A Brief History…35 Years of FDF. Lie Hiatt Who Made up the Panel of Judges for the Competition

issue 2 FEBRuary 2011

A Brief History…35 Years of FDF. lie Hiatt who made up the panel of judges for the competition. In- vitations were mailed out to youth groups in the Western Diocese encouraging them to come and participate. The first FDF comprised of five competing teams, 39 dancers in total, and was held in the church hall, with judges posi- tioned on the stage and surround- ing audience on rented bleachers. The results were astounding and the FDF competition was held in San Diego for three years in a row after that. By 1980, FDF was trans- ported to San Jose and had grown to over 300 participants. These May his memory be eternal. Metro- politan Anthony of blessed memo- milestones were recognized by the ry. 1934 - 2004 Western Diocese as a way to bring young Greek-Americans back to The Greek Orthodox Folk the Church and further spread the Dance and Choral Festival (FDF) Orthodox message. The success of has become one of the most vi- the FDF festival encouraged more brant youth ministries within the young adults from Northern Cali- Metropolis of San Francisco. Not fornia to compete in the Festival P hoto by: Kostas etrakos only has it redefined Greek folk and ultimately develop what has February 17, 2011 dancing in America, it has become become a major Archdiocese pro- X Saint Theodore of Tyre, Great Martyr the central meeting place for Or- gram today referred to as the YAL thodox Christians from all over Conference. Beloved in the Lord, the West Coast. It has connected Newly appointed Bishop in “Therefore if you have any encouragement from being united with Christ, if thousands of Greeks and created 1980, His Grace Bishop Anthony any comfort from His love, if any common sharing in the Spirit, if any tenderness lifelong memories for everyone quickly realized the power and and compassion, then make my joy complete by being like-minded, having the same that has danced, directed or simply potential of FDF and encouraged love, being one in spirit and of one mind.” attended FDF in the last 35 years. Philippians 2:1-2 the competition to include some Initially conceived by Peter religious workshops in its four- It brings me great joy to greet you on the occasion of the 35th Annual Preovolos in the 70’s, a San Diego Folk Dance and Choral Festival for the Greek Orthodox Metropolis of day schedule. Over the years these businessman and parishioner of St. workshops have been integrated San Francisco. The theme for this year’s event is “United”, which not only Spyridon Church, FDF has grown represents the unity and fellowship amongst the dancers, but the unity we into the annual Festival and the in- to what it is today – a four day fluence of Metropolitan Anthony share as Orthodox Christians as the Body of Christ. weekend that includes faith-based This weekend is a special gathering for FDF as we celebrate 35 years of blessed memory, who passed workshops, Greek folk dance away on Christmas Day in 2004, of history, culture, and family. Many of you remember those early years, competition, Glendi’s and spe- with just a small number of dance groups participating, and you have re- has been the driving force behind cial events that change year after the festival and how it has evolved mained faithful and been a part of the tremendous growth of this dynamic year. One of the first programs de- ministry. You have been witnesses to the fellowship, the Christian love, over the years to be what it is to- veloped by the FDF management day. and the cultural pride that have become the trademarks of the Folk Dance team was a “variety” show which and Choral Festival. Over the last thirty five years, included Greek dancing and it was FDF has progressed, involving Every person, young and old, who comes to FDF this weekend, will so successful that other groups have an experience that is a feast for the senses. The elaborate costumes, hosts of notable visitors and thou- were invited to come and dance. sands of participants from the the ancient music and the thunderous applause from family and friends Just like any dance or sports com- will ignite in each person the flame of passion for our Orthodox faith and Western Diocese, Greece, South petition, the idea of Greek Folk America and all over the United Hellenic heritage. Dance Competition was born. I am grateful to Father Gary Kyriacou and the leadership of the FDF States. The evolution and complex- A business plan was soon de- ity of the dances has been impres- Board of Trustees and the Management Team for their tireless and unself- veloped and the junior parish coun- ish efforts to lead this ministry to new and greater heights. As we reflect sive over the years thanks to the cil of San Diego soon developed resources of Greek dance troupes back over the past 35 years, there are many people who served this min- collateral material and registration istry with dedication and love, and to each them I express the profound like the Lykeion Ellinidon of Ath- packets to create a more organized ens and the Dora Stratou Dance appreciation of the Metropolis. event. Heading the Western Dio- May we be united in Faith, Dance and Fellowship this weekend, and Theatre, who over the years, have cese at that time was His Grace put out a variety of recorded dance may the Lord grant His blessings upon this gathering and throughout our Bishop Meletios who gave the history continued on page 2 world. project his generous blessing and thus the Greek Folk Dance and Choral Festival was born. Some early supporters of the With Love in Christ, FDF program were local interna- X Metropolitan Gerasimos of San Francisco tional dance teachers Don and El- sponsored by: Deree A Generation of FDF: Rev. Fr. Gary Kyriacou FDF Vision: Christians. tina, and different parts of The Greek Orthodox Provide leadership Greece (just to name a few) Folk Dance & Choral skills to perpetuate the all because of FDF. Cur- Festival Ministry is dedi- Ministry through the rently, our Greek Orthodox cated, through Orthodox practice of acquired lead- brothers and sisters in the Christian Fellowship and ership skills in the admin- Metropolises of Atlanta, committed leadership, to istration of this organiza- New Jersey and Chicago promoting, encouraging tion. host similar Folk Dance and perpetuating the Or- Promote ethical and Festivals. Our Metropolis thodox faith, Greek heri- moral standards befitting of San Francisco Greek tage and culture among the life of an Orthodox Orthodox Folk Dance & individuals, families and Christian. Choral Festival continues communities by express- Promote, encourage to raise the bar and set the ing it through folk dance, and perpetuate Greek her- standard! folk art, music, education itage and culture through In 1976, depending on and language. outreach activities that in- 1976 was a magical it is today. Without your their ages, your parents form others of the Minis- year! The United States combined countless hours may have been thrilled to FDF Goals: try's events, opportunities celebrated its Bicenten- of dance rehearsal, video- own a Bugs Bunny Novelty To bring people to- and commitment to its nial, a new house cost an tape review (now probably AM Radio, use the family gether in Orthodox purposes and goals. average of $43,000 and digital recording review) typewriter or watch Happy Christian Fellowship and Establish and main- Nadia Comaneci scored and devotion to progress Days on the one, 28” col- love, creating greater tain an administrative the first ever perfect score we would all be sitting at or television their parents communion and stronger body to achieve the pur- in gymnastics on the bal- home watching the NBA owned. Only the coolest ties through interaction poses outlined in the mis- ance beam. Steve Jobs and All-Star Game (despite my kids had a rotary dial phone with fellow Orthodox sion statement. X Steve Wozniak started a love of sports, I’ve never in their rooms. Things like company called Apple; just watched that game; I’ve al- I-pods, laptops, Blue Ray, 2011 Board of Trustees a year earlier Microsoft was ways been at FDF!). social networking and cell His Eminence Metropolitan Gerasimos, Executive Chairman established. If you wanted FDF has always pro- phones were unimagina- Father Gary Kyriacou, Chairman to send an email, sorry, you vided a platform for Greek ble back then. Thirty five couldn’t, but if you bought Orthodox youth to meet years ago, we Greeks were Spiro Beckas, Vice-Chairman a stamp it would have cost each other and interact. proud to watch Telly Sava- Katia Boudouvas, Operations Officer you 13 cents. There were These interactions have led las catch bad guys in the Michael Syrengelas, Director of Finance no digital cameras and you to many lifelong friend- hit television series Kojak. John Boudouvas, Director of Marketing/PR needed $28 to own a Po- ships and even some mar- We were also proud to be a Kathy Loukatos Meck, Director of Choral Festival laroid. You could drive a riages! Most of you partic- part of the first FDF. George Demos, Director of Endowment Chevy Corvette for about ipating in this year’s FDF Today, we are gratified Christa Barbas, Judge Coordinator/Liaison $5,500, and a gallon of gas were not born in 1976, by the excitement gener- Eleni Beckas, Secretary cost 59 cents. If you were your parents not yet even ated by the cultural expe- George Nickols, Judge Consultant on the St. Spyridon Junior introduced to each other, rience, competition and Anne Sirota, Judge Consultant Parish Council in San Di- but FDF is still providing fellowship of FDF. To- Vickie Demos, Scholarships Manager ego you were planning the the same opportunity now gether we have grown and very first Greek Orthodox as it did then; giving all changed, but the spirit and John Buzas, Legal Consultant Folk Dance and Choral participants an opportu- tradition of FDF is some- Fr. John Hondros, Liturgical Coordinator Festival! nity to gather with young thing that transcends age Fr. Peter Stratos, Diakonia Project Coordinator A whole generation people who share the same and generation. The core Fr. Bob Fox, Symposiums and Program Coordinator later, having influenced the heritage and faith. values of FDF remain the Deacon Niko Bekris, Metropolis Youth Director lives of thousands, FDF is FDF has introduced same today as they were in Laurie Sahines, Parent’s Rep - North still going strong. Show- us to exotic instruments, the beginning and we con- Amalia Chryssopoulos-Skarzenski, Parent’s Rep – South casing over 100 groups musicians from Greece, tinue to enjoy this wonder- from the Western Unit- and experts in the field of ful opportunity to share our 2011 Management Team: ed States, some Eastern dance. We have learned proud Greek heritage and Christine Alexopoulos Registration Team States, and this year, Ha- dance steps and seen cos- our magnificent Orthodox Eleni Beckas Vendor Coordinator waii, FDF has grown into tumes and choreography Faith. I’m confident that Joanna Demos Events Team (Opening Ceremonies) the Western Hemisphere’s we would never have ex- 35 years from now we will Katherine Dikeakos Competition Team premiere Orthodox youth perienced without this cre- gather to celebrate the 70th Vasili Dikeakos Competition Team ministry program! This atively rich, international Annual Greek Orthodox Evangelia Gryparis Choral Competition splendid event’s success is platform. A sound engi- Folk Dance and Choral Anthony John Competition Team thanks to you, the partici- neer confessed to me two Festival. We may not be pants; directors, dancers, years ago that he had never able to imagine what the Zoe Kaplanis Events Team (Cultural Night) and parents alike! With- provided sound or even future holds, but one thing Christine Karambelas Competition Team out your commitment and seen some of the instru- will still be the same; FDF Voula Kolios Competition Team desire to continually re- ments featured at FDF. We will continue to provide Nick Metrakos Competition Team search, study and develop have met Orthodox faith- lasting memories for all of George Mitsopoulos Director of Security Greek Dance, FDF may ful from Atlanta, Alaska, us. X Katina Mitsopoulos Events Team (Banquet Coordinator) not have grown into what Hawaii, New York, Argen- George Plumis Competition Team Kristina Plumis Competition Team history FROM PAGE 1 seminars taught by some of the program is embracing Manoli Rodarakis Director of Logistics material, often serving as FDF’s veteran judges. the success and priceless Elizabeth Syrengelas Director of Registration role models for the FDF A lot has happened impact it has made on the John Zoumberakis Logistics Team dance groups. since 1976 and there are Greek Orthodox Commu- Today, dedicated thousands of FDF dancers nity over the years. FDF is EXECUTIVE BOARD / MANAGEMENT TEAM MENTORS young dancers and sea- who have met through the definitely here to stay and Christa Barbas Judge Coordinator looks forward to another soned dance directors im- Festival, have gotten mar- Spiro Beckas Vice Chairman incredible 35 years! X merse themselves in the ried and now have their John Boudouvas Director of Marketing/PR Greek dance culture, tak- own children participating sponsored by Katia Boudouvas Director of Operations ing field trips to Greek vil- in the competition. FDF Fr. Gary Kyriacou Chairman lages, watching countless is celebrating its 35th An- Michael Syrengelas Director of Finance videos and attending dance niversary this year and PAGE 2 FDF “My goal is that they may be encouraged in heart and united in love, so that they may have the full riches of complete understanding, in order that they may know the mystery of God, namely, Christ…”

