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John Stamos Helps Inspire Youngsters on WE
August 10 - 16, 2018 2 x 2" ad 2 x 2" ad John Stamos H K M F E D A J O M I Z A G U 2 x 3" ad W I X I D I M A G G I O I R M helps inspire A N B W S F O I L A R B X O M Y G L E H A D R A N X I L E P 2 x 3.5" ad C Z O S X S D A C D O R K N O youngsters I O C T U T B V K R M E A I V J G V Q A J A X E E Y D E N A B A L U C I L Z J N N A C G X on WE Day R L C D D B L A B A T E L F O U M S O R C S C L E B U C R K P G O Z B E J M D F A K R F A F A X O N S A G G B X N L E M L J Z U Q E O P R I N C E S S John Stamos is O M A F R A K N S D R Z N E O A N R D S O R C E R I O V A H the host of the “Disenchantment” on Netflix yearly WE Day Bargain Box (Words in parentheses not in puzzle) Bean (Abbi) Jacobson Princess special, which Classified Merchandise Specials Solution on page 13 Luci (Eric) Andre Dreamland ABC presents Merchandise High-End 2 x 3" ad Elfo (Nat) Faxon Misadventures King Zog (John) DiMaggio Oddballs 1 x 4" ad Friday. -
This Installation Explores the Final Girl Trope. Final Girls Are Used in Horror Movies, Most Commonly Within the Slasher Subgenre
This installation explores the final girl trope. Final girls are used in horror movies, most commonly within the slasher subgenre. The final girl archetype refers to a single surviving female after a murderer kills off the other significant characters. In my research, I focused on the five most iconic final girls, Sally Hardesty from A Texas Chainsaw Massacre, Laurie Strode from Halloween, Ellen Ripley from Alien, Nancy Thompson from A Nightmare on Elm Street and Sidney Prescott from Scream. These characters are the epitome of the archetype and with each girl, the trope evolved further into a multilayered social commentary. While the four girls following Sally added to the power of the trope, the significant majority of subsequent reproductions featured surface level final girls which took value away from the archetype as a whole. As a commentary on this devolution, I altered the plates five times, distorting the image more and more, with the fifth print being almost unrecognizable, in the same way that final girls have become. Chloe S. New Jersey Blood, Tits, and Screams: The Final Girl And Gender In Slasher Films Chloe S. Many critics would credit Hitchcock’s 1960 film Psycho with creating the genre but the golden age of slasher films did not occur until the 70s and the 80s1. As slasher movies became ubiquitous within teen movie culture, film critics began questioning why audiences, specifically young ones, would seek out the high levels of violence that characterized the genre.2 The taboo nature of violence sparked a powerful debate amongst film critics3, but the most popular, and arguably the most interesting explanation was that slasher movies gave the audience something that no other genre was able to offer: the satisfaction of unconscious psychological forces that we must repress in order to “function ‘properly’ in society”. -
A Nigthmare on Elm Street Et Wes Craven's New
UNIVERSITÉ DU QUÉBEC À MONTRÉAL A NIGHTMARE ON ELM STREET ET WES CRA VEN 's NEW NIGHTMARE DE WES CRAVEN: SPÉCULARITÉ ET MÉTAHORREUR MÉMOIRE PRÉSENTÉ COMME EXIGENCE PARTIELLE DE LA MAÎTRISE EN ÉTUDES LITTÉRAIRES PAR AUDE WEBER-HOUDE JUrN 2009 UNIVERSITÉ DU QUÉBEC À MONTRÉAL Service des bibliothèques Avertissement La diffusion de ce mémoire se fait dans le respect des droits de son auteur, qui a signé le formulaire Autorisation de reproduire et de diffuser un travail de recherche de cycles supérieurs (SDU-522 - Rév.01-2006). Cette autorisation stipule que «conformément à l'article 11 du Règlement nOS des études de cycles supérieurs, [l'auteur] concède à l'Université du Québec à Montréal