Liz Ward Born Education Awards Solo Exhibitions
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Downtown Development Project List
DOWNTOWN DEVELOPMENT This list provides details on all public and private sector construction projects in Downtown Houston since 1995. Costs are estimated or otherwise not available. Under Construction Harris County Jury Assembly Plaza Reconstruction of the plaza and pavilion including relocation of electrical vault. Address 1210 Congress St. Developer Harris County Estimated cost $11.3 million Est. completion 3Q 2021 Website Harris County Clerk McKee City Living 4‐story, 120‐unit affordable‐workforce housing. Address 626 McKee St. Developer Gulf Coast Housing Partnership Estimated cost $29.9 million Est. completion 4Q 2021 Website McKee City Living UHD Student Wellness & Success 72,000 SF student fitness and recreation facility. Address 315 N Main St. Developer University of Houston Downtown Estimated cost $38 million Est. completion 2Q 2022 Website UHD Student Wellness & Success Center JPMorgan Chase & Co. Tower Reframing and renovations of the first and second floor lobbies, tunnel access and the exterior plaza. Address 600 Travis St. Developer Hines Estimated cost $2 million Est. completion 3Q 2021 Website JPMorgan Chase & Co Tower Frost Town Brewing Reframing and 9,100 SF brewing and taproom serving locally inspired beers Address 600 Travis St. Developer Hines Estimated cost $2.58 million Est. completion 3Q 2021 Website Frost Town Brewing Moxy Hotel by Marriott Redevelopment of the historic office building at 412 Main St. into a 13‐story, 119‐room hotel. Address 412 Main St. Developer InnJoy Hospitality Estimated cost $4.4 million P Est. completion 2Q 2022 Website Moxy Marriott Hotel V = Estimated using the Harris County Appriasal Distict public valuation data, January 2019 P = Estimated using the City of Houston's permitting and licensing data Updated 07/01/2021 Harris County Criminal Justice Center Improvement and flood damage mitigation of the basement and first floor. -
30Th Anniversary of the Center for Public History
VOLUME 12 • NUMBER 2 • SPRING 2015 HISTORY MATTERS 30th Anniversary of the Center for Public History Teaching and Collection Training and Research Preservation and Study Dissemination and Promotion CPH Collaboration and Partnerships Innovation Outreach Published by Welcome Wilson Houston History Collaborative LETTER FROM THE EDITOR 28½ Years Marty Melosi was the Lone for excellence in the fields of African American history and Ranger of public history in our energy/environmental history—and to have generated new region. Thirty years ago he came knowledge about these issues as they affected the Houston to the University of Houston to region, broadly defined. establish and build the Center Around the turn of the century, the Houston Public for Public History (CPH). I have Library announced that it would stop publishing the been his Tonto for 28 ½ of those Houston Review of History and Culture after twenty years. years. Together with many others, CPH decided to take on this journal rather than see it die. we have built a sturdy outpost of We created the Houston History Project (HHP) to house history in a region long neglectful the magazine (now Houston History), the UH-Oral History of its past. of Houston, and the Houston History Archives. The HHP “Public history” includes his- became the dam used to manage the torrent of regional his- Joseph A. Pratt torical research and training for tory pouring out of CPH. careers outside of writing and teaching academic history. Establishing the HHP has been challenging work. We In practice, I have defined it as historical projects that look changed the format, focus, and tone of the magazine to interesting and fun. -
Center for Public History