Colossians 2:2

Celebrating 35 years of unity through faith, dance and fellowship. May the Lord abundantly bless the Folk Dance and Choral Festival and may He, Who is the giver of all good things, continue to be the guiding light of this ministry for many more years to come! With Love in Christ,

Metropolitan Gerasimos of San Francisco

fdf PAGE 3 Musician/Performer Bios: The Glendi continues … Pontian Musicians from GreecE Looking Yianis Fotiadis Lyra & Periklis Katsiotis Daouli for more

Hawaii, Chicago, Florida, Los An- geles, Boston - wherever people love to dance and listen to Greek info on music. Some of the musicians of Margarita from Fame Story and Ziyiá have been participating at the Greek Nite band FDF since 1988, playing at the eve- Margarita is often de- ning glendi’s and for many award- scribed as the “heart of the winning groups for nearly 20 years. party.” Born and raised to a Greek- Ziyiá has two recordings available

American family in Northern Cali- on CD fornia, she is just as local as she is From the Mountains to the Islands - global. Margarita was just a teen- Traditional Music of Greece February 26, 2011 ager at Berkeley High School and Travels with Karagiózis - Tradition- while most kids were listening to 6pm- 12 midnight FDF? al Music of Greece the tunes of their generation, Mar- Christos Govetas – vocals, laouto, Saint George Greek Orthodox Church garita was drawn to the music of her clarinet, zurna 10830 Downey Ave, Downey, CA 90241 ancestors. She would sing Greek George Chittenden – clarinet, gaida, Visit songs on the guitar and eventually zurna, saxophone join the Greek band Kymata, play- Beth Bahia Cohen – violin, lyra mezethes and no host bar admission: $25 ing local festivals, parties and spe- Lise Liepman – santouri, accordion cial events. During this time, she Rumen Sali Shopov – daouli, defi, Hosted by the Saint Sophia Greek Folk Dance Program also studied and received her degree Contact: Eleni Constantine @ 310-420-8374 or [email protected] yourfdf.org. doumbeleki in music from San Francisco State To contact Ziyiá: University where, during her recital, George Chittenden & Lise Liepman she proved that opera, musical the- (510) 525-4342 atre, or even cabaret style could suit her just fine. But, it was the Greek music, however, that filled her heart and soul. Her ambition took her to Chicago for a stint headlining in a Endasi is a Greek music en- local club in the heart of Chicago’s semble, comprised of Dimitri Greek town. She later moved to Los Papadimitriou (Atlanta), Yianni Angeles to tackle recording and per- Themelis (New York) and Dimitrios forming her own music, but when Dallas (Chicago). Hailing from folk she learned that auditions for “Fame dance backgrounds, Endasi devel- Story” were taking place in New oped a deep love for the Greek mu- York, off she went to try her luck. sic tradition. With years of musical Fame Story was the Greek response experience, Endasi has performed to “American Idol” and “Big Broth- all over the U.S. and has appeared er” rolled into one where contestants several times at FDF - playing for live in a house together and then groups of all ages. Contact them compete weekly, hoping to win a today for your next baptism, wed- grand prize that includes a recording ding, Greek night, dance perfor- contract. She quickly landed a spot mance, private party or just to have in the hit series and soon enough, a great time. From traditional music her smiling image was already on to more modern Greek stylings, En- Greek TV. After an amazing three dasi has the right mix of music to year professional career in Greece, make your event a memorable one. Margarita has brought all her expe- For more information, visit Endasi rience and talent back to California at www.endasi.com or email: info@ to share. Her long overdue and an- endasi.com . ticipated Greek CD: “Margarita - Ta agapimena mou tragoudia (my fa- Olympians: vorite songs)” was released in May When one hears the soulful 2005 and she is currently working sound of the bouzoukia, the beat of on several other projects along with the drums, the strum of the guitar, musician Doug Major. and the powerful klarino, you know you are listening to the Olympians ZIYIÁ Band. This is a signal to dancers Traditional Music of Greece that the celebration has started and www.ziyia.com it is time to dance the night away to Ziyiá is a band of three musi- the band’s vast repertoire of music cians from San Francisco, one from people love so much. Boston, and one from Seattle, drawn The Olympians first con- together in 1990 by a passion for nection to FDF was in 1978 as traditional Greek music. musicians when they provided en- The sounds of the ensemble tertainment for the Evening of Med- range from the heavy, passionate iterranean Magic,’ a theatrical show dance tunes of mountainous Epiros where all dancers performed. The in northern Greece to the lithe melo- Olympians Band helped develop dies of the Aegean Islands. Several and expand the integration of live traditions have been drawn upon music with Greek folk dance perfor Ziyiá’s repertoire, and many in- digenous instruments are featured formances. Groups were no longer such as the gaida (bagpipe), oud constrained by cassette recordings; & laouto (lutes), lyra and santouri the Olympians were able to take (bowed and hammered stringed in- performances to a higher level, as struments), doumbeleki and daouli the musicians became an integral (regional percussion) as well as the part of the dances. more commonly known clarinet, Tragedy struck the band in violin, accordion and bouzouki. 1986 when guitarist Steve Kidd was As individuals, they have all fatally injured in an automobile ac- served on the staff of the annual cident. The band went without a Balkan Music Dance Workshops guitarist for a couple of years, but held on the East and West coasts saw the talent and energy of the and have played countless concerts, group’s present, Jerry Thermos. festivals, and dances. As Ziyiá, they George, Jim, Peter, Jerry and Steve are recognized as one of the finest make up the present members of the exponents of traditional Greek mu- band. They have been truly blessed sic in the US and are invited to play as the band members have played California Produce proudly supports the FDF ministry and for festivals, workshops, weddings for their own weddings and their wishes everyone the best in 2011! and community events in Canada, children’s baptisms. X PAGE 4 FDF As soon as I knew I wanted to study abroad, I wanted to come to Greece. And out of all the programs I looked at, this one seemed to be the most accessible to study abroad students, while still offering the most Greek experience. I liked the idea of getting to actually hang out with Greek people.”

Take it from Deborah: When DEREE offers a wide range of you study abroad at DEREE – courses—more than 1,000, in fact— The American College which are all taught in English. And of Greece, you’ll have the because we are U.S.-accredited, these opportunity to experience courses will easily transfer to your home institution. Plus, one compre- full cultural immersion. hensive fee covers your entire study Because over 90 percent abroad experience: tuition, housing of our students are Greek, and DEREE-sponsored excursions you’ll get to know the to incredible sites throughout Greece country and culture in a are all included. We’ll even greet you personal, firsthand way. at the airport and help get you settled.

Learn more about studying in Greece at www.acg.edu/study-abroad.