une licence non exclusive d'utilisation et de publication de la totalité ou d'une partie importante de [son] travail de recherche pour des fins pédagogiques et non commerciales. Plus précisément, [l'auteur] autorise l'Université du Québec à Montréal à reproduire, diffuser, prêter, distribuer ou vendre des copies de [son] travail de recherche à des fins non commerciales sur quelque support que ce soit, y compris l'Internet. Cette licence et cette autorisation n'entraînent pas une renonciation de [la] part [de l'auteur] à [ses] droits moraux ni à [ses] droits de propriété intellectuelle. Sauf entente contraire, [l'auteur] conserve la liberté de diffuser et de commercialiser ou non ce travail dont [il] possède un exemplaire.» REMERCIEMENTS Je souhaite remercier Johanne Villeneuve, professeure au département d'études littéraires de l'UQAM, de m'avoir encouragée à persévérer durant toutes les étapes de la réalisation de ce projet. -
Montclair Film Announces October 2017 Lineup at Cinema505
! For Immediate Release MONTCLAIR FILM ANNOUNCES CINEMA505 PROGRAM FOR OCTOBER 2017 SLASHERS! retrospective arrives for Halloween September 22, 2017, MONTCLAIR, NJ - Montclair Film today announced the complete October 2017 film lineup for Cinema505, the organization’s screening space located in the Investors Bank Film & Media Center at 505 Bloomfield in Montclair, NJ. October marks the continuation of the ongoing Montclair Film + Classics series, this time featur- ing SLASHERS!, a retrospective program of the horror genre’s touchstone films, all pre- sented on the big screen, including the 4K restoration of Tobe Hooper’s THE TEXAS CHAINSAW MASSACRE, the restored version of John Carpenter’s HALLOWEEN, and more. October also sees the continuation of The Mastery of Miyazaki series, which fea- tures the Japanese animation legend’s all ages classic PONYO, presented in English for the enjoyment of younger children. October will also see runs of the critically acclaimed new documentary releases THE FORCE, directed by Peter Nicks, EX LIBRIS: NEW YORK PUBLIC LIBRARY, a masterful portrait of the New York Public Library directed by documentary film legend Frederick Wiseman, Jeff Malmberg and Chris Shellen's Montclair Film Festival hit SPETTACOLO returns, THE PARIS OPERA, a wonderful documentary about the legendary Parisian the- ater directed by Jean-Stéphane Bron, and REVOLUTION ’67 directed by Jerome + Mary- lou Bongiorno features in Filmmakers Local 505 program, a look at the 1967 Revolution in Newark, NJ. The Films October 4-8, THE FORCE, directed by Peter Nicks October 6-8, EX LIBRIS: NEW YORK PUBLIC LIBRARY, directed by Frederick Wiseman October 7 & 8, SCREAM, directed by Wes Craven October 11-15, HALLOWEEN, directed by John Carpenter October 13-15, FRIDAY THE 13TH, directed by Sean S. -
Wild’ Evaluation Between 6 and 9Years of Age
FINAL-1 Sun, Jul 5, 2015 3:23:05 PM Residential&Commercial Sales and Rentals tvspotlight Vadala Real Proudly Serving Your Weekly Guide to TV Entertainment Cape Ann Since 1975 Estate • For the week of July 11 - 17, 2015 • 1 x 3” Massachusetts Certified Appraisers 978-281-1111 VadalaRealEstate.com 9-DDr. OsmanBabsonRd. Into the Gloucester,MA PEDIATRIC ORTHODONTICS Pediatric Orthodontics.Orthodontic care formanychildren can be made easier if the patient starts fortheir first orthodontic ‘Wild’ evaluation between 6 and 9years of age. Some complicated skeletal and dental problems can be treated much more efficiently if treated early. Early dental intervention including dental sealants,topical fluoride application, and minor restorativetreatment is much more beneficial to patients in the 2-6age level. Parents: Please makesure your child gets to the dentist at an early age (1-2 years of age) and makesure