March Meeting 2012

Total Page:16

File Type:pdf, Size:1020Kb

March Meeting 2012 MARCH MEETING 2012 Working with Artists and Audiences on Commissions and Residencies 17 – 19 MARCH Sharjah Art Foundation Forward The Sharjah Art Foundation brings a broad range of As with each of the past editions, our approach to Programme grants, residencies and exhibitions. contemporary art and cultural programmes to the this year’s March Meeting: Working with Artists and It is a reflection of the nascent character of the communities of Sharjah, the UAE and the region. Since 2009 Audiences on Commissions and Residencies is a institutional landscape in much of the MENASA, SAF has built on the history of cultural collaboration and response to issues and concerns that are relevant that there have been few opportunities for funding exchange that began with the first Sharjah Biennial in 1993. to the work of artists, art practitioners, audiences new work. This is changing particularly within the Working with local and international partners, we create and institutions in the Gulf and the greater MENASA Gulf, not only as a result of our programmes, but opportunities for artists and artistic production through region. also through opportunities offered by the museums our core initiatives that include the Sharjah Biennial, the in Qatar, the Abu Dhabi Guggenheim and the Arab annual March Meeting, residencies, production grants, The theme developed from a reflection on our Fund for Art and Culture (AFAC). commissions, exhibitions, research, publications and a relationships with the artists with whom we work. growing collection. Our education and public programmes Looking back over the past decade, the most Over the course of this 5th March Meeting, we will focus on building recognition of the central role art can memorable events and projects have been those explore the topics of residencies and commissions play in the life of a community by promoting public learning in which the Sharjah Biennial or the Sharjah from a variety of perspectives, looking not only at and a participatory approach to art. Sharjah Art Foundation Art Foundation have taken a substantial role as how such programmes can be organised but also is funded by the Department of Culture and Information, host to artists in residence and in supporting the why these two areas have become such a critical Government of Sharjah. production of new works through commissions. part of the regional cultural landscape. At the same time we hope to find new ways to consider As we look for new ways to engage with our local both the role of the artist and the importance of community, it is clear that artists are also central understanding and engaging our audiences in this to this mission. Over the years, hundreds of artists process. have come to work in Sharjah, some for Biennial projects, others specifically as resident artists, This year there was an encouragingly positive developing new works, or producing workshops response to the March Meeting Open Call from and community outreach events. The relationships individuals and organisations from around the that have developed through these experiences world. While we were unable to accommodate have been fundamental to the direction Sharjah Art all applicants, we have tried to offer a platform Foundation has taken over the past few years. to a broad range of individual practitioners and institutions of all scales, not only those recognised The topic of residencies is clearly a timely one. as pioneers in their fields, but also a number of This is by no means the first gathering of those who are new or less well-known. individuals involved with the development of residency opportunities. Recent events including We are likewise grateful for the keen response those organised by Art in General, ArteEast and from our regional and international colleagues Delfina