Volume 8 • Number 2 • spriNg 2011 CENTER FOR PUBLIC HISTORY Oil and the Soul of Houston ast fall the Jung Center They measured success not in oil wells discovered, but in L sponsored a series of lectures the dignity of jobs well done, the strength of their families, and called “Energy and the Soul of the high school and even college graduations of their children. Houston.” My friend Beth Rob- They did not, of course, create philanthropic foundations, but ertson persuaded me that I had they did support their churches, unions, fraternal organiza- tions, and above all, their local schools. They contributed their something to say about energy, if own time and energies to the sort of things that built sturdy not Houston’s soul. We agreed to communities. As a boy, the ones that mattered most to me share the stage. were the great youth-league baseball fields our dads built and She reflected on the life of maintained. With their sweat they changed vacant lots into her grandfather, the wildcatter fields of dreams, where they coached us in the nuances of a Hugh Roy Cullen. I followed with thoughts about the life game they loved and in the work ethic needed later in life to of my father, petrochemical plant worker Woodrow Wilson move a step beyond the refineries. Pratt. Together we speculated on how our region’s soul—or My family was part of the mass migration to the facto- at least its spirit—had been shaped by its famous wildcat- ries on the Gulf Coast from East Texas, South Louisiana, ters’ quest for oil and the quest for upward mobility by the the Valley, northern Mexico, and other places too numerous hundreds of thousands of anonymous workers who migrat- to name. -
Helen Altman
HELEN ALTMAN TRAILHEAD WOMEN & THEIR WORK jAN UARY 13 - FEBRUARY 17, 2001 AUSTIN, TEXA S HELEN ALTMAN'S TRi-VLHEiill Lilze tl1e stage settings in an elementary school Thanlzsgiving pagean-t, Helen Altman's show, Trai/lzead, is clearly divided into scenery and actors. On the walls, quilted hangings catalog various natural environments; on tl1e gallery floor, droopy falze birch trees extend tl1e forest image in-to three dimensional space. These elements set the stage for the tragicomic turbey hunting scene in which tl1e timicl Pilgrim and the bumbling Tom Turkey perform a forest lJallet. Glossing over just exactly how -tl1e live -turlzey in tl1e woods becomes -the roasted turlzey on -the dinner table, the scene retains the spice of a l1idden darlz side -to the story. Trail/1ead mixes tl1e fun and anx:iety of a fairytale forest. A classic story prop, the cuclwo clock, is the focus of the Target, (detail) 2000. show's an.-xiety. The regular ticb-toclz of Turlwy targel, bircb trees, 32" x 26" x 26". its pendulum is a cons-tant reminder of -time passing. The fran-tic, silly cry of burden of heavy ideas abou-t incuba-tion, Falze nature is a constant theme tl1e cuclwo as i-t pops ou-t of its l1idden protection, nurturing, and sacrifice. in Altman's work. Her well-lmown door is frightening, -tl1en funny: an Seed Skulls from 1996 was a series of sculptures made from artificial fire abrupt explosion of absurdity. AJJsurd life-sized human slmlls molded from place logs contain simple mechanisms falzery is everywhere. -
2815 Colquitt Houston, Texas 77098 (713)526-9911
2815 COLQUITT HOUSTON, TEXAS 77098 (713)526-9911 LIZ WARD Born: Lafayette, Louisiana, 1959 Currently lives and works in San Antonio, Texas Education 1990 M.F.A., University of Houston, Houston, Texas 1984-85 Atelier 17, Paris, France 1982-84 Tamarind Institute, Albuquerque, New Mexico 1982 B.F.A. Cum Laude, University of New Mexico, Albuquerque 1978-80 University of California, Santa Cruz Teaching Experience 2012-present Chair, Department of Art and Art History, Trinity University 2011-present Professor, Trinity University, San Antonio, Texas 2005-2011 Associate Professor, Trinity University, San Antonio, Texas 2007 Acting Chair, Department of Art and Art History, Trinity University 1999-2005 Assistant Professor, Trinity University, San Antonio, Texas 1998-99 Instructor, Rice University School of Continuing Studies, Houston, Texas 1997-99 Faculty, Glassell School of Art, Museum of Fine Arts, Houston, Texas 1992-99 Affiliate Artist, University of Houston, Houston, Texas 1996 Visiting Lecturer, Rice University, Houston, Texas 1993 Visiting Assistant Professor of Art, University of Houston, Houston, Texas 