Bcrw Spring 2015 Events

Total Page:16

File Type:pdf, Size:1020Kb

Bcrw Spring 2015 Events STUDENT-INITIATED EVENT LUNCHTIME LECTURE NATALIE BOYMEL KAMPEN MEMORIAL LECTURE CARIBBEAN FEMINISMS THE BARNARD-COLUMBIA LOVE AND FLAMES IN FEMINIST CRITICISM AND HISTORY ON THE PAGE BLUES SYMPOSIUM Legacies of Black Queer and WITHOUT THE COVER OF LAW With Jamaica Kincaid, Tiphanie Prison Abolitionist Solidarity Writing the History of Enslaved Women Yanique, Kaiama Glover Friday, 02/13–Saturday, 02/14 with Palestinian Struggle By Annette Gordon-Reed Barnard Campus By Che Gossett Thursday, 04/16 6:30 PM Tuesday, 03/24 6:30 PM Event Oval, The Diana Center This weekend-long series of panel Wednesday, 02/11 12 PM Event Oval, The Diana Center discussions and listening sessions BCRW, 101 Barnard Hall Distinguished writer Jamaica engages with the musical Drawing on her work about slavery at Thomas Jefferson’s Monticello, Kincaid and debut novelist origins and cultural importance In this lecture, new BCRW luminary legal historian Annette Gordon-Reed will discuss the way law Tiphanie Yanique come together of the great American art form: Community Archivist and influences the portrayal of enslaved women and their families. Annette with Barnard’s Kaiama Glover the blues. By grounding the Student Coordinator Che Gordon-Reed is the Carol K. Pforzheimer Professor at the Radcliffe to discuss their experiences as conversation in the music and the Gossett examines the legacies Institute for Advanced Study, the Charles Warren Professor of American women of color writers from the experiences of those who made it, of Black queer solidarity with the Legal History at Harvard Law School, and a Professor of History at Harvard Caribbean and their thoughts this symposium seeks to question Palestinian struggle, excavating University. She received the 2008 National Book Award and the 2009 on writing about the region, the role of race, class, capitalism, the archives of June Jordan, Pulitzer Prize in History for The Hemingses of Monticello: An American gender, and feminism. Kincaid is and gender in American creation BODY UNDONE James Baldwin, and George Family. She is also the author of Thomas Jefferson and Sally Hemings: An the author of numerous books, of song, verse, and language. A Salon in Honor of Jackson to explore what they American Controversy, among other titles. Her honors include the National including most recently the novel WHY SEX? WHY GENDER? Christina Crosby reveal about Palestinian poetics, Humanities Medal, a Guggenheim Fellowship, and a MacArthur Fellowship. See Now Then. Yanique’s debut Activist Research for Social This year’s lecture is in honor of Barnard Professor of History (and longtime All events are free, With Christina Crosby, Lisa Cohen, black radicalism, prison abolition, LUNCHTIME LECTURE novel, Land of Love and Drowning, Justice open to the public, and Leigh Gilmore, Laura Grappo, anti-pinkwashing movements, and A HISTORY OF THE UGLY BCRW Advisory Board member), Herbert Sloan, author of Principle and was released in 2014 to critical A symposium in honor of Interest: Thomas Jefferson and the Problem of Debt. wheelchair accessible. Maggie Nelson, Gayle Pemberton, the afterlife of slavery. By Rachel Eisendrath acclaim. Janet Jakobsen For all accessibility needs, THE SCHOLAR AND FEMINST XL Gayle Salamon please let BCRW know at your ACTION ON EDUCATION Thursday, 04/23 12 PM Friday, 05/01 10 AM–6:30 PM earliest convenience at A conference Tuesday, 03/10 6:30 PM BCRW, 101 Barnard Hall James Room, 4th Floor Barnard Hall 212.854.2067 or [email protected]. Sulzberger Parlor Friday, 02/27–Saturday, 02/28 3rd Floor Barnard Hall Focusing on what Ben Jonson For the past 15 years, Janet R. For more information, go to Barnard Campus called “turdy-facy-nasty-paty- Jakobsen has led the Barnard bcrw.barnard.edu In her forthcoming memoir, lousy-fartical” characters in works Center for Research on Women in Barnard was founded 125 years ago with the feminist mission of providing education Wesleyan University professor of medieval and Renaissance producing complex, multidisciplinary to those who were excluded from major avenues of education. In honor of this legacy Christina Crosby grapples with the literature, Assistant professor analyses that address the realities and the 40th anniversary of BCRW’s signature Scholar & Feminist Conference, this rawness of grief after a bicycle Rachel Eisendrath considers how of social change across a diverse year’s conference builds a feminist framework for understanding the institutional, accident left her quadriplegic at the highly