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TECH RIDER Bunkr
BUNKR STUDIO BASSANO DEL GRAPPA 36061 Console – Thermionic Culture Ltd. Fat Bustard II 14ch Summing Analog Valve Mixer – Solid State Logic Six SuperAnalogue™ Desktop Mixer Pre Amps – Chandler Limited TG2 Abbey Road Special Edition Stereo Preamp/DI – Chandler Limited Germanium Preamp/DI – Empirical Labs Mike-E Preamp/Comp – SSL SuperAnalogue™ Mic’ Preamp (2x) – Focusrite ISA 428 Preamp – Focusrite ISA Two Preamp – Motu 896 Mk3 Preamp Outboards – Warm Audio EQP-WA Tube EQ (Pultec EQP-1A replica) (2x) – Klark Teknik 76-kt (1176 Syle FET Compressor) (2x) – Dbx 160A American Series Compressor – Dbx 166XL Stereo Gate/Comp/Limiter – Phonic PCL 3200 Gate/Comp/Limiter – Audioscope 2813 – TC Electronic Clarity M Converters – Apogee Symphony (8 analog i/o + 8 digital i/o) – Apogee Quartet (4 analog in, 8 analog out) – Motu 896 Mk3 (8 analog i/o) – RME Fireface Monitoring – Dynaudio BM15A – Yamaha NS10 w/ Yamaha Power Amp & M Audio SBX10 Pro Active Subwoofer – Behringer Behritone C5A – PreSonus Eris5 – up to octophonic multichannel configuration Reel Tape Recorder – Revox A77 1/4 ” 2 tracks tape recorder Computers – Apple Mac Pro Intel 2,8 Ghz 8-Core Dual 8 Gb RAM – Apple iMac Intel Core 2 Duo 3.06 Ghz 8 Gb RAM – Apple Mac Book Pro Retina 2,5 GHz Intel Core i7 16 Gb RAM Software – Avid ProTools HD3 Accel w/ ProTools HD 9, Pro Tools 10/11 – Ableton Live Suite 10 – Apple Logic Pro X – Cycling 74 Max8 Microphones – DPA 4006A Stereo Matched – Akg C414 Xls (2) – Akg D112 – Audio Technica AT4040 – Audio Technica AT2020 – Audio Technica ATM 250 – Audix D6 – Audix i-5 – Audix D4 – Audix D2 (2) – ElectroVoice RE20 – G.S.A. -
Korg OASYS PСI. Описание Патчей И Эффектов
Korg OASYS PCI. Îïèñàíèå ïàò÷åé è ýôôåêòîâ Ñèñòåìà ñèíòåçà, îáðàáîòêè ýôôåêòàìè è ââîäà-âûâîäà àóäèîñèãíàëîâ Îôèöèàëüíûé è ýêñêëþçèâíûé äèñòðèáüþòîð êîìïàíèè Korg íà òåððèòîðèè Ðîññèè, ñòðàí Áàëòèè è ÑÍà êîìïàíèÿ A&T Trade. Äàííîå ðóêîâîäñòâî ïðåäîñòàâëÿåòñÿ áåñïëàòíî. Åñëè âû ïðèîáðåëè äàííûé ïðèáîð íå ó îôèöèàëüíîãî äèñòðèáüþòîðà ôèðìû Korg èëè àâòîðèçîâàííîãî äèëåðà êîìïàíèè A&T Trade, êîìïàíèÿ A&T Trade íå íåñ¸ò îòâåòñòâåííîñòè çà ïðåäîñòàâëåíèå áåñ- ïëàòíîãî ïåðåâîäà íà ðóññêèé ÿçûê ðóêîâîäñòâà ïîëüçîâàòåëÿ, à òàêæå çà îñóùåñòâëåíèå ãàðàíòèéíîãî è ñåðâèñíîãî îáñëóæèâà- íèÿ. Предупреждение Îáîðóäîâàíèå ïðîøëî òåñòîâûå èñïûòàíèÿ è ñîîòâåòñòâóåò òðåáîâàíèÿì, íàêëàäûâàåìûì íà öèôðîâûå ïðèáîðû êëàññà “B” ñî- ãëàñíî ÷àñòè 15 ïðàâèë FCC. Ýòè îãðàíè÷åíèÿ ðàçðàáîòàíû äëÿ îáåñïå÷åíèÿ íàäåæíîé çàùèòû îò èíòåðôåðåíöèè ïðè èíñòàëëÿ- öèè îáîðóäîâàíèÿ â æèëûõ ïîìåùåíèÿõ. Ïðèáîð ãåíåðèðóåò, èñïîëüçóåò è ñïîñîáåí èçëó÷àòü ýëåêòðîìàãíèòíûå âîëíû è, åñëè óñ- òàíîâëåí è ýêñïëóàòèðóåòñÿ áåç ñîáëþäåíèÿ ïðèâåäåííûõ ðåêîìåíäàöèé, ìîæåò âûçâàòü ïîìåõè â ðàáîòå ðàäèîñèñòåì. Òåì íå ìåíåå íåò ïîëíîé ãàðàíòèè, ÷òî ïðè îòäåëüíûõ èíñòàëëÿöèÿõ ïðèáîð íå áóäåò ãåíåðèðîâàòü ðàäèî÷àñòîòíûå ïîìåõè. Åñëè ïðèáîð âëèÿåò íà ðàáîòó ðàäèî- èëè òåëåâèçèîííûõ ñèñòåì (ýòî ïðîâåðÿåòñÿ âêëþ÷åíèåì è îòêëþ÷åíèåì ïðèáîðà), òî ðåêîìåíäóåòñÿ ïðåäïðèíÿòü ñëåäóþùèå ìåðû: • Ïåðåîðèåíòèðóéòå èëè ðàñïîëîæèòå â äðóãîì ìåñòå ïðèíèìàþùóþ àíòåííó. • Ðàçíåñèòå íà âîçìîæíî áîëüøåå ðàññòîÿíèå ïðèáîð è ïðèåìíèê. • Âêëþ÷èòå ïðèáîð â ðîçåòêó, êîòîðàÿ íàõîäèòñÿ â öåïè, îòëè÷íîé îò öåïè ðîçåòêè ïðèåìíèêà. • Ïðîêîíñóëüòèðóéòåñü ñ äèëåðîì èëè êâàëèôèöèðîâàííûì òåëåâèçèîííûì ìàñòåðîì. Íåñàíêöèîíèðîâàííàÿ ìîäèôèêàöèÿ îáîðóäîâàíèÿ ïîëüçîâàòåëåì ìîæåò ïðèâåñòè ê ëèøåíèþ ïðàâà íà ãàðàíòèéíîå îáñëóæèâà- íèå äàííîãî îáîðóäîâàíèÿ. Гарантийное обслуживание Ïî âñåì âîïðîñàì, ñâÿçàííûì ñ ðåìîíòîì èëè ñåðâèñíûì îáñëóæèâàíèåì ñèñòåìû OASYS PCI, îáðàùàéòåñü ê ïðåäñòàâèòåëÿì ôèðìû Korg — êîìïàíèè A&T Trade. -