1989-90 Teaching Assistant, University of Houston, Houston, Texas Solo Exhibitions 2019 “Floating Life: Mississippi River Drawings”, Visual Arts Center Gallery, San Antonio College, San Antonio, Texas “Floating Life: Mississippi River Drawings”, Tyler Museum of Art, Tyler, Texas, curated by Caleb Bell 2017 “Watershed”, Moody Gallery, Houston, Texas 2015 “Ghosts of the Old Mississippi”, Talley Dunn Gallery, Dallas, Texas 2014 “Time and Temperature”, The Gallery at UTA, The University of Texas at Arlington, Arlington, Texas (catalogue) “Drawings for Unchopping a Tree by W.S. Merwin”, Moody Gallery, Houston, Texas “Drawings for Unchopping a Tree by W.S. -
Themedium Volume 40, Number 1 (Spring 2014)
TheMedium Volume 40, Number 1 (Spring 2014) o President's Column o ARLIS/NA Chapters Liaisons Report o Collection Profile: Manfred Heiting Photo Book Collection, MFAH Libraries o Conference Reports: Book Art SIG Meeting at ARLIS/NA 42nd Annual Conference o Conference Reports: Graphic Novels SIG Meeting at ARLIS/NA 42nd Annual Conference o Conference Reports: LGBTQ SIG Meeting at ARLIS/NA 42nd Annual Conference o Conference Reports: Lois Swan Jones Professional Development Award Recipient o News: Interviews with Texas Artists The Medium v. 40, no. 1 (spring 2014) President's Column It was nice to see so many busy Texas-Mexico Chapter members in Washington, D.C.! Busy is the operative word as we go forward with the responsibility of planning and hosting next year’s 43rd Annual Conference in Fort Worth. As Chapter President, I now appreciate how much effort it takes to pull off such an event and thus we should all be extremely grateful to the Local Arrangements and Programming Co-Chairs for their diligent and dedicated work so far. Our theme New Frontiers on the Old Frontier sums up perfectly what Fort Worth will offer our Society. A pioneer city that embraces the arts like no other, the first-class museums alone will more than impress a first time visitor. My informal quips to colleagues in Washington about the wonders of Fort Worth were greeted very positively with affirming remarks that they couldn’t wait to experience it. Another important ARLIS/NA event happening this year is our Annual Chapter Meeting to be held in Orange, Texas on October 17-19. -
Beaumont Art League Summer Activities
A View From The Top Greg Busceme, TASI Director THIS IS OUR SUMMER ISSUE which is fol- 50 organizations receive a $1,000 grant. lowed by two months of limited communi- We are grateful for The Stark cation by mail or print. Foundation’s contribution to The Art This is partially by design and partial- Studio. The funds will go to rebuilding our ly by necessity to give us a chance to security fence around the Studio yard and recover from our printing and mailing improving our parking arrangements — Vol. 17, No. 9 ISSUE costs for monthly invitations and newspa- an integral part of an ongoing project to pers. Printing costs alone average about revitalize our facility as we recover fully Publisher . The Art Studio, Inc. $580 a month. from the storms. We already have part- Editor . Andy Coughlan This is not just to whine but to let ners in this project beginning with Boy Copy Editor . Tracy Danna everyone know we are getting serious Scout Eagle candidate Brandon Cate. In Contributing Writers . Elena Ivanova about membership renewals and new pursuit of being an Eagle Scout, Brandon Distribution Volunteer . Elizabeth Pearson members. For the first time, we can only has taken on the task of striping our new send exhibition announcements and parking area for improved space and a The Art Studio, Inc. Board of Directors ISSUE to members in good standing. safer environment. On our part, we will We hope those non-members who use the Stark funds to get the material President Ex-Officio . Greg Busceme have been enjoying our mailings remem- necessary to put up a fence on the front of Vice-President. -
Bibliography
