Seinfeld Dating Rules
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Jones (Stephen) Oklahoma City Bombing Archive, 1798 – 2003 (Bulk 1995 – 1997)
JONES (STEPHEN) OKLAHOMA CITY BOMBING ARCHIVE, 1798 ± 2003 (BULK 1995 ± 1997). See TARO record at http://www.lib.utexas.edu/taro/utcah/03493/cah-03493.html (Approximately 620 linear feet) This collection is open for research use. Portions are restricted due to privacy concerns. See Archivist's Note for more details. Use of DAT and Beta tapes by appointment only; please contact repository for more information. This collection is stored remotely. Advance notice required for retrieval. Contact repository for retrieval. Cite as: Stephen Jones Oklahoma City Bombing Archive, 1798 ± 2003 (Bulk 1995 ± 1997), Dolph Briscoe Center for American History, University of Texas at Austin. [AR 98-395; 2003-055; 2005-161] ______________________________________________________________________________ BIOGRAPHICAL NOTE: Stephen Jones (born 1940) was appointed in May 1995 by the United States District Court in Oklahoma City to serve as the lead defense attorney for Timothy McVeigh in the criminal court case of United States of America v. Timothy James McVeigh and Terry Lynn Nichols. On April 19, 1995, two years to the day after the infamous Federal Bureau of Investigation and Bureau of Alcohol, Tobacco, and Firearms raid on the Branch Davidians at Waco, Texas, a homemade bomb delivered inside of a Ryder rental truck was detonated in front of the Alfred P. Murrah Federal Building in Oklahoma City, Oklahoma. Timothy McVeigh, as well as his accomplice Terry Nichols, were accused of and, in 1997, found guilty of the crime, and McVeigh was executed in 2001. Terry Nichols is still serving his sentence of 161 consecutive life terms without the possibility of parole in the ADX Florence super maximum-security prison in Florence, Colorado. -
Crazy Ex Girlfriend
CRAZY EX-GIRLFRIEND Pilot Episode "West Covina" Written by Rachel Bloom and Aline Brosh McKenna CW Rewrite May 6, 2015 ACT 1 OVER BLACK WE HEAR THE STRAINS OF A SHOW TUNE FADE IN INT. AUDITORIUM -- CAMP CANYON GROVE -- DAY The theater of a summer camp. Hand painted sets, vintage costumes. A row of 16-year-olds perform “I’m In Love With A Wonderful Guy” from South Pacific. CAMP CHORUS FLATLY I'LL STAND ON MY LITTLE FLAT FEET AND SAY/ LOVE IS A GRAND AND A BEAUTIFUL THING!/ I'M NOT ASHAMED TO REVEAL/ THE WORLD FAMOUS FEELIN' I FEEL... We focus on a girl in the chorus: REBECCA BUNCH, 16, awkward, not quite grown into her skin. She is very enthusiastic about her small role. Rebecca throws a look into the wings. ANGLE ON: A jocky Asian teenager working backstage. This is JOSH CHAN, also 16. Rebecca winks. Josh gives a half-smile and a little bro wave. CAMP CHORUS (CONT’D) ...I’M AS CORNY AS KANSAS IN AUGUST/HIGH AS A FLAG ON THE FOURTH OF JULY... Rebecca looks for someone else, this time in the audience. We move across a row of eager parents snapping photos to find one woman, arms folded, judgmental, annoyed to be there. This is Rebecca’s mother, JANICE BUNCH, 30’s, ex-housewife, now divorced, living in an apartment, keeps busy by being bitter. Rebecca makes eye contact with her. Smiles. Janice’s expression does not change. GIRL PLAYING NELLIE IF YOU’LL EXCUSE AN EXPRESSION I USE/I’M IN LOVE/ I’M IN LOVE, I’M IN LOVE (etc).. -
The Color Line in Ohio Public Schools, 1829-1890
THE COLOR LINE IN OHIO PUBLIC SCHOOLS, 1829-1890 DISSERTATION Presented In Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By LEONARD ERNEST ERICKSON, B. A., M. A, ****** The Ohio State University I359 Approved Adviser College of Education ACKNOWLEDGMENTS This dissertation is not the work of the author alone, of course, but represents the contributions of many persons. While it is impossible perhaps to mention every one who has helped, certain officials and other persons are especially prominent in my memory for their encouragement and assistance during the course of my research. I would like to express my appreciation for