ambivalent aesthetic range of issues. As the capstone to social, and pedagogical facets of teaching, learning, and schooling. Scholars, activists, age 50. Ultimately, she uncovers category of the ugly may serve Professor Jakobsen’s directorship BCRW educators, and artists explore the K-12 landscape and investigate who can attain the queer commitments that can of BCRW, this symposium will as a paradoxical means by which post-secondary education, under what circumstances, and at what cost. They create life-sustaining possibility in a literary text critiques or even further expand and transform discuss diverse feminist approaches to such topics as the Common Core standards, an undone body. At BCRW’s fifth protests against itself. frameworks for social justice SPRING 2015 educational alternatives, the school-to-prison pipeline, adjunct labor, sexual violence annual salon, participants reflect Photo used by permission of the Folger feminism, taking up gender, race, on campus, and continuing racial and economic segregation within educational on Crosby’s evocative story in the Shakespeare Library under a Creative sex, religion, freedom, economics, spaces. For list of participants visit bcrw.barnard.edu. context of poetry, memoir, disability Commons Attribution-ShareAlike 4.0 and the arts. International License. EVENTS Image courtesy of Pete Railand, justseeds.org studies, and queer theory. BCRW WELCOME TAMI AND CHE! STAFF DIRECTOR’S Janet R. Jakobsen, Ph.D. This fall, we welcomed Tami Navarro as our new Associate Director and Director CALENDAR Che Gossett as our Community Archivist and Student Coordinator. Tami Tina Campt, Ph.D. NOTE holds a Ph.D. in cultural anthropology from Duke University and worked at Director the Women’s Coalition of St. Croix, a direct service organization founded by Tami Navarro, Ph.D. I cannot express all my gratitude in this small space. But I can say that the past fifteen HOURS OF OPERATION For more information, go to bcrw.barnard.edu Audre Lorde, prior to joining BCRW. She is working on a manuscript entitled Associate Director years serving as Director of BCRW have been the best of my working life. So much Virgin Capital: Financial Services as Development in the US Virgin Islands. Monday–Friday Che Gossett has happened in these years. Not only has the (now) forty year history of the Center Che is a Black genderqueer independent scholar and activist. Their projects 10am–5pm Community Archivist & Student informed my sense of what it meant to take up this job in the year 2000, but this new Wednesday, 02/11 Friday, 02/13– Friday, 02/27– focus on queer of color AIDS activist and trans archives, and on legacies of Coordinator century has also been dramatic—including times of violence and war, financial meltdown, MAILING ADDRESS LOVE AND Saturday, 02/14 Saturday, 02/28 queer Black solidarity with Palestinian struggle. They hold an MA from the Anne Jonas and climate change, along with the continuation of many traditional battles in the politics FLAMES BARNARD- ACTION ON University of Pennsylvania and an MA in education from Brown University. Barnard College Program Manager of gender and sexuality (and some new ones). Leading BCRW during this time has Black Queer COLUMBIA EDUCATION 101 Barnard Hall Pam Phillips given me great hope in the capacity of feminist movements for social justice to construct 02/ Barnard Campus 3009 Broadway and Prison BLUES Administrative Assistant alternatives. When June Jordan spoke in 2001 at our 30th anniversary conference, Abolitionist SYMPOSIUM New York, NY 10027 Hope Dector or when Nobel Peace Laureate Jody Williams spoke about everyday practices of Solidarity Barnard Campus New Media Manager preventing violence, they helped to demonstrate that, “There is another way.” When I 12 PM Telephone 212.854.2067 Nicci Yin '14 step down from this job at the end of this semester, I will do so with a heightened sense BCRW THE SCHOLAR & FEMINIST ONLINE ISSUE 12.1–12.2 Fax 212.854.8294 Post-Baccalaureate Fellow that we can create a world in which “all women can live in dignity, autonomy and equality.” 