Batman: Time and the Batman Free
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Myth, Metatext, Continuity and Cataclysm in Dc Comics’ Crisis on Infinite Earths
WORLDS WILL LIVE, WORLDS WILL DIE: MYTH, METATEXT, CONTINUITY AND CATACLYSM IN DC COMICS’ CRISIS ON INFINITE EARTHS Adam C. Murdough A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS August 2006 Committee: Angela Nelson, Advisor Marilyn Motz Jeremy Wallach ii ABSTRACT Angela Nelson, Advisor In 1985-86, DC Comics launched an extensive campaign to revamp and revise its most important superhero characters for a new era. In many cases, this involved streamlining, retouching, or completely overhauling the characters’ fictional back-stories, while similarly renovating the shared fictional context in which their adventures take place, “the DC Universe.” To accomplish this act of revisionist history, DC resorted to a text-based performative gesture, Crisis on Infinite Earths. This thesis analyzes the impact of this singular text and the phenomena it inspired on the comic-book industry and the DC Comics fan community. The first chapter explains the nature and importance of the convention of “continuity” (i.e., intertextual diegetic storytelling, unfolding progressively over time) in superhero comics, identifying superhero fans’ attachment to continuity as a source of reading pleasure and cultural expressivity as the key factor informing the creation of the Crisis on Infinite Earths text. The second chapter consists of an eschatological reading of the text itself, in which it is argued that Crisis on Infinite Earths combines self-reflexive metafiction with the ideologically inflected symbolic language of apocalypse myth to provide DC Comics fans with a textual "rite of transition," to win their acceptance for DC’s mid-1980s project of self- rehistoricization and renewal. -
East - West Laos Test of State Lottery Law ASBURY PARK — Nor Showdown Looms Man C
Weatfier Distribution Today Cloudy, with rain today, to. 17,800 night and tomorrow. High today, BEDBANK Mi. Low tonight near 40. High tomorrow, near St. Sea weathei 1 Independent Daily f page I. I HOUBAttHMXKIHHaDt.V-tSt.Ult J REGISTER SH 1-0010 Xnuad daily, Monday through Fridty. Second dm Puttgi • 7c PER COPY 35c PER WEEK VOL. 83, NO. 186 Paid lit R4d Buk and at Additional Malting Otticei. RED BANK, N. J., THURSDAY, MARCH 23,1961 BY CARRIER PAGE ONE Candidate Arrested on 'Request' Seeks Court East - West Laos Test of State Lottery Law ASBURY PARK — Nor Showdown Looms man C. Hansen, who seeks a Democratic nomination for the state Assembly on Joint Action ~a—platform advocating a U.S. Aid state lottery, had himself Is Mulled arrested here yesterday to fur- ther his cause. By SEATO The 42-year-old railroad station •gent from .Monmouth Beach, BANGKOK, Thailand after tipping off newspapers, walked into police headquarters, (AP)—Military advisers of presented the stub of a {3 Irish the Southeast Asia Treaty On Way Sweepstakes ticket to Desk Sgt, Organization kept hard at Thomas Flanagan, and said: "This belongs to me. It's a lot- work today on recommen- WASHINGTON (AP) — tery ticket. What do you propose dations for possible joint President Kennedy is ex- to do? actions to meet the Com- Flanagan, who had been tipped pected to make a major by newsmen to expect Hansen, munist threat in Laos. U.S. policy statement on was ready, "I'll have to book you The military leaders from the 1 the Laotian crisis today. -
Batman’S Story
