Product Placement During the Family-Viewing Hour. Harry C
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Advertising to Children and the Commercial Speech Doctrine: Political and Constitutional Limitations
Browne 7.0 12/10/2009 3:11 PM ADVERTISING TO CHILDREN AND THE COMMERCIAL SPEECH DOCTRINE: POLITICAL AND CONSTITUTIONAL LIMITATIONS M. Neil Browne* Lauren Frances Biksacky** Alex Frondorf*** TABLE OF CONTENTS I. Introduction ............................................................................................. 68 II. The Dangers of Advertising to Children: Individual and Societal Harm ......................................................................................................... 72 A. Advertisements Exploit Children’s Lack of Understanding ...... 73 B. Advertising’s Role in Enforcing Negative Societal Stereotypes ....................................................................................... 74 C. Advertising’s Effect on Children’s Health .................................... 75 III. Political Limitations: The FTC, FCC, and Congress .......................... 77 IV. Constitutional Limitations: The Evolving Commercial Speech Doctrine ................................................................................................... 86 A. Valentine v. Chrestensen (1942) ...................................................... 88 B. Pittsburgh Press Co. v. Pittsburgh Commission on Human Relations (1973) ................................................................................ 89 C. Bigelow v. Virginia (1975) ............................................................... 91 D. Virginia State Board of Pharmacy v. Virginia Citizens Consumer Council, Inc. (1976) ...................................................... -
C-UPPSATS Gender Stereotyping in Television Advertisements
2007:236 C-UPPSATS Gender Stereotyping in Television Advertisements A Case of Austrian State Television Marie Ahlstrand Luleå tekniska universitet C-uppsats Industriell marknadsföring Institutionen för Industriell ekonomi och samhällsvetenskap Avdelningen för Industriell marknadsföring och e-handel 2007:236 - ISSN: 1402-1773 - ISRN: LTU-CUPP--07/236--SE Abstract Using content coding analysis, the current study examines sex-role portrayals in Austrian television advertisements. 129 Austrian advertisements were recorded in May 2005, and subsequently analyzed by employing established coding categories. The findings indicate that gender stereotypes in Austrian television advertisements exist in some aspects. For instance, women are underrepresented both as central characters and narrating voiceovers. Men, on the other hand, often play a dominant role and promote masculine products. However, this study also presents results that go against the grain to traditional gender stereotyping, as males and females are found to be equally represented in dependent roles, as well as in occupational and domestic settings. TABLE OF CONTENTS 1. INTRODUCTION AND RESEARCH PROBLEM ....................................1 1.1 BACKGROUND ..................................................................................................................1 1.1.1 CONTENT CODING SCHEME..........................................................................................2 1.1.2 HOW GENDER STEREOTYPES ARE MANIFESTED..............................................................2 -
Innovations in Placing Advertisements on Television: an Analysis of News Channels in India
Online Journal of Communication and Media Technologies Volume: 4 – Issue: 4 – October - 2014 Innovations in Placing Advertisements on Television: An Analysis of News Channels in India Shilpi Jha, ManavRachna International University, India Abstract An accepted fact worldwide is that, advertisements are the most important source of income for any media product. However, in case of News channels in India, they are the only traditional source of income because the other source, „subscription‟ is more of an expense head than a reliable stream of income. This is because, while, a majority of news channels in India are not paid for, all of them have to spend a lot of money for carriage of their signals and placing them at a prominent position in the list of channels as compared to their competitor. According to FICII KPMG media and entertainment industry report 2012, news channels are paying subscription fees which are disproportionately higher than their revenue from subscription. Since this has left news channels over dependent on their advertisement income, they are ever exploring new ways of placing advertisements on screen. While on one hand this has left their screen space highly cluttered on the other hand the marketing teams of news channels are creating a lot of innovations to integrate their news content with the advertisement. This paper has reviewed different news channels and after discussing with media marketing and media planning experts has tried to categorize different ways of placing advertisements on television which are being practiced today. Keywords: Advertisement, India, Innovations, News Channels, Subscription © Online Journal of Communication and Media Technologies 76 Online Journal of Communication and Media Technologies Volume: 4 – Issue: 4 – October - 2014 Introduction “News is a commodity, not mirror image of reality.” (Hamilton, 2004) News channels in India have learnt the lesson quite well and have also realized that a good product can always be made better yielding through effective marketing and placement skills. -