Microkorg S Bedienungsanleitung
Vielen Dank für den Erwerb des microKORG S Synthesizer/Vocoder. Um Inhalt den problemlosen Betrieb zu gewährleisten, lesen Sie diese Anleitung bitte sorgfältig und bedienen Sie das Produkt in der richtigen Weise. Erste Schritte ......................................................................... 7 Hier werden die ersten Bedienungsschritte mit dem microKORG S erklärt (Anhören der Vorweg.................................................................................... 1 Demo-Songs, Auswählen von Programmen, Einsatz des Arpeggiators und Spielfunktionen) und es werden einfache Bedienungsvorgänge erläutert. Erklärt die Leistungsmerkmale des microKORG S und erläutert die Bezeichnungen und Demo-Songs......................................................................................................................7 Funktionen der einzelnen Bereiche. Anhören der Demo-Songs ............................................................................................. 7 Hauptmerkmale ................................................................................................................. 1 Synth-Programme ............................................................................................................ 8 Voder-und Rückseite ........................................................................................................ 2 1. Programm auswählen und spielen ............................................................................. 8 Vorderseite .....................................................................................................................2 -
Microkorg S Voice Name List
Voice Name List BANK No. (MIDI) Name Category Arpeggio BANK No. (MIDI) Name Category Arpeggio BANK No. (MIDI) Name Category Arpeggio TRANCE A.11 (0) Pump Stab Strings/Pad Off TRANCE B.11 (64) Trancey Arpeg. Arpeggio On TRANCE C.11 (0) Synth Harp Arpeggio On A.12 (1) Plucky Synth Arpeggio Off B.12 (65) Acid Saw Bass Bass On C.12 (1) Acid Ring Bass Bass Off A.13 (2) UniArpo Arpeggio On B.13 (66) Unison Saw Lead Lead Off C.13 (2) Unison Ring Lead Lead On A.14 (3) Complicados Bass Off B.14 (67) Unison HPF+LPF Lead On C.14 (3) Phaser Lead Lead Off A.15 (4) Growler Bass Off B.15 (68) Weepy Lead Lead Off C.15 (4) Synth Pizz Synth Off A.16 (5) Heroic Lead Lead Off B.16 (69) Slippy Pad Synth Off C.16 (5) Euphoric Synth Synth Off A.17 (6) AMxPM Synth Synth Off B.17 (70) Sweep Poly Pad Synth Off C.17 (6) Flashin' Pad Strings/Pad Off A.18 (7) ClaviPhone Synth Off B.18 (71) Filter Strings Strings/Pad Off C.18 (7) Stream Pad Strings/Pad Off TECHNO/HOUSE A.21 (8) TriStep Jag Arpeggio Off TECHNO/HOUSE B.21 (72) Auto House Arpeggio On TECHNO/HOUSE C.21 (8) S&H Signal Arpeggio On A.22 (9) Metallic Arp Arpeggio On B.22 (73) Burnin' Rave Arpeggio On C.22 (9) Dirty Motion Arpeggio On A.23 (10) Build Arp Arpeggio On B.23 (74) X-Mod Perc. -
Microkorg Owner's Manual