Foundation have looked at many of the to the possibilities of discussing these important issues and concerns surrounding the organisation topics and for helping us to continue in the spirit of of residencies and have highlighted the need collaboration and exchange that has informed the for further discussion and research. Within the direction of the March Meeting since its inception MENASA, the local and regional context presents five years ago. specific issues and priorities, some of which we will address in the March Meeting this year. Hoor Al-Qasimi President, Sharjah Art Foundation With the support of: Commissioning and supporting the production of new work is another important part of the Sharjah Art Foundation programme, both within the framework of the Biennial and increasingly through a range of projects including the Production SATURDAY 5:00 PM Ramin Salsali Individual Patronage in the UAE: 17 MARCH - DAY 1 Salsali Private Museum, UAE the Salsali Private Museum 9:00 AM Registration Morning Reception 5:15 PM James Lingwood Site, Situation, Location – Some Approaches 10:00 AM Sharjah Art Foundation Welcome Remarks Artangel, UK to Producing Contemporary Art 10:10 AM Opening Address HE Abdul Rahman Al Owais 5:15 PM Closing Remarks Minister of Culture, Youth and Community Development, UAE 10:40 AM Opening Keynote Salah Hassan SUNDAY Institute for Comparative Modernities, Cornell University 18 MARCH - DAY 2 11:15 AM Art and Cultural Diplomacy HE Omar Saif Ghobash 9:30 AM Registration Morning Reception UAE Ambassador to Russia Jude Kelly, OBE 10:00 AM Sharjah Art Foundation Welcome Remarks Southbank Centre, UK Dr Cynthia Schneider (moderator) 10:05 AM The Importance of Site Khalil Abdulwahid Georgetown University, USA Dubai Culture and Arts Authority, UAE William Wells Anne Barlow (moderator) The Townhouse Gallery, Egypt Art in General, USA Yusaku Imamura 12:10 PM Commissions and Residencies Hans Ulrich Obrist Tokyo Wonder Site, Japan in the Institutional Context Serpentine Gallery,UK Lu Jie Judith Greer Long March Space, China Sharjah Art Foundation, UAE Adam Sutherland Eungie Joo Grizedale Arts, UK New Museum, USA Susanne Pfeffer 10:55 AM Yasmina Reggad Introducing /A.R.I.A./ Artist Residency in Algiers KW Institute for Contemporary Art, Germany /A.R.I.A/, Algeria Beatrix Ruf Kunsthalle Zürich, Switzerland 11:10 AM Break 1:00 PM Lunch 11:25 AM Artists and Audiences Michelle Dezember MATHAF: Arab Museum of Modern Art, Qatar 2:30 PM Dr Shokrollah Manzoor Artists and Institutions: Commissions for Louise Hui-Juan Hsu Sustainable Development and Change Museum of Contemporary Art Taipei, Taiwan Abed al Ju’beh 2:45 PM Palmina d’Ascoli The Institut Français Residency Programme Khalil Sakakini Cultural Centre (KSCC), Palestine Institut Français, France Amal Khalaf Serpentine Gallery -Edgware Road Project, UK 3:00 PM Minding the Gap: The Critical Max Andrews and Mariana Cánepa Luna Murtaza Vali (moderator) Role of Smaller Organisations Latitudes, Spain Hu Fang 12:15 PM Joe Girandola UAE-UAE: University Arts Exchange - United Arab Emirates Vitamin Creative Space, China University of the Arts, USA Daniella Rose King MASS Alexandria, Egypt 12:30 PM Breakout Sessions: Samar Martha (moderator) ArtSchool Palestine, Palestine Noor Al Suwaidi Artist Residencies: A Practical Guide Location: Dar Al Nadwa 4:10 PM Tiffany Malakooti Bidoun Projects’ BubuWeb Bidoun Projects, USA Isak Berbic Material of Contingency: Discursive Art Practice Location: Ceramics House 4:25 PM Anri Sala in Conversation with Christine Macel Joe Namy Pinches: Autonomous Amplifications in Sound/Art 4:45 PM Shezad Dawood Towards The Possible Film Location: Boys' School (Calligraphy Centre) 1:00 PM Lunch 11:30 AM Break 2:30 PM Artist as Nomad Sama Alshaibi (moderator) 11:45 AM Eungie Joo in Conversation with William Wells Basma Alsharif Ziad Antar 12:15 PM Daniela Pérez Hosting, Curiosity