New Keywords: a Revised Vocabulary of Culture and Society / Edited by Tony Bennett, Lawrence Grossberg, Meaghan Morris
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History in Australian Popular Culture 1972-1995
MEAGHAN MORRIS History in Australian Popular Culture 1972-1995 VOLUME 1 HISTORY IN AUSTRALIAN POPULAR CULTURE 1972-1995 by MEAGHAN MORRIS A thesis submitted in fulfilment of the requirements for the degree of Doctor of Philosophy in the Faculty of Humanities and Social Sciences The University of Technology, Sydney June 1996 CERTIFICATE I certify that this thesis has not already been submitted for any degtee and is not being submitted as part of candidature for any other degree. I also certify that the thesis has been written by me and that any help that I have received in preparing this thesis, and all sources used, have been acknowledged in this thesis. Signature of Candidate A lu-~ /... ~·7············· For KEITH MORRIS 1920-1982 ACKNOWLEDGMENTS This thesis has taken six long, busy years to complete. My first thanks must go to my supervisor, Stephen Muecke, for his help and his tolerance all that time, and his friendship for much longer; to Ross Karavis, who made filling out forms a cheerful activity; and to Hilary Yerbury, Associate Dean of Research in the Faculty of Humanities and Social Sciences, to whom I owe a great many debts -- not least, her kind but effective pressure to finish the thesis and her unstinting assistance in making that possible. If the thesis itself has taken six years, the chapters draw on more than decade of research and conversation. Many people have helped me directly with research materials, advice and information during this time; my thanks to Eric Campbell, Rolando Caputo, Michael Dean, John Docker, John Forbes, Louise Johnson, James Hay, Chris Hilton, Colin Hood, Pat Laughren, Jenny Lee, Rachel Moore, Joyce Morris, Andrew Naylor, Paul Patton (who first suggested in 1982 that I write about Sydney Tower), Gil Rodman, Elvira Sprogis, Michael Taussig, Paul Willemen and Ann Zahalka. -
Inquiring Into Shopping Malls and Fiction in Contemporary Australia
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 1993 Consuming illusions: inquiring into shopping malls and fiction in contemporary Australia Julienne van Loon University of Wollongong Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation van Loon, Julienne, Consuming illusions: inquiring into shopping malls and fiction in contemporary Australia, Master of Arts (Hons.) thesis, School of Creative Arts, University of Wollongong, 1993. -
Cultural Studies and the Politics of Intellectual Location
CRITICAL HABITATIONS: CULTURAL STUDIES AND THE POLITICS OF INTELLECTUAL LOCATION Tania Lewis (M.A., B.A.Hons., Canterbury; MB.ChB., Otago, NZ) Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy, March 2000 Department of English with Cultural Studies The University of Melbourne ABSTRACT Over the past four or so decades, a number of social transformations—including in particular the dramatic expansion of the tertiary education sector—have impacted significantly on the role and status of the intellectual in contemporary life. While the authority of the intellectual was once based on a claim to universality, the openly professionalised nature of contemporary intellectual life has thoroughly problematised such claims. Accordingly, the broadly representative role that so-called “public” intellectuals were once said to have played has increasingly been challenged by more “specific” models of intellectual practice, models that have emerged in particular out of new fields of knowledge such as cultural studies. While cultural conservatives have argued that this challenge marks the declining status of the intellectual in contemporary society, the emergence of a variety of “new” intellectual models linked to specific social and institutional formations suggests that, far from declining, concerns over the status and responsibility of the intellectual are ongoing. This thesis examines the complex relations between contemporary intellectual practices and social and cultural location. Focusing in particular on the field of cultural studies, I examine the careers and biographies of four intellectuals. In my introductory chapter I review the major theories of intellectual practice circulating within cultural studies and conclude that a new, more “located” approach to understanding intellectual practice is required.