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Spring 2007 Newsletter
Dance Studio Art Create/Explore/InNovate DramaUCIArts Quarterly Spring 2007 Music The Art of Sound Design in UCI Drama he Drama Department’s new Drama Chair Robert Cohen empa- a professor at the beginning of the year, graduate program in sound sized the need for sound design initia- brings a bounty of experience with him. design is a major step in the tive in 2005 as a way to fill a gap in “Sound design is the art of provid- † The sound design program Tdepartment’s continuing evolution as the department’s curriculum. “Sound ing an aural narrative, soundscape, contributed to the success of Sunday in The Park With George. a premier institution for stagecraft. design—which refers to all audio reinforcement or musical score for generation, resonation, the performing arts—namely, but not performance and enhance- limited to, theater,” Hooker explains. ment during theatrical or “Unlike the recording engineer or film film production—has now sound editor, we create and control become an absolutely the audio from initial concept right vital component” of any down to the system it is heard on.” quality production. He spent seven years with Walt “Creating a sound Disney Imagineering, where he designed design program,” he con- sound projects for nine of its 11 theme tinued, “would propel UCI’s parks. His projects included Cinemagique, Drama program—and the an interactive film show starring actor collaborative activities of Martin Short at Walt Disney Studios its faculty—to the high- Paris; the Mermaid Lagoon, an area fea- est national distinction.” turing several water-themed attractions With the addition of at Tokyo Disney Sea; and holiday overlays Michael Hooker to the fac- for the Haunted Mansion and It’s a Small ulty, the department is well World attractions at Tokyo Disneyland. -
Saturday and Sunday Movies
The Goodland Star-News / Friday, May 28, 2004 5 abigail your help, Abby — it’s been an aw- dinner in the bathroom with her. I behavior is inappropriate. Your parents remember leaving me home Co-worker ful burden. — OLD-FASHIONED find his behavior questionable and daughter is old enough to bathe with- alone at that age, but that was 24 van buren IN BOULDER have asked him repeatedly to allow out supervision and should do so. years ago. I feel things are too dan- DEAR OLD-FASHIONED: Talk her some privacy. Nonetheless, he You didn’t mention how physically gerous these days. creates more to the supervisor privately and tell continues to “assist her” in bathing developed she is, but she will soon Is there an age when I can leave •dear abby him or her what you have told me. by adding bath oil to the water, etc. be a young woman. Your husband’s them home alone and know that all work for others Say nothing to Ginger, because that’s Neither my husband nor my daugh- method of “lulling” her to sleep is is OK? — CAUTIOUS MOM IN DEAR ABBY: I work in a large, breaks, sometimes even paying her the supervisor’s job — and it will ter thinks anything is wrong with this also too stimulating for both of them. KANSAS open office with five other people. bills and answering personal corre- only cause resentment if you do. behavior — so what can I do? Discuss this with your daughter’s DEAR CAUTIOUS MOM: I’m We all collaborate on the same spondence on company time. -
Out of the Past: a Walk with Labels and Concepts, Raiders of the Lost Evidence, and a Vindication of the Role of Writing'
lnternational Journal o? English Studies Out of the Past: A Walk with Labels and Concepts, Raiders of the Lost Evidence, and a Vindication of the Role of Writing' TR~NIDADGUZMAN-GONZALEZ* University of Leon «Im sorry to diroppoint science firtion fans, but if information ir preserved there ir no possibility of uring black holes to travel to o ther universes* (Stephen Hawkihg, Juh 21,2004) ABSTRACT 'Language' and 'change' have always been inextricably united in the minds of those who have paid attention to the former, for whatever purpose, from whatever perspective and from whatever discipline. The general opinion is that language cannot be understood without change. In its turn, change cannot be explained without a proper understanding of the complex, multidimensional nature of language a task which has constantly demanded the assistance of other fields of study. Among these, sociology and recent trends in evolutionary biology have introduced new and illuminating perspectives. What 1 intend to do in this basically review article is (a) delimit a number of concepts and keywords which very ofien tend to be used interchangeably; (b) pose a number of questions which to my mind would deserve consideration (ofien, reconsideration), with particular referente to the role of writing as a crucial dimension of the history of, among many others, English, the language which concerns me as a researcher; and (c) frarne rny discussion within the current theoretical models which have developed from the incorporation of the above mentioned fields to historical linguistics. KEYWORDS: language, change, evolution, historical/diachronic sociolinguistics, sociohistorical linguistics, social network, weak ties, writing. -
Brexit - Deal Or No Deal – What Does This Mean for Your IP?