E 2 ii Precautions Data handling Location THE FCC REGULATION WARNING (for U.S.A.) Unexpected malfunctions can result in the loss of memory Using the unit in the following locations can result in a This equipment has been tested and found to comply with the contents. Please be sure to save important data on an external malfunction. limits for a Class B digital device, pursuant to Part 15 of the data filer (storage device). Korg cannot accept any responsibility • In direct sunlight FCC Rules. These limits are designed to provide reasonable for any loss or damage which you may incur as a result of data • Locations of extreme temperature or humidity protection against harmful interference in a residential loss. • Excessively dusty or dirty locations installation. This equipment generates, uses, and can radiate • Locations of excessive vibration radio frequency energy and, if not installed and used in • Close to magnetic fields accordance with the instructions, may cause harmful interference to radio communications. However, there is no Printing conventions in this manual Power supply guarantee that interference will not occur in a particular Please connect the designated AC adapter to an AC outlet of installation. If this equipment does cause harmful interference Knobs and keys printed in BOLD TYPE. the correct voltage. Do not connect it to an AC outlet of to radio or television reception, which can be determined by Knobs and keys on the panel of the microKORG are printed in voltage other than that for which your unit is intended. turning the equipment off and on, the user is encouraged to BOLD TYPE. -
Korg Volca Sample Loading Samples
Korg Volca Sample Loading Samples Sydney is unprompted: she rhyming mirthlessly and extravagated her parakeets. Final Bruce engenders conspiratorially. Rocky still preplans crudely while sought Horacio jugulating that rinsing. This app using the studio one in, ableton live work on everything else that samples volca sample loading samples and dx became alienated from Korg announces Volca Sample loop sample sequencer that control be used to edit. Korg Release New Volca Sample Sonic State. Though this makes it turns red when using good strategy to get today best free. Transfers the factory samples provided by Korg to the volca sample. 2 KORG volca sample Tweak attack and Sequence Samples Introducing. It just keep you loaded with loading is absolutely brilliant upgrade here is much of choosing, you can emphasise by motion data. Instead of free application designed for my experience of android for data in designing a load or transferred onto your mpc. Midi driver tool runs on your korg audio culture underground house sylenth presets were established by korg volca beats. How is load their own samples on a Korg Volca Sample Algonaut. Switched on everything by loading, load any changes. How to goal your own samples on a Korg Volca Sample. Korg Volca Beats Analog Korg Volca Sample of white. Volca sample midi cc VG-Immo. Auto music software site is enough to just does not loading samples proves you may earn an. Load samples from the dedicated iOS app In addition discard the 100 preloaded. Volca Sample content of sample sequencing with a load new memory. Vosyr-volca Mp4 3GP Video & Mp3 Download Mxtubenet. -
Physical Modelling Synthesis
