Saturn Illustrated Chronology
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First-Run Smoking Presentations in U.S. Movies 1999-2006
First-Run Smoking Presentations in U.S. Movies 1999-2006 Jonathan R. Polansky Stanton Glantz, PhD CENTER FOR TOBAccO CONTROL RESEARCH AND EDUCATION UNIVERSITY OF CALIFORNIA, SAN FRANCISCO SAN FRANCISCO, CA 94143 April 2007 EXECUTIVE SUMMARY Smoking among American adults fell by half between 1950 and 2002, yet smoking on U.S. movie screens reached historic heights in 2002, topping levels observed a half century earlier.1 Tobacco’s comeback in movies has serious public health implications, because smoking on screen stimulates adolescents to start smoking,2,3 accounting for an estimated 52% of adolescent smoking initiation. Equally important, researchers have observed a dose-response relationship between teens’ exposure to on-screen smoking and smoking initiation: the greater teens’ exposure to smoking in movies, the more likely they are to start smoking. Conversely, if their exposure to smoking in movies were reduced, proportionately fewer teens would likely start smoking. To track smoking trends at the movies, previous analyses have studied the U.S. motion picture industry’s top-grossing films with the heaviest advertising support, deepest audience penetration, and highest box office earnings.4,5 This report is unique in examining the U.S. movie industry’s total output, and also in identifying smoking movies, tobacco incidents, and tobacco impressions with the companies that produced and/or distributed the films — and with their parent corporations, which claim responsibility for tobacco content choices. Examining Hollywood’s product line-up, before and after the public voted at the box office, sheds light on individual studios’ content decisions and industry-wide production patterns amenable to policy reform. -
Press Kit the CAPTAIN Film by Robert
Press kit THE CAPTAIN DER HAUPTMANN – Original title Written and directed by Robert Schwentke Produced by Filmgalerie 451 Saarbrücker Straße 24, 10405 Berlin Tel. +49 (0) 30 - 33 98 28 00 Fax +49 (0) 30 - 33 98 28 10 [email protected] www.filmgalerie451.de In co-production with Alfama Films and Opus Film THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke World Premiere at Toronto International Film Festival — Special Presentations Screening dates Press & Industry 1 09/07/17 3:00PM Scotiabank 14 (307) DCP 4K (D-Cinema) Public 1 09/09/17 3:15PM TIFF Bell Lightbox DCP 4K (D-Cinema) Cinema 1 (523) Public 2 09/11/17 4:15PM Scotiabank 10 (228) DCP 4K (D-Cinema) Press & Industry 2 09/13/17 11:30AM Scotiabank 8 (183) DCP 4K (D-Cinema) Public 3 09/16/17 3:30PM Scotiabank 14 (307) DCP 4K (D-Cinema) Press contact in Toronto Sunshine Sachs: Josh Haroutunian / [email protected] o: 323.822.9300 / c: 434.284.2076 Press photos Press photos you will get on our website (press) with the password: willkommen www.filmgalerie451.de World Sales Alfama Films www.alfamafilms.com Table of contents – Synopsis short – Synopsis long – Biography Robert Schwentke – Filmography Robert Schwentke – Director’s statement – Interview with director Robert Schwentke about THE CAPTAIN – Film information – Credits – About the Cast – Background information THE CAPTAIN – Willi Herold, a German life — The true story behind THE CAPTAIN – Nazi perpetrator, center-stage — by Olaf Möller 2 THE CAPTAIN / DER HAUPTMANN directed by Robert Schwentke Synopsis short In the last, desperate moments of World War II, a young German soldier fighting for survival finds a Nazi captain’s uniform. -
FLIGHTPLAN by Peter Dowling Revisions by Larry Cohen Terry Hayes Current Revisions by Billy Ray First Polish April 30, 2004
FLIGHTPLAN by Peter Dowling Revisions By Larry Cohen Terry Hayes Current Revisions By Billy Ray First Polish April 30, 2004 FADE IN: ...on KYLE SHERIN - who sits, numb... INT. SUBWAY - CHARLOTTENBURG STATION - NIGHT She's 35, pretty in a glamourless way. If you'd met her six days ago you would have found her bright, focused, together. But that was then. Tonight she sits on a bench in a DESERTED SUBWAY STATION, with a thousand-mile stare in her eyes. In the distance we hear an approaching SUBWAY TRAIN. The train grows louder, pulling towards this platform now, screeching noisily. Then it stops. A PRE-RECORDED voice tells us, in German, that this is Charlottenburg. The