TRADE MARKS Brexit - Deal or no deal – what does this mean for your IP? In March this year the UK and the European Commission issued a joint working document which includes guidance on IP issues post Brexit which Barker Brettell commented on here. In that document there is provision for the automatic extension of any granted EU rights to the UK post Brexit and for an application process for the continuation of any pending EU applications into additional UK applications. This joint working document made it clear that although the UK is due to leave the European Union on the 29th March 2019, provided that the UK and the EU arrive at an exit agreement there will be a transition period through to the 31st December 2020, throughout which EU law will still apply within the UK. On the 24th September, mindful of the increasing speculation regarding a ‘no deal’ Brexit, the UK government issued a number of technical notes. The UK government made it clear that it will make unilateral provision for the continuation of all EU rights in the UK if no deal is struck and that those provisions will mirror the joint working document. In such a ‘no deal’ scenario however, the transitional provisions taking us to the end of 2020 will not apply. Rights would be impacted as of the exit date. It could be ‘business as usual’ for IP until the end of 2020 and indeed patents are unaffected by Brexit, however businesses need to be aware of the implications going forward and to consider what action can be taken now to minimise any risks and potential costs. -
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley Was the Third Son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley Nee Burt
COLIN LIVINGSTONE TAPLEY 1909 to 1995 Colin Livingstone Tapley was the third son of Harold Livingstone Tapley (1875-1932) and Jean Brodie Tapley nee Burt. He was born 7-5-1909 in Dunedin, one of 6 children, 5 sons followed by a daughter. Colin was educated in NZ and in the 1930s won a contest of which the prize was a Hollywood audition. He went on to be a supporting actor in several Metro Goldwyn Mayer and Paramount films during the 1930s but joined the air force in Canada when WW2 broke out, later moving to Britain where he was in a non fighting role. He had taken up flying before the war. He returned to NZ to Wanaka for a short time but then resumed his acting career, appearing in “the Dam Busters,” 1954. In England he married socialite Patsie Lyon nee Hambro. He retired from Acting in 1983 and they lived in the village of Coates in Gloucestershire. He died on 23-11-1995 and is buried at Wanaka beside the body of his second son, Martin, who died of Leukemia in 1947 Filmography from Wikipedia In the cinema American period (1934-1949) • 1934 : Double Door of Charles Vidor : Dr. John Lucas • 1934 : Wagon Wheels by Charles Barton : mountain • 1934 : Rhymes of love ( Murder at the Vanities ) by Mitchell Leisen : director • 1935 : The Crusades ( The Crusades ) of Cecil B. DeMille : foreign messenger • 1935 : Intelligence Service ( The Last Outpost ) by Charles Barton and Louis J. Gasnier : Lieutenant Prescott • 1935 : Henry Hathaway's Three Lancers of Bengal ( The Lives of a Bengal Lancer ) : Lieutenant Barrett • 1935 : Baron Gregor ( The Black Room ) by Roy William Neill : Lieutenant Hassel • 1935 : Becky Sharp of Rouben Mamoulian and Lowell Sherman : William Dobbin • 1935 : My Marriage of George Archainbaud : Sir Philip Burleigh • 1935 : Peter Ibbetson of Henry Hathaway : official • 1936 : Too Many Parents (en) by Robert F. -
ARDEN MYRIN Theatrical Resume