an orthodontic evaluation is done before age 9. Bear Grylls hosts Complimentarysecond opinion foryour “Running Wild with child: CallDr.our officeJ.H.978-283-9020 Ahlin Most Bear Grylls” insurance plans 1accepted. x 4” CREATING HAPPINESS ONE SMILE AT ATIME •Dental Bleaching included forall orthodontic & cosmetic dental patients. •100% reduction in all orthodontic fees for families with aparent serving in acombat zone. Call Jane: 978-283-9020 foracomplimentaryorthodontic consultation or 2nd opinion J.H. Ahlin, DDS •One EssexAvenue Intersection of Routes 127 and 133 Gloucester,MA01930 www.gloucesterorthodontics.com Let ABCkeep you safe at home this Summer Home Healthcare® ABC Home Healthland Profess2 x 3"ionals Local family-owned home care agency specializing in elderly and chronic care 978-281-1001 www.abchhp.com FINAL-1 Sun, Jul 5, 2015 3:23:06 PM 2 • Gloucester Daily Times • July 11 - 17, 2015 Adventure awaits Eight celebrities join Bear Grylls for the adventure of a lifetime By Jacqueline Spendlove TV Media f you’ve ever been camping, you know there’s more to the Ifun of it than getting out of the city and spending a few days surrounded by nature. -
Scooby Doo Mystery Incorporated Download Season 1
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Une Tragédie Gore / Scream 2 De Wes Craven]
Document generated on 09/29/2021 11:05 p.m. 24 images Une tragédie gore Scream 2 de Wes Craven Marcel Jean Number 91, Spring 1998 URI: https://id.erudit.org/iderudit/23647ac See table of contents Publisher(s) 24/30 I/S ISSN 0707-9389 (print) 1923-5097 (digital) Explore this journal Cite this review Jean, M. (1998). Review of [Une tragédie gore / Scream 2 de Wes Craven]. 24 images, (91), 52–52. Tous droits réservés © 24 images, 1998 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ Scream 2 de wes crave n tation finale se déroule sur la scène). Craven poursuit enfin son travail sur la représenta tion à travers quelques scènes où il isole l'image du son (recours au téléphone, à la caméra vidéo, puis aux espaces insonorisés d'un studio d'enregistrement). De tout cet étalage, deux éléments ressortent. D'abord la fonction cathattique du cinéma d'horreur, qui est en quelque sorte mise de l'avant par le cinéaste qui se plaît à confronter le spectateur à sa propre Sarah Michelle Gellar. Un film annonçant la fin du gore. jouissance face à l'expérience de la peur. -
It up on Valentine ^
STUDENTS RAISE MONEY FOR THE HEART AND STROKE FOUNDATION it up on Valentine ^ VALENTINE'S DAY FORMAL: (L-R) Carolyn Valade, Amber Walsh, Andrea Berkuta, Elizabeth Simmonds, Crystal Wood, Teri Stewart, Karyn Gottschalk, and Susan Davies make a conga line at a party put on by Durham College students who live In residence. Money raised went to help support the Heart and Stroke Foundation. See VALENTINE'S pg. 14 - 15 Pholo by Fannio Sunshine tl'si^aliStii^^ Mayor supports a university-college l^n^t^sBsw^on^^w^^s^^f^.^^^ ^Pogal^ BY DEBBIE BOURKE Chronicle staff community's support, the college will be sending a pro- posal to the government in June and is hoping to get Oshawa city councillors are supporting Durham legislative approval by November. College's campaign to convince the provincial govern- Diamond said it is time to collectively endorse a uni- ment to pass legislation that would con- versity-college. vert the college to a university-college. "The moment is now because the During a city council meeting on Feb. province is working with a SuperBuild 7, Mayor Nancy Diamond said a univer- " We should have fund," she said. "And the minister stat- sity would boost Oshawa's economy had a university ed that tlie money would be allotted for and provide an opportunity for young roads, health care, and colleges and uni- people in Durham Region. in the '60s . all versities." The university-college would keep its I'm saying is now Diamond added that the college college programs and offer university- already sits on about 160 acres of land, so P. -