the aid I have received from the clerks of the school boards at Columbus, Dayton, Toledo, and Warren, and from the Superintendent of Schools at Athens. In a similar manner I am indebted for the courtesies extended to me by the librarians at the Western Reserve Historical Society, the Ohio State Library, the Ohio Supreme Court Library, Wilberforce University, and Drake University. I am especially grateful to certain librarians for the patience and literally hours of service, even beyond the high level customary in that profession. They are Mr. Russell Dozer of the Ohio State University; Mrs. Alice P. Hook of the Historical and Philosophical Society; and Mrs. Elizabeth R. Martin, Miss Prances Goudy, Mrs, Marion Bates, and Mr. George Kirk of the Ohio Historical Society. ii Ill Much of the time for the research Involved In this study was made possible by a very generous fellowship granted for the year 1956 -1 9 5 7, for which I am Indebted to the Graduate School of the Ohio State University. -
Sydney Program Guide
Page 1 of 36 Sydney Program Guide Sun Mar 2, 2014 06:00 THUNDERBIRDS Repeat WS G City Of Fire Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:00 KIDS' WB SUNDAY WS PG If you want the best cartoons, the biggest prizes and lots of laughs, then Kids’ WB is the place for you. Join Lauren Phillips and Andrew Faulkner for hilarious entertainment. You could even be a winner in the awesome daily competitions. 07:05 LOONEY TUNES CLASSICS G Adventures of iconic Looney Tunes characters Bugs Bunny, Daffy Duck, Tweety, Silvester, Granny, the Tasmanian Devil, Speedy Gonzales, Marvin the Martian Wile E. Coyote and the Road Runner. 07:30 DOGSTAR Captioned Repeat WS C Mensamania The Clarks land on planet Mensa to discover that the planet has a virus that turns geniuses into idiots. 08:00 GREEN LANTERN: THE ANIMATED SERIES Repeat WS PG Lost Planet The Interceptor crew follows a power ring to an unknown world in search of a new Green Lantern. Cons.Advice: Mild Violence 08:30 SCOOBY-DOO! MYSTERY INCORPORATED Repeat WS PG The Legacy of Alice May There's a new girl at Crystal Cove High named Alice May, and she's set her romantic sights on Fred. 09:00 TEEN TITANS GO! WS PG Double Trouble / The Date Cyborg and Beast Boy create clones to do their chores, but the situation quickly gets out of hand. Robin impersonates Speedy in order to sabotage a date. Cons.Advice: Mild Violence, Supernatural Themes 09:30 ADVENTURE TIME Repeat WS PG Storytelling/ Slow Love When Jake gets sick, he asks Finn to go out and find him a really good story. -
Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions
Salve Regina University Digital Commons @ Salve Regina Pell Scholars and Senior Theses Salve's Dissertations and Theses 5-2010 Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions Stephanie Savage Salve Regina University, [email protected] Follow this and additional works at: https://digitalcommons.salve.edu/pell_theses Part of the Advertising and Promotion Management Commons, and the Marketing Commons Savage, Stephanie, "Junior Mints and Their Bigger Than Bite-Size Role in Complicating Product Placement Assumptions" (2010). Pell Scholars and Senior Theses. 54. https://digitalcommons.salve.edu/pell_theses/54 This Article is brought to you for free and open access by the Salve's Dissertations and Theses at Digital Commons @ Salve Regina. It has been accepted for inclusion in Pell Scholars and Senior Theses by an authorized administrator of Digital Commons @ Salve Regina. For more information, please contact [email protected]. Savage 1 “Who’s gonna turn down a Junior Mint? It’s chocolate, it’s peppermint ─it’s delicious!” While this may sound like your typical television commercial, you can thank Jerry Seinfeld and his butter fingers for what is actually one of the most renowned lines in television history. As part of a 1993 episode of Seinfeld , subsequently known as “The Junior Mint,” these infamous words have certainly gained a bit more attention than the show’s writers had originally bargained for. In fact, those of you who were annoyed by last year’s focus on a McDonald’s McFlurry on NBC’s 30 Rock may want to take up your beef with Seinfeld’s producers for supposedly showing marketers the way to the future ("Brand Practice: Product Integration Is as Old as Hollywood Itself"). -