ARDEN MYRIN Page 1 of 2 ARDEN MYRIN FILM WRONG COPS Independent Dir: Quentin Dupieux BACHELORETTE Weinstein Company Dir: Leslye Headland WRONG Independent Dir: Quentin Dupieux MORNING GLORY Paramount Pictures Dir: Roger Michell A LITTLE HELP Independent Dir: Michael J. Weithorn THE INFORMANT: A TRUE STORY Warner Bros. Dir: Steven Soderbergh THE LUCKY ONES Lionsgate Dir: Neil Burger EVAN ALMIGHTY Universal Dir: Tom Shadyac KINSEY Fox Searchlight Dir: Bill Condon CHRISTMAS WITH THE KRANKS Columbia Pictures Dir: Joe Roth HEART OF THE BEHOLDER Independent Dir: Ken Tipton DRY CYCLE Independent Dir: Isaac H. Eaton AUTOFOCUS Sony Pictures Classics Dir: Paul Schrader HIGHWAY New Line Cinema Dir: James Cox BUBBLE BOY Buena Vista Dir: Blair Haynes WHAT WOMEN WANT Paramount Pictures Dir: Nancy Meyers DECONSTRUCTING HARRY Fine Line Features Dir: Woody Allen THE IMPOSTERS Fox Searchlight Dir: Stanley Tucci I THINK I DO Independent Dir: Brian Sloan TELEVISION CHELSEA LATELY E! Network Regular Panelist HOLE TO HOLE Adult Swim Series Regular/Creator ORANGE IS THE NEW BLACK Netflix Guest Star INSIDE AMY SCHUMER Comedy Central Guest Star NEXT CALLER NBC Potential Recurring SUBURGATORY WB/ABC Recurring PSYCH USA Recurring UNTITLED ARDEN MYRIN PROJECT MTV/Pilot Series Regular/Creator HUNG HBO Guest Star GARFUNKEL AND OATES HBO/Pilot Recurring DELOCATED Adult Swim Guest Star PSYCH USA Recurring HOT IN CLEVELAND TVLAND Guest Star PARTY DOWN Starz Guest Star ROYAL PAINS USA Guest Star MICHAEL AND MICHAEL HAVE ISSUES Comedy Central Recurring MAD TV FBC Series Regular ON THE SPOT WB Series Regular WHAT'S UP PETER FUDDY? FBC/Pilot Series Regular WORKING NBC Series Regular THE ROYALE AMC Series Regular UNTITLED HBO NBA PROJECT HBO/Pilot Guest Star GILMORE GIRLS WB Guest Star RENO 911 Comedy Central Guest Star FRIENDS NBC Guest Star STAND-UP COMEDY THE PARTY MACHINE Union Hall, NYC Writer/Performer STRAIGHT OUTTA LIL' COMPTON HBO Workspace Writer/Performer STAND-UP COMEDY Various Writer/Performer IMPROV UCB/Groundlings/IOwest Los Angeles/NYC Performer Page 2 of 2 . -
Risk Aversion: Deal Or No Deal? Outline
Risk Aversion: Deal or No Deal? Outline ¨ Risk Attitude and Expected Return ¨ Game: Deal or No Deal? Risk Attitude and Expected Return ¨ In each pair, please choose an asset out of the two options. ¨ A: Option 1: 50%: 100; 50%: 50 vs. Option 2: 100%: 60 ¨ B: Option 1: 50%: 100; 50%: 50 vs. Option 2: 100%: 70 ¨ C: Option 1: 50%: 100; 50%: 50 vs. Option 2: 100%: 75 ¨ D: Option 1: 50%: 100; 50%: 50 vs. Option 2: 100%: 80 ¨ E: Option 1: 50%: 100; 50%: 50 vs. Option 2: 100%: 90 Risk Attitude and Expected Return ¨ Expected value n Expected Value = ∑Pi ⋅ X i i=1 Risk Attitude and Expected Return ¨ Risk Aversion: a dislike of uncertainty 1. If your choice is (2,2,2,2,2), (1,2,2,2,2), (1,1,2,2,2), you are risk-averse. 2. If your choice is (1,1,1,1,1), (2,2,2,2,1) or (2,2,2,1,1), you are risk-loving. 3. If your choice is (1,1,1or2,2,2), you are risk-neutral. Indifferent Game: Deal or No Deal ¨ I am sure most of you have heard about the TV show – Deal or No Deal. If you haven’t, the youtube videos below give you an idea of how this game is played: ¨ Deal or No Deal (http://www.youtube.com/watch?v=hmZFHjQfx-o&feature=related) ¨ First 1 million winner (http://www.youtube.com/watch?v=gg7vtTCAkbY&feature=related) Game: Deal or No Deal ¨ We are going to play a simplified version of the game. -
Limitations on Copyright Protection for Format Ideas in Reality Television Programming