train sits... But Kyle doesn't rise, doesn't react at all. Staring, until: DAVID (O.S.) Honey? She turns. DAVID SHERIN stands a foot away. He's forty, handsome, kind. Her husband. She smiles, comforted. KYLE Oh. He extends a hand to her, leads her to the train. She's carrying an umbrella. They board, the train's only passengers. Must be late night. The doors shut. The train pulls away. We FOLLOW IT into darkness... as we BEGIN INTERCUT: INTERCUT WITH/INT. BERLIN MORTUARY - EVENING (FLASHBACK) We're over Kyle's shoulder as she enters the Viewing Room of a MORTUARY. A grim-looking MORTUARY DIRECTOR awaits. Beside the Mortuary Director is an open casket. We don't see yet who's inside. Kyle stands stiffly, eyeing that CASKET from across the room, her face a mixture of pain and dread. In her hand is that same umbrella. -
Jacques Tiziou Space Collection
Jacques Tiziou Space Collection Isaac Middleton and Melissa A. N. Keiser 2019 National Air and Space Museum Archives 14390 Air & Space Museum Parkway Chantilly, VA 20151 [email protected] https://airandspace.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Biographical / Historical.................................................................................................... 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series : Files, (bulk 1960-2011)............................................................................... 4 Series : Photography, (bulk 1960-2011)................................................................. 25 Jacques Tiziou Space Collection NASM.2018.0078 Collection Overview Repository: National Air and Space Museum Archives Title: Jacques Tiziou Space Collection Identifier: NASM.2018.0078 Date: (bulk 1960s through -
America's Greatest Projects and Their Engineers - VII
America's Greatest Projects and Their Engineers - VII Course No: B05-005 Credit: 5 PDH Dominic Perrotta, P.E. Continuing Education and Development, Inc. 22 Stonewall Court Woodcliff Lake, NJ 076 77 P: (877) 322-5800 [email protected] America’s Greatest Projects & Their Engineers-Vol. VII The Apollo Project-Part 1 Preparing for Space Travel to the Moon Table of Contents I. Tragedy and Death Before the First Apollo Flight A. The Three Lives that Were Lost B. Investigation, Findings & Recommendations II. Beginning of the Man on the Moon Concept A. Plans to Land on the Moon B. Design Considerations and Decisions 1. Rockets – Launch Vehicles 2. Command/Service Module 3. Lunar Module III. NASA’s Objectives A. Unmanned Missions B. Manned Missions IV. Early Missions V. Apollo 7 Ready – First Manned Apollo Mission VI. Apollo 8 - Orbiting the Moon 1 I. Tragedy and Death Before the First Apollo Flight Everything seemed to be going well for the Apollo Project, the third in a series of space projects by the United States intended to place an American astronaut on the Moon before the end of the 1960’s decade. Apollo 1, known at that time as AS (Apollo Saturn)-204 would be the first manned spaceflight of the Apollo program, and would launch a few months after the flight of Gemini 12, which had occurred on 11 November 1966. Although Gemini 12 was a short duration flight, Pilot Buzz Aldrin had performed three extensive EVA’s (Extra Vehicular Activities), proving that Astronauts could work for long periods of time outside the spacecraft. -
Ground Processing and Launch Facilities
Ground Processing and Launch Facilities • Historical examples – Early Launch Facilities – Saturn I – Saturn V – Russian • Modern examples – Shuttle – Delta IV Heavy – DC-XA U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND ENAE 791 - Launch and Entry Vehicle Design1 Cape Canaveral circa 1950 U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND ENAE 791 - Launch and Entry Vehicle Design2 Map of Cape Canaveral U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND ENAE 791 - Launch and Entry Vehicle Design3 “ICBM Row” U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND ENAE 791 - Launch and Entry Vehicle Design4 LC-5 – Mercury-Redstone U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND 5 ENAE 791 - Launch and Entry Vehicle Design LC-5 Emergency Crew Escape System U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND 6 ENAE 791 - Launch and Entry Vehicle Design Atlas Support Gantry U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND 7 ENAE 791 - Launch and Entry Vehicle Design LC-14 – Mercury-Atlas U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND 8 ENAE 791 - Launch and Entry Vehicle Design Titan II Access Tower Operation U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND 9 ENAE 791 - Launch and Entry Vehicle Design LC-34 Schematic U N I V E R S I T Y O F Ground Processing and Launch Facilities MARYLAND ENAE 791 - Launch and Entry Vehicle Design10 Saturn -