KNI_T_01_p01 CS6.indd 1 10/09/2020 10:14 IN THIS ISSUE YOUR PIECE Meet your white king – the latest 3 incarnation of the World’s Greatest Detective, the Dark Knight himself. PROFILE From orphan to hero, from injury 4 to resurrection; this is Batman’s story. GOTHAM GUIDE Insights into the Batman’s sanctum and 10 operational centre, a place of history, hi-tech devices and secrets. RANK & FILE Why the Dark Knight of Gotham is a 12 king – his knowledge, assessments and regal strategies. RULES & MOVES An indispensable summary of a king’s 15 mobility and value, and a standard move. Editor: Simon Breed Thanks to: Art Editor: Gary Gilbert Writers: Frank Miller, David Mazzucchelli, Writer: Alan Cowsill Grant Morrison, Jeph Loeb, Dennis O’Neil. Consultant: Richard Jackson Pencillers: Brett Booth, Ben Oliver, Marcus Figurine Sculptor: Imagika Sculpting To, Adam Hughes, Jesus Saiz, Jim Lee, Studio Ltd Cliff Richards, Mark Bagley, Lee Garbett, Stephane Roux, Frank Quitely, Nicola US CUSTOMER SERVICES Scott, Paulo Siqueira, Ramon Bachs, Tony Call: +1 800 261 6898 Daniel, Pete Woods, Fernando Pasarin, J.H. Email: [email protected] Williams III, Cully Hamner, Andy Kubert, Jim Aparo, Cameron Stewart, Frazer Irving, Tim UK CUSTOMER SERVICES Sale, Yanick Paquette, Neal Adams. Call: +44 (0) 191 490 6421 Inkers: Rob Hunter, Jonathan Glapion, J.G. Email: [email protected] Jones, Robin Riggs, John Stanisci, Sandu Florea, Tom Derenick, Jay Leisten, Scott Batman created by Bob Kane Williams, Jesse Delperdang, Dick Giordano, with Bill Finger Chris Sprouse, Michel Lacombe. Copyright © 2020 DC Comics. BATMAN and all related characters and elements © and TM DC Comics. -
Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
Annual Report 1995
19 9 5 ANNUAL REPORT 1995 Annual Report Copyright © 1996, Board of Trustees, Photographic credits: Details illustrated at section openings: National Gallery of Art. All rights p. 16: photo courtesy of PaceWildenstein p. 5: Alexander Archipenko, Woman Combing Her reserved. Works of art in the National Gallery of Art's collec- Hair, 1915, Ailsa Mellon Bruce Fund, 1971.66.10 tions have been photographed by the department p. 7: Giovanni Domenico Tiepolo, Punchinello's This publication was produced by the of imaging and visual services. Other photographs Farewell to Venice, 1797/1804, Gift of Robert H. and Editors Office, National Gallery of Art, are by: Robert Shelley (pp. 12, 26, 27, 34, 37), Clarice Smith, 1979.76.4 Editor-in-chief, Frances P. Smyth Philip Charles (p. 30), Andrew Krieger (pp. 33, 59, p. 9: Jacques-Louis David, Napoleon in His Study, Editors, Tarn L. Curry, Julie Warnement 107), and William D. Wilson (p. 64). 1812, Samuel H. Kress Collection, 1961.9.15 Editorial assistance, Mariah Seagle Cover: Paul Cezanne, Boy in a Red Waistcoat (detail), p. 13: Giovanni Paolo Pannini, The Interior of the 1888-1890, Collection of Mr. and Mrs. Paul Mellon Pantheon, c. 1740, Samuel H. Kress Collection, Designed by Susan Lehmann, in Honor of the 50th Anniversary of the National 1939.1.24 Washington, DC Gallery of Art, 1995.47.5 p. 53: Jacob Jordaens, Design for a Wall Decoration (recto), 1640-1645, Ailsa Mellon Bruce Fund, Printed by Schneidereith & Sons, Title page: Jean Dubuffet, Le temps presse (Time Is 1875.13.1.a Baltimore, Maryland Running Out), 1950, The Stephen Hahn Family p. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
Two-Color Technicolor, the Black Pirate, and Blackened Dyes in 1923
Two-Color Technicolor, The Black Pirate, and Blackened Dyes In 1923 Cecil B. DeMille had complained that “color movies diverted interest from narrative and action, offended the color sensitivities of many, and cost too much.”1 For DeMille, color—even “natural” color processes like Technicolor—was a veil that concealed the all-important expressions on an actor’s face. Yet DeMille was attracted to color and repeatedly employed it in his films of the 1920s, combining tinting and toning with footage either in Technicolor or in the Handshiegl process. Douglas Fairbanks voiced a similar objection to color, likening its use to putting “rouge on the lips of Venus de