Loyola of Los Angeles Entertainment Law Review Volume 22 Number 3 Article 4 3-1-2002 Time to Quite Paying the Payola Piper: Why Music Industry Abuse Demands a Complete System Overhaul Lauren J. Katunich Follow this and additional works at: https://digitalcommons.lmu.edu/elr Part of the Law Commons Recommended Citation Lauren J. Katunich, Time to Quite Paying the Payola Piper: Why Music Industry Abuse Demands a Complete System Overhaul, 22 Loy. L.A. Ent. L. Rev. 643 (2002). Available at: https://digitalcommons.lmu.edu/elr/vol22/iss3/4 This Notes and Comments is brought to you for free and open access by the Law Reviews at Digital Commons @ Loyola Marymount University and Loyola Law School. It has been accepted for inclusion in Loyola of Los Angeles Entertainment Law Review by an authorized administrator of Digital Commons@Loyola Marymount University and Loyola Law School. For more information, please contact
[email protected]. TIME TO QUIT PAYING THE PAYOLA PIPER: WHY MUSIC INDUSTRY ABUSE DEMANDS A COMPLETE SYSTEM OVERHAUL "'They [record labels] created the.., problem, now you want us [artists] to put a target on our backs?... The fear... is that musicians who complain about indie promotion will be kept off the radio. Without commercial airplay it's virtually impossible to sustain a career. I. INTRODUCTION Stars are not born-they are sculpted, manufactured, and produced. But for most record labels desperate to ensure radio airtime for their recording artists, "stardom" in the music industry comes with a colossal 2 price tag. While record labels may be willing to pay radio stations to3 attain artist airplay, it is federal payola laws that stand in their way.