Physical modelling synthesis Physical modelling synthesis refers to sound synthesis methods in which the waveform of the sound to be generated is computed using a mathematical model, a set of equations and algorithms to simulate a physical source of sound, usually a musical instrument. Contents General methodology Technologies associated with physical modelling Hardware synthesizers Software synthesizers References Footnotes External links General methodology Modelling attempts to replicate laws of physics that govern sound production, and will typically have several parameters, some of which are constants that describe the physical materials and dimensions of the instrument, while others are time-dependent functions describing the player's interaction with the instrument, such as plucking a string, or covering toneholes. For example, to model the sound of a drum, there would be a mathematical model of how striking the drumhead injects energy into a two-dimensional membrane. Incorporating this, a larger model would simulate the properties of the membrane (mass density, stiffness, etc.), its coupling with the resonance of the cylindrical body of the drum, and the conditions at its boundaries (a rigid termination to the drum's body), describing its movement over time and thus its generation of sound. Similar stages to be modelled can be found in instruments such as a violin, though the energy excitation in this case is provided by the slip-stick behavior of the bow against the string, the width of the bow, the resonance and damping behavior of the strings, the transfer of string vibrations through the bridge, and finally, the resonance of the soundboard in response to those vibrations. -
Korg Microkorg Руководство Пользователя
Korg microKORG Ðóêîâîäñòâî ïîëüçîâàòåëÿ Ñèíòåçàòîð/Âîêîäåð Îôèöèàëüíûé è ýêñêëþçèâíûé äèñòðèáüþòîð êîìïàíèè Korg íà òåððèòîðèè Ðîññèè, ñòðàí Áàëòèè è ÑÍà — êîìïàíèÿ A&T Trade. Äàííîå ðóêîâîäñòâî ïðåäîñòàâëÿåòñÿ áåñïëàòíî.Åñëè âû ïðèîáðåëè äàííûé ïðèáîð íå ó îôèöèàëüíîãî äèñòðèáüþòîðà ôèðìû Korg èëè àâòîðèçîâàííîãî äèëåðà êîìïàíèè A&T Trade, êîìïàíèÿ A&T Trade íå íåñåò îòâåòñòâåííîñòè çà ïðåäîñòàâëåíèå áåñïëàòíîãî ïåðåâîäà íà ðóññêèé ÿçûê ðóêîâîäñòâà ïîëüçîâàòåëÿ, à òàêæå çà îñóùåñòâëåíèå ãàðàíòèéíîãî ñåðâèñíîãî îáñëóæèâàíèÿ. © ® A&T Trade, Inc. Гарантийное обслуживание Ïî âñåì âîïðîñàì, ñâÿçàííûì ñ ðåìîíòîì èëè ñåðâèñíûì îáñëóæèâàíèåì ñèíòåçàòîðà/âîêîäåðà microKORG, îáðàùàéòåñü ê ïðåäñòàâèòåëÿì ôèðìû Korg — êîìïàíèè A&T Trade. Òåëåôîí äëÿ ñïðàâîê (095) 242-5325. • Âûñîêîêà÷åñòâåííûé ñèíòåçàòîð/âîêîäåð àíàëîãîâîãî ìîäåëèðîâàíèÿ. • 128 ïðîãðàìì îò êëàññè÷åñêèõ äî ñîâðåìåííûõ òàíöåâàëüíûõ çâóêîâ. • Ãðóïïèðîâêà çâóêîâ ïî ìóçûêàëüíûì æàíðàì. • Áûñòðàÿ è ëåãêàÿ ðåäàêöèÿ áëàãîäàðÿ ïÿòè ðåãóëÿòîðàì. • Ìàëûé âåñ, êîìïàêòíûé êîðïóñ, ïèòàíèå îò áàòàðåé. • Ìèêðîôîí â êîìïëåêòå ïîñòàâêè. Korg microKORG. Ðóêîâîäñòâî ïîëüçîâàòåëÿ 1 Меры предосторожности Размещение Ýêñïëóàòàöèÿ ïðèáîðà â îïèñàííûõ íèæå óñëîâèÿõ ìîæåò ïðèâåñòè ê âûõîäó åãî èç ñòðîÿ. Ïðÿìîå ïîïàäàíèå ñîëíå÷íûõ ëó÷åé. Ïîâûøåííûå òåìïåðàòóðà èëè âëàæíîñòü. Çàãðÿçíåííîå, ïûëüíîå ïîìåùåíèå. Èíòåíñèâíàÿ âèáðàöèÿ. Áëèçîñòü ìàãíèòíûõ ïîëåé. Питание Çàïðåùàåòñÿ èñïîëüçîâàòü èñòî÷íèê ïèòàíèÿ ïåðåìåííîãî òîêà ñ íàïðÿæåíèåì, îòëè÷íûì îò óêàçàííîãî â ñïåöèôèêàöèÿõ. Интерференция с другим электронным -
Controllers As Musical Instruments, Controllerism As Musical Practice
