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à travers ce projet artistique „FRAUEN AN DER LEINE“ participez avec votre biographie et enrichissez ainsi (FEMMES SUR LE FIL), l’artiste renée kellner ainsi que notre projet ! FEMMES SUR LE FIL - beaucoup d’autres personnes exceptionnelles veulent - vous êtes libres dans la conception de votre un projet réalisé en 2006, rendre visible l‘Histoire de la Femme en s‘appuyant sur biographie, courte ou longue, texte ou présenté à l‘occasion d‘une d‘innombrables biographies recueillies au fil des siècles. image, mettez par écrit tout ce qui vous grande exposition et qui ce projet a pour but de présenter la vie des femmes dans paraît important. voudrait s‘éveiller à NOUVEAU. toute sa pluralité. - vos rêves et vos souhaits qui n‘ont jamais été exaucés... par exemple que vous auriez adoré elles existent. elles ont toujours existé et elles existeront - encore en 2021, les femmes demeurent dans être une comtesse, tous vos fantasmes toujours. elles sont nombreuses, très nombreuses. l‘ombre des hommes, bien qu‘elles représentent secrets seront les bienvenus. mais peu les connaissent. ces femmes qui, dans le passé plus de la moitié de l‘humanité. - si vous le souhaitez, joignez une ou plusieurs et dans le présent, à travers toutes les époques, dans - dans toutes les cultures, les femmes réalisent photos, un portrait ou d‘autres photos ayant toutes les cultures, ont accompli et accomplissent encore des exploits incroyables. un lien avec vous ou avec votre travail. des actes incroyables. en politique, dans la lutte pour des - dans les moments les plus importants de leur droits qui sont évidents. dans la science et la recherche, vie, les femmes deviennent mères et veillent sur merci d‘adresser votre biographie (textes, photos) à dans l‘économie et l‘écologie, dans l‘art, la culture et dans leur famille sans que cela ne soit reconnu. ......... la vie courante. - toute cette valeur ajoutée inconcevable n‘est pas appréciée à sa juste valeur. ne vous souciez pas de la mise en page, nous nous en chargerons. Dans l’historiographie officielle, ni l’histoire de la femme, - la vie des femmes, leurs importantes en général, ni les biographies détaillées de femmes, en contributions, passent inaperçues la plupart „IL EST TEMPS DE MONTRER QUE NOUS particulier, n’ont reçu –à de rares exceptions près- la du temps. EXISTONS“ - place et l’importance qui leur revient. malgré les efforts IL EST TEMPS DE LES RENDRE un appel à participer à un projet artistique. de la recherche féministe à la rendre visible depuis plus VISIBLES ! www.FRAUEN-AN-DER-LEINE.at de 40 ans, la moitié de l’humanité demeure dans l’ombre de l’attention sociale. les femmes et les hommes du monde entier ont désor- renée kellner mais la possibilité SOIT de participer avec une biogra- phie de femmes qui leur tiennent à cœur (mère, amie, née en 1958 et restée depuis ennemie, sœur, fille, amante, tante, cousine, bibliothécaire, à vienne petite-fille, grand-mère, nièce, voisine, maîtresse, prêtres- artiste-photographe, peintre, se, galeriste, vendeuse, libraire, musicienne, journaliste, cinéaste, réalisatrice peintre, etc....) selon la devise : projets et expositions en autriche et à l’étranger „IL EST TEMPS DE MONTRER QUE NOUS EXISTONS“ à partir de 1985 SOIT d‘y inciter d‘autres, afin de rassembler un vaste re- vit à vienne, toujours à l’affût cueil sur la vie de femmes peu ou à peine connues. de nouvelles découvertes MENTION SUR LA PROTECTION DES DONNÉES : les informations COPYRIGHT © renée kellner 2021. tous droits réservés. les textes, images SAISISSEZ L‘OPPORTUNITÉ recueillies vous concernant (adresse e-mail et autres données) ne sont ni et graphiques sont protégés par les lois sur la protection du droit d’auteur et de rendre visibles ces histoires de femmes et PRENEZ stockées, ni transférées, ni archivées. nous archivons uniquement votre bio- la protection intellectuelle. toute utilisation, reproduction ou modification du PART À CE PROJET ! graphie. votre e-mail et vos coordonnées de contact sont supprimés, dès contenu de ces pages à des fins commerciales est interdite. crédits photo- réception de votre biographie. graphiques : sauf mention contraire, © renée kellner. louise aston, anni albers, ilse aichinger, rose ausländer, augspurg anita und heymann linda g., klara von assisi, arletty, alma rosé, marie antoinette, isabel allende, anita augspurg, india arie, victoria abril, anna achmatowa, bella abzug, emma adler, louisa catherine adams, susanne alge, marian anderson, isabelle adjani, andrea adolfati, betty amman, maria teresa agnesi, christina maria aguilera, fern andra, johanna ambrosius, julie andrews, virginia apgar, anne archer, fanny ardant, bettina von arnim, gisela von arnim, frau ava,rosanna arquette, lynne arriale, barbara auer, gae aulenti, hannah arendt, jane austen, sophie albrecht, susan brownell anthony, bettine von arnim, mercedes de acosta, berenice abbott, josefa de ayala, lucia anguissola, sybil andrews, luise abbéma, sofonisbau anguissola, berencie abbott, abe Keiko, abischag, aino aalto, anita augspurg, ayaan hirsi ali, barbe acarie, delmira agustini, diane julie abbott, doris abeßer, edith abbott, el awadalla, elfrida andrée, elisabeth abegg, elke aberle, els aarne, emma abbott, heidi abel, heilige adelgundis, ilse m.aschauer, india arie, irene abendroth, isabelle adjani, josefa de ayala, kathy acker, lady oyinkan abayomi, laure-adelaide abrantés, louise abbéma, lucia Anguissola, magdalena abakanowicz, maria andergast, miwa abiko, paula acker, ruth hughes aarons, soazig aaron, sofonisbau anguissola, sybil andrews, tierra abbott, truus van aalten, victoria abril, bertha boxcar, becker paula, leonie bathiat, anna magdalena bach, ingeborg bachmann, josephine baker, eva bakos, amy beach, marie bashkirtseff, djuna barnes, vicky baum, senta berger, julie bebel, julie bebel, renate bertlmann, vanessa bell, hildegard von bingen, isabel bishop, wibke bruhns, tania blixen, tina blau, anna boschek, lili boulanger, eugenie brandl, fredrika bremer, erika von brockdorff, louise brooks, beate b., antoinette brown blackwell, grace bumbry, kate bush, maria bill,jeanne-marie bourgeois, monica bleibtreu, katharina böhm, gabi bauer, gisele bündchen, tina bordihn, sandrine bonnaire, anne-marie blanc, juliette binoche, ida bindschedler, iris berben, melitta 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camille, kate capshaw, claudia cardinale, mariah cfaetitia casta, minna cauer, coco chanel, cher, camille claudel, elfriede czurda, helena bonham carter, carson Mccullers, liesel christ, barbara coudenhove-kalergi, elisabeth sophie chéron, constanze marie charpentier, mary cassatt, maria caspar-filser, rosalba giovanna carriera, emily carr, marcelle cahn, stella catsuli, marcelle Cahn, liesel christ, constanze marie car- pentier, carson mcCullers, stiliani catsuli, barbara coudenhove, marion gräfin dönhoff, helene deutsch, mary daly, elfi von dassanowsky, sonia delaunay, deledda grazia, isadora duncan, jean darling, doris day, paula dehmel, karin dor, catherine deneuve, angie dickinson, marlene dietrich, celine dion, assia djebar, angelica domröse, faye dunaway, marguerite duras,hilde domin, dorothy dandridge, andie macdowell, liane dirks, helene druskowitz, violeta dinescu, veronika dirnhofer, dorothea dix, hedwig dohm, johanna dohnal, louise dittmar, julia drapal, mart- he donas, 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  • Katja Riemann