A Field Research Site for Emerging Contaminants in Iowa
Journal of the Iowa Academy of Science: JIAS Volume 113 Number 1-2 Article 3 2006 Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Douglas J. Schnoebelen U.S. Geological Survey Dana W. Kolpin U.S. Geological Survey Larry B. Barber U.S. Geological Survey Edward T. Furlong U.S. Geological Survey Michael M. Meyer U.S. Geological Survey Let us know how access to this document benefits ouy See next page for additional authors Copyright © Copyright 2007 by the Iowa Academy of Science, Inc. Follow this and additional works at: https://scholarworks.uni.edu/jias Part of the Anthropology Commons, Life Sciences Commons, Physical Sciences and Mathematics Commons, and the Science and Mathematics Education Commons Recommended Citation Schnoebelen, Douglas J.; Kolpin, Dana W.; Barber, Larry B.; Furlong, Edward T.; Meyer, Michael M.; and Skopec, Mary (2006) "Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa," Journal of the Iowa Academy of Science: JIAS, 113(1-2), 1-9. Available at: https://scholarworks.uni.edu/jias/vol113/iss1/3 This Research is brought to you for free and open access by the Iowa Academy of Science at UNI ScholarWorks. It has been accepted for inclusion in Journal of the Iowa Academy of Science: JIAS by an authorized editor of UNI ScholarWorks. For more information, please contact [email protected]. Research Plan and Preliminary Results - A Field Research Site for Emerging Contaminants in Iowa Authors Douglas J. Schnoebelen, Dana W. Kolpin, Larry B. Barber, Edward T. Furlong, Michael M. Meyer, and Mary Skopec This research is available in Journal of the Iowa Academy of Science: JIAS: https://scholarworks.uni.edu/jias/vol113/ iss1/3 Jour. -
Sob Sisters: the Image of the Female Journalist in Popular Culture
SOB SISTERS: THE IMAGE OF THE FEMALE JOURNALIST IN POPULAR CULTURE By Joe Saltzman Director, Image of the Journalist in Popular Culture (IJPC) Joe Saltzman 2003 The Image of the Female Journalist in Popular Culture revolves around a dichotomy never quite resolved. The female journalist faces an ongoing dilemma: How to incorporate the masculine traits of journalism essential for success – being aggressive, self-reliant, curious, tough, ambitious, cynical, cocky, unsympathetic – while still being the woman society would like her to be – compassionate, caring, loving, maternal, sympathetic. Female reporters and editors in fiction have fought to overcome this central contradiction throughout the 20th century and are still fighting the battle today. Not much early fiction featured newswomen. Before 1880, there were few newspaperwomen and only about five novels written about them.1 Some real-life newswomen were well known – Margaret Fuller, Nelly Bly (Elizabeth Cochrane), Annie Laurie (Winifred Sweet or Winifred Black), Jennie June (Jane Cunningham Croly) – but most female journalists were not permitted to write on important topics. Front-page assignments, politics, finance and sports were not usually given to women. Top newsroom positions were for men only. Novels and short stories of Victorian America offered the prejudices of the day: Newspaper work, like most work outside the home, was for men only. Women were supposed to marry, have children and stay home. To become a journalist, women had to have a good excuse – perhaps a dead husband and starving children. Those who did write articles from home kept it to themselves. Few admitted they wrote for a living. Women who tried to have both marriage and a career flirted with disaster.2 The professional woman of the period was usually educated, single, and middle or upper class. -