101 Barnard Hall Web address bcrw.barnard.edu I owe that sense to all of you. Web Journal sfonline.barnard.edu Tuesday, 03/10 Tuesday, 03/24 BCRW is thrilled to present “Activism and the Academy,” a double issue of RESEARCH ASSISTANTS So, what remains for me is to say thanks: thanks to all of you who have supported and Blog bcrw.barnard.edu/blog/ BODY UNDONE WITHOUT THE our peer-reviewed, open-access webjournal. Edited by Janet Jakobsen and Priyanka Bhatt ’18 participated in the Center. And, thanks to all the students, staff, faculty, administrators, E-mail [email protected] A Salon in Honor COVER OF LAW Catherine Sameh, this collection of responses to BCRW’s 40 years of feminist Michelle Chen ’15 alumnae, Advisory Board members and activist collaborators with whom I have had the Twitter @bcrwtweets 03/ of Christina Writing the 04/ social justice work within and, importantly, across academic and activist Carly Crane ’15 pleasure to work in these years. I owe special appreciation to Elizabeth Castelli and Crosby History of communities includes “Lessons from Anti-Violence Movements,” original videos Sarah DeYoung ’15 Neferti Tadiar for stepping in as Acting Directors at crucial points and to Tally Kampen 6:30 PM Enslaved Women produced by Hope Dector and Dean Spade. Authors in this issue include Robin Dania Lewis ’17 and Liz Boylan as extraordinary mentors.
Recommended publications
  • Seeking Intersections of Pain, Grief and Disability by Christina Crosby, Phd
    JHR NARRATIVE REFLECTION “We are looking for positives here”: Seeking Intersections of Pain, Grief and Disability By Christina Crosby, PhD Three weeks after my fiftieth birthday, I broke my neuropathic pain and deep grief for all I’d lost. fifth and sixth cervical vertebrae in a cycling accident. Weekly meetings of the team, which included Janet A branch got caught in my spokes and instantly threw and me, assured me that each knew what the others me to the side, so fast I had no time to throw out my were doing, and all were concentrated on treating me. hands. My chin took the full impact, smashing my I now enjoy a manifestly abundant life. I work half face and hyper- extending my neck. Anyone who time at a job I love, and I enjoy the friendship of works in rehabilitative medicine knows something of many. My lover then still loves me now, and between the far-reaching effects of spinal cord injury. Every us we have enough money to pay directly for all the person so paralyzed will live with deficits and help I need, while so many have no such advantage. capabilities specific to which neural networks are Yet physical pain, though moderated by drugs, destroyed or compromised, so each case will pose shadows every day, and fourteen years after the different challenges for rehabilitative treatment. Each accident, I am not done with grieving. person must use whatever resources are at hand to understand a bodymind radically undone. I have worked for more than thirty years at Wesleyan University as a Professor of feminist, gender, and “We are looking for positives here,” Dr.
    [Show full text]
  • 2014-2015 FGSS Newsletter
    FEMINIST GENDER WESLEYAN UNIVERSITY FEMINIST, GENDER AND SEXUALITYSEXUALITY STUDIES STUDIES Inside: Letter from 2the Chair Senior 3Theses Diane Social Death Weiss ’80 4Series Faculty & Memorial 6Alumni News Ecofeminism Lecture Grant On the evening of April 9, 2015, Elizabeth data, and extract gain for feminist theory. At order to 7 Wilson presented her most recent work as the the Diane Weiss lecture, Wilson focused on render them FGSS featured speaker for the 27th Annual Diane re-conceptualizing depression and anger. She deserving Weiss ’80 Memorial Lecture. Her presentation, contrasted her account with both Freud’s theory of sympathy Symposia “Bitter Melancholy: Feminism and the Politics of on melancholy, and feminist treatments of and justice. 8 Biology and Aggression,” explored depression depression. In Freudian and feminist theories “If we are and aggression through a feminist framework. of depression, anger is turned inwards. Wilson unable to keep our conceptual focus on these The talk aimed to reclaim the hostility that may argues that recognizing the outward expression intensely hostile forces, then our politics become underlie depression as a positive resource, and of anger, or aggression, in melancholia renders redemptive, sadism is tamed, culture is salvaged, also to rethink feminist responses to melancholy the melancholic a more active subject. and politics marches on to the good,” Wilson and depression. said. Wilson argued that feminist thought has elided The lecture series is named after Diane Weiss or ignored aggression enacted by victimized During the question and answer portion of the (’80). Professor Victoria Pitts-Taylor introduced subjects. She used as a case study the murder evening, Wilson also contested neuropsychiatric the lecture by sharing some background on of Lawrence (Leticia) King, a gender atypical accounts of depression that reduce it to brain Weiss, who tragically died soon after receiving student from Oxnard, California who was shot processes.