fdf PAGE 5 FDF 2010 Dance & Choral Groups

PAGE 6 FDF fdf PAGE 7 PAGE 8 FDF fdf PAGE 9 FDF Offers Exciting Scholarship Opportunities! FDF is dedicated to helping our young dancers further their education in experience at the seminar for the OLI MAZI newspaper to be the Orthodox faith and Greek dance culture. Below is a list of scholarship included for the upcoming FDF festival (Note: This can be a joint opportunities that FDF offers every year to its participants. article written by both attendees). DEADLINE FOR SCHOLARSHIPS IS ALWAYS Musical Apprenticeship Scholarships JANUARY 24 PRIOR TO THE FDF WEEKEND. FDF offers participants the opportunity to learn a traditional Greek folk If you would like to be considered for one of these scholarships, notify instrument from qualified instructors. your parish priest (or dance program advisor) and ask them to submit your Objectives name to the following on or before the deadline above: The purpose of the musical scholarship is to continue to preserve Greek Vickie Demos, Scholarships Director culture through learning and public playing of Greek folk music by giving [email protected] deserving FDF participants the opportunity to learn a traditional Greek Memorial Scholarships folk instrument from qualified musicians. The scholarship would not be The FDF Memorial Scholarships are given to outstanding individuals that successful if a recipient learned the instrument but never played with a are recommended by their parish priest. Each individual will be awarded band. The scholarship terms and conditions must stress group perfor- a US Savings Bonds in the amount of $1000. mance and public performance to ensure success of this scholarship. Chosen from the many letters of recommendations submitted, scholar- The following factors will be considered: ships are awarded to deserving FDF participants. We encourage all parishes to submit a letter of recommendation for outstanding individuals. • Applicants who have demonstrated outstanding Christian fellowship in their communities. The six awards are: • Applicants who have demonstrated their commitment to the • The Chris Papadimitrakis Scholarship (sponsored by the FDF) FDF program and who do not have either access to or the • The Cynthia Anderson Scholarship (sponsored by the FDF) resources to pay qualified musicians. • The Father Homer Demopoulos Scholarship • Applicants who can make a long-term future commitment to (sponsored by the FDF) playing traditional Greek music for their community and for the • The Katherine Velthoen Scholarship greater FDF community. (sponsored by the Modesto community) • The Jim Papangellin Scholarship Description (sponsored by the George Papangellin family) Two FDF Musical Apprenticeship scholarships will be awarded. Each ap- • The Dean Philips Scholarship plicant will identify the instrument of their choice and the Scholarship (sponsored by the George Demos family) Committee will identify candidate instructors. Eligibility • Applicants must own the instrument they wish to learn to play High School senior through Junior year of College and must be attending before lessons begin. Investment in the instrument demonstrates and participating in the current year’s FDF. that the applicant is serious about learning and later playing the instrument. Ionian Village - Dance Scholarships to Greece • Applicants should have some prior knowledge in instrumental FDF offers dance directors the opportunity to learn well-researched tra- music; such as school or private lessons, ability to read music, etc. ditional Greek folk music, song and dance from qualified professional • The scholarship funds are to be used to offset either travel instructors in Greece. expenses or teaching fees. Objectives • Recipients will practice with instructor’s band (if applicable) on a To give deserving FDF dance directors the opportunity to learn well-re- regular basis during the period of the scholarship. searched traditional Greek folk music, song and dance from qualified pro- • Recipients will play the selections they have learned with fessional instructors in Greece. The following factors will be considered: instructor’s band (if applicable) at the FDF annual event, the FDF • Directors who have demonstrated outstanding Christian Symposium and any other FDF-sponsored events where fellowship in their communities. instructor’s band plays during the period of the scholarship. • Directors who can make a long-term future commitment to • Recipient will also play with instructor’s band at non-FDF events teaching folk dance groups within the Metropolis. at the discretion of the band (if applicable). • The directors that are sent on this scholarship will also act as • Recipients will play for FDF events or dance group performances ambassadors from the Metropolis of San Francisco and will help gratis, only reimbursed for expenses for a period of 2 years after promote cooperation between the FDF and sister Greek folklore the scholarship apprenticeship period. organizations. • The Scholarship Committee and the selected mentor will Description determine distribution of scholarship funds. Two FDF dance scholarships will be awarded and will include airfare, • A cassette tape or DVD containing the music learned and played dance instruction and room and board in attending the seminar in Greece. by the recipient is required upon completion of the scholarship The recipient will need to do the following when awarded the scholarship: term, which is the next FDF Convention weekend. • Take a video camera and record as much of the instruction as • A final payment will be made to the recipient upon submittal of possible. the cassette tape or DVD for any out-of-pocket expenses. • These recordings must be on good quality VHS (or DVD) format. Important Disclaimer • The recipient must also obtain recordings of the music presented, records, cassette tape or CD. The FDF Board of Trustees does not make any claims as to the quality or • Upon return, each recipient will need to make copies of the video value of the workshops, but feels that it is an appropriate seminar for an as well as the music and submit them to the FDF Scholarship FDF director to attend. Since there are many Greek folk dance seminars Director, Vickie Demos. Once the video tapes and music have offered in the summer, the selected seminar chosen by the FDF must be been submitted to the FDF and the article submitted for the critiqued by the recipients and submitted along with the videotapes and OLI MAZI newsletter, the recipient will receive in turn, $250 cassettes. The recipients are required to attend the entire seminar. If the to cover the miscellaneous expenses such as video tapes, recipient cannot attend the seminar, they DO NOT have the option of cassette tapes, etc. sending someone else in their place. Applicants are required to sign the Eligibility enclosed waiver upon submittal of the application which holds the FDF All FDF dance directors that are a member in good standing in the Greek Board of Trustees, its officers and advisors, the Diocese and the Archdio- Orthodox Church (or their parents) and that have participated in the FDF cese harmless for any type of loss, injury, illness or expense arising from are encouraged to apply. the scholarship. Recipients who are under the age of 21 will be required to • All recipients will be required to submit proof of health insurance have their parents sign the waiver as well. All FDF participants (or their that will coverthem in Greece for the duration of the seminar. parents) that are members in good standing in the Greek Orthodox Church • All recipients will need to obtain/renew their passports. and have participated in an FDF are eligible. • Also, each recipient is required to write an article of his/her PAGE 10 FDF Memorials: Past Humanitarian Award Recipients 1985 His Grace Bishop Anthony - San Francisco, CA 2010 Athan Karras, Los Angeles, CA Dancer, Director & Educator 1986 Don and Ellie Hiatt - San Diego, CA 2010 Dennis Boxell, Anaheim, CA Dancer, Director & Choreographer 1987 His Eminence Archbishop Iakovos - New York, NY 2010 Maria Kalmantis, Modesto, CA Dancer 1988 William Korinthias - San Francisco, CA 2009 John Gianakopoulos Las Vegas, NV Dancer 1989 Litsa Preovolos - San Diego, CA 2009 Dimitri Simvoulakis Modesto, CA Son of FDF Judge Irene Peros 1990 Sydney McIntyre - Tacoma, WA 2007 Father Efstathios Mylonas Pasadena , CA Priest 1991 John Haretakis - Anaheim, CA 2006 Tasia Tsobanoudis Dancer 1992 Andrea Kyprianides - Los Angeles, CA 2006 Bebelekov Musician 1993 Angelo Tsakopoulos - Sacramento, CA 1994 George Kokalis - Phoenix, AZ 2004 His Eminence Metropolitan Anthony San Francisco, CA Dena Stamos - Modesto, CA Metropolitan & Spiritual Father of FDF For 25 Years 1995 Christine Peratis - Long Beach, CA 1996 Nicholas Petris - Piedmont, CA 2004 Anthony Forakis, Modesto, CA Dancer 1997 Panos and Bertha Angels - Northridge, CA 2002 John Papadoupoulos Atlanta , GA Dancer, formerly with Dora Stratou Theatre 1998 Helen Lambros - San Marino, CA 2001 Kathy Trapp Castro Valley, CA Choir Director 1999 Anna Efstathiou - Oakland, CA 2000 Anna Efstathiou Oakland , CA Dancer, Director, Researcher 2000 George M. Marcus - Palo Alto, CA 2000 Vilma Matchette Lynwood , WA Dancer, Director, Researcher, Costume Judge, Author 2001 Athan Karras - Tarzana, CA 2000 Jim Papangellin San Jose , CA Dancer, Director 2002 Loula C. Anaston - Belmont, CA 1999 Elizabeth Angelis Harper Seattle, WA Dancer, Mother of three 2003 Fanis Economidis - Los Altos, CA 1999 Fisher Theodore Harper Seattle , WA Son of Elizabeth Harper Evanthea N. Condakes - Boston, MA 1999 Ian Joseph Harper Seattle , WA Son of Elizabeth Harper 2004 Mark Arapostathis - San Diego, CA 1999 Katherine Velthoen Modesto , CA Dancer & Director 2005 His Grace Bishop Anthimos of Olympos 1998 John P. Angel Seattle, WA Dancer 2006 Frosene Phillips Maniatis - Orinda, CA 1997 Kim Efstathiou Castro Valley , CA Dancer, Director, FDF Officer 2007 Reverend Father Thomas J. Paris - Oakland, CA 2008 Nikolaos Stefanidis, Ph.D - Los Angeles, CA 1997 Paul Ginis Founder and Director of the Greek American Folklore Society, Choreographer 2009 Isidoros Garifalakis - Vancouver, WA 1994 Nick Varvitsiotis Pasadena , CA Dancer, Director, Choreographer 2010 Valerie Roumeliotes 1994 Soula Kunelis Granada Hills, CA Mother of three FDF Dancers & Directors 1994 Chris Tsantilas Seattle , WA Dancer FDF Host Cities 1976 – Present 1994 Manolis Abazis Redondo Beach , CA Dancer 1976 St. Spyridon, San Diego 1993 Jim Markus Sacramento , CA Dance enthusiast and supporter, Researcher, Director 1978 St. Spyridon, San Diego 1993 Chris Tasulis Los Angeles , CA Judge, Dancer, Director, Producer, Choreographer 1979 St. Spyridon, San Diego 1993 Father A. Homer Demopulos Seattle, WA Priest 1980 St. Nicholas, San Jose 1992 Spiro Pathos Pasadena , CA Dancer 1981 St. Spyridon, San Diego 1992 Katerina Perivoliotis San Jose , CA Dancer 1982 St. George, Fresno 1988 Bill Angeles Seattle , WA Dancer 1983 St. Spyridon, San Diego 1988 Ted Petrides Athens , Greece Judge, Dancer, Musician, Professor 1984 The Annunciation, Sacramento 1986 Dora Stratou Athens , Greece Dancer, Choreographer, Researcher 1985 Resurrection, Castro Valley 1980 Christos Papadimitrakis Bakersfield , CA Dancer 1986 St. Spyridon, San Diego 1979 Cynthia Anderson Castro Valley , CA Dancer 1987 Assumption of the Virgin Mary, Long Beach by Yanni Konstantinou. During her years 1988 The Annunciation, Sacramento abroad, she attended several dance seminars 1989 Ascension, Oakland and numerous cultural gatherings and events. Through this dance journey, she developed a 1990 St. Demetrios, Seattle Judges Profiles deep understanding, true inspiration and pas- 1991 Folk Dance Festival Council – Los Angeles Dance Judges has been involved continuously for 35 years sion for the Greek heritage through dance. with Greek dance workshops, festivals, con- This experience gave her the opportunity to 1992 St. John’s, Anaheim Louise A. Bilman, LCSW (National sultations and as a teacher of Greek dancing. obtain extensive knowledge in many dance Diplomate) is a psychotherapist in private She first participated in FDF in 1981 and has regions of Greece. Sofia has studied in great 1993 Folk Dance Festival Council – Sacramento practice and supervisor of a training program been a costume or dance judge every year detail the dance, music, customs, traditions 1994 Folk Dance Festival Council – Phoenix for psychotherapists in the Pasadena area. since 1985. and dress of Western Macedonia giving em- She was initially trained as a musician and Dr. Mary Coros has an extensive the- phasis to the region of Florina. Other regions 1995 Folk Dance Festival Council – Ontario professional accompanist in her native Can- oretical background in dance having earned of research and interest and study include ada before moving to California. BA and MA degrees in Dance from the Uni- Epirus and Eastern Macedonia. Her devo- 1996 Folk Dance Festival Council – San Francisco Louise Bilman has pursued stud- versity of California, Los Angeles (UCLA), tion and love for Greek dance continues to 1997 Folk Dance Festival Council – Ontario ies in Greek music since 1960. She taught and a Ph.D. in Theory of (Dance) Education encourage her study today. the dance portion of UCLA’s first course from the University of Toronto, Ontario, Joseph Kaloyanides 1998 Folk Dance Festival Council – Ontario in Greek, which was given by Dr. Sotirios Canada. Her doctoral dissertation project was Graziosi was born and raised in Bos- Chianis in 1966, and together they set up considered to be cutting-edge work by a dis- ton of Italian and Greek parents and graduat- 1999 Folk Dance Festival Board of Trustees – Ontario the first formal course of dance instruction tinguished committee. Titled: “From Dance ed cum laude from Brandeis University. He 2000 Folk Dance Festival Board of Trustees – San Jose in a Southern California Greek Orthodox Into Language”, she sought to learn the non- has done extensive field research on Greek church, which was pioneered by St. Kather- verbal knowledge a dancer has by recover- dance both in Greece and among the Greek 2001 Folk Dance Festival Board of Trustees – Pasadena ine Church of Redondo Beach. ing her own experience of dancing Sirtos immigrant communities in the United States. 