Visual Design & Branding Guidelines
Visual Design & Branding Guidelines For questions about this guide please contact: [email protected] Updated 06.03.15 Logo The Playworks logo is a key element and a valuable asset for our brand. The correct and consistent use of our logo enhances our brand recognition. Our logo consists of the Playworks mark and wordmark only. The goal of this document isn’t to stifle creativity. It’s to provide direction that will help us create materials that our audiences will come to recognize as ours. Minimum size: 1” wide VISUAL BRANDING GUIDELINES | PLAYWORKS | 2 Alternate versions Rounded square/rectangle: The logo can be rendered as a blue rounded square with the logo elements centered inside it in white. Minimum space between the edge of the shape and the wordmark should be at least x x x, where x is the height of the logotype. x = height of wordmark VISUAL BRANDING GUIDELINES | PLAYWORKS | 3 Logo white space x Give the logo room to breath and help it stand out. Never crowd the logo with other visual elements. x x The unit of measure, x, is the height of the wordmark. You must allow space one x wide around an imaginary box that fits around the logo. x x = height of wordmark VISUAL BRANDING GUIDELINES | PLAYWORKS | 4 Logo color I. PREFERRED: Bright Blue† - logomark Gray - wordmark Use this color scheme as the default choice. I. PREFERRED II. MONOTONE II. MONOTONE Bright Blue - all logo elements If you can only use one color, use the Bright Blue only. III. BLACK Black - all logo elements Use this when color option is unavailable or budget is a constraint. -
Advertising to Children
By Lorraine Conway 22 September 2021 Advertising to children Summary 1 Regulation of advertising 2 Scope of the ASA’s remit 3 British advertising Codes 4 ASA monitoring and compliance 5 ASA as an adjudicator 6 Protecting children 7 Specific issues 8 In focus: advertising and childhood obesity commonslibrary.parliament.uk Number 8198 Advertising to children Image Credits Cover page image copyright: Watching tv / image cropped. Licensed under CC0 Creative Commons – no copyright required. Disclaimer The Commons Library does not intend the information in our research publications and briefings to address the specific circumstances of any particular individual. We have published it to support the work of MPs. You should not rely upon it as legal or professional advice, or as a substitute for it. We do not accept any liability whatsoever for any errors, omissions or misstatements contained herein. You should consult a suitably qualified professional if you require specific advice or information. Read our briefing ‘Legal help: where to go and how to pay’ for further information about sources of legal advice and help. This information is provided subject to the conditions of the Open Parliament Licence. Feedback Every effort is made to ensure that the information contained in these publicly available briefings is correct at the time of publication. Readers should be aware however that briefings are not necessarily updated to reflect subsequent changes. If you have any comments on our briefings please email [email protected]. Please note that authors are not always able to engage in discussions with members of the public who express opinions about the content of our research, although we will carefully consider and correct any factual errors. -
Branding Guidelines
Branding Guidelines Company: POWERHANDZ Contents: 1.0 Introduction 2.0 The Logo Design 2.1 The Logo Usage 3.0 Color Scheme 4.0 Typography 5.0 Contact Details Date: June 2014 1.0 Introduction Overview The purpose of these guidelines is to explain the use of the new brand style and to reinforce consistent application of the visual elements in all communications. This includes publications, presentations, and all other marketing materials both online and offline. Guidelines on the use of the logo are included. 1.0 Introduction Branding Guidelines - June 2014 1. Your new “identity” Your identity is the face and personality presented to the global community. It’s as important as the products and services you provide. Your identity is the total effect of your logos, products, brand names, trademarks, advertising, brochures, and presentations— everything that represents you. Because the brand cannot be compromised, we’ve created this guide to provide all the pertinent specifications you need to maintain its integrity. The guidelines set in this document are not meant to inhibit, but to improve the creative process. By following these guidelines, the materials you create will represent your company cohesively to the outside world. 1.0 Introduction Branding Guidelines - June 2014 2. 2.0 The Logo Design The company logo is an important and valued graphic element and must be used consistently and appropriately, even minor variations will undermine and compromise the image of the branding. 2.0 The Logo Design Branding Guidelines - June 2014 3. Primary vertical logo - light background Primary vertical logo - dark background 2.0 The Logo Design Branding Guidelines - June 2014 4. -