Londonfilmevent Flyer.Indd
THE CAPTAIN DER HAUPTMANN OH BOY Credits are not contractual for any of the films mentioned in this publication. Screening schedule subject to change. Produced and published by German Films www.german-films.de • [email protected] FACE TO FACE WITH GERMAN TALENT: THE GERMAN FILM WEEKEND was curated by Tim Robey (The Telegraph) and is brought to you by Design: The Dream Factory www.thedreamfactory.eu Printing office: Gemini Print www.gemini-print.co.uk Press contact: Organic Publicity [email protected] Screening: Sunday 23 September 2018 6:00 p.m. Screening: Sunday 23 September 2018 8:30 p.m. © Filmgalerie 451 © Filmgalerie © Schiwago Film Venue: Regent Street Cinema www.regentstreetcinema.com Director Robert Schwentke Director Jan Ole Gerster Genre Drama Genre Tragicomedy Runtime 118 min Runtime 85 min Awards Jury Prize Best Cinematography San Sebastian 2017, Young Jury Award/ Awards Best Screenplay Award Munich 2012, Best Film & Audience Award, The Press Award Special Mention/The 20 Minutes of Audacity Prize Seymour Cassel Award Oldenburg 2012, Special Mention for director Les Arcs 2017, FIPRESCI Award Vilnius 2018, German Film Award 2018 Jan Ole Gerster Zurich 2012, Best Director, FIPRESCI Jury Award & (Best Sound Design) Fedeora Jury Award Bratislava 2012, Red Hering Award & Audience Award Tallinn 2012, Bavarian Film Prize 2012 (Best Actor: Tom Schilling & Best Screenplay), Special Jury Prize & Audience Award Angers 2013, LONDON PREMIERE: in UK cinemas in September, Focus Fox Grand Prix Sofia 2013, German Film Awards 2013 (Best Film: courtesy of Signature Entertainment Gold, Best Screenplay, Best Director, Best Leading Actor, Best Supporting Actor, Best Score) Chancing upon an abandoned uniform, a Wehrmacht deserter poses as a Nazi captain in the final weeks of the war, and finds himself disturbingly Niko (played by award-winning Tom Schilling from the 2017 FACE TO FACE German Films thanks its funding institutions for their support: well-suited to the job. -
Race in Hollywood: Quantifying the Effect of Race on Movie Performance
Race in Hollywood: Quantifying the Effect of Race on Movie Performance Kaden Lee Brown University 20 December 2014 Abstract I. Introduction This study investigates the effect of a movie’s racial The underrepresentation of minorities in Hollywood composition on three aspects of its performance: ticket films has long been an issue of social discussion and sales, critical reception, and audience satisfaction. Movies discontent. According to the Census Bureau, minorities featuring minority actors are classified as either composed 37.4% of the U.S. population in 2013, up ‘nonwhite films’ or ‘black films,’ with black films defined from 32.6% in 2004.3 Despite this, a study from USC’s as movies featuring predominantly black actors with Media, Diversity, & Social Change Initiative found that white actors playing peripheral roles. After controlling among 600 popular films, only 25.9% of speaking for various production, distribution, and industry factors, characters were from minority groups (Smith, Choueiti the study finds no statistically significant differences & Pieper 2013). Minorities are even more between films starring white and nonwhite leading actors underrepresented in top roles. Only 15.5% of 1,070 in all three aspects of movie performance. In contrast, movies released from 2004-2013 featured a minority black films outperform in estimated ticket sales by actor in the leading role. almost 40% and earn 5-6 more points on Metacritic’s Directors and production studios have often been 100-point Metascore, a composite score of various movie criticized for ‘whitewashing’ major films. In December critics’ reviews. 1 However, the black film factor reduces 2014, director Ridley Scott faced scrutiny for his movie the film’s Internet Movie Database (IMDb) user rating 2 by 0.6 points out of a scale of 10. -
Can the Saturn V Be Flown on a Cluster of Five F10 Motors?