For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING By Kent R. Raygor and Edwin Komen* * Kent R. Raygor and Edwin Komen are partners in the Entertainment, Media, and Technology Group in the Century City, California and Washington, D.C. offices, respectively, of Sheppard Mullin Richter & Hampton LLP. The authors thank Ben Aigboboh, an associate in the Century City office, for his assistance with this article. 97 For exclusive use of MLRC members and other parties specifically authorized by MLRC. © Media Law Resource Center, Inc. LIMITATIONS ON COPYRIGHT PROTECTION FOR FORMAT IDEAS IN REALITY TELEVISION PROGRAMMING I. INTRODUCTION Television networks constantly compete to find and produce the next big hit. The shifting economic landscape forged by increasing competition between and among ever-proliferating media platforms, however, places extreme pressure on network profit margins. Fully scripted hour-long dramas and half-hour comedies have become increasingly costly, while delivering diminishing ratings in the key demographics most valued by advertisers. It therefore is not surprising that the reality television genre has become a staple of network schedules. New reality shows are churned out each season.1 The main appeal, of course, is that they are cheap to make and addictive to watch. Networks are able to take ordinary people and create a show without having to pay “A-list” actor salaries and hire teams of writers.2 Many of the most popular programs are unscripted, meaning lower cost for higher ratings. Even where the ratings are flat, such shows are capable of generating higher profit margins through advertising directed to large groups of more readily targeted viewers. -
BRIAN OWEN Line Producer
BRIAN OWEN Line Producer PROJECTS DIRECTORS STUDIOS/PRODUCERS GUILTY PARTY Various Directors FUNNY OR DIE / PARAMOUNT + Season 1 – LA Insert Rebecca Addelman, Whitney Hodack Line Producer Location: Los Angeles DREAM CORP LLC Daniel Stessen ADULT SWIM Pilot, Seasons 1, 2, & 3 John Krasinski, Stephen Merchant Line Producer Mark Costa Location: Los Angeles THE GORBURGER SHOW Season 1 The Director Brothers 3 ARTS ENTERTAINMENT Line Producer FUNNY OR DIE / COMEDY CENTRAL Locations: Los Angeles TJ Miller, Josh Martin, Ryan McNeely MAYA & MARTY IN MANHATTAN Osmany Rodriquez NBC / BROADWAY VIDEO Series Lorne Michaels, Justus McLarty Segment Line Producer Location: Los Angeles LEGENDARY DUDAS Pilot & Season 1 Ben Pluimer NICKELODEON Line Producer Various Directors Sharla Sumpter Bridgett Location: Los Angeles Kevin Jakobowski CREATIVE LAB Various Directors NICKELODEON Line Producer Sharla Sumpter Bridgett Location: Los Angeles BETAS Season 1 Michael Lehmann AMAZON Production Supervisor Various Directors Michael London, Alan Cohen Locations: Los Angeles Alan Freedland, Michael Lehmann Scott Sites HOLE TO HOLE! Pilot Pam Brady ADULT SWIM Line Producer Pam Brady, Arden Myrin Location: Los Angeles FIGURE IT OUT Cycle 5 Dana Calderwood NICKELODEON Line Producer Magda Liolis, Eileen Braun Location: Los Angeles SKETCH SHOW Pilot Eric Dean Seaton NICKELODEON Line Producer Sharla Sumpter Bridgett, Laura House Location: Los Angeles CRASH & BERNSTEIN Pilot Bruce Leddy IT’S A LAUGH PRODUCTIONS Production Supervisor DISNEY XD Location: Los Angeles Eric Friedman, -
Wesco North Football Champions Pg. 2 Society's Pressure to Perfection Pg. 8 Divorce and Its Toll on Teenagers Pg. 11
LAKE STEVENS HIGH SCHOOL / NOVEMBER 6, 2013 / [email protected] VOLUME 85 ISSUE 3 the Valhalla ber 11 t 16 m Al , us , 2 te 2 g El- 0 0 9 u p Qaeda ter- 2 , 2 len DeGe- 0 0 e 0 A e First 8 rorists attack 1 S n 0 neres and Portia u version 7 the Twin Towers De Rossi marry in J of iPhone is m and the Pentagon, Beverly Hills, CA, ve be released. o r killing 2,993 raising awareness N Barack 8 , people. for gay marriage Obama be- 2 rights. comes the fi rst 0 0 African Ameri- 8 25, can Presi- PHOTOS ne 20 COURTESY OF u 0 dent. 5 J 9 ry 8, 2 CREATIVE- ber , 2 Michael ua 0 COMMONS. o 0 b Chris 0 Steve 1 Jackson is found 9 ORG t e Brown is ar- c Jobs dies of 1 dead in his Los An- F O a long battle rested for domes- geles home. His doctor tic violence against with pancre- Conrad Murray was atic cancer. Rihanna, making charged in 2010 for domestic violence a involuntary man- public issue among slaughter. younger people. mber 15 e The , 1 c 2 ry 1, 2 2, 20 Iraq war 0 a 1 e u Whit- 0 y Al 2 1 a D ends after eight b 1 1 e ney Houston 2 M Qaeda years of battle re- F is found dead leader, Osama sulting from the in her hotel room Bin Laden, is shot 9/11 attacks. -
