デリシャス ポケッツ/戦士の凱旋 マージ/マージ ラヴ・ライツ/ディス・ラヴ・イズ・ テスト・ハングオーヴァー ズ・フォーエバー グダム ゴナ・ビー・トゥナイト? ン/シング・アバウト・ライフ+ギ (ソニー / SRCS-6436) (ソニー / SRCS-6438) (ソニー / SRCS-6437) (BMGビクター / BVCP-7330) リアル (BMGビクター / BVCA-698) (ポニーキャニオン / D20Y-4023) (Pヴァイン / PCD-2780) (ヴィヴィッド / VSCD-524) ブ・ミー・ユア・ラヴ (Pヴァイン / PCD-2904) ※ポリドール盤(POCM-2043)も同様 (ビクター / VICP-5431) 参考買取価格 ¥3,500 参考買取価格 ¥2,000 参考買取価格 ¥2,500 参考買取価格 ¥2,500 参考買取価格 ¥2,500 参考買取価格 ¥4,000 参考買取価格 ¥3,500 参考買取価格 ¥3,500 参考買取価格 ¥4,500 参考買取価格 ¥2,500 キャメオ/スタイル キャメオ/フィール・ミー サム・ディーズ/シークレット・ア ジェームス・ロビンソン/ギル ジュニー/ジュニー5 レイ、グッドマン&ブラウン/スペ レイ、グッドマン&ブラウン/夜明 レイ、グッドマン&ブラウン/マイ・ ロイヤル・フラッシュ/ホット・ ローズ・ブラザーズ/イン・ザ・ (日本フォノグラム / PHCR-6084) (日本フォノグラム / PHCR-6081) ドマイヤー ティー (ソニー / SRCS-6400) シャル・レディ けまで愛して プレイヤー スポット ミックス ※「シークレット・オーメン」(PHCR-6080)は (ヴィヴィッド / VSCD-014) (ソニー / 32DP-853) ※「ブレッド・アローン」(SRCS-6399)は (日本フォノグラム / PHCR-6077) (日本フォノグラム / -
Purple Rain”—Prince (1984) Added to the National Registry: 2011 Essay By: Eddie Santiago (Guest Post)*
“Purple Rain”—Prince (1984) Added to the National Registry: 2011 Essay by: Eddie Santiago (guest post)* “Purple Rain” Original label Prince Film soundtracks are usually an afterthought--mere companion pieces designed to exploit the revenue potential of a movie. This makes “Purple Rain” (1984) truly exceptional. While it is intimately connected to the film of the same name, “Purple Rain” stands on its own as the profound statement of its author--Prince. Prince had been laying the foundation for “Purple Rain” since his debut album in 1978. He looked and sounded otherworldly to the audiences that first encountered him. In truth, his originality was infused with the influences of Sly Stone, James Brown, Little Richard, Jimi Hendrix, Carlos Santana, Joni Mitchell, Stevie Wonder, Chicago, Rufus and Chaka Khan, Tower of Power, Steely Dan, Curtis Mayfield, Fleetwood Mac, and George Clinton. Yet, Prince was not at all derivative. In fact, his music was ahead of its time. Unapologetically provocative, he pushed past the culturally imposed limitations of musical genres, gender roles, and religious symbolism with each successive album, video, and tour. Buoyed by boundary breaking airplay on the nascent national jukebox—MTV--he reached the crossover threshold with “1999” (1982). That album sold millions of copies off the top ten hits “1999” and “Little Red Corvette.” In conceptualizing his next album, Prince wanted to do more than outsell the previous one. He was now in a position to share his gifts and his worldview with a global audience. As revealed in the song “Baby I’m a Star,” the film “Purple Rain” served as his vehicle for inviting people into his world (“Hey, look me over/tell me, do you like what you see?”) without having to compromise his vision (“before the night is through you will see my point of view/even if I have to scream and shout”). -
CALL for MANUSCRIPTS: Prince and the Minneapolis Sound
H-Announce CALL FOR MANUSCRIPTS: Prince and the Minneapolis Sound Announcement published by Molly Reinhoudt on Thursday, May 18, 2017 Type: Call for Publications Date: August 7, 2017 Subject Fields: African American History / Studies, Black History / Studies, Music and Music History, Popular Culture Studies In spring 2016, Dr. Shannon Cochran and I put out a call for manuscripts for a special issue of the Journal of African American Studies examining the life and legacy of Prince Rogers Nelson. The response was overwhelming and we are happy to report that the special issue will be published fall 2017. While it is too late to submit entries to the special issue we’d like to encourage you to submit your work to an edited book on which we have embarked. Although this edited book will consist mainly of scholarly articles, we welcome opinion pieces, interviews of appropriate figures, reflections, poems, and the like. In addition to papers specifically about Prince, writers are also encouraged to consider, but of course not limit themselves to, other figures and topics such as Andre Cymone, Sheila E., Dez Dickerson, Morris Day, Morris Day and The Time, Flyte Time, The Family, Vanity, Vanity 6, Apollonia 6, Jimmy Jam, and Terry Lewis, Jesse Johnson, The Original 7ven, Prince and the Revolution, The Revolution, Prince’s impact on Mint Condition, Jill Jones, Joni Mitchell and her impact on Prince, The Minneapolis Sound, Carmen Electra, Tamar, The John Nelson Trio, Stokely of Mint Condition, and Prince and the New Power Generation. This list is by no means exhaustive. Writers are encouraged to be as creative with their ideas as Prince was with his songwriting, music, and performances. -