Controllers as Musical Instruments, Controllerism as Musical Practice – Practices of a new 21st Century musical culture – Guillermo de Llera Blanes Dissertação em Ciências Musicais na especialidade de EtnomusicoloGia , A , CAL CULTURE PRACTICES OF 2017 Guillermo de Llera Blanes CONTROLLERS AS MUSICAL 21ST CENTURY ,MUSI INSTRUMENTS, CONTROLLERISM AS MUSICAL PRACITCE, Setembro, 2017 1 Dissertação apresentada para cumprimento dos requisitos necessários à obtenção do grau de Mestre em Ciências Musicais, especialidade de Etnomusicologia, realizada sob a orientação científica do Professor Doutor João Soeiro de Carvalho. 2 Dedicated to my promised one and to the little Controllerists at home. Acknowledgements It is with the utmost gratitude that I thank my brother, the anthropologist Ruy Blanes for his unwavering support, sympathetic guidance and most of all, his humor. His knowledge was a lifeline, for I could always count on his informed opinion, but his greatest aid was in letting me make my own mistakes, and then hinting at various ways to resolve them. It showed me that he was convinced that I was capable of finding my way out of the dead ends, and would overcome the trials and tribulations of writing a thesis. Thank you for believing in me, my brother. To my dear advisor, professor João Soeiro de Carvalho, I have nothing but words of gratitude. You showed unbridled gusto in my research and helped me trod along with unending patience, aware of my limitations in time, experience and knowledge. It was with great delight that I experienced our joint (ad)venture, and I am indebted to you for your kindness, your wisdom and your empathy. -
Microx Ext Control List
External Control Template List HINT 1. These operations will overwrite the previous MIDI Control settings. If necessary, back up the previous MIDI Control file. 2. When the MIDI channel settings of the host application and the plug-in software are the same, proper control may not be available. Please change the MIDI channel setting on either the host application or the plug-in software. Please refer to the application's manual for the correct setting. Manufacturer Scene Realtime Controls Product Name Select HINT Name Variation 1234 KORG KLC M1 Name OSC BAL RESO CUTOFF EG INT Click the controller logo on the “PERFOR- A Ch Ch:01G Ch:01G Ch:01G Ch:01G MANCE” page. Select “Load Controller Map...” CC#CC#8 CC#71 CC#74 CC#79 from the displayed controller menu. Load the controller setting file “M1.cmap” from the Name ATTACk DECAY RELEASE IFX BAL “Presets” folder inside the folder where the B Ch Ch:01G Ch:01G Ch:01G Ch:01G KORG Legacy Collection is installed. CC#CC#73 CC#75 CC#72 CC#91 Name Volume - - - C Ch Ch:01G Ch:01G Ch:01G Ch:01G CC# CC#7 off off off KLC Name Vector X Vector Y - Volume WAVESTATION A Ch Ch:01G Ch:01G Ch:01G Ch:01G CC#CC#16 CC#17 off CC#7 Name Vector X Vector Y - Volume B Ch Ch:01G Ch:01G Ch:01G Ch:01G CC#CC#16 CC#17 off CC#7 Name Vector X Vector Y - Volume C Ch Ch:01G Ch:01G Ch:01G Ch:01G CC#CC#16 CC#17 off CC#7 KLC MS-20 Name VCO 1 WAVE FORM VCO 2 WAVE FORM VCO 1 LEVEL VCO 2 LEVEL Click the “KORG” logo. -
Microkorg XL+ Synthesizer/Vocoder Focus