2002 Folk Dance Festival Board of Trustees – Spokane In 1968 UCLA hired her to teach an from Crete. She has been on dance faculty He has taught at major folk dance camps academic course on Greek dance, “Greek at UCLA and California State University, throughout the world. Joe was director of the 2003 Folk Dance Festival Board of Trustees – Anaheim Dance in its Cultural Context.” This attracted Long Beach; as well as guest lecturer at sev- Greek Music Tour in 1982 sponsored by the some people from the film industry and was eral other universities. She is published in National Endowment for the Arts. Joe has 2004 Folk Dance Festival Board of Trustees – Ontario popular enough to be continued for seven Oli Mazi, KPHTH, Laographia, Reflections: been involved in FDF since 1985 and is also 2005 Folk Dance Festival Board of Trustees – Ontario years. At the same time, she began a series Essays in Phenomenology; UCLA Journal an HDF judge. Joe can be reached at horo- of study tours to Greece, initially with Dr. of Dance Ethnology; Dance Research (In- [email protected]. 2006 Folk Dance Festival Board of Trustees – San Diego Chiannis and his family on an ethnomusicol- ternational Council for Traditional Music Larry Halfhill has 19 years of FDF ogy course, subsequently each year indepen- Study Group on Ethnochoreology); Journal experience as a dancer, director and chore- 2007 Folk Dance Festival Board of Trustees – Ontario dently. Her area of interest has taken her to of Modern Greek Studies and International ographer, and became an FDF competition 2008 Folk Dance Festival Board of Trustees – Ontario extended visits to Samothrace, Epirus, South Encyclopedia of Dance. dance judge in 2006. He wants to contribute Western Greece and the Thracian-Bulgarian But as well, Mary has much practical back to a vital youth program, and also bring 2009 Folk Dance Festival Board of Trustees – Ontario and Thracian-Turkish borders. experience in the art of dancing especially a different perspective to the judging process. In recent years she has focused her in- with the dance of Greece. She has been the Larry’s broad-based dance experience over a 2010 Folk Dance Festival Board of Trustees – San Jose terest in Kalymnos and the central Dodeca- dance Director of troupes in California and period of 25 years spans regions and borders, nese Islands. Because her study is not only in Toronto where she has lived; and has been and he considers all Greek dances to be of Folk Dance Festival in 1990 and continued to been involved in Greek dance since 1963 the forms of dance but also its social utiliza- guest consultant/teacher most especially for special interest and worthy of discovery, re- be on the FDF Board of Trustees until 2008. and has participated in many Greek cultural tion as a representation of community values, Cretan dance and for key presentational search and preservation. Larry’s Greek roots Striving to expand his knowledge of dance events, productions, international festivals, she is interested in the “raw material” - the aspects of dancing and dance programs derive on his mother’s side from Arcadia. He and culture beyond his parents’ villages he TV and films. George has been a member dances and songs of shepherds and sponge for Greek/Cretan communities in California, was born in Marin County, California, and has participated in various workshops and of the FDF Board of Trustees since 1990 and fishermen of small villages - rather than the Salt Lake City, Denver, Pittsburg, Washing- has called many places home, including the seminars including helping to organize sev- has been a judge since 1986. performance group as a vehicle to perpetu- ton DC, Atlanta, Florida, New York, etc. Pacific Northwest, Upstate New York, the eral workshops. Through these workshops he George Papangellin began dancing in ate traditional values. She has also presented She has been commissioned several times for Netherlands, Germany, and finally Southern has cultivated friendships with many instruc- 1974 with the Ionian Dancers, at St. Nicholas seminars on this topic for the ITHACA Cul- modern (art) dance works and also for Cretan California. Larry and his wife Bessie Nico- tors and villagers throughout Greece. One of parish in San Jose. He helped start the Par- tural Study Program in Greece, which is un- dance most notably “Odyssey ‘93” for the laou Halfhill, a former FDF dancer and direc- his key interests is in Greek folk music and nassos Dancers for Holy Cross parish, Bel- der the direction of Dr. Nikos Germanakos. Pan Cretan Organization of America (PAA) tor, live in Seal Beach with children Thanasi he loves to play the daouli and the doumbele- mont in 1981. In 1983, he directed the Epirus She has been serving as a judge since which toured Greece/Crete. and Maria. He is an active member of St. ki. He met his wife Vicki (Apostolou) Kades Dancers at St. Nicholas in San Jose. After 1989 and was given the FDF Heritage Hall Mary has been an FDF (San Francisco John the Baptist Greek Orthodox Church in originally from Seattle, WA through FDF and moving to Fresno, he joined and directed the of Fame award in 1999. Louise Bilman cur- Diocese) judge since 1989 and an HDF (At- Anaheim. Larry attended USC, where he from 2003-2006 they co-directed the award Kefi Dancers, for St. George. rently teaches dance classes at Kypseli Folk lanta Diocese) judge since its inception a few earned BS and MS degrees in aerospace en- winning Pyrkagia. Over the years he has During his time in both Frenso and San Dance Center in Pasadena. years ago. gineering and an MBA in finance and mar- consulted and assisted various directors with Jose, he stage directed various Greek variety Renee Cleary has taught Greek Dance Sofia Efstratiou has been dancing keting. their groups. He became a judge in 2010. (music, dance, skit) performances in San at Fullerton College and was a member of a from childhood and has directed several Louis Kades was born in Los Ange- George Nickols is a native Los Ange- Jose, San Francisco, Phoenix, Fresno and performing Greek Dance Group for thirteen dance troupes in her 25-year dance career. les to Greek immigrants from Arkadia in the leno, he holds a BA in Mathematics and is Seattle. In Fresno, he choreographed “Zorba, years, seven as the director. She has trav- She has been attending FDF since 1988 and Peloponnese. Growing up he was exposed currently retired from working for data net- the musical” for The Good Company Players. eled widely through Greece, collecting and started her dance and director career at the St. to the traditional songs, dances and customs working and telecommunications corpora- He continues to either direct or work researching both costumes and dances. She Nicholas parish in San Jose, CA. Sofia spent from his parents’ homeland. An avid dance tions. His devotion to his ethnic Greek heri- with various dance groups in Fresno’s St. observed both professional and amateur 5 years in Greece where she was a dance enthusiast from an early age, he eventu- tage in both dance and theatre has brought George Greek Community, and teach Greek dance groups and village festivals. Renee member of the Lyngistes Dance Troupe led ally became involved in the operations of the him immense joy and pleasure. George has see Judges on page 12 fdf PAGE 11 Metropolitan Anthony Elios Award – Humanitarian Award John Gumas Los Angeles until his retire- State University Foundation, ment in 1995. The Greater San Francisco Taking to heart the Advertising Federation, The words invoked at his ordina- California Geo-Tourism tion, “You are a priest for- Council and The Elios Soci- ever according to the order of ety. Melchizedek” (Psalm 110:4). In addition, John has Following his formal retire- been an adjunct professor of ment, Father James continued advertising and marketing, a to unselfishly answer the call regular columnist for numer- of the Church and served sev- ous publications, a frequent eral parishes in the Metropo- speaker and the author of lis on an interim basis includ- the popular book “Marketing ing: Saint Dionysios Church Smart.” – Pittsburg, CA; Greek Or- John holds a BA degree thodox Mission – Maui, HI; in marketing and advertis- Saint Barbara Church – Santa John Gumas is the ing from San Francisco State Barbara, CA; Assumption Founder and President of University. He and his wife Church – Long Beach, CA; Gumas Advertising, a San Janice and their family reside and Holy Trinity Church – Francisco based branding, in the San Francisco area. San Francisco, CA. advertising and interactive “John Gumas is a found- In December 2006, Fa- marketing agency. A veteran ing member and member of ther James was appointed as of the advertising and mar- the Board of Elios since its Assistant Chancellor of the inception 16 years ago. He Metropolis of San Francisco, keting industry, John founded is an individual dedicated to and assumed the full-time Gumas Advertising in 1984. the preservation of Hellenism duties of Chancellor in 2008. Today, the award-winning and the principles of our Or- He continues to hold this po- firm serves a host of region- thodox Faith. He has been sition and is an immeasurable al, national and international instrumental in the imple- asset to the Metropolis of San clients and is consistently mentation and success of sev- P hoto by: Kostas etrakos Francisco. named as one of the top marketing firms by the San Fran- eral programs always giving V. Rev. Father James T. Adams “Father James is a trusted priest who has served thou- cisco Business Times. more that he receives in rec- Father James Adams has hood at Holy Trinity Greek sands of faithful throughout John is very active in ognition. The Elios society been a distinguished clergy- Orthodox Church in San his long and distinguished our community and currently is very proud to honor John man in the Metropolis of San Francisco on August 15, ministry. He has also been a sits on many Boards, includ- with this award of excellence Francisco for over 55 years. 1955. tremendous advocate for his ing the San Francisco Giants as a small token of apprecia- Originally from Oakland, Father James has served brother clergy, as well as pro- Community Fund, The San tion,” stated Fanis Economi- California, Father James at- many parishes including: viding valuable guidance and Francisco Chamber of Com- dis, President Emeritus of the tended Holy Cross Greek Or- Saint Alexios/Saint Barbara support for the Metropolis,” merce, The San Francisco Elios Society. X thodox School of Theology in Ely and McGill, Nevada; stated His Eminence Met- directed the Las Vegas groups through 2010. obtained broad knowledge of the dances of in Brookline, Massachusetts Holy Trinity Cathedral – ropolitan Gerasimos. “His Nikolaos Stefanidis was born in Chios, Thrace, Macedonia, the islands (Kyklades, from 1948 – 1953. Following Salt Lake City, Utah; Holy Greece and though he did not dance that Dodekanisa, Eptanisa), and other regions of example of lifelong service much as a youngster, he did pay undivided Greece. He continues to present at semi- his marriage to Evelyn Spall- Transfiguration – Anchorage, and unselfish dedication is attention to the dances performed by elders nars and serve as a consultant to groups as, they moved to Greece Alaska; Saint John the Bap- in his native island of Chios. His love of across the United States and Canada. He worthy to be emulated by our dancing was not put into action until he saw a has also served as a judge at several Greek where he completed his theo- tist – Las Vegas, Nevada; and clergy.” performance by the Terpsichoreans in Phila- folk dance events and competitions in the logical education at the Riz- Nativity of Christ – Novato, Father James and Pres- delphia in 1976 celebrating the country’s United States (Hellenic Dance Festival, bicentennial. He remained an active dancer Metropolis of Atlanta; Americas Greek arion Seminary in Athens, California. In 1984, Father vytera Evelyn currently re- until August of 1983 when he left the east Dance Competition, Chicago, IL) and in Greece. Father James was James was appointed by His side in Novato, California. coast to pursue graduate studies in Los An- South America (Greek Orthodox Archdio- geles. He stumbled upon the Panygiri dance cese of Buenos Aires and South America). ordained into the Holy Dia- Grace Bishop Anthony as They are the proud parents group while they were performing at the Costume Judges conate on May 14, 1954 at Chancellor of the Diocese of William, Penelope and Greek festival in Arcadia that very summer, Bertha Angels: My name is Ber- the Church of Saint George of San Francisco, following and attended practices as time allowed. His tha Angels and I am excited to be rejoin- Thomas; the loving grandpar- first involvement with FDF was when he was ing the cast of judges participating in this in Athens, Greece, and was which he served as Dean of ents of five grandchildren and invited to dance Chios dances for a memo- years’ FDF. I first got involved in FDF in ordained into the Holy Priest- Saint Sophia Cathedral in one great-granddaughter. X rial to Manoli Abazis in San Francisco. Nikos 1983 as an observer and my involvement is a psychologist in Los Angeles, work- progressed over the years as my children ing with homeless and troubled teens. He embraced Greek Folk dancing. Through Judges from page 11 love with the heart and soul and parea of (IOFA) in 2000 and has written articles for Greek dance and music at the Intersection, Oli Mazi. She consults frequently with dance was the recipient of the 2008 Humanitarian this involvement I developed a passion for folk dance, traditions and costumes to El- the folk dance café opened by Athan Karras groups and has taught Greek dancing classes Award. Nikos has taught dances from Chios costumes that has led to years of continued der Hostel classes at St. Nicholas Ranch, in the 1960s. She performed with the Inter- at Kypseli Greek Dance Center in Pasadena at Kypseli, and consults with various groups research and learning. As a result of my ef- in Dunlap. section Greek Dancers and was an original as well as Pierce and Santa Monica Commu- in the Los Angeles area. Nikos has been an forts, I have previously served as a costume George has held several positions member of the Panegiri Dancers, directed by nity Colleges. Anne is one of the founders FDF judge since 2006. judge at FDF. within the governing and operational bod- Nikos Varvitsiotis and co-directed by George and leaders of the Café Asteria Greek Dance Stelios Zoumberakis has been par- I’ve