Tseng Kwong Chi - Bibliography ARTIST MONOGRAPHS Tseng Kwong Chi: Self-Portraits 1979-1989, exhibition catalogue with texts by Lilly Wei, Dan Cameron, Kenny Scharf and Muna Tseng, Paul Kasmin Gallery, New York, NY, 2008. Tseng Kwong Chi: Self-Portraits 1979-1989, exhibition catalogue with texts by Lilly Wei, Dan Cameron, Kenny Scharf and Muna Tseng, Ben Brown Fine Arts, London, England, 2008. Tseng Kwong Chi, Ambiguous Ambassador, monograph of 95 photographs from the Expeditionary Self-Portraits Series, with texts by Dan Cameron, Richard Martin and Grady T. Turner, Nazraeli Press/JGS, 2005. A Retrospective, Improbable Pilgrim: The Photographs of Tseng Kwong Chi, essay by Amy Ingrid Schlegel, Philadelphia Art Alliance, 2002. Tseng Kwong Chi: The Expeditionary Works, essay by Barry Blinderman, Houston Center for Photography, Houston, TX, 1992. Tseng Kwong Chi, foreword by Richard Martin, Art Random, Kyoto Shoin, 1990. Art in Transit, New York Subway Drawings by Keith Haring, introduction by Henry Geldzahler and text by Keith Haring, Harmony Books, Crown Publishers,1984. SELECTED BOOKS AND CATALOGUES 2009 Kenny Scharf, by Richard Marshall, Ann Magnuson,The Paul Kasmin Gallery, Rizzoli, 2009 2008 Keith Haring, by Jeffrey Deitch, Julia Gruen, Suzanne Geiss, Kenny Scharf, George Condo, Rizzoli, 2008 Self and Other: Portraits from Asia and Europe, edited by Kenji Yoshida and Brian Durrans, Asahi Shimbun, Osaka, Japan, 2008 pp. 246. The American Tornado: Art in Power 1949-2008 by Germano Celant, Skira, Italy 2008 The Keith Haring Retrospective, Skira, Italy, 2008. 2007 Studio in the Street, Street in the Studio, Brattleboro Museum & Art Center, Vermont, 2007. The Jean-Michel Basquiat Show, Skira, Italy, 2007. -
I N M a N G a L L E
I N M A N G A L L E R Y KRISTIN MUSGNUG Born 1959, Buffalo, NY Lives and works in Fayetteville, AR EDUCATION 1988 MFA in Painting, Indiana University, Bloomington, IN 1983-85 Pennsylvania Academy of the Fine Arts, Philadelphia, PA 1981 BA in Art History, Williams College, Williamstown, MA 1980 Village Des Arts, Lacoste, France SOLO EXHIBITIONS 2019 Disturbed Ground, Inman Gallery, Houston, TX 2017 Disturbed Ground, St. Ambrose University, Davenport, IA 2016 Low Down & Close Up: Paintings of the Forest Floor, Inman Gallery, Houston, TX 2015 Forest Floor Paintings, North Cascades Institute, Environmental Learning Center, Diablo Lake, WA 2011 Unnatural Histories, Inman Gallery, Houston, TX 2010 Un-Natural Histories: Paintings of Invasive SpeCies, University of Arkansas, Fayetteville, AR 2007 New Paintings, Inman Gallery, Houston, TX 2001 Mini Golf Paintings, Inman Gallery, Houston, TX Kristin Musgnug, University of Arkansas, Fayetteville, AR 1999 Kristin Musgnug, Kansas State University, Manhattan, KS 1998 Uses of Nature, Inman Gallery, Houston, TX Uses of Nature, Galveston Arts Center, Galveston, TX Uses of Nature, University of Arkansas, Fayetteville, AR 1996 Kristin Musgnug: Drawings and Collages, Marko Cepenkov Center of Culture, Prilep, Macedonia Kristin Musgnug: Drawings and Collages, Stobi Gallery, Skopje, Macedonia Land Futures in Arcadia, Inman Gallery, Houston, TX Kristin Musgnug: Recent Work, Quad City Arts Council, Rock Island, IL 1995 Land Futures in Arcadia, Cambridge University, England Land Futures in Arcadia, University -
Linda Blackburn
LINDA BLACKBURN 3901 Bilglade Rd. Fort Worth, TX 76109 817-924-2067 [email protected] b. 1941, Baltimore MD Lives and works in Fort Worth, TX Education MA, University of California, Berkeley BFA, University of Texas, Austin Awards 1990 National Endowment for the Arts (painting) 1988 Mid America/National Endowment for the Arts (painting) Solo and Two-person Exhibitions 2021 The Old Jail Art Center, Albany, TX, Summer, solo exhibition 2019 Eddie Leon Returns, The Reading Room, Dallas, TX The Law of the Saddle II, Volland Store, Alma, Kansas 2018 The Law of the Saddle, Artspace 111, Fort Worth, TX 2017 Ed and Linda and Mark’s Adventures at the Modern Art Museum of Fort Worth, Tuesday Evenings Lecture Series with video by Ed and Linda Blackburn and Mark Thistlethwaite, Fort Worth, TX Voices on Art: A conversation between Linda and Ed Blackburn and Mark Thistlethwaite at the Modern Art Museum of Fort Worth, an Art This Week