and Focus: Reevaluating Šejla Kameric´ de_sitio, Mexico Residencies and Commissioned Projects Nikolaj Bendix Skyum Larsen 12:30 PM Breakout Sessions: 3:25 PM Adeela Suleman in Conversation with Didem Ozbek Hydar Dewachi Documenting and Archiving Arts Residencies 3:45 PM Break and Commissions Location: Dar Al Nadwa 4:00 PM Broadening the Scope: Guy Mannes-Abbott Working Across Disciplines Negar Azimi Hasan Hujairi Noise to Manifesto: Making the Ethereal Palpable Bidoun Projects, USA Location: Boys' School (Calligraphy Centre) Defne Ayas (moderator) Witte de With Center for Contemporary Art, The Netherlands Talal Afifi and Areej Zarouq Sudan Film Factory Alanna Heiss Location: Ceramics House Art International Radio (AIR), USA Omar Kholeif 1:00 PM Lunch FACT, UK 2:30 PM The Responsibility of Public Art Huda Smitshuijzen AbiFares 4:50 PM Performing Arts: Creating New Tarek Abou El Fetouh (moderator) Khatt Foundation, The Netherlands Work, Engaging New Audiences Tarek Atoui Noura Al- Sayeh Samah Hijawi Ministry of Culture, Bahrain Sofiane Ouissi Yazid Anani Birzeit University, Palestine 5:35 PM Rana Sadik in Conversation with Khalil Rabah Peter Eleey (moderator) MoMA PS1, USA 5:55 PM Closing Remarks 3:30 PM Kari Conte Rethinking Residencies International Studio and MONDAY Curatorial Program, USA 19 MARCH - DAY 3 3:45 PM Break 9:30 AM Registration Morning Reception 4:00 PM Ayeh Naraghi Artist Mobility and Residencies: Practices and Policies 10:00 AM Danda Jaroljmek Workshops and Residencies: A Lifeline for Emerging UNESCO Doha Office, Qatar Kuona Trust, Kenya Artists in Countries Without Infrastructures to Support the Visual Arts 4:15 PM Cultural Policy: How Policy Sultan Sooud Al Qassemi and Regional Governments Barjeel Art Foundation, UAE 10:15 AM Amira Hanafi Making and Exhibiting Contemporary Art in an Support Artistic Residencies, Dr Salwa Mikdadi Artellewa Art Space, Egypt Informal Settlement Commissions and Communities Emirates Foundation, UAE HE Zaki Anwar Nusseibeh 10:30 AM The Biennial as Commissioning Agent Paul Domela Presidential Court, UAE Liverpool Biennial, UK Oussama Rifahi Yuko Hasegawa Arab Fund for Arts and Culture, Lebanon Museum of Contemporary Art Tokyo, Japan Ruth Ann Stewart (moderator) Abdellah Karroum New York University, USA Riyas Komu Kochi Biennale Foundation, India 5:15 PM Closing Keynote Dr Youssef Aidabi Marieke van Hal Biennial Foundation, Greece 5:45 PM Closing Remarks Sheikha Hoor Al-Qasimi Sharjah Art Foundation Opening Address HE Omar Saif Ghobash is the current UAE Ambassador to Russia.
Recommended publications
  • Broadcast Actions 5/29/2014
    Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N AM STATION APPLICATIONS FOR RENEWAL GRANTED NY BR-20140131ABV WENY 71510 SOUND COMMUNICATIONS, LLC Renewal of License. E 1230 KHZ NY ,ELMIRA Actions of: 04/29/2014 FM STATION APPLICATIONS FOR MODIFICATION OF LICENSE GRANTED OH BMLH-20140415ABD WPOS-FM THE MAUMEE VALLEY License to modify. 65946 BROADCASTING ASSOCIATION E 102.3 MHZ OH , HOLLAND Actions of: 05/23/2014 AM STATION APPLICATIONS FOR RENEWAL DISMISSED NY BR-20071114ABF WRIV 14647 CRYSTAL COAST Renewal of License. COMMUNICATIONS, INC. Dismissed as moot, see letter dated 5/5/2008. E 1390 KHZ NY , RIVERHEAD Page 1 of 199 Federal Communications Commission 445 Twelfth Street SW PUBLIC NOTICE Washington, D.C. 20554 News media information 202 / 418-0500 Recorded listing of releases and texts 202 / 418-2222 REPORT NO. 48249 Broadcast Actions 5/29/2014 STATE FILE NUMBER E/P CALL LETTERS APPLICANT AND LOCATION N A T U R E O F A P P L I C A T I O N Actions of: 05/23/2014 AM STATION APPLICATIONS FOR ASSIGNMENT OF LICENSE GRANTED NY BAL-20140212AEC WGGO 9409 PEMBROOK PINES, INC. Voluntary Assignment of License From: PEMBROOK PINES, INC. E 1590 KHZ NY , SALAMANCA To: SOUND COMMUNICATIONS, LLC Form 314 NY BAL-20140212AEE WOEN 19708 PEMBROOK PINES, INC.