OPERAS-Design-Manual.Pdf
OPERAS | Logo Wordmark and Logo The OPERAS logo consists of a symbol logo with subline and a wordmark, which are used as a unit. The symbol consists of the opened capital letter “O” and is accentuated by a bracket, symbolizing the network/governing body. The letters are based on the font Utopia Std. The “open” letters symbolize the theme of “openness”. The OPERAS logo, depending on the use and size, can be used with or without subline minimal 6pt subline. The subline should not be smaller than 6pt. The logo can furthermore be used separately, e.g. as favicon. symbol OPERAS | Logo Wordmark and Logo The OPERAS logo can be used either with or without subline. There is a version of the logo that is completed by the ending -D (representing Design). The proportions and spacing, as well as the colour values of the logo and wordmark are not to be changed. OPERAS | Colours Red Purple OPERAS Colours The brand colours are red and purple. These colours are complemented by a pure black, which is used for the subline. A grey colour is used in the black-and-white version of the logo. Colour (printing) Colour (printing) CMYK 7/100/70/30 CMYK 50/90/0/40 Colour (web) Colour (web) sRGB 170/10/45 sRGB 105/35/ 100 Black Grey Colour (printing) Colour (printing) CMYK 0/0/0/100 CMYK 0/0/0/60 Colour (web) Colour (web) sRGB 0/0/0 sRGB 135/ 135 /135 OPERAS | Corporate Typeface Utopia Std Corporate Typeface Univers LT Pro The serif font Utopia Std and the sans serif Display font Univers LT Pro are combined for the corporate design. -
Supple Brief
No. 13-55943 In the United States Court of Appeals for the Ninth Circuit ____________________________ ARLEEN CABRAL, individually and on behalf of all others similarly situated, Plaintiff-Appellee, v. SUPPLE, LLC, Defendant-Appellee. ____________________________ On Appeal from the United States District Court for the Central District of California _________________________________________________________ BRIEF FOR PLAINTIFF-APPELLEE ARLEEN CABRAL _________________________________________________________ Gillian Wade Deepak Gupta MILSTEIN ADELMAN LLP Peter Conti-Brown 2800 Donald Douglas Loop North GUPTA BECK PLLC Santa Monica, CA 90405 1625 Massachusetts Avenue, NW (310) 396-9600 Suite 500 Washington, DC 20036 (202) 888-1741 Counsel for Plaintiff-Appellee Arleen Cabral TABLE OF CONTENTS Table of Authorities .................................................................................................. iii Introduction ............................................................................................................... 1 Jurisdictional Statement ............................................................................................ 2 Statement of the Issues .............................................................................................. 2 Statement of the Facts and of the Case ..................................................................... 4 I. Factual background ......................................................................................... 5 A. Joint pain afflicts millions of Americans. -
Marketing Communications to Children Commitment CONTENTS
Implementation Guide for Marketing Communications to Children Commitment CONTENTS Page About this guide 2 1. What 3 2. Why 3 3. How 6 ABOUT THIS GUIDE Initiated by the World Federation of Advertisers and The Consumer Goods Forum, this tool aims to help the retailer and manufacturer member companies of the CGF to implement the agreed Commitment to stop marketing communications to children under 12. The World Federation of Advertisers (WFA) is the voice of marketers worldwide, representing 90% of global marketing communications spend – roughly US$700 billion per annum – through a unique, global network of the world’s biggest markets and biggest marketers. WFA’s champions responsible and effective marketing communications worldwide. More information at www.wfanet.org. The Consumer Goods Forum (CGF) is a global, parity-based industry network that is driven by its members to encourage the global adoption of practices and standards that serves the consumer goods industry worldwide. It brings together the CEOs and senior management of some 400 retailers, manufacturers, service providers, and other stakeholders across 70 countries, and it reflects the diversity of the industry in geography, size, product category and format. More information at www.theconsumergoodsforum.com. Published 2016 2 1. WHAT THE OBJECTIVE To reduce the impact on children of the marketing of foods high in saturated fats, trans-fatty acids, sugars or salt and increasing their exposure to foods and beverages compatible with a balanced diet and healthy, active lifestyle. THE COMMITMENT As the leading global consumer and retail industry organisation, the CGF can and must take the leadership role in a sensible approach to marketing communications to children. -
Basic Facts About Trademarks United States Patent and Trademark O Ce