been fortunate to be part of sev- ies of the Folk Dance and Choral Festival Nichols, performing at festivals in Pasadena Club in Los Angeles, preserving and dis- ticipating in FDF for over 25 years through eral Communities in the Los Angeles area. (FDF) of the Metropolis of San Francisco. and Redondo Beach long before those com- seminating traditional dance. Anne has been dancing, directing, and organizing. He be- Currently, I’m an active member During the past 13 years, he served as munities were sending dance groups to FDF. an FDF judge continuously since 1988 and gan his dancing career at St. George Parish of Saint Sophia Cathedral. Over the years Dance Judge Coordinator, and most re- Robbi directed dance groups at St. Kather- was an HDF judge for several years. Anne in Downey, California and later at Assump- I’ve done extensive research and made cos- cently as a dance judge. He has also been a ine’s in Redondo Beach for eight years and is currently a member of the FDF Board of tion in Long Beach, California. He started tumes from every region of Greece in sup- dance judge at the HDF in Georgia, North has judged the competition at FDF on and off Trustees as a judge consultant. directing 15 years ago at various churches port of multiple communities. In the course Carolina, and most recently at the inaugu- since 1998. She has travelled to Greece and Bessie Stavropoulos has been in- in the southland including St. Sophia, St. of researching costumes, I have gained ral AGDC (American Greek Dance Com- has participated in workshops with a special volved in FDF for over 20 years either as a George, and Assumption, and has gained extensive exposure in materials, pattern petition) in Chicago. interest in the regions of Pontos, Thrace and dancer, director or both. Born and raised in a vast amount of experience with many re- making, embroidery, crocheting trim and He has traveled throughout Greece Macedonia, along with Kalymnos, thanks to Las Vegas, Nevada, she first attended FDF in gions throughout Greece. He has extensively detailed sewing in an effort to preserve the and, together with Dr. Mary Coros, pre- Louise Bilman. Robbi has continued to teach 1987 as a dancer from St. John the Baptist. studied the dances and traditions of Rethim- rich authentic Greek traditions of costume pared the Kamari Dance Group, St. Greek dance at Kypseli Dance Center and at In 1993, she began directing at the age of 15 no, Crete, which is where his family origi- making. I hope to translate my experience George, Fresno, to perform at various ven- Café Asteria Greek Dance Club in West Los and one year later, her group was the first pri- nates, and has a broad knowledge of dances in critical support of the tremendous efforts ues in Crete in the summer of 1999. Angeles where, along with Anne Sirota, she mary group to ever win sweepstakes in FDF and traditions from the Cyclades, Dodecane- shared by all at FDF this year. Nikos Savvidis was born in Chrys- is actively involved in perpetuating interest history. She continued dancing and directing sa, Eptanisa, Macedonia, Thrace, and Pontos. Julie Mamalis has been involved oupoulis near Kavala, in Macedonia, in Greek dance and culture. well into her college years but stepped away He also has provided consultation with vari- in the folk dance movement for the last 28 Greece, where his parents settled after Anne Gani Sirota was born in the for a short period to complete her degree, ous dance directors throughout the southland. years, where she has researched and created leaving Pontos. His father played the Pon- Greek community in Alexandria, Egypt, Bachelors of Science in Architecture. Upon Aris Yortzidis has been involved with Greek costumes for the Annunciation par- tian lyra, and as a young boy, he learned where her grandparents immigrated in the returning to the dance scene, she received the FDF for 24 years as a dancer, director, and ish in Sacramento. She is instrumental in Pontian dances and folklore. At the age early 20th century from Arta and Ioannina, Division I - Director’s Award in 2003. She member of the FDF Board of Trustees. He presenting a “cultural exhibit” for the par- of seven, he entered the Pontian Club and Epirus. Anne has studied, performed, and became the head director of her community began dancing in his home parish of St. ish’s annual Greek festival, providing visi- participated in dance performances at fes- taught Greek dance for over 40 years. She and was directing as many as four groups George in Downey, CA in 1982 and also tors a historical overview of ancient Greece tivals. Nikos moved to Athens, where he was assistant director and lead dancer of the at a time. Bessie has attended many semi- performed with groups from the St. Anthony to the present, through the display of a vast danced in various Pontian organizations Ellas Dance Theater, directed by Charlie nars throughout the United States, Canada parish in Pasadena, CA and the Assumption collection of photographs, authentic items and acted in Pontian theater. In Athens, he Kyriacou for four years, as well as a mem- and Greece. For four consecutive summers parish in Long Beach, CA. In 1995 and un- and clothing. She currently serves as a became interested in dance from all parts ber of several other Los Angeles perform- from 2007-2010, she studied dance in Greece til his departure from Southern California member of Annunciation’s parish council, of Greece and was invited by Dora Stratou ing companies including the Intersection which included attending seminars taught by in 2000, Aris directed groups at St. George, and is a long-time member of the church to join the National Ensemble of Greece. Greek Dancers, Panegyri, directed by Nikos some of Greece’s finest instructors, touring Downey, CA; Sts. Constantine and Helen, choir, where she was the organist for 25 With them, he toured Greece, Europe and Varvitsiotis, and O Pontos, directed by Nikos Thrace and Macedonia and learning the many Cardiff-by-the-Sea, CA; and St. Katherine, years. Julie has retired from a long career Asia. In the US, Nikos has given work- Savvidis. Anne travels to Greece often and traditions and dances of her father’s region of Redondo Beach, CA. In 1996, Aris received at the State Capitol where she worked as an shops and institutes and directed perform- has concentrated her studies of Greek dance Preveza, Ipiros. With the help and support an FDF Scholarship that provided him the administrative assistant for a state assem- ing groups. He also makes and sells hand- on Pontian and Macedonian villages in of the St. John’s Dance Ministry, Bessie or- opportunity to research the dances of Serres; blymember and senator. Julie is the mother crafted Pontian lyras. Nikos has been an Northern Greece, attending festivals, wed- ganized the Horepse Dance Seminar in Las the dances and traditions of his father’s vil- of two grown children, who both participat- FDF judge since 1985. dings, seminars, classes and performances Vegas in 2007, 2008 and 2009 where they lage of Chrysochorafa (Gagauzika), Serres; ed in FDF, and now enjoys watching three Robbi Shulman has been involved in Greece and the United States. She pre- featured top instructors and musicians from the dances of the Vlachs of Serres; and the grandchildren who are presently enthusias- in the world of Greek dance for over 35 sented a paper on “A Wedding in Florina” at all over Greece and the United States. They dances of Pontos in Serres, Katerini (where tic participants of FDF! years. She was introduced to and fell in the International Organization of Folk Arts hope to host more in the near future! She his mother is from), and Thessaloniki. Aris has continued his research and has see Judges on page 15 PAGE 12 FDF Greek Dance Alive and Well in Hawaii By Paraskevi Contos June Trustees for bringing us Anne Sirota, Sandy and moment to greet and cheer into the heart of this amaz- Niki Papadopoulos, Nikos on the Nisiotes who have ing program once again. Savvides, Nikos Zournat- come from so far away, yet Recently, the program zidis, Joe Graziosi, John like all of you hold Greek was very blessed to have Lulias, Nikos Popas, and dance so close to their had a Pontian dance work- Bessie Stavropoulos. We hearts. The Nisiotes Danc- shop by Kyriakos Moisidis are so thankful and tru- ers, Peter Dimitrion, Justin along with Yiannis Ama- ly blessed for Markella and Linda Kyriannis, Lu- rantidis, Giorgos Pirilis, Tsatsaronis and the dance cian Saikevych, and Maria and Giorgos Melikis. We program of Modesto for Striebich, are thrilled and are grateful for their out- making and donating the honored to be here. They reach and expertise. jewelry for the costumes. epitomize FDF’s message Our love and apprecia- Dr. Terpsi Tan, a former of faith, dance, and fellow- Who would ever be- gram shine. tion must be extended to Honolulu parishioner, ship. God has blessed the lieve that Greek dance Hawaii’s program Father John Kheunle, the donated the banner, and program with so many gifts could thrive in the mid- makes an ongoing effort Parish Council, the Philop- so many other support- from all over the Greek dance community. dle of the Pacific Ocean? in education and outreach. tohos, and to the parishio- ers from the Greek dance Most unique and in- With so few Greeks and Performances around the ners of the Saints Constan- community came forward spiring to me about this limited resources, the Par- island include the Annual tine and Helen community to help the Hawaii dancers program is that it takes the Greek Festival, private who have given so charita- along this amazing jour- ish of Saints Constantine best of Greek and Hawai- and Helen has overcome celebrations, senior citizen bly to the dance program. ney. Every step, every ian cultures. Where you insurmountable obstacles homes, the University of Our love and admira- find oikogenia, you will dance, every lesson, every to assure us all that Greek Hawaii, Ala Moana Center, tion for dancing would not find ohana. Where you find performance, every en- dance is alive and well in and Royal Hawaiian Shop- have been possible without Opa, you will find Aloha! counter with a Greek dance Hawaii. ping Center, and so many the wisdom and support of Efharisto and Mahalo! X My family and I moved other venues. Around Aris and Anna Yortzidis, friend is a gift. Please take a to Hawaii a little over three 20,000 people attend the years ago and found a pro- parish’s two-day festival 2011 Dance Group List Aegean Dancers Dynami Kyklonakia Romiosini gram with a determined in the month of August and St. Spyridon, San Diego, CA Church of the Holy Cross, Bel- St. Sophia Cathedral, Los Angeles, Holy Trinity Cathedral, Portland, Intermediate mont, CA CA OR and passionate dance di- marvel at the beauty and The Aegina Dancers Junior Division III Senior St. Nectarios, Covina, CA Dynami Kyklones Rythmos rector, Dianna Graves, richness of Greek culture. Junior Annunciation, Modesto, CA St. George, Fresno, CA St. Katherine, Redondo Beach, CA Aetoi Choral - Div II Advanced Primary Advanced Junior and two very enthusiastic The dancers put in many St. Demetrios, Tucson, AZ Dynami Kymata Seismos groups: Nisiotes (for the hours of practice to ensure Advanced Intermediate St. John the Baptist, Anaheim, CA St. Sophia Cathedral, Los Angeles, Ascension Cathedral, Oakland, CA Agape Dancers Advanced Primary CA Junior adults) and Nisiopoula (for that every performance St. Demetrios, Camarillo, CA Ekrixi Intermediate Sinefakia Advanced Primary Annunciation Cathedral Levendopoula St. Sophia, Los Angeles, CA the children). The program they give is their best. Aggelakia San Francisco, CA St. Nicholas, Northridge, CA Primary St Katherine, Redondo Beach, CA Intermediate Division III Sirines has a vibrant history, which In addition to perfor- Division III Eliaktithes Levendya St. Spyridon, San Diego, CA Aidhonia St. Katherine, Chandler, AZ Assumption, Seattle, WA Choral - Div I began in 1983 with par- mances, they have a cre- St. Demetrios, Seattle, WA Senior Junior Souliotes ticipation at FDF in 1986, ated a small, yet orderly, Choral - Div I Ellinika Asteria Liondaria St. Demetrios, Seattle, WA Akritakia St. Nickolas, Tacoma, WA St. John the Baptist, Las Vegas, Advanced 1987, and 1989. Some of costume library, with an St. Demetrios Seattle, WA Junior NV Intermediate Primary Elliniki Klironomia Division III Spartiates Hawaii’s dance pioneers expanding repertoire. Akrites St. Nicholas, San Jose, CA Little Minoans St. Demetrios, Seattle, WA St. Demetrios , Seattle, WA Advanced Junior Nativity of Christ, Marin County, CA Advanced Junior and supporters include Even though wool, lin- Advanced Senior Ellinopoula Division III Spitha Anatoli St. Nicholas, Northridge, CA Mikra Asteria St. Anthony, Pasadena, CA Diane Sadlier, Stella and ens, brocades, and other Holy Trinity Cathedral, Portland, Advanced Primary Assumption, Long Beach, CA Primary OR Enomenoi Primary Spithes Dave Weil, John Pappas, fabrics, typically used in Advanced Primary Holy Cross, Belmont, CA Minoan Dancers I Annunciation Cathedral Maryanthe Eddy, Presby- Greek costumes are virtu- Anemos Advanced Senior Nativity of Christ, Marin County, CA San Francisco, CA Ascension Cathedral, Oakland, Epitihia Advanced Senior Primary tera Chrysanthe Bessinas, ally non-existent in Ha- CA, Holy Cross, Belmont, CA Minoan Dancers II St. Spyridon Youth Choir Senior Advanced Intermediate Nativity of Christ, Marin County, CA St. Spyridon, San Diego, CA and Symeon and Mary waii’s fabric stores, the Angeloudakia Filarakia Advanced Junior Choral - Div II Holy Trinity Cathedral, Phoenix, AZ St. Anthony, Pasadena, CA Nea Ellas Stavroforoi Ellen Michaelidis. After dancers have found ways Primary Advanced Primary Assumption, Long Beach, CA St. John the Baptist, Las Vegas, to perform in full costume Antilali Filarakia Intermediate NV twenty-two years, Hawaii Choral Group Holy Trinity Cathedral Nea Genea Advanced Intermediate however they can. They St. Demetrios, Tucson, AZ Phoenix, AZ Holy Trinity, San Francisco, CA Ta Angeloudakia will be making its appear- Choral - Div I Advanced Primary Advanced Intermediate Assumption , Long Beach, ance at FDF 2011! fundraise throughout the Armonia Floyes Nea Zoe CA Sts. Constantine and Helen St. Nectarios, Covina, CA Ascension Cathedral, Oakland, CA Advanced Primary The community con- year by hosting luncheons, Cardiff, CA Primary Primary Ta Kanarinia Junior Foinikes Neo Kyma