    [Show full text]
  • Jazz and Radio in the United States: Mediation, Genre, and Patronage
    Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2014 © 2014 Aaron Joseph Johnson All rights reserved ABSTRACT Jazz and Radio in the United States: Mediation, Genre, and Patronage Aaron Joseph Johnson This dissertation is a study of jazz on American radio. The dissertation's meta-subjects are mediation, classification, and patronage in the presentation of music via distribution channels capable of reaching widespread audiences. The dissertation also addresses questions of race in the representation of jazz on radio. A central claim of the dissertation is that a given direction in jazz radio programming reflects the ideological, aesthetic, and political imperatives of a given broadcasting entity. I further argue that this ideological deployment of jazz can appear as conservative or progressive programming philosophies, and that these tendencies reflect discursive struggles over the identity of jazz. The first chapter, "Jazz on Noncommercial Radio," describes in some detail the current (circa 2013) taxonomy of American jazz radio. The remaining chapters are case studies of different aspects of jazz radio in the United States. Chapter 2, "Jazz is on the Left End of the Dial," presents considerable detail to the way the music is positioned on specific noncommercial stations. Chapter 3, "Duke Ellington and Radio," uses Ellington's multifaceted radio career (1925-1953) as radio bandleader, radio celebrity, and celebrity DJ to examine the medium's shifting relationship with jazz and black American creative ambition.
    [Show full text]
  • New Solar Research Yukon's CKRW Is 50 Uganda
    December 2019 Volume 65 No. 7 . New solar research . Yukon’s CKRW is 50 . Uganda: African monitor . Cape Greco goes silent . Radio art sells for $52m . Overseas Russian radio . Oban, Sheigra DXpeditions Hon. President* Bernard Brown, 130 Ashland Road West, Sutton-in-Ashfield, Notts. NG17 2HS Secretary* Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Treasurer* Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] MWN General Steve Whitt, Landsvale, High Catton, Yorkshire YO41 1EH Editor* 01759-373704 [email protected] (editorial & stop press news) Membership Paul Crankshaw, 3 North Neuk, Troon, Ayrshire KA10 6TT Secretary 01292-316008 [email protected] (all changes of name or address) MWN Despatch Peter Wells, 9 Hadlow Way, Lancing, Sussex BN15 9DE 01903 851517 [email protected] (printing/ despatch enquiries) Publisher VACANCY [email protected] (all orders for club publications & CDs) MWN Contributing Editors (* = MWC Officer; all addresses are UK unless indicated) DX Loggings Martin Hall, Glackin, 199 Clashmore, Lochinver, Lairg, Sutherland IV27 4JQ 01571-855360 [email protected] Mailbag Herman Boel, Papeveld 3, B-9320 Erembodegem (Aalst), Vlaanderen (Belgium) +32-476-524258 [email protected] Home Front John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB 01442-408567 [email protected] Eurolog John Williams, 100 Gravel Lane, Hemel Hempstead, Herts HP1 1SB World News Ton Timmerman, H. Heijermanspln 10, 2024 JJ Haarlem, The Netherlands [email protected] Beacons/Utility Desk VACANCY [email protected] Central American Tore Larsson, Frejagatan 14A, SE-521 43 Falköping, Sweden Desk +-46-515-13702 fax: 00-46-515-723519 [email protected] S.