    Katja Riemann

    Motzstraße 60 | 10777 Berlin | +49 30 28884330 | [email protected] | die-agenten.de katja riemann Nationalität Deutschland Sprachen Englisch, Französisch Dialekte Berlinerisch, Hamburger, Berndeutsch Größe 172 cm Haarfarbe blond Augenfarbe blau Tanz Jazz, Modern Führerschein B, C Instrumente Gitarre, Klavier, Schlagzeug Gesang Pop Sport Fechten Wohnort Berlin Homepage www.katja-riemann.de/ education Hochschule für Musik und Theater, Hannover Otto Falckenberg Schule, München Lola Rogge Schule, Tanzpädagogik, Hamburg awards 2018 Deutscher Filmpreis, Besucherstärkster Film, "Fack ju Göhte 3" (stellvertretend für Cast und Crew) 2016 Schauspielerpreis des BFFS, Nominierung, Beste Nebendarstellerin, "Mängelexemplar" 2016 Courage Preis, für ihr vielfältiges und beständiges soziales Engagement 2015 Portland German Film Festival Award 2015 WorldFest Houston, Nominierung, Beste Schauspielerin Nebenrolle, "Ohne Dich" 2014 Festival Decine Internacional Deourense, spezielle Erwähnung, "Ohne Dich" 2014 Deutscher Filmpreis, Nominierung, Beste Nebendarstellerin, "Fack Ju Göhte" 2013 Audi Actor Award des Deutschen Regieverbands, Beste Schauspielerin, "Das Wochenende". 2011 Bayerischer Fernsehpreis, Nominierung, Beste Hauptdarstellerin, "Die fremde Familie" 2011 Bambi, Nominierung, Beste Schauspielerin National, "Die fremde Familie" 2011 Schauspielerpreis des BFFS, Nominierung, Beste Hauptdarstellerin, " Die fremde Familie" und "Die Relativitätstheorie der Liebe" 2010 Bundesverdienstkreuz 2009 Grimme-Preis, "Das wahre Leben" 2009 Premio Bacco, Preis
  • Information & Bibliothek