St. Nectarios Shrine, Covina, sists of about sixty families glendi’s, and coffee hours, Asterakia St. George,Fresno, CA Sts. Constantine and Helen CA staffing an election poll St. Anthony, Pasadena, CA Advanced Junior Cardiff, CA Choral - Div II with an ethnically diverse Advanced Intermediate Fotisi Primary Ta Levendopeda site, selling McDonald’s Asteria St. George,Fresno, CA Neo Kyma Annunciation, Sacramento,CA congregation. Dancers’ Assumption, Seattle, WA Choral - Div II Annunciation, Sacramento, CA Intermediate participation varies from coupon booklets and Intermediate Fourtouna Senior Ta Patriotakia Astraios St. Sophia, Los Angeles, CA Nikiforos Assumption, Long Beach, year to year because the Tupperware, just to name a Holy Trinity, San Francisco, CA Senior Holy Trinity Cathedral, Phoenix, AZ CA Division III Advanced Junior H Katastasi Advanced Junior parish is so transient. Pa- few. Ten fundraisers in all Astrape Holy Trinity Cathedral & Nisiotes Ta Pedakia Ascension Cathedral, Oakland, CA St. John the Baptist Sts. Constantine and Helen Annunciation, Sacramento, CA rishioners are coming and for 2010. Intermediate Charlotte, NC & Anaheim, CA Cathedral Junior In the months to come, Astrapi Advanced Senior Honolulu, HI Ta Xadelfakia going due to military duty Holy Trinity Cathedral, Phoenix, AZ Hara Division IV Holy Trinity, San Francisco,CA and young people leave director training work- Senior Annunciation Olympian Dancers Division III Athanatoi Sacramento, CA Assumption, Long Beach, CA Terpsichoreans to attend mainland col- shops will be held for those Annunciation, Sacramento, CA Choral - Div I Advanced Senior St. Anthony, Pasadena, Advanced Senior Helidonia Orama CA Advanced Junior leges. Dancers are Greek, interested in directing and Atromiti Greek Orthodox Mission Church Annunciation, Modesto, CA St. John the Baptist, Anaheim, CA San Juan Capistrano, CA Advanced Junior Thisavri half Greek, part Greek or a younger group will be Primary Advanced Primary Oreini and Methorios Annunciation Cathedral San Francisco, CA Avyerinos Hrisi Thisavri Prophet Elias & Mission created for the 5-7 year Division III non-Greek, but all Ortho- St. George, Downey, CA St. John the Baptist, Las Vegas, Greek Orthodox Churches Advanced Junior NV San Bernardino, CA & Thorivos dox Christians whose love olds. The future is look- Junior San Juan Capistrano, CA Annunciation, Modesto, Bouboukakia CA ing very bright for Greek St. Anthony I Parea Intermediate for Greek dance pulsates Senior Pasadena, CA St. George, Downey, CA Orpheus strongly in their hearts. At dance in Hawaii. Division III Advanced Primary St. Nicholas , Northridge, CA Thysavros Advanced Intermediate St. Katherine, Redondo Beach, CA Chrisa Podia Ionian Dancers Division III the helm of this remarkable Our milestones would Holy Cross, Belmont, CA St. Spyridon, San Diego, CA Paleokastritsa Primary Junior St. Andrew the Apostle To Thavma Tou Pnevmatos not be possible with the San Luis Obispo, CA St. Barbara, Santa Barbara, CA program is Dianna Graves Chrysi Aeti Junior Olympians Intermediate who inspires her dancers to help of many. We are Ascension Cathedral, Oakland, CA Assumption, Long Beach, CA Division III Advanced Senior Junior Paradosi Veryina Holy Trinity , San Francisco, CA St. George, Downey, CA grateful to the FDF Min- Chrysi Psyhi Kardoules work hard, to improve, and Senior St. Nicholas, Northridge, CA St. Demetrios, Seattle, WA Senior to express their love for istry through the blessings Advanced Junior Division III Peloponnisos Zephyros St. Nicholas, San Jose, CA St. Nicholas, Tacoma, WA Delfinia Keravnos Advanced Intermediate dance above all. Her hus- and generosity of His Emi- St. John the Baptist, Las Vegas, St. Sophia, Los Angeles, CA Advanced Intermediate NV Junior Periyali Zoi band, Barry, is the “silent” nence Metropolitan Gera- Primary Kleftopoula St. Katherine, Redondo Beach, CA St. Barbara, Santa Barbara, CA Intermediate Advanced Primary pillar and technical wizard simos, Father Gary Kyria- Dio Deka St. Nectarios, Covina, CA St. Anthony, Pasadena, CA Advanced Intermediate Philopatria who works hard behind the cou, Spiro Beckas, and to Advanced Senior Holy Trinity Cathedral, Portland, OR scenes to make the pro- the entire FDF Board of Intermediate fdf PAGE 13 The Greek Orthodox Metropolis of San Francisco Church Music Federation working with FDF! The Federation is the and youth, provide re- music ministry of the San sources and support to par- Francisco Metropolis, ishes, and recognize and made up of church musi- honor outstanding adult cians who serve in all ca- and youth church musi- pacities—adult choir sing- cians. ers, youth choir singers, We recognize that if directors, chanters, com- we have been blessed with posers, organists, hierarchs musical talents (or any tal- and clergy. ents, for that matter), we Our mission is as sim- should be good stewards ple as do-re-mi: to harmo- and develop these tal- niously support the parish- ents, use them to help one es in our Metropolis with another, and offer them their church music needs back to the Lord.Singing and perpetuate the rich praises to God – from the musical traditions of our choir loft, chanter stand, Church. congregation, or altar -- is We offer assistance truly a blessed ministry! and resources to build or We thank the Lord for al- strengthen adult choirs, lowing us to serve Him as form or improve youth church musicians, and we choirs and Sunday School pray for His help to carry music programs, train choir out our ministry. directors and chanters, de- Our Federation Board velop congregational sing- along with our appointed ing programs, and assist Music Committee has been our hierarchs and priests. helping in developing a We do this through many strong Choral Competition programs: annual Summer for FDF. The FDF Cho- Conferences for worship, ral Competition has been singing, education and fel- an integral part of this an- lowship, Church Music nual event for many years. Institutes to train church The goal of the Metropolis musicians, publish The Church Music Federation In-Choir-ER newsletter, and FDF is to enhance the organize choirs and youth music ministry of the Me- choirs for special Metrop- tropolis through encour- olis and regional functions aging youth participation; such as FDF, promote the and, to promote the study quality of music for the Or- and performance of the thodox Church for adults see Music on page 15 Greek Village Camp at Saint Nicholas Ranch the final day of camp. They cisco and I am grateful to to further enhance a truly studied geography and dis- the families of Dr. James cultural experience. covered on the map where and Virginia Kallins, Dr. Under the guidance their ancestors were born. George and Bettina Kal- and direction of the Me- The children also studied lins and Dr. David and tropolis Committee on Mythology and Greek his- Barbara Kallins Matty for Greek Education and Cul- tory; they visited the origin their continued support of ture, “The Greek Village” of the Olympic Games and this initiative,” stated His will again be led by a team followed their studies with Eminence Metropolitan of highly qualified instruc- their own participation in a Gerasimos of San Fran- tors, selected from various mock Olympic Competi- cisco. “The Elliniko Horio Greek language schools in Back by Popular Demand ance of skilled instructors, tion at the camp. Campers is a creative and unique the Metropolis. The pro- The Greek Orthodox they connected themselves attended worship services way to immerse children gram is open to all youth Metropolis of San Fran- with their language, cus- daily and also had an op- in the Greek language and ages 7 through 14. Activi- cisco is continuing the toms, traditions and faith. portunity to observe the culture, providing a mem- ties will be divided based successful Greek Village While having the opportu- monastic life at the Mon- orable learning experience on age-appropriateness to Immersion Camp with its nity to create new friend- astery of the Theotokos the while forming deep friend- facilitate learning and en- Second Annual “Elliniko ships and also bond with Life Giving Spring which ships with other youth with hance the educational experience. Special discounts Horio” from June 18 – 25, each other, the children is adjacent to St. Nicho- whom they share their re- are available for families 2011 at St. Nicholas Ranch attended classes in cook- las Ranch. Arts and crafts, ligious and cultural heri- sending more than one and Retreat Center in Dun- ing, where among other swimming, basketball and tage.” child or for parents who lap, CA. things they were excited to The 230 acre Saint volleyball were also just a wish to accompany their make tzatziki and melama- The enormous suc- few of the many extracur- Nicholas Ranch and Re- child to camp. Enrollment cess of last year’s camp karona. They learned mu- ricular activities included treat Center is nestled in is limited so reserve your left the children begging sic, and at night sang their in the children’s’ daily the foothills of the Sequoia space today! for more! Children happily Greek folk songs while schedule. National Park. Its hiking For additional information immersed themselves in a roasting marshmallows by “The Greek Village trails, apple orchards, his- and registration forms please fun program which bond- the campfire. The children Camp has become a sig- toric barn and lake pro- go to www.ourgreekvillage. ed them to their ancestral took lessons in theatre, per- nature program for the vide the atmosphere of a com or www.stnicholasranch. heritage. With the guid- forming for their parents on Metropolis of San Fran- traditional Greek Village org. X PAGE 14 FDF Metropolis Philoptochos Summer Camp 2011 at Saint Nicholas Ranch athletics, canoeing, Ortho- Meets During Fdf dox Life discussion sessions, a tour of the Monastery of the Life Giving Spring, and much more. Camp is a won- derful opportunity to make new friends and renew old friendships. Camp is also a time for young Orthodox Christians to learn about their faith, values and heritage in a fun and relaxed atmosphere. Saint Nicholas Ranch is seeking enthusiastic and committed Orthodox Chris- tians to serve as counselors for Summer Camp. Interested candidates should be age 21 METROPOLIS OF SAN FRANCISCO PHILOPTOCHOS BOARD by July 1, 2011. Camp Coun- Row 1 – Mary Lofton (Assistant Treasurer); Lisa Xanthos (Re- selors have the unique op- cording Secretary); Diana Jianas (Treasurer), Valerie Roume- portunity to serve as mentors liotes (Past-President), Jeannie Ranglas (President), Agatha Felactu (1st Vice President), Mari Lou Diamond (Corresponding and role models for campers, Secretary); Michele Genetos (2nd Vice President). sharing their faith and talents Row 2 – Voula Dodd, Emilie John, Elaine Wright, Elaine Kanel- It’s time to start thinking camp! in a variety of creative ways. los, Connie Ralph, Sophie Mastor, Dora Hart, Patricia Aleck, Mary Counselor-in-Training posi- Peros, Genie Kontos, Kathy Gabriel, Judie Christopoulos, Gloria about summer plans for your The dates for Summer Vincent, Presvytera Evelyn Adams. children, and there is no bet- Camp 2011 are: Week 1 – tions are also available for Row 3 – Rev. Father James Adams, Chancellor; His Eminence ter place for them to spend July 10-16, Week 2 – July young adults ages 19 – 20. In Metropolitan Gerasimos; Deacon Niko Bekris. this position, the Counselors- Not pictured: Frances Bissias, Tula Gallanes, Christine Peratis. a week or two than Sum- 17-23, Week 3 – July 24-30, mer Camp at Saint Nicho- Week 4 – July 31 – August 6 in-Training gain valuable The Metropolis of San chos Chapters in the Metrop- las Ranch. Sponsored by the (High School Only). Age re- experience assisting coun- Francisco Philoptochos olis of San Francisco repre- Greek Orthodox Metropo- quirements for the first three selors in daily supervision of Board will be meeting on senting over 3,500 members campers and various aspects lis of San Francisco, Saint weeks are 8 years of age (or Saturday, February 19, 2011 who have committed to of program implementation. Nicholas Ranch has provided entering the 3rd grade in during the 35th Annual Folk serving others and bringing In addition, medical person- a fun and life-transforming September 2011) to 17 years Dance and Choral Festival. the Gospel of Jesus Christ nel (medical doctors and summer camp experience of age (or Spring 2011 high With a long history of phi- through good works in their registered nurses) along with for nearly 30 years and has school graduates). Week 4 is lanthropy, and programs and parishes, civic communities, certified lifeguards with first strengthened the faith of all exclusively for High School ministries to help those in and the greater Metropolis. aid credentials are needed who have participated. The Students, grades 9-12, who need, the Metropolis Philop- “As our rich history in- throughout the summer. staff at Saint Nicholas Ranch have at least completed their tochos has been a beacon of dicates, we have made a dif- If you are interested in believe that our Orthodox 9th grade year. Christ’s love through their ference in the lives of many. finding out more about Saint Christian Faith is "caught, Summer Camp is a week actions, and are an example Our seminarians are eternally Nicholas Ranch Summer not taught". In other words, of fun, fellowship and faith. of true Christian stewardship. grateful for reducing their Camp, or need a Camp Reg- Christian friendship teaches Campers will have the op- Under the leadership of debt when they graduate, our istration form or Staff Ap- kids more about their faith portunity to meet other youth President Jeannie Ranglas, cancer afflicted children and plication, visit www.stnicho- than any book or class. This from throughout the Metrop- the Metropolis Philoptochos their families see our works lasranch.org. You may also Christian friendship is an in- olis, while participating in the contact the Saint Nicholas coordinates programs in- as a gift from God, our phi- creasingly rare thing in the following camp activities: Ranch office at (559) 338- cluding the Bishop Anthony lanthropy supports our mis- world and becoming harder campfires, theater, music, 2103 or e-mail info@stnicho- Philoptochos Student Aid sions worldwide and takes to find, but easy to find at hiking, pool time, Olympics, lasranch.org. X Endowment Fund, the Me- our faith to the corners of our