Milo.”2 Fairbanks argued that color took “the mind of the spectator away from the picture itself, making him conscious of the mechanics—the artificiality—of the whole thing, so that he no longer lived in the story with the characters.”3 At the same time, color motion pictures were said, by their critics, to cause retinal fatigue.4 Fairbanks had once written that color “would tire and distract the eye,” serving more as a distraction than an attraction.5 Indeed, a few years later, before deciding to make The Black Pirate (1926) in two-color Technicolor, Fairbanks hired two USC professors, Drs. A. Ray Irvine and M. F. Weyman, to conduct a series of tests to ascertain the relative amount of eye fatigue (as well as nausea and headaches) generated by viewing black and white vs. color films. Fatigue was calculated in terms of the decline in the viewer’s visual acuity as a result of these screenings. -
BERNARD BAILY Vol
Roy Thomas’ Star-Bedecked $ Comics Fanzine JUST WHEN YOU THOUGHT 8.95 YOU KNEW EVERYTHING THERE In the USA WAS TO KNOW ABOUT THE No.109 May JUSTICE 2012 SOCIETY ofAMERICA!™ 5 0 5 3 6 7 7 2 8 5 Art © DC Comics; Justice Society of America TM & © 2012 DC Comics. Plus: SPECTRE & HOUR-MAN 6 2 8 Co-Creator 1 BERNARD BAILY Vol. 3, No. 109 / April 2012 Editor Roy Thomas Associate Editors Bill Schelly Jim Amash Design & Layout Jon B. Cooke Consulting Editor John Morrow FCA Editor P.C. Hamerlinck AT LAST! Comic Crypt Editor ALL IN Michael T. Gilbert Editorial Honor Roll COLOR FOR $8.95! Jerry G. Bails (founder) Ronn Foss, Biljo White Mike Friedrich Proofreader Rob Smentek Cover Artist Contents George Pérez Writer/Editorial: An All-Star Cast—Of Mind. 2 Cover Colorist Bernard Baily: The Early Years . 3 Tom Ziuko With Special Thanks to: Ken Quattro examines the career of the artist who co-created The Spectre and Hour-Man. “Fairytales Can Come True…” . 17 Rob Allen Roger Hill The Roy Thomas/Michael Bair 1980s JSA retro-series that didn’t quite happen! Heidi Amash Allan Holtz Dave Armstrong Carmine Infantino What If All-Star Comics Had Sported A Variant Line-up? . 25 Amy Baily William B. Jones, Jr. Eugene Baily Jim Kealy Hurricane Heeran imagines different 1940s JSA memberships—and rivals! Jill Baily Kirk Kimball “Will” Power. 33 Regina Baily Paul Levitz Stephen Baily Mark Lewis Pages from that legendary “lost” Golden Age JSA epic—in color for the first time ever! Michael Bair Bob Lubbers “I Absolutely Love What I’m Doing!” . -
Ye Intruders Beware: Fantastical Pirates in the Golden Age of Illustration
YE INTRUDERS BEWARE: FANTASTICAL PIRATES IN THE GOLDEN AGE OF ILLUSTRATION Anne M. Loechle Submitted to the faculty of the University Graduate School in partial fulfillment of the requirements for the degree Doctor of Philosophy in the Department of the History of Art Indiana University November 2010 Accepted by the Graduate Faculty, Indiana University, in partial fulfillment of the requirements for the degree of Doctor of Philosophy. Doctoral Committee _________________________________ Chairperson, Sarah Burns, Ph.D. __________________________________ Janet Kennedy, Ph.D. __________________________________ Patrick McNaughton, Ph.D. __________________________________ Beverly Stoeltje, Ph.D. November 9, 2010 ii ©2010 Anne M. Loechle ALL RIGHTS RESERVED iii Acknowledgments I am indebted to many people for the help and encouragement they have given me during the long duration of this project. From academic and financial to editorial and emotional, I was never lacking in support. I am truly thankful, not to mention lucky. Sarah Burns, my advisor and mentor, supported my ideas, cheered my successes, and patiently edited and helped me to revise my failures. I also owe her thanks for encouraging me to pursue an unorthodox topic. From the moment pirates came up