Theology of Prince
THEOLOGY OF PRINCE CREDITS: United Theological Seminary of the Twin Cities (in alphabetical order) Theology of Prince Panel from United Theological Seminary of the Twin Cities at Prince from MPLS, A Symposium at the University of Minnesota, April 18, 2018 Kyle Roberts: Vice President for Academic Affairs and Dean pril 18, 2018 Lewis P. Zeidner, Ph.D.: President Max Brumberg-Kraus, Winning Poet, MA Student: read his winning poem, “Ours to Give,” and Thomas G. Wilson’s Winning Open Submissions poem, “The Ladder.” Theology of Prince Committee Vernell Garnett (not present), Winning Visual Open Submissions Artist: Prince Roger Nelson’s Parade, Oil Pastel, Acrylic and Collage on Water Color Paper. Max Brumberg-Kraus: Digital Content Specialist and an MA student in Theology and the Arts Cindi Beth Johnson, Director of The Intersection, Wilson Yates Center for Theology and the Arts: Cindi Beth Johnson: Director of The Intersection, Wilson Yates Center for Theology and the Arts commentary and read part of the Winning Academic Paper, “Prince’s Spiritual Terroir.” Katie Langston: Former Director of Marketing and Community Relations Zada Johnson, Winning Open Submissions Essay Author, Associate Professor of Inner City Studies and Kate Norlander: Director of Marketing and Community Relations Anthropology at Northeastern Illinois University: read from her winning essay, “Prince, the Beautiful Chelsea K. Stanton: Program Associate for the Kaleo Center for Faith, Justice & Social Oshun: The Purple One as Embodiment of the River Goddess of Love.” Transformation Program Associate for The Intersection: Wilson Yates Center for Theology and the Arts, Amọké Kubat, Winning Essay Author, United Seminary Alum: read from her winning essay, and Alum “The Ascension of Prince.” Sharon Tan: Former Academic Dean Lisa Myers, Winning Visual Artist, Master of Divinity Student with concentration in the Arts: discussed Jann Cather Weaver, Copyeditor: Professor Emerita of Worship, and Theology and the Arts her winning photograph, All Excited. -
Apollonia Discography Torrent Download#Q=Vanity 6 Discography Torrent Download Apollonia Discography Torrent Download#Q=Vanity 6 Discography Torrent Download
Apollonia discography torrent download#q=Vanity 6 Discography torrent download Apollonia discography torrent download#q=Vanity 6 Discography torrent download. 1980 : LADY T - TEENA MARIE (Gordy/Motown) : backing vocals, co-wrote "Young Girl in Love". Produced by Richard Rudolph, co- produced by Teena Marie. 1980 : IRONS IN THE FIRE - TEENA MARIE (Gordy/Motown) : backing vocals. Produced by Teena Marie. 1981 : IT MUST BE MAGIC - TEENA MARIE (Motown) : backing vocals, co-wrote "The Ballad of Cradle Rob & Me". Produced by Teena Marie. 1982 : 1999 - PRINCE (Warner Bros.) : Backing Vocals on "1999", "Automatic", "Free", featured vocal on "Lady Cab Driver". Produced by Prince. Jill also appeared in two of the promo videos that were shot for single releases, "AUTOMATIC" and "1999" (see Gallery section) 1984 : PURPLE RAIN - PRINCE & THE REVOLUTION (Warner Bros.) : Backing Vocals. Produced by Prince & The Revolution. 1984 : SHEILA E - THE BELLE OF ST. MARK (Warner Bros.) : Backing vocals. Produced by The Starr Company. 1984 : APOLLONIA 6 - APOLLONIA 6 (Warner Bros.) : Backing Vocals on "Oo She She Wa Wa". Produced by Apollonia 6 & The Starr Company. 1985 : MANIC MONDAY - THE BANGLES (Columbia) : Featured Backing Vocals (uncredited). Produced by David Kahne. (UK release single sleeve) (French release single sleeve) 1985 : MAZARATI - MAZARATI (Paisley Park / Warner Bros.) : Backing Vocals on "Strawberry Lover" and "I Guess It's All Over". 1985 : PRINCE - HELLO (Paisley Park/Warner Bros.) : Uncredited backing vocals on this song, which appeared as the B-side of the single "Pop Life", and subsequently re-appeared on the 3-disc collection "The Hits / The B-Sides" 1987 : PRINCE - SIGN O' THE TIMES (Paisley Park / Warner Bros.) : Co-lead vocals on "It's gonna be a Beautiful Night".