    [Show full text]
  • P.S.1 Contemporary Art Center Founder and Director Alanna Heiss to Retire on December 31
    P.S.1 CONTEMPORARY ART CENTER FOUNDER AND DIRECTOR ALANNA HEISS TO RETIRE ON DECEMBER 31 New York, December 29, 2008—Alanna Heiss, the founding director of P.S.1 Contemporary Art Center, who over the course of the last 37 years oversaw the transformation of a turn-of-the-century public school building in Long Island City, Queens, into a space that reflected the originality and independence of hundreds of artists, will retire from P.S.1 on December 31, 2008. An internationally recognized champion of contemporary artists for more than three decades, Ms. Heiss is also hailed as a visionary curator of adventurous exhibitions—more than 800 during her tenure—and as an arts leader whose support has nurtured the careers of young artists and curators around the world. “P.S.1 was founded with a particular mission, which was to allow for the discovery of many different points of view under one roof,” said Ms. Heiss. “Its special gift to those who appreciate art is its ability to mobilize artists both young and old, known and unknown, to explore their dreams and visions. The experiences I’ve had working with great curators and artists have been a tremendous honor.” Glenn D. Lowry, Director of The Museum of Modern Art, which became affiliated with P.S.1 in 2000, said: “Alanna Heiss is a creative and visionary leader whose efforts brought the originality of contemporary artists to a worldwide public and built a landmark center for the visual and performance arts. Literally hundreds of artists from around the world have felt the impact of her tireless efforts over the last 37 years, and that impact will continue to resonate with artists for years to come.” “It has been an incredible experience and honor to have served on the board of P.S.1 with Alanna since the 1970’s,” said Agnes Gund, who in addition to serving on P.S.1’s board is also President Emerita of MoMA.
    [Show full text]
  • Betty Parsons, Marcia Tucker, and Alanna Heiss Cyndi Conn Skidmore College
    Skidmore College Creative Matter Master of Arts in Liberal Studies (MALS) Student Academic Departments and Programs Scholarship 5-22-2010 Nerve Endings: Betty Parsons, Marcia Tucker, and Alanna Heiss Cyndi Conn Skidmore College Follow this and additional works at: https://creativematter.skidmore.edu/mals_stu_schol Part of the Arts and Humanities Commons, and the Arts Management Commons Recommended Citation Conn, Cyndi, "Nerve Endings: Betty Parsons, Marcia Tucker, and Alanna Heiss" (2010). Master of Arts in Liberal Studies (MALS) Student Scholarship. 66. https://creativematter.skidmore.edu/mals_stu_schol/66 This Thesis is brought to you for free and open access by the Academic Departments and Programs at Creative Matter. It has been accepted for inclusion in Master of Arts in Liberal Studies (MALS) Student Scholarship by an authorized administrator of Creative Matter. For more information, please contact [email protected]. Nerve Endings: Betty Parsons, Marcia Tucker, and Alanna Heiss by Cyndi Conn FINAL PROJECT SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN LIBERAL STUDIES SKIDMORE COLLEGE April 2010 Advisors: Kathryn Davis, Tom Huhn INTRODUCTION When initially presented, new forms of art and installation can incite hostility and derision among art patrons, critics, and general audiences. New paradigms are unsettling and artistic breakthroughs can threaten belief systems people hold dear to their understanding of the art world and how it functions. Some of the most distinguished and iconic artists in modem history have found notoriety and recognition through years, even decades, of slowly evolving acceptance into the cultural mainstream. Once labeled charlatans heralding a clear decline in culture, such eminent artists as Theodore Gericault, Edouard Manet, Pablo Picasso, and Marcel Duchamp incited public fury and scathing criticism in their respective eras for the ground-breaking work they produced.