    [Show full text]
  • LEON J. HILTON CURRICULUM VITAE Department of Theatre Arts & Performance Studies · Brown University Lyman Hall 010 · 83 Waterman St
    Updated: March 2021 LEON J. HILTON CURRICULUM VITAE Department of Theatre Arts & Performance Studies · Brown University Lyman Hall 010 · 83 Waterman St. Box 1897 · Providence, RI 02912 cell: (847) 644-8819 · office: (401) 863-6952 · fax: (401) 863-7529 [email protected] ACADEMIC APPOINTMENTS 2017-present Brown University · Providence, RI Assistant Professor of Theatre Arts and Performance Studies Affiliations: Gender and Sexuality Studies Program; Science and Technology Studies Program 2016-2017. University of Pennsylvania · Philadelphia, PA Andrew W. Mellon Postdoctoral Fellow in the Humanities, Penn Humanities Forum Affiliations: Department of English; Cinema Studies Program EDUCATION 2010-2016. New York University · New York, NY Ph.D. (with Distinction), Department of Performance Studies Dissertation: “Minding Otherwise: Autism, Performance, and the Politics of Neurological Difference” Committee: José Esteban Muñoz & Tavia Nyong’o (chairs), Faye Ginsburg, André Lepecki, Heather K. Love, Karen Shimakawa 2009-2010. New York University · New York, NY M.A., Department of Performance Studies 2003-2007. Wesleyan University · Middletown, CT B.A. (with High Hons.), College of Letters PUBLICATIONS BOOK MANUSCRIPT Feral Performatives. University of Minnesota Press (Under Contract: publication expected 2022). PEER-REVIEWED JOURNAL ARTICLES 2020. “The Real End of a Nightmare: Amateurism, Feminism, and the Politics of Therapy in Jane Arden’s 1970s.” Third Text, special issue on “Amateurism and the Arts,” edited by Julia Bryan-Wilson and Benjamin D. Piekut. Vol. 33, Issue 5. 2018. “The Bright Shapes Were Going: Disability, Neurodivergence, and Theatrical Form in Elevator Repair Service’s The Sound and the Fury.” The Journal of Literary and Cultural Disability Studies, “Drama, Theatrical Performance, and Disability,” edited by Carrie Sandahl and Ann Fox.
    [Show full text]
  • FIGURES of FINANCE CAPITALISM Writing, Class, and Capital in the Age of Dickens
    LITERARY CRITICISM AND CULTURAL THEORY OUTSTANDING DISSERTATIONS Edited by William E.Cain Professor of English Wellesley College A ROUTLEDGE SERIES LITERARY CRITICISM AND CULTURAL THEORY WILLIAM E.CAIN, General Editor EUGENIC FANTASIES Racial Ideology in the Literature and Popular Culture of the 1920s Betsy L.Nies THE LIFE WRITINGS OF OTHERNESS Woolf, Baldwin, Kingston, and Winterson Lauren Rusk FROM WITHIN THE FRAME Storytelling in African-American Fiction Bertram D. Ashe THE SELF WIRED Technology and Subjectivity in Contemporary Narrative Lisa Yaszek THE SPACE AND PLACE OF MODERNISM The Little Magazine in New York Adam McKible THE FIGURE OF CONSCIOUSNESS William James, Henry James, and Edith Wharton Jill M.Kress WORD OF MOUTH Food and Fiction after Freud Susanne Skubal THE WASTE FIX Seizures of the Sacred from Upton Sinclair to the Sopranos William G.Little WlLL THE ClRCLE BE UNBROKEN? Family and Sectionalism in the Virginia Novels of Kennedy, Caruthers, and Tucker, 1830–1845 John L.Hare POETIC GESTURE Myth, Wallace Stevens, and the Motions of Poetic Language Kristine S.Santilli BORDER MODERNISM Intercultural Readings in American Literary Modernism Christopher Schedler