Production, YouTube, filmed by Richard Serrano Linda Blackburn Ceramics, Tyler Museum of Art, Tyler, TX 2008 The Thing From Another World, Artspace 111, Fort Worth, TX 2007 The Lonesome Utrillo, video screened at Modern Art Museum of Fort Worth, TX Ed and Linda Blackburn, Longview Museum of Art, Longview, TX 2005 DFW Airport, commissioned stained glass window 2001 The Adventures of Eddie Leon, ‘The Missing Masterpieces’, University of Nevada at Las Vegas, NV (catalogue by Dave Hickey) 2000 Downtown Fort Worth Mural, TX As It Were, Four Walls Gallery, Fort Worth, TX 1998 The Adventures of Eddie Leon, Downtown Modern -
Houstonhouston
RealReal EstateEstate MarketMarket OverviewOverview HoustonHouston Jennifer S. Cowley Assistant Research Scientist Texas A&M University July 2001 © 2001, Real Estate Center. All rights reserved. RealReal EstateEstate MarketMarket OverviewOverview HoustonHouston Contents 2 Note Population 6 Employment 9 Job Market 10 Major Industries 11 Business Climate 13 Public Facilities 14 Transportation and Infrastructure Issues 16 Urban Growth Patterns Map 1. Growth Areas Education 18 Housing 23 Multifamily 25 Map 2. Multifamily Building Permits 26 Manufactured Housing Seniors Housing 27 Retail Market 29 Map 3. Retail Building Permits 30 Office Market Map 4. Office Building Permits 33 Industrial Market Map 5. Industrial Building Permits 35 Conclusion RealReal EstateEstate MarketMarket OverviewOverview HoustonHouston Jennifer S. Cowley Assistant Research Scientist Aldine Jersey Village US Hwy 59 US Hwy 290 Interstate 45 Sheldon US Hwy 90 Spring Valley Channelview Interstate 10 Piney Point Village Houston Galena Park Bellaire US Hwy 59 Deer Park Loop 610 Pasadena US Hwy 90 Stafford Sugar Land Beltway 8 Brookside Village Area Cities and Towns Counties Land Area of Houston MSA Baytown La Porte Chambers 5,995 square miles Bellaire Missouri City Fort Bend Conroe Pasadena Harris Population Density (2000) Liberty Deer Park Richmond 697 people per square mile Galena Park Rosenberg Montgomery Houston Stafford Waller Humble Sugar Land Katy West University Place ouston, a vibrant metropolitan City Business Journals. The city had a growing rapidly. In 2000, Houston was community, is Texas’ largest population of 44,633 in 1900, growing ranked the most popular U.S. city for Hcity. Houston was the fastest to almost two million in 2000. More employee relocations according to a growing city in the United States in the than four million people live in the study by Cendant Mobility. -
We Call It Privilege, They Call It Freedom to Smear Sylvan MEYER
1eman• orts December 1965 What Good is a Baby? ROBERT C. TOTH We Call it Privilege, They Call it Freedom to Smear SYLvAN MEYER The Journalist and the Educator c. A. McKNIGHT The Chandlers ofLos Angeles: The World of Otis, Norman and 13ulf MITCHELL GORDON 2 NIEMAN REPORTS was to enroll. I returned to North Carolina, too late to en ter Davidson, and got a job for a year as a cub reporter on my hometown newspaper. NiemanRe:ports I followed through on my plan of study and majored in Spanish. Each summer, I returned to the newspaper. At the VOL. XIX, NO. 4 DECEMBER 1965 end of four years, the tug of war was over. Journalism had won, teaching had lost. Had it not been for that hurricane, Louis M. Lyons, Editor, 1947-64 I am quite certain that I would be holding forth in some Dwight E. Sargent Mary Ann Pratt college classroom today. I may not be the only man whose Editor Managing Editor career was changed by the winds of a hurricane, but I am the only one I know. Editorial Board of the Society of Nieman Fellows Throughout the years I have quieted any doubts about Robert W. Brown Weldon B. James Rock Hill Evening Herald Louisville Courier-J oumal the rightness of my choice by telling myself that, after all, Millard C. Browne Edwin A. Lahey journalism is essentially an educational function. And I Buffalo News Knight Newspapers have salved my conscience by giving much of my life to William B. Dickinson Robert Lasch causes, boards and agencies that have had as their objective Philadelphia Bulletin St.