    [Show full text]
  • EMMIS COMMUNICATIONS CORPORATION (Exact Name of Registrant As Specified in Its Charter)
    Table of Contents UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K (Mark One) Annual Report Pursuant to Section 13 or 15(d) of The Securities Exchange Act of 1934 for the Fiscal Year Ended February 29, 2016 Transition Report Pursuant to Section 13 or 15(d) of The Securities Exchange Act of 1934 for the Transition Period from to . EMMIS COMMUNICATIONS CORPORATION (Exact name of registrant as specified in its charter) INDIANA (State of incorporation or organization) 0-23264 (Commission file number) 35-1542018 (I.R.S. Employer Identification No.) ONE EMMIS PLAZA 40 MONUMENT CIRCLE SUITE 700 INDIANAPOLIS, INDIANA 46204 (Address of principal executive offices) (317) 266-0100 (Registrant’s Telephone Number, Including Area Code) SECURITIES REGISTERED PURSUANT TO SECTION 12(B) OF THE ACT: None SECURITIES REGISTERED PURSUANT TO SECTION 12(G) OF THE ACT: Class A common stock, $.01 par value of Emmis Communications Corporation; 6.25% Series A Convertible Preferred Stock, $.01 par value of Emmis Communications Corporation. Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Act. Yes No Indicate by check mark whether the registrant (1) has filed all documents and reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days.
    [Show full text]
  • Contemporary Drawing from Leroy Neiman Till Today
    Contemporary Drawing from LeRoy Neiman till Today (PRE)CRTANO Savremeni crtež od Liroja Nimana do danas DRAWN(OVER) Contemporary Drawing from LeRoy Neiman Until Today sadržaj | CONTENTS PREDGOVOR | FOREWORD Mirjana dušić-lazić 4 O izlOžBi | aBOuT THE EXHiBiTiOn TOMAS VU 6 Tomas Vu u razgovoru sa lEsOM džOjnsOM | Tomas Vu in cOnVErsaTiOn wiTH lEs jOynEs 10 artISTS | uMETnici 48 BiOgrafijE | BiOgraPHiES 186 3 Mirjana dušić-lazić: Predgovor Izložba (PRE)CRTANO: savremeni crtež od Liroja Nimana do danas je deo međunarodnog projekta Draw / Crtež, pokrenutog od strane Liroj Niman centra za grafiku pri Univerzitetu Kolumbija u Njujorku. U saradnji sa Muzejom savremene umetnosti Vojvodine, na izložbi će, pored dela kolekcije Liroj Niman centra, biti prikazani i radovi umetnika i umetnica iz Severne i Južne Amerike, Azije i Evrope, kao i stvaralaštvo deset umetnika i umetnica iz Srbije mlađe generacije. Autor projekta, Tomas Vu, svedočio je otkrivanju nepoznatog, čitavog drugog, javnosti sasvim nepoznatog, umetničkog stvaranja Liroja Nimana i postavio važno pitanje: koliko još sličnih poduhvata umetnika za koje mislimo da ih poznajemo postoji, i gde zapravo umetnik ide u odsustvu spoljnog pritiska, očekivanja, interpretacija? Vu je imenom projekta Draw obuhvatio višeznačnost pitanja koja se otvaraju pogledom na pronađene crteže Liroja Nimana: uputio je publiku i na crteže iz umetnikovog opusa, ali i na drugo značenje istog glagola: izvlačenje sadržaja iz gomile, aludirajući time na pronalaženje nečeg nepoznatog, skrajnutog, zatrpanog drugim, samo naizgled važnijim delima. Na srpskom jeziku, nazivom izložbe (Pre)crtano, čuva se Vuova ideja: gledaocu je jasno da projekat obuhvata crteže, ali je istovremeno upućen i na zaključak da su crteži koji se nalaze pred njim deo skrivenog umetnikovog života, nešto što je umetnik na neki način precrtao, sklonio, ostavio za neko drugo vreme.