Megyn Price by Amy Dee Stephens
The Smart, Funny Life of Megyn Price By Amy Dee Stephens On film, Megyn Price plays the smart, funny girl. It comes easily to her, because in real life, she’s smart and funny. This Stanford graduate quit a successful finance career to become a comedy actress; a move that has left her laughing ever since! Currently, Price plays the role of Audrey in the CBS television comedy Rules of Engagement. She describes the working conditions as “an opportunity to act adolescent.” “We’re like a group of teenagers, and it’s really as fun as it looks,” Price said. “It’s supposed to be fun! Look what it is--it’s pretending. That’s my job!” Not only is the on-screen dialogue silly, the cast is notorious for pulling practical jokes on each other—ones that aren’t written into the script. “Once, during shooting, I was supposed to pull a compact from my handbag and powder my nose,” Price said. “Thanks to Patrick Warburton, my little New York City character pulls out a can of Skoal instead. See why it’s pure joy when someone else messes up on the set? It makes me so happy!” Price first broke into television in 1993. Her first audition landed her a role in Quantum Leap. “I’d heard stories about people who’d tried out for four thousand roles before getting cast,” Price said. “So after my reading, I went for a jog. When I got home, I had twenty-five messages on my machine that I’d gotten the job, and I was supposed to go to the wardrobe department at Universal Studios by 5:00 that night and start work tomorrow. -
Which Seinfeld Character Are You?
EPISODE 181: THE BUSINESS DEVELOPMENT MEETING WHICHWHICH SEINFELDSEINFELD CHARACTERCHARACTER AREARE YOU?YOU? In our business dealings, we are often guilty of just not listening. We come to the table with an agenda—a new product, a new service—and wait while a prospect or existing client tells us what’s going on with his or her business. At some point, that person will pause—and we pounce with our spiel. This approach rarely works - successful business development requires some level of rapport and relationship building. As in all aspects of life, this can mean dealing with those who may not share your views or approach. In order to adapt quickly and improvise in these instances, it’s helpful to understand people’s communication and personality styles. There are a number of tests that can help us understand the personality and communication styles of others, including the popular DISC model. This model has four quadrants: dominance, influence, steadiness, and conscientiousness. Influence and steadiness are on the right side of the brain, and dominance and conscientiousness are on the left side. Understanding someone’s dominant quadrant can help you find a way to work more effectively with them. UNDERSTANDING WHAT SEINFELD YOUR SITCOM CAST Now that you understand where you fall QUADRANT ARE YOU? within the quadrants, you can begin to think about how to work and respond to any cast of characters you may come I’ll let you in on an interesting tidbit, successful sitcoms often across. Friction will naturally arise include a character from each of the following quadrants, because these are people with opposite because the resulting friction tends to be funny. -
Using Artistic Markers and Speaker Identification for Narrative-Theme