    Information & Bibliothek

    DVD / Blu-Ray-Gesamtkatalog der Bibliothek / Catálogo Completo de DVDs e Blu-Rays da Biblioteca Abkürzungen / Abreviações: B = Buch / Roteiro; D = Darsteller / Atores; R = Regie / Diretor; UT = Untertitel / Legendas; dtsch. = deutsch / alemão; engl. = englisch / inglês; port. = portugiesisch / português; franz. = französisch / francês; russ. = russisch / russo; span. = spanisch / espanhol; chin. = chinesisch / chinês; jap. = japanisch / japonês; mehrsprach. = mehrsprachig / plurilingüe; M = Musiker / M úsico; Dir. = Dirigent / Regente; Inter. = Interprete / Intérprete; EST = Einheitssachtitel / Título Original; Zwischent. = Zwischentitel / Entretítulos ● = Audio + Untertitel deutsch / áudio e legendas em alemão Periodika / Periódicos ------------------------------- 05 Kub KuBus. - Bonn: Inter Nationes ● 68. Film 1: Eine Frage des Vertrauens - Die Auflösung des Deutschen Bundestags. Film 2: Stelen im Herzen Berlins - Das Denkmal für die ermordeten Juden Europas. - 2005. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus , 68) ● 69: Film 1: Im Vorwärtsgang - Frauenfußball in Deutschland. Film 2: Faktor X - Die Fraunhofer-Gesellschaft und die digitale Zukunft. - 2005.- DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 69) ● 70. Film 1: Wie deutsch darf man singen? Film 2: Traumberuf Dirigentin. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 70) ● 71. Film 1: Der Maler Jörg Immendorff. Film 2: Der junge deutsche Jazz. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr. Begleitbuch ; dtsch., russ., chin. UT ; NTSC ; V+Ö. (KuBus ; 71) ● 72. Film 1: Die Kunst des Bierbrauens. Film 2: Fortschritt unter der Karosserie. - 2006. - DVD: 30 Min. : farb. ; dtsch., engl., franz., span., + mehrspr.
  • Sarah Miriam Peale's Mary Leypold Griffith and the Staging Of

    Sarah Miriam Peale's Mary Leypold Griffith and the Staging Of

    Sarah Miriam Peale’s Mary Leypold Griffith and the Staging of Republican Motherhood Sarah Leary In 1841, Sarah Miriam Peale painted a portrait of a longings.1 Unfortunately, Peale’s death mask of Mary Griffith young Mary Leypold Griffith (Figure 1). Mary sits on the floor. doesn’t survive, but it would have looked somewhat like the Her left leg is gracefully crossed over the right. Her vibrant, life mask taken a few months prior to Lincoln’s assassination red dress stands out against the nondescript background. She (Figure 2). Such masks developed from the tradition of death holds a white ribbon that she cuts to form a jagged pattern, masks and offer insight into what Peale’s mask of Mary may and yet looks up from this activity to the viewers. But her have looked like. The Griffith family also lent Peale a minia- mature expression and poise seem incommensurate with her ture of Mary (also lost) to aid in her representation of their age. Without the benefit of the object label, a viewer would daughter. These aids were supposed to help Peale represent assume that Mary is four or five – old enough to wield scissors Mary as she appeared and lived in the days before she died, and to understand the educational materials that surround but Peale took several liberties with Mary’s appearance her. But in point of fact, Mary Griffith died of Scarlet Fever at that aged her beyond her years and introduced books and the age of two and a half in 1841 – the same year in which symbols that allude to the future role Mary never fulfilled.