Protecting Your Trademark ENHANCING YOUR RIGHTS THROUGH FEDERAL REGISTRATION Basic Facts About Trademarks United States Patent and Trademark O ce Published on February 2020 Our website resources For general information and links to Frequently trademark Asked Questions, processing timelines, the Trademark NEW [2] basics Manual of Examining Procedure (TMEP) , and FILERS the Acceptable Identification of Goods and Services Manual (ID Manual)[3]. Protecting Your Trademark Trademark Information Network (TMIN) Videos[4] Enhancing Your Rights Through Federal Registration Tools TESS Search pending and registered marks using the Trademark Electronic Search System (TESS)[5]. File applications and other documents online using the TEAS Trademark Electronic Application System (TEAS)[6]. Check the status of an application and view and TSDR download application and registration records using Trademark Status and Document Retrieval (TSDR)[7]. Transfer (assign) ownership of a mark to another ASSIGNMENTS entity or change the owner name and search the Assignments database[8]. Visit the Trademark Trial and Appeal Board (TTAB)[9] TTAB online. United States Patent and Trademark Office An Agency of the United States Department of Commerce UNITED STATES PATENT AND TRADEMARK OFFICE BASIC FACTS ABOUT TRADEMARKS CONTENTS MEET THE USPTO ������������������������������������������������������������������������������������������������������������������������������������������������������������������ 1 TRADEMARK, COPYRIGHT, OR PATENT �������������������������������������������������������������������������������������������������������������������������� -
Prohibiting Product Placement and the Use of Characters in Marketing to Children by Professor Angela J. Campbell Georgetown Univ
PROHIBITING PRODUCT PLACEMENT AND THE USE OF CHARACTERS IN MARKETING TO CHILDREN BY PROFESSOR ANGELA J. CAMPBELL1 GEORGETOWN UNIVERSITY LAW CENTER (DRAFT September 7, 2005) 1 Professor Campbell thanks Natalie Smith for her excellent research assistance, Russell Sullivan for pointing out examples of product placements, and David Vladeck, Dale Kunkel, Jennifer Prime, and Marvin Ammori for their helpful suggestions. Introduction..................................................................................................................................... 3 I. Product Placements............................................................................................................. 4 A. The Practice of Product Placement......................................................................... 4 B. The Regulation of Product Placements................................................................. 11 II. Character Marketing......................................................................................................... 16 A. The Practice of Celebrity Spokes-Character Marketing ....................................... 17 B. The Regulation of Spokes-Character Marketing .................................................. 20 1. FCC Regulation of Host-Selling............................................................... 21 2. CARU Guidelines..................................................................................... 22 3. Federal Trade Commission....................................................................... 24 -
Self-Regulation and Enforcement FTC Update: Senny Boone,Enforcement In-House Counsel, Priorities DMA & Key Cases C
Self-Regulation and Enforcement FTC update: Senny Boone,enforcement In-house Counsel, priorities DMA & key cases C. Lee Peeler, President and CEO, Advertising Self-Regulatory Council (ARSC) OCTOBER 22, 2013 Michael A. Signorelli, Of Counsel, Venable LLP 1 & Social Media • Senny Boone • October 22, 2013 Advancing and Protecting Responsible Data-Driven Marketing Self-Regulation Evolution: From offline “do not mail” & environmental responsibility: 4 million consumers on DMAchoice.org Now: do-not-track; opt-in or opt-out; Big Data; mobile cloud… Scrutiny of privacy policies, online terms & conditions & new technologies prevail. Self-Regulation DMA has an active self-regulatory process—across all marketing channels. -Committee-based. Volunteer practitioners meet to review ongoing ethics cases; volunteers shape DMA Guidelines. -All DMA members must comply with Guidelines; nonmembers are reviewed as well. -Goal is to be accountable and build consumer trust. Self-Regulation Consumer Tools: DMAchoice.org Aboutads.info Consumer help-line Consumer complaint process Self-Regulation Annual Compliance Report: 15,000 consumer contacts per year 300 complaints 50-60 cases Referrals & resolution Suspension Publication—see www.thedma.org/compliance/ Social Media 3 Areas of Concern: 1. General Privacy 2. FTC: Endorsements & Testimonials, dot com disclosures. 3. “Targeting” Social Profiles Social Media Privacy v. Social – A Contradiction Private = concealed Social = public sharing What is the consumer expectation—most posts, tweets, blogs are meant for public… What is private, what should be protected? Social is Not the Wild West Common marketing best practices & rules apply: -Truthfulness, accuracy -Privacy policy on data collection & use -Terms of the offer -Marketing to children -Contests, sweepstakes -Health information -data collection, use & security… Social is Unique Best Opportunity to Build Your Reputation: good or bad Online word-of-mouth #Tweets Likes Blog posts FB friends =Success Social Media FTC is paying attention! See .com Disclosures: 2013.