Using Artistic Markers and Speaker Identification for Narrative-Theme Navigation of Seinfeld Episodes Gerald Friedland, Luke Gottlieb, and Adam Janin International Computer Science Institute 1947 Center Street, Suite 600 Berkeley, CA 94704-1198 [fractor|luke|janin]@icsi.berkeley.edu Abstract ysis, thus completely ignoring the rich information within the video/audio medium. Even portable devices such as This article describes a system to navigate Seinfeld smartphones are sufficiently powerful for more intelligent episodes based on acoustic event detection and speaker browsing than play/pause/rewind. identification of the audio track and subsequent inference of In the following article, we present a system that ex- narrative themes based on genre-specific production rules. tends typical navigation features significantly. Based on the The system distinguishes laughter, music, and other noise idea that TV shows are already conceptually segmented by as well as speech segments. Speech segments are then iden- their producers into narrative themes (such as scenes and tified against pre-trained speaker models. Given this seg- dialog segments), we present a system that analyzes these mentation and the artistic production rules that underlie “markers” to present an advanced “narrative-theme” navi- the “situation comedy” genre and Seinfeld in particular, gation interface. We chose to stick to a particular exam- the system enables a user to browse an episode by scene, ple presented in the description of the ACM Multimedia punchline, and dialog segments. The themes can be filtered Grand Challenge [1] ; namely, the segmentation of Seinfeld by the main actors, e.g. the user can choose to see only episodes 2. -
Program Guide Report
Schedule Program Guide For TCN/GO Sun Jan 10, 2010 06:00 CHOWDER Repeat G Chowder's Catering Company / The Catch Phrase Chowder has created what he thinks is his best dish creation ever! He calls it a Foof sandwich, but it's made with stuff that's garbage material. 06:30 SQUIRREL BOY Repeat G Stranger Than Friction/Don't Cross Here Andy and Salty Mike discover that they have the same weird hobby, which leads them to hanging out together. 07:00 THUNDERBIRDS Captioned Repeat G Cry Wolf Part 2 Follow the adventures of the International Rescue, an organisation created to help those in grave danger in this marionette puppetry classic. 07:30 CAMP LAZLO Repeat G Sweet Dream Baby / Dirt Nappers Lumpus is forced to invite the Jellies for a sleepover and he gets no sleep at all! 08:00 LOONATICS UNLEASHED Repeat WS G Cape Duck When Duck takes all the credit for catching the Shropshire Slasher, Tech gets annoyed. But when Duck starts to suspect that the Slasher is out for revenge, he's more than willing to let Tech take the glory. 08:30 TOM & JERRY TALES Repeat WS G Sasquashed/ Xtreme Trouble/ A Life Less Guarded When Jerry and Tuffy go camping, Tom frightens them by pretending to be the legendary Bigfoot, but then the real Bigfoot teams up with the mice to scare the wits out of Tom. 09:00 GRIM ADVENTURES OF BILLY AND MANDY Repeat G Waking Nightmare / Because of the Undertoad Mandy needs her beauty sleep, but Billy risks his hide to keep her up all night. -
The Analysis of Writers' Stance
ISSN 1799-2591 Theory and Practice in Language Studies, Vol. 4, No. 5, pp. 965-972, May 2014 © 2014 ACADEMY PUBLISHER Manufactured in Finland. doi:10.4304/tpls.4.5.965-972 The Analysis of Writers’ Stance: A Comparison between Two Reviews on Desperate Housewives Xiufeng Tian Hebei Finance University, Baoding City, China Yueyuan Liang Guizhou University for Nationalities, Guizhou, China Abstract—In this essay, we are trying to detect writers’ stance in written discourse through analyzing two reviews on the same TV series: Desperate Housewives. Desperate Housewives is a fictive TV series produced by ABC Studios. It depicts the lives of four housewives and their families. Due to different contexts, each of the reviews selected to be analyzed represents different stance, with which we are going to compare through different writing topics and purposes, readership, writers’ attitudes and assessment from different angles. Index Terms—stance, Desperate Housewives, ideology, ideational meanings, interpersonal meanings I. INTRODUCTION Bloor and Bloor (2007) point out that all writers “take up some position in relation to the propositions they make” (p. 33). Those positions taken by writers can be defined