In This Issue Flying the Apogee Saturn V Kit on High- Power Motors Also In This Issue Can the Saturn V Be Flown on a Cluster of Five F10 Motors? Cover Photo: The Apogee Saturn V kit fl own on a G80 Rocket Engine. Get your own kit at: http://www.apogeerockets.com/Saturn5.asp Apogee Components, Inc. — Your Source For Rocket Supplies That Will Take You To The “Peak-of-Flight” 3355 Fillmore Ridge Heights Colorado Springs, Colorado 80907-9024 USA www.ApogeeRockets.com e-mail: [email protected] ISSUE 284 APRIL 12, 2011 Flying The Apogee Saturn V Kit On High Power Motors. By Tim Doll At NARAM 52, Tim Van Milligan mentioned that he is the start as a ‘mid power’ rocket – intended to fly with a often questioned regarding flying the Apogee Saturn V with motor using less than 62.5 grams of propellant with a liftoff high power motors (basically, any motor H or larger). Hav- weight of less than 1500 grams (~3.3 lbs). While a con- ing flown my Apogee Saturn V numerous times ‘high power’ scious decision to keep from limiting the potential market to – literally to failure - I thought I’d relate my experiences, those with a high power certification, making a large Saturn along with the relative strengths and weaknesses of the V ‘mid power’ necessitated certain design compromises Apogee Saturn V when subjected to the extremes of high to keep the rocket weight within the mid power thrust and power flight. weight constraints. In essence, it constrained the motor mount to 29mm and limited the weight and hence strength The Apogee Saturn V was designed pretty much from of the rocket. -
N AS a Facts
National Aeronautics and Space Administration NASA’s Launch Services Program he Launch Services Program (LSP) manufacturing, launch operations and rockets for launching Earth-orbit and Twas established at Kennedy Space countdown management, and providing interplanetary missions. Center for NASA’s acquisition and added quality and mission assurance in In September 2010, NASA’s Launch program management of expendable lieu of the requirement for the launch Services (NLS) contract was extended launch vehicle (ELV) missions. A skillful service provider to obtain a commercial by the agency for 10 years, through NASA/contractor team is in place to launch license. 2020, with the award of four indefinite meet the mission of the Launch Ser- Primary launch sites are Cape Canav- delivery/indefinite quantity contracts. The vices Program, which exists to provide eral Air Force Station (CCAFS) in Florida, expendable launch vehicles that NASA leadership, expertise and cost-effective and Vandenberg Air Force Base (VAFB) has available for its science, Earth-orbit services in the commercial arena to in California. and interplanetary missions are United satisfy agencywide space transporta- Other launch locations are NASA’s Launch Alliance’s (ULA) Atlas V and tion requirements and maximize the Wallops Flight Facility in Virginia, the Delta II, Space X’s Falcon 1 and 9, opportunity for mission success. Kwajalein Atoll in the South Pacific’s Orbital Sciences Corp.’s Pegasus and facts The principal objectives of the LSP Republic of the Marshall Islands, and Taurus XL, and Lockheed Martin Space are to provide safe, reliable, cost-effec- Kodiak Island in Alaska. Systems Co.’s Athena I and II. -
Results of the Tenth Saturn I Launch Vehicle Test Flight SA-10, MPR-SAT-FE-66-11, July 14, 1966