Baptist Church in Nursing - Education (BSN to MSN); and Valecia Baldwin, Girls Do Not Always Have the Get the Shovel and Conduct My Sumter
Woods in the hunt at 2 under B1 SERVING SOUTH CAROLINA SINCE OCTOBER 15, 1894 FRIDAY, APRIL 12, 2019 75 CENTS Sumter Police arrest 6 in drug-related sting A2 School district waiting on state for next move Financial recovery plan had $6.6M in budget cuts, but state board turned it down BY BRUCE MILLS enue levels. Because the state board de- its intention is to achieve necessary per- mean the state can take over the entire [email protected] nied the district’s appeal of state Super- sonnel cuts through attrition and re- district or take board members off their intendent of Education Molly Spear- structuring. seats, but it does allow them to lead the Though it will change because Sum- man’s fiscal emergency declaration in “I don’t know where the plan stands district financially. ter School District’s appeal of its state- Sumter, the state will recommend now, since we lost the appeal,” Miller In an email to all district employees declared fiscal emergency was denied changes to the plan and budget. said. “I’m waiting to hear from the state late Wednesday afternoon, Interim Su- Tuesday, the financial recovery plan District Chief Financial Officer Jenni- Department. I am not allowed to move perintendent Debbie Hamm also said presented at the hearing showed about fer Miller said Thursday that she and forward with anything, and we’re on administration is waiting on guidance $6.6 million in budget cuts.The cuts pre- administration are on hold now, waiting hold until the state Department con- from the state Department and doesn’t sented before the state Board of Educa- on those recommendations from the tacts us because they are technically in want to cut personnel. -
Nancy Nayor Casting
NANCY NAYOR CASTING Office: 323-857-0151 / Cell: 213-309-8497 E-mail: [email protected] / Website: www.nancynayorcastinG.com 6320 Commodore Sloat Drive, 2nd Floor Los AnGeles California 90048 BREAKING IN Director: James McTeigue Prod: Universal, Will Packer, James Lopez, Craig Perry, Sheila Taylor, Gabrielle Union Cast: Gabrielle Union, Billy Burke, Ajiona Alexus, Richard Cabral, Levi Meaden, Jason George THE PERFECT DATE Director: Chris Nelson Producers: Netflix, Awesomeness Films, ACE, Matt Kaplan, Paula Kaplan, Jessica Held Cast: Noah Centineo, Matt Walsh, Camila Mendes, Odiseas Georgiadis, Laura Marano HAUNT Directors: Scott Beck & Bryan Woods Producers: Sierra-Affinity, Broken Road, Eli Roth, Mark Fasano Cast: Katie Stevens, Will Brittain, Lauryn McClain, Shazi Raja, Andrew Caldwell I SEE YOU Director: Adam Randall Producers: Matt Waldek Cast: Helen Hunt, Jon Tenney, Judah Lewis, Owen Teague, Libe Barer, Sam Trammell A NICE GIRL LIKE YOU Directors: Chris and Nick Riedell Producers: Jina Panebianco, Melanie Greene, Nicholas Bogner Cast: Lucy Hale, Jackie Cruz, Adhir Kalyan, Leo Gulaptis, Stephen Friedrich BEFORE I FALL (Sundance) Director: Ry Russo-Young Producers: Awesomeness Films, Open Road, Brian Robbins, Jon Shestack Cast: Zoey Deutch, Halston Sage, Logan Miller, Jennifer Beals, Diego Boneta THE POSSESSION OF HANNAH GRACE Director: Diederik van Rooijen Producers: Screen Gems, Broken Road Productions, Todd Garner, Sean Robins Cast: Shay Mitchell, Stana Katic, Grey Damon, Louis Herthum, Nick Thune KIDNAP Director: Luis Prieto Producers: Lorenzo Di Bonaventura, Elaine Goldsmith-Thomas, Erik Howsam, Lotus, Gold Star Cast: Halle Berry, Jason George, Chris McGinn, Lew Temple, Sage Correa PROUD MARY Director: Babak Najafi Producers: Screen Gems, Paul Schiff, Tai Duncan Cast: Taraji P.