as stance that is “a textual voice or community recognized personality which, following others” (Hyland, 2005, p. 176). This can be inferred that the stance writer takes in his/her text may have represented the views and attitudes of him/herself as an individual or those of a group. Usually the stance can be conscious or unconscious, explicit or hidden (Bloor & Bloor, 2007). In reviews, the writers’ positions could be supportive, disapproving or neutral. However, no matter what stance they choose to take, they must have directly or indirectly shown it through their language choices and objective focuses. -
2013 | College of Fine Arts MUSE MAGAZINE 2013 | Contents
muse2013 | College of Fine Arts MUSE MAGAZINE 2013 | Contents 2. 3. 6. 7. 8. 1. 5. 12. 11. 1 UF CenTER FOR ARTS IN MEDicine (formerly the Center for Arts in Healthcare 7 JAMES JENKINS adjunct School of Music faculty of tuba and euphonium, was Research and Education) continues healthcare initiatives abroad and regionally, a featured soloist with the UF Symphonic Band in fall 2012 at the University including rural Florida programs. The picture above is of a Twa dancer performing Auditorium. (Photo by Eric Zamora) in Rwanda. The center aided in founding the dance company. Read more on page 19. (Photo by Teresa Yeh) 8 URINETOWN staged by UF School of Theatre + Dance under the direction of Charlie Mitchell, offered an opportunity to discuss regional municipal water issues. 2 “SELecTIVE IDENTITY” by MFA Ceramics candidate Nathan Murray A panel discussion was held after a matinee performance. Read more on page 18. (Photo by Stan Kaye) 3 ”MOM PLZ HELP ME” choreography by BFA Dance student Kate Pope, was awarded the Dean’s Award for Dance at the 2013 College of Fine Arts Juried 9 PicTURED WITH FIRST LaDY MicheLLE Obama the ‘Pride of the Sunshine’ Student Show, organized by the Fine Arts College Council. (Photo by Jordan Fightin’ Gator Marching Band made history in 2012 as the only collegiate band Albright) invited to participate in the London Olympics. Read more on page 16. (Photo by Steven Johnson) 4 BFA MusicaL TheaTRE candidates participate in a recital each December, organized by voice teacher and adjunct School of Music faculty Deborah Sperlich, 10 ART BASH annually welcomes hundreds of visitors to the UF School of Art + Art with support and direction from Associate Professor Tony Mata, UF School of History for a wonderfully weird open house celebration. -
Lusty-Eyed Richie Cross Young Man Sets Down His Friend’S Bong
Mission Statomont: To Moko Holms in Tooth. «Jason Sattler talks about a n d R eligio n badly dressed man looks into the fraternity house. Following the lead of “Roy,” a fraternity A member, he heads toward the backyard. They weave in and out of pairs of nicely dressed young men talking about their majors, where they live, where they lived last year, and what they like to do. “Roy” and the Badly Dressed Man stop and face each other. “Roy”: So, what other houses have you been to tonight? Badly Dressed Man: Just a few others, none of them really have food, except the first place had pizza. “Roy”: Yeah. We don’t have any food. You want a Coke? Badly Dressed Man: No, I don’t drink caffeine. It just messes you up. Makes it so you can’t dream right. “Roy”: Really? I’ve never heard that. Badly Dressed Man: Most people don’t know about it. It’s just like male circumcision, people don’t know how much that messes you up. “Roy”: How do you mean “messes you up”? Badly Dressed Man: If you call losing 30-40 percent of the sensitivity messing it up, I’d say it messes it up pretty bad. But, I don’t know how you’d go about judg ing a thing like sensitivity in numbers. “Roy”: Yeah. I don’t know how you’d do that. They stand and stare at the floor for almost a full minute. “Roy”: You want to meet some other guys in the house? Let’s see if I can find you someone to talk to, OK? Jason Sattler visits the dorms to say We Were Only Biyce Baer Introduces Freshm en Lusty-Eyed Richie Cross young man sets down His Friend’s bong.