    [Show full text]
  • $VSBUFE CZ 4PVMFP R JOGP!TPVMFPVOJWFSTF DPN R
    def Jam $VSBUFECZ4PVMFPrJOGP!TPVMFPVOJWFSTFDPNr Exhibition Description Motown to Def Jam is an interdisciplinary, multi-gallery exhibition celebrating African-American Music Appreciation Month (June). Over 40 visual artists pay tribute to socially conscious music created by recording artists from Chess, Stax, Motown, Philadelphia International and Def Jam Records. The exhibition debuted on June 15, 2013 as an unprecedented collaboration between four Harlem art galleries including: La Maison d’Art, The LeRoy Neiman Art Center, Strivers Gardens Gallery and The Sol Studio. The exhibition was presented in partnership by ArtCrawl Harlem and Souleo Enterprises, LLC, with the latter serving as sole curator of all four galleries. Through the lens of contemporary art, each song is interpreted as a visual statement to tell the story of African-American and the broader American history from the beginning of Chess Records in 1950 to the current era of Def Jam. Artists delve into issues such as racism, poverty, self-identity, gender equality, the prison-industrial complex, war, environmental justice and more, as sang in the songs represented here that collectively created the soundtrack for social, political, economic and spiritual revolution. The exhibition begins with art inspired by the Chess and Stax catalogs. Chess Records, founded in Chicago in 1950 by brothers Leonard and Phil Chess is renowned as the pioneering home for rock ’n’ roll, the blues and R&B. Stax, originally known as Satellite in 1959, was founded in Memphis by Jim Stewart and his sister, Estelle Axton. In 1961 the label adopted its new name and became the universal signi!er of Southern soul Exhibition Description music at its grittiest, rawest and most visceral.
    [Show full text]
  • For Public Inspection Comprehensive
    REDACTED – FOR PUBLIC INSPECTION COMPREHENSIVE EXHIBIT I. Introduction and Summary .............................................................................................. 3 II. Description of the Transaction ......................................................................................... 4 III. Public Interest Benefits of the Transaction ..................................................................... 6 IV. Pending Applications and Cut-Off Rules ........................................................................ 9 V. Parties to the Application ................................................................................................ 11 A. ForgeLight ..................................................................................................................... 11 B. Searchlight .................................................................................................................... 14 C. Televisa .......................................................................................................................... 18 VI. Transaction Documents ................................................................................................... 26 VII. National Television Ownership Compliance ................................................................. 28 VIII. Local Television Ownership Compliance ...................................................................... 29 A. Rule Compliant Markets ............................................................................................
    [Show full text]
  • Annual Report 2013
    Cover Back Spine: (TBA) Front PMS 1505 Knock out Annual Report 2013 LETTER FROM THE MAYOR, FIRST DEPUTY MAYOR & COMMISSIONER 4 PART I: FISCAL YEAR 2013 INTRODUCTION 8 PROGRAM SERVICES 15 CULTURAL INSTITUTIONS GROUP 18 CAPITAL PROJECTS 22 GROUNDBREAKINGS & RIBBON CUTTINGS 24 31st ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 26 PERCENT FOR ART 28 COMPLETED PROJECTS & NEW COMMISSIONS 29 COMMUNITY ARTS DEVELOPMENT PROGRAM 30 MATERIALS FOR THE ARTS 32 SPECIAL INITIATIVES 34 CULTURAL AFTER-SCHOOL ADVENTURES (CASA) 34 SENIORS PARTNERING WITH ARTISTS CITYWIDE (SPARC) 35 RESEARCH & TECHNICAL ASSISTANCE 36 TEMPORARY PUBLIC ART INSTALLATIONS & PERFORMANCES 38 CULTURAL AFFAIRS ADVISORY COMMISSION 42 MAYOR’S AWARDS FOR ARTS AND CULTURE 43 NYC LITERARY HONORS 44 PART II: AGENCY PORTFOLIO, FY13 CULTURAL DEVELOPMENT FUND AWARD RECIPIENTS 48 CULTURAL DEVELOPMENT FUND PANELISTS 53 NEW CAPITAL ALLOCATIONS: CONSTRUCTION & EQUIPMENT PURCHASES 54 SENIORS PARTNERING WITH ARTISTS CITYWIDE (SPARC) RESIDENCIES 57 CULTURAL AFTER-SCHOOL ADVENTURES (CASA) AWARD RECIPIENTS 58 MATERIALS FOR THE ARTS RECIPIENTS OF DONATED GOODS 60 DEPARTMENT OF CULTURAL AFFAIRS STAFF 74 PHOTO CREDITS 76 ACKNOWLEDGMENTS 77 4 Letter from The Mayor, First Deputy Mayor & Commissioner Culture is one of New York City’s signature industries, Tobacco Warehouse, Theatre for a New Audience, and present in every neighborhood of all five boroughs. It Urban Glass, as well as Culture Shed and the Whitney supports our economic vitality, generates excitement, Museum of American Art on Manhattan’s West Side. and enhances quality of life, in turn making New York The City also maintained its record-high funding levels City a world-class destination. That’s why we are proud for arts and culture in FY13, the results of which can be to be the nation’s largest single arts funder, supporting seen in the exceptional work produced by the cultural programming, operations, and construction projects at sector.