KORG Inside microKORG XL+ Synthesizer/Vocoder Focus 114 KORG Inside ... und mehr Mit eigenständigem Look und einzigartigem Sound setzte der microKORG den ge Ressourcen an analoger Modeling- Technologie zurück. Damit erhält man ein Standard für analoge Modeling Synthesizer. Der Ende 2008 vor- überaus weit gefächertes Spektrum an gestellte microKORG XL übernahm die fetten Powersounds des microKORG und Sounds – überzeugend klingende, analoge ergänzte dessen Grundausstattung u. A. mit einem E-Piano und einer Rekreationen inklusive. Die Multi-Modeling- Technologie ist übrigens die gleiche High- CX-3 Orgel. End-Synthese, die auch unter der Haube von RADIAS, R3 und Electribe MX steckt. Im microKORG XL+ sorgt sie für eine phänome- Heute, in einem weiteren Entwicklungsschritt, ist der microKORG XL+ jetzt mit nale Performance, denn angetrieben nochmals aktualisiertem Soundpotenzial am Start. Die tollen Sounds, sowie das neue Design in professionellem schwarz, machen den microKORG XL+ zum idealen Synthesizer der Kompaktklasse. microKORG XL+ KURZ UND GRIFFIG Cooles New-Vintage-Design mit schwarzem Bedienfeld! NEW-VINTAGE-DESIGN – MODERN sogar Räder, die beim Drehen hörbar kli- Noch mehr Vintage-Sounds inklusive UND DOCH NOSTALGISCH cken, demonstrieren beispielhaft, wie der microKORG XL+ andere Instrumente seiner KORG SGproX Piano, M1 und VOX- Mit seinem futuristischen Retro-Design und Preisklasse übertrifft und das Editieren Orgel und „Tape“-Instrumenten stilvollem schwarzem Bedienfeld erinnert von Synthesizersounds zu einem kreativen Ca. 50% neues Voicing der microKORG XL+ an klassische vinta- Erlebnis macht. Einfach genial! Multi-Modeling-Technologie (MMT) ge E-Pianos. Hochwertige Bauteile, wie die soliden Metallhebel und Regler oder Mit der Möglichkeit des Batteriebetriebs 8-stimmig, 2-fach multitimbral steht der musikalischen Kreativität und 16-Band-Vocoder inklusive Mikrofon Inspiration in jeder erdenklichen Umgebung 128 Preset-Sounds plus zwei Gratis- nichts mehr im Wege – egal ob Anfänger, Soundbänke Musiker oder Sound-Designer. -
KAOSS PAD Entrancer Owner's Manual
OWNER’S MANUAL MANUEL D’UTILISATION BEDIENUNGSANLEITUNG Precautions Location Using the unit in the following locations can result in a malfunction. • In direct sunlight • Locations of extreme temperature or humidity • Excessively dusty or dirty locations • Locations of excessive vibration • Close to magnetic fields Power supply Please connect the designated AC adapter to an AC outlet of the correct voltage. Do not connect it to an AC outlet of voltage other than that for which your unit is intended. Interference with other electrical devices Radios and televisions placed nearby may experience reception interference. Operate this unit at a suitable distance from radios and televisions. Handling To avoid breakage, do not apply excessive force to the switches or controls. Care If the exterior becomes dirty, wipe it with a clean, dry cloth. Do not use liquid cleaners such as benzene or thinner, or cleaning compounds or flammable polishes. Keep this manual After reading this manual, please keep it for later reference. Keeping foreign matter out of your equipment Never set any container with liquid in it near this equipment. If liquid gets into the equipment, it could cause a breakdown, fire, or electrical shock. Be careful not to let metal objects get into the equipment. If something does slip into the equipment, unplug the AC adapter from the wall outlet. Then contact your nearest Korg dealer or the store where the equipment was purchased. THE FCC REGULATION WARNING (for U.S.A.) This equipment has been tested and found to comply with the limits for a Class B digital device, pursuant to Part 15 of the FCC Rules.