during one of our meetings in the spring of 2005, I was hooked. She knew it, and she continuously suggested ways to expand the idea first into an independent study, and then into this dissertation. My dissertation committee – Janet Kennedy, Patrick McNaughton, and Beverly Stoeltje – likewise deserves my thanks for their mentoring and enthusiasm. Other scholars have graciously shared with me their knowledge and input along the way. David M. Lubin read a version of my third chapter and gave me helpful advice, opening up to me new ways of thinking about Howard Pyle in particular. -
Science Fiction/Futuristic
Below in no specific order is a list of back cover blurbs in Science Fiction/Futuristic genres that I wrote from scratch or revised (the original blurb is included first, followed by my revision) as well as the high-concept (75- and/or 150 words or less) blurb I wrote for it, if the blurb wasn't already in that word count. Note: Unless specified otherwise, I also wrote the series blurbs. If you're looking for something specific, click Control F to search for it. Karen Wiesner Sir Henry, the Knight in Space by Wendy Laing http://www.wendylaing.com/ Science Fiction Mid-Grade Reader Original blurb: Twin boys accidentally beam up the ghost of Sir Henry de Bohun from the 14th century into their father's spaceship in 3000AD--that's when the fun begins.... They even take a virtual trip back in time and visit Sir Henry's English castle! Revised blurb: Twin boys accidentally beam the ghost of 14th century Sir Henry de Bohun into their father's spaceship in 3000 AD. Let the fun begin as they take a virtual trip back in time to visit Sir Henry's English castle! Watership by Jenna Whittaker https://jennawhittaker-author.weebly.com/ Science Fiction Original Blurb: The world was dying, so scientists worked to create a safe haven in the centre of the earth; hollowing it out for the future generations to live safely. When the creatures created to watch over the people detected the failsafe program had activated, and that their hollow world was about to collapse, they took them to a sentient, biological spaceship, set with the coordinates to take them to a new world. -
Reflections on Progressive Media Since 1968
THIRD WORLD NEWSREEL Reflections on Progressive Media Since 1968 CREDITS 2008 Editor: Cynthia Young 2018 Editors: Luna Olavarría Gallegos, Eric Bilach, Elizabeth Escobar and Andrew James Cover Design: Andrew James Layout Design: Luna Olavarría Gallegos Cover Photo: El Pueblo Se Levanta, Newsreel, 1971 THIRD WORLD NEWSREEL BOARD OF DIRECTORS Dorothy Thigpen (former TWN Executive Director) Sy Burgess Afua Kafi Akua Betty Yu Joel Katz (emeritus) Angel Shaw (emeritus) William Sloan (eternal) The work of Third World Newsreel is made possible in part with the support of: The National Endowment for the Arts The New York State Council on the Arts with the support of Governor Andrew M. Cuomo and the NY State Legislature Public funds from the NYC Department of Cultural Affairs in partnership with the City Council The Peace Development Fund Individual donors and committed volunteers and friends TABLE OF CONTENTS 1. TWN Fifty Years..........................................................................4 JT Takagi, 2018 2. Foreword....................................................................................7 Luna Olavarría Gallegos, 2015 3. Introduction................................................................................9 Cynthia Young, 1998 NEWSREEL 4. On Radical Newsreel................................................................12 Jonas Mekas, c. 1968 5. Newsreel: A Report..................................................................14 Leo Braudy, 1969 6. Newsreel on Newsreel.............................................................19