tropolis Spirit of Stewardship world. We can do this togeth- KIDS ‘N’ CANCER CAMP AGAPE • BISHOP ANTHONY PHILOPTOCHOS STUDENT AID ENDOWMENT FUND

• •

Awards, Kid ‘n’ Cancer, Pen- er, by working as a dynamic

H E

nies and Prayers, Women’s Board. With hope in the fu- E G L D Health and Wellness, and ture, faith in our abilities and L E O ...αἰνεῖτε Αὐτὸν N L

sponsors regional Philopto- love for God’s children we I C H ἐν τυμπάνῳ καὶ χορῷ...

chos conferences and retreats can accomplish our mission,” C C N

...praise Him with R A

throughout the year. stated President Jeannie Ran- O R

X S S There are 56 Philopto- glas. timbrel and dance… S A

/ L

Psalm 150:4 H

medals and 19 First Place medals. Her ex- O E Music from page 14 pertise in costuming is also evident in the 8 H L sacred music of the Greek Orthodox C I costume awards won by Modesto teams. She L E Church, and secular music of Hellenic N

did the research for those winning costumes, N .

heritage I and parents and dancers did the work with T C S

Come, let us sing to the Lord! Let her help. Dena has one of the largest private

us shout joyfully to the Rock of our sal- collections of Greek Folk Costumes on the O •

West Coast and has done multiple exhibits L

X L vation. (Psalm 95: 1-2). throughout the state. Dena has been involved E D

with FDF for 25 years, including serving on G Judges from page 12 N E the FDF Board of Trustees. She was a re- U

Irene Peros is a native of Modesto, F The A cipient of the FDF Humanitarian Award.

California. She has been dancing since a very D She was also honored by the California Arts F E young age. Her pride and love for her Greek Metropolis of San Francisco Philoptochos O I

Council for Lifetime Achievement in the Arts P heritage have encouraged her to study Greek L

is proud to be a part of the T in 2002. Dena has been an FDF costume E dance, costumes, and to help teach and share R A

judge since 1999 and is also a costume judge 35th Annual Folk Dance and Choral Festival. her knowledge and experience with people Y for HDF. S

of diverse backgrounds. Her formal involve- C Wishing you many more years of successful fellowship T U ment in Greek folklore began in 1984 when Choral Judges N E she was instrumental in forming, dancing JIM HRONAS in celebration of our faith and heritage. D G E N and directing the Patriotes of Modesto. From Jim’s love of and involvement with R E 1984 to 1999, she directed, assisted or danced Greek demotic and liturgical music began T

in 10 different dance groups in Modesto. nearly five decades ago when he took many E / S E C I V R E S L A I C O S • S S E N L L E W D N A H T L A E H S ’ N E M O W • S R E Y A R P D N A S E I N N E P