Sunday Morning Grid 2/3/19 Latimes.Com/Tv Times
SUNDAY MORNING GRID 2/3/19 LATIMES.COM/TV TIMES 7 am 7:30 8 am 8:30 9 am 9:30 10 am 10:30 11 am 11:30 12 pm 12:30 2 CBS CBS News Face the Nation (N) Pregame Road to the Super Bowl Tony Romo Sp. The Super Bowl Today (N) Å 4 NBC Today in L.A. Weekend Meet the Press (N) (TVG) NBC4 News Hockey Boston Bruins at Washington Capitals. (N) PGA Golf 5 CW KTLA 5 Morning News at 7 (N) Å KTLA News at 9 KTLA 5 News at 10am In Touch Paid Program 7 ABC News This Week News News NBA Basketball: Thunder at Celtics 9 KCAL KCAL 9 News Sunday (N) Joel Osteen Jentzen Mike Webb Paid Program 1 1 FOX Paid Program Fox News Sunday News PBC Inside PBC Boxing (N) PBA Bowling CP3 Celebrity Invitational. (Taped) 1 3 MyNet Paid Program Fred Jordan Freethought Paid Program News Paid 1 8 KSCI Paid Program Buddhism Paid Program 2 2 KWHY Paid Program Paid Program 2 4 KVCR Paint With Painting Joy of Paint Wyland’s Paint This Painting Kitchen Mexican Martha Christina Suze Orman’s 2 8 KCET Zula Patrol Zula Patrol Mixed Nutz Edisons Curios -ity Biz Kid$ Feel Better Fast and Make It Last With Daniel Joni Mitchell Live at Isle 3 0 ION Jeremiah Youseff In Touch Ankerberg NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å NCIS: Los Angeles Å 3 4 KMEX Conexión Paid Program Fútbol Fútbol Mexicano Primera División (N) República Deportiva (N) 4 0 KTBN James Win Walk Prince Carpenter Jesse In Touch PowerPoint It is Written Jeffress K. -
Sex, Spies and Shirley Temple : Feature Films on British Television
Sex, spies and Shirley Temple : feature films on British television HALL, Sheldon <http://orcid.org/0000-0003-0950-7310> Available from Sheffield Hallam University Research Archive (SHURA) at: http://shura.shu.ac.uk/10192/ This document is the author deposited version. You are advised to consult the publisher's version if you wish to cite from it. Published version HALL, Sheldon (2014). Sex, spies and Shirley Temple : feature films on British television. In: Film History seminars, Institute of Historical Research, 23 October 2014. Copyright and re-use policy See http://shura.shu.ac.uk/information.html Sheffield Hallam University Research Archive http://shura.shu.ac.uk FEATURE FILMS ON BRITISH TELEVISION IN THE 1970S Preamble This is an ‘interim report’ on a long-term project on the history of the showing of feature films on British television, covering virtually the entire history of broadcast television from the 1930s to the present. Not to mislead you, I will not be proposing an elaborate thesis or developing a complex argument: it is very much a snapshot from work in progress, a summary of selected findings, for whatever interest it might contain – and I would appreciate constructive feedback on the extent to which it is interesting! I will not be attempting even a full account of the ten-year period in my title but will try to give a general survey of the field in the 1970s while focusing on 1975 for most of my examples. The choice of year is not arbitrary: aside from coming at the exact midpoint of the decade and being reasonably representative, it also allows me to focus on a number of key controversies, events and developments affecting the presentation of films on television in subsequent years.