    [Show full text]
  • Women in Radio: a (Her)Story
    Elizabethtown College JayScholar Communications: Student Scholarship & Communications: Student Scholarship & Creative Works Creative Works Spring 2019 Women in Radio: A (Her)Story Shaye Lynn DiPasquale Elizabethtown College, [email protected] Follow this and additional works at: https://jayscholar.etown.edu/commstu Part of the Mass Communication Commons Recommended Citation DiPasquale, Shaye Lynn, "Women in Radio: A (Her)Story" (2019). Communications: Student Scholarship & Creative Works. 3. https://jayscholar.etown.edu/commstu/3 This Student Research Paper is brought to you for free and open access by the Communications: Student Scholarship & Creative Works at JayScholar. It has been accepted for inclusion in Communications: Student Scholarship & Creative Works by an authorized administrator of JayScholar. For more information, please contact [email protected]. Running Head: WOMEN IN RADIO: A (HER)STORY 1 Women in Radio: A (Her)Story Shaye DiPasquale Elizabethtown College WOMEN IN RADIO: A (HER)STORY 2 Abstract Since the 1920s, women have been an integral part of the radio industry both as originators and as consumers, yet they have experienced near exclusion from histories and analyses on the subject. This thesis project explores the intersection of gender, sound and history through a cultural and historical analysis of female voices in American radio. The analysis includes an examination of the history of silencing women in the public sphere, the on-going conversation surrounding the suitability of female voices for broadcast and
    [Show full text]
  • Curated by Souleo • [email protected] • 646-320-0514 EXHIBITION DESCRIPTION
    def Jam Curated by Souleo • [email protected] • 646-320-0514 EXHIBITION DESCRIPTION Motown to Def Jam is an interdisciplinary, multi-gallery exhibition celebrating African-American Music Appreciation Month (June). Over 40 visual artists pay tribute to socially conscious music created by recording artists from Chess, Stax, Motown, Philadelphia International and Def Jam Records. The exhibition debuted on June 15, 2013 as an unprecedented collaboration between four Harlem art galleries including: La Maison d’Art, The LeRoy Neiman Art Center, Strivers Gardens Gallery and The Sol Studio. The exhibition was presented in partnership by ArtCrawl Harlem and Souleo Enterprises, LLC, with the latter serving as sole curator of all four galleries. Through the lens of contemporary art, each song is interpreted as a visual statement to tell the story of African-American and the broader American history from the beginning of Chess Records in 1950 to the current era of Def Jam. Artists delve into issues such as racism, poverty, self-identity, gender equality, the prison-industrial complex, war, environmental justice and more, as sang in the songs represented here that collectively created the soundtrack for social, political, economic and spiritual revolution. The exhibition begins with art inspired by the Chess and Stax catalogs. Chess Records, founded in Chicago in 1950 by brothers Leonard and Phil Chess is renowned as the pioneering home for rock ’n’ roll, the blues and R&B. Stax, originally known as Satellite in 1959, was founded in Memphis by Jim Stewart and his sister, Estelle Axton. In 1961 the label adopted its new name and became the universal signifier of Southern soul 1 EXHIBITION DESCRIPTION music at its grittiest, rawest and most visceral.
    [Show full text]