She was also involved with the coordina- of his cues as an altar boy from the hymns he • tion, research and production of 11 award- heard coming from the choir loft and psaltiri- winning costumes. Irene also chaired 3 very on at Saint Nicholas Greek Orthodox Church ing assistant director of music, Chris was the successful FDF Symposia held in Modesto. in Northridge, California. ily and career with Johnson & Johnson, Jim Choral Festival. organist for the 1986 Clergy laity Congress Irene has served on the FDF Board of Trust- In the mid-sixties as a clarinetist in joined the choir at Saint Anthony Greek Or- Chris has written “Toward Achieving in Dallas, Texas, the 1991 National GOYAL ees in several positions and has been in- middle school orchestra and marching band, thodox Church of Pasadena, California in an Orthodox Sound: A Practical Guide to Conference in Los Angeles, the 1995 Mid- volved with various aspects of FDF. Irene he organized a group with some fellow GOY- 1999. He has been the choir director there the Use of the Organ in the Greek Ortho- Eastern Choir Federation Conference in Am- has been a costume judge at FDF since 2001. Ans to play Greek music at various parish since 2007. dox Church.” He has also lectured at several bridge, Pennsylvania, the 1997 Patriarchal Dena Stamos has been involved in functions. Christopher Yokas has been the or- workshops and conferences and served as an Divine Liturgy in Los Angeles, and several Greek dance since her childhood in Chica- While pursuing his bachelor’s degree ganist at Saint Sophia Greek Orthodox Ca- organ and choir consultant for many Greek San Francisco Metropolis Church Musician go. She first performed at age seven. She in economics at UCLA, he obtained his first thedral for the past 32 years. He succeeded Orthodox Churches. In February 1997, Chris Conferences from 1983 to present. He was became involved in FDF eighteen years ago bouzouki and began teaching himself how to the late Xenia Anton Desby, who gave him received the national Forum Patriarch Athe- the principal organist for the three major ser- as Executive Director of the Modesto dance play in his spare time. Upon graduating, he considerable encouragement and advice on nagoras I Award for Distinguished Service to vices of the 2002 Clergy-Laity Congress held groups. During this time the Modesto rep- joined the Hellenic Sounds orchestra and had his craft. From 1978 through 1992, Chris the Metropolis of San Francisco. in Los Angeles, California. He has worked resentation grew from twelve dancers in two the opportunity to play for some of the earli- worked very closely with the late Frank Des- Chris resides in Burbank, California with many nationally known Greek Orthodox groups to 140 dancers and seven groups. est FDF events when the folk dance ministry by, D.M.A., whose steadfast teaching and with his wife, Eleni who directs the Saint composers and choral directors. In February Dena is respected and admired for the ac- was in its infancy. guidance were both inspiring and invaluable. Sophia Sunday School, and children Frank 2009, he served as a choral judge at the 2009 complishments of the Modesto groups at With his musical performance days on Aside from his many music activities Christopher age 12 and Penelope Marigo age Metropolis of San Francisco Folk Dance and FDF: 57 awards, including 6 Sweepstakes hold since 1986 to devote time to his fam- and responsibilities at Saint Sophia includ- 9 who are both dancing at FDF.. X fdf PAGE 15 “Did you hear…?” directing for the right reasons rate databases, cross-checked to be distinctly different than cians play music for you the ex- (which I’m hoping stems from for accuracy, and then checked, the following 4 “koutso” type act same way as your recorded The common miscon- the desire to teach our youth and rechecked, before the totals steps, and there should be a hop music, then save a few thousand ceptions of Competition about our faith and traditions) it are calculated and the place- up step at beats 9 and 10. These dollars, and use a good piece of ments are set. It’s pretty simple. are just a few of the things that recorded music. The judges will and FDF shouldn’t matter. At least that’s what I’ve told myself… There is no discussion amongst the judges are looking at when not score you lower for it. -“I heard Judge X went Directing is a learning pro- the judges about whether these scoring a group. These are the The same holds true for placements are right, there is nuances that localize a dance to props, why are they being used? to help that group before cess and the more we learn, the more we are able to improve our no switching of placements, as that specific village/region. Don’t just plop a table and chairs FDF” work and expand our dancers’ many believe, or any “recalcula- So when you’re watching on stage just because the group -“Oh, that’s why they knowledge. We must be willing tion” that is done. The numbers groups, don’t look for generali- before you did. Look deeper at to never stop learning. say it all. Period. ties, really watch them and how the meaning of the props. Last won gold” There have been many they dance. Styling is the key, year, for example, there was a -“Yup” Misconception #2: outcomes where the judges are how is the dance done and is it group who brought out so many -“How could they have Consultations with Judges just as surprised as some of the natural? Does the group take different props. My first thought groups. Which then brings me you to that village? Do you feel was “really? Is that ALL really I’ve heard the grumblings won? Their dances were to the next question, have the like you’re watching the villag- necessary?” The thought that at FDF about how many times so easy! Ours were much judges ever disagreed with the ers dancing? followed was, “well, I know the judges have come out to help rankings? Of course they have, There’s a lot more involved director, who’s pretty reputable, harder…” groups, to what extent, and but a lot of times, those are in- than just steps and as many of so let’s see what they do.” When people’s reactions when those -“We got fifth because dividual opinions. The scoring my dancers have heard me say the suite was done, I realized groups win. It’s understandable in the Judges comments is set up to unify all opinions, thousands of times, “I could that the group was completely to think that a judge’s consulta- good or bad, so that all are rep- teach a monkey steps, but I can’t successful at utilizing their they said …” tion is associated with an auto- resented. As a quality measure, teach him how to Greek dance.” props in such a way that it made matic higher score, but realisti- every year after FDF, the scores me, as an audience member, feel Throughout my many years cally, it doesn’t happen that way. Misconception #5: are analyzed in depth to make like I had been in the village of dancing and directing, these The judges are generally sure that there are no discrepan- Live Music and/or with them for 12 minutes. It was are some of the things that I consulted prior to FDF as a cies with the scores and the out- amazing and that’s when I truly have heard long after the dance “spot check.” These consul- Props on Stage comes. There have even been realized that yes, props can en- medals have been awarded and tations can result in making times when the reviewers have Within the past 5 years I hance, if done correctly. I also the anger/sadness/bitterness changes to a suite, whether mi- looked back upon the scores and have seen a huge surge in the thought “I wish I could do that, has worn away (well, for most). nor (modifying the styling of a “omitted” one judge’s scores amount of props that are on a good thing they’re not compet- It’s very easy to assume when dance, i.e. less bounce, smooth- to see if the rankings would stage during a performance and ing against my group,” but that’s you’re not familiar with some of ing the step out) or major (mak- change. And guess what, they in the number of groups using a different story. the intricacies involved in judging sure the dance is done on the never would. There are enough live musicians. These are won- Think about your suite. ing, dancing, and/or directing, correct beat). Yes, they are there scores given by each of the derful things that can accom- Think about setting a scene. You so I thought I’d take this op- to help improve the suite, but it’s judges that doesn’t allow for one pany a suite, but don’t be fooled, may not needs props to do it, just portunity to review some of the up to the directors and dancers judge to “sway” the rankings. do not think that just because a be creative. If there is no pur- common misconceptions that to take that advice and actually The judges are people too; they group has live music and a com- pose to those props, the judges I have heard (and at one point implement those changes. If the want to know if everything is le- plete theatrical set on stage they will see that, and that, in the end, believed) throughout the years. changes aren’t implemented, or gitimate just as much as you do. will win a medal. Do not feel will hinder your group. So be So here’s my disclaimer: I don’t are misunderstood and therefore that in order to be a “contender” wary of the risk that you take. consider myself an expert of implemented incorrectly, this Misconception #4: you need to build a house. So what wins? any sort, but my experience and can negatively affect a group Simple Dances vs. This misconception has led I thought this would be a the acceptance of my ignorance instead. to many groups feeling forced to nice ending, but I think after has allowed me to learn many So, please don’t jump to Complex Dances use these additional “touches” reading this article hundreds of things about the inner-workings conclusions when you hear a Many groups look at a with results that are generally times, I finally thought, does it of FDF. group rewarded and then find dance and think the simpler not the same. Well that’s be- really matter? Is this really why out that Judge X came and Misconception #1: the step, the simpler the dance cause the props and/or the live we’re here? helped them. That group was or the slower the melody, the music are not being used in the This weekend is, the most more than likely just as amazing Judges’ Comments easier the dance. This is prob- same way… amazing weekend of the year. It before that judge came out. The A few weeks after FDF, ably the biggest misconception First, let’s take a look at is the only weekend that we can bottom line to an amazing suite the directors and dancers wait in Greek dance. Have you re- live music. Many directors uti- walk around and feel like we are is ensuring that the director patiently to receive their scores ally listened to a good Epirotiko lize live musicians to be able in a museum showcasing Greek fully understands the material, and comments to see where Sta Dio? That dance is harder to to modify the music that they costumes from hundreds of vil- is able to translate it correctly, master stylistically than a Kar- are playing. For example, in lages, the only weekend we can they placed and to read what the and is able to correctly teach it pathian Panohoro. It’s slow, yes, a Cretan suite, musicians can dance to live music from all over judges said about their suites. to their dancers. Many perceive these com- but within each beat there are play specific notes during so- Greece all in one night, the only ments as “here are the reasons Misconception #3: so many nuances in the body, los to accentuate a step, a slap, weekend we can socialize with the feet, the arms, that have to a turn, etc. The directors work your group placed where they long distance friends and catch Judges’ Scoring be achieved. A fellow direc- extensively with the musicians, placed.” up. It is the one weekend that I’m sure there have been tor, whom I respect very much, practicing to make sure these we feel the most pride for being Comments are made by the thousands of conversations once told me, “You don’t dance notes are played at the exact Greek Orthodox Christians and judges while they are watch- about the outcomes of the Epirotika with your feet, you points in order to achieve the truly feel blessed that His Emi- ing the suites. They may not awards and the scoring of dance it with your soul.” How desired effect. In an Epirotiko nence Metropolitan Gerasimos necessarily reflect the reason groups long after FDF is said do you master that? Well, there suite, a director may utilize live continues with the vision that why they are scoring you high/ and done. I know I too have are groups in our younger cat- musicians because the music is our beloved Metropolitan An- low, but may be a suggestion spent countless hours discuss- egories that have, and they were so complex that good recorded thony, of blessed memory, had for improvement, or a compli- ing results with other directors, rewarded for it. music just isn’t found. Musi- for our youth. ment that made them react posi- dancers, judges, really, anyone This, of course, begs the cians can modify tempos, play At the end of the day, the tively. The comment may not who would listen. But did you question: “So then what do they accompaniment while your medals are not the reason why have anything to do with your ever think that the judges actu- look for in dances?“ dancers are singing, or just help we gather. The memories that score, but is there for advice ally do this too? I feel that every dance set your scene. But be wary, I have of my friends, my dance purposes. Unfortunately, due to What some people don’t has hallmarks that need to be live music also comes with groups, my dancing, the stories know about the judges is that achieved. One general hall- disadvantages. Some dancers time restraints, they are not able that I tell, and the feelings of eu- they actually LOVE Greek folk mark that is always looked at are used to a specific melody, to write down everything that phoria that are felt when dancing dance and that they’re just as is the styling of the dances in tempo, beat; they may not feel they’d like to, so some quick tips is what I hold close to my heart. passionate about it as many of your suite and whether they absolutely comfortable dancing usually are what are written the Please don’t lose sight of us are. They are just like us, are done the way the villag- to live music, which can show fastest. that. We are very blessed to be just like the die-hards that we ers would dance them. Within on stage, especially if the group Comments are supposed to here and no matter what happens see in every community, watch- each dance, there are individual doesn’t rehearse with the band open discussion. Any director on Sunday night, every single ing videos whenever they get hallmarks. For example, some until the last week. There are that wants feedback from any dancer is a winner. a chance, talking about Greek dances have syncopations that inherent sound-system risks. judge should not wait for their Good luck this weekend to dance and/or FDF to any ear need to be shown, or certain I’ve had many instances where comments, but rather contact all of the groups! that’s willing to listen. steps that need to be differenti- the music just wasn’t heard, or the judges individually to dis- Each one of them takes the ated, a specific hop on a particu- the monitors were off and the cuss their suites and to explore Anastacia “Stacie” scoring very seriously. They lar beat, or a generalized move- musicians couldn’t hear each where improvements can be don’t want to mess things up ment that the line must achieve. other playing, causing the whole Zoumberakis made. Discussions with the just as much as those dancers on These hallmarks are what your group to be off. There are risks Director/Director Mentor judges can seem intimidating- stage don’t want to mess up. directors keep reminding you of that will be taken, so before you Assumption of the -believe me I was a new direc- The scores are the scores. over and over and over again. As make a decision about live mu- Blessed Virgin Mary tor once, and I dreaded asking The judges score each group in- an example, Gaitani from As- sic, be aware of these risks and Long Beach, CA the judges about my suites; as a dividually and then turn in their vestades, has the following hall- plan accordingly. matter of fact, I still do some- papers at the end of every cate- marks: the line needs to achieve So, my suggestion, take times. It makes us vulnerable to gory. The numbers are input by a characteristic “breathing” it or leave it, is that if you are our work, but, as long as you are two separate people into 2 sepa- movement, the first 2 steps need planning on having live musi- PAGE 16 FDF