HUNTSVILLE ALABAMA U N MPR-SAT-FE-66-i t J (Supersedes MPR-SAT-65-14) July 14, 1966 X69-75421 (ACCE$$}0_IN_) ./BER) " (THRU) _; <k/ ,ooo_, o (NASA'CR OR T__) (CATEGORYI _. AVAILABLE TO U.S. GOVERNMENT AGENCIES AND CONTRACTORS ONLY RESULTSOFTHETENTHSATURN, LAUNCHVEHICLE [u] .C,_BsTfIc_o _ c_a_ _£Sk "+ , / +. _ ,+1 -: • 1_ ,t:_ 'v- Sc_e_t;*; SATURN FLIGHT EVALUATION WORKING GROUP GROUP-4 _/ Down_r_W_L3y_rvats; Declasf_ars. %, L " \ ',., ". MSFC - Fo_m 774 (Rev Ma_ 1_66) C • _, SECURITY NOTE This document contains irrformation affecting the national defense of the United States within the meaning of the Espionage Law, Title 18, U.S.C. , Sec- tions 793 and 794 as amended. The revelation ol its contents in any manner to an unauthorized person is prohibited by law. MPR-SAT-FE-66-11 RESULTS OF TIIE TENTH SATURN I LAUNCII VEIIICLE TEST FLIGHT SA-IO By Saturn Flight Evaluation Working Group George C. Marshall Space Flight Center AI3STIIA CT This report presents the results of the early engi- neering evaluation of the SA-10 test flight. Sixth of the Block II series, SA-i0 was the fifth Saturn vehicle to car W an Apollo boilerplate (BP-9) payload and the third in a series to carry a Pegasus payload (Pegasus C). The performance of each major vehicle system is discussed with special emphasis on malfunctions and deviations. This test flightof SA-10 was the tenth consecutive success for the Saturn I vehicles and marks the end el the Saturn I program This was the third flight test of the Pegasus meteoroid technology satellite, the third flight test to utilize the iterative guidance mode, the fourth flight test utilizing the ST-f24 guidance system forboth stages, andthe fifth flight test to dem- onstrate the closed loop performance of the path guidance during S-IV burn. -
Information Summary Assurance in Lieu of the Requirement for the Launch Service Provider Apollo Spacecraft to the Moon
National Aeronautics and Space Administration NASA’s Launch Services Program he Launch Services Program was established for mission success. at Kennedy Space Center for NASA’s acquisi- The principal objectives are to provide safe, reli- tion and program management of Expendable able, cost-effective and on-schedule processing, mission TLaunch Vehicle (ELV) missions. A skillful NASA/ analysis, and spacecraft integration and launch services contractor team is in place to meet the mission of the for NASA and NASA-sponsored payloads needing a Launch Services Program, which exists to provide mission on ELVs. leadership, expertise and cost-effective services in the The Launch Services Program is responsible for commercial arena to satisfy Agencywide space trans- NASA oversight of launch operations and countdown portation requirements and maximize the opportunity management, providing added quality and mission information summary assurance in lieu of the requirement for the launch service provider Apollo spacecraft to the Moon. to obtain a commercial launch license. The powerful Titan/Centaur combination carried large and Primary launch sites are Cape Canaveral Air Force Station complex robotic scientific explorers, such as the Vikings and Voyag- (CCAFS) in Florida, and Vandenberg Air Force Base (VAFB) in ers, to examine other planets in the 1970s. Among other missions, California. the Atlas/Agena vehicle sent several spacecraft to photograph and Other launch locations are NASA’s Wallops Island flight facil- then impact the Moon. Atlas/Centaur vehicles launched many of ity in Virginia, the North Pacific’s Kwajalein Atoll in the Republic of the larger spacecraft into Earth orbit and beyond. the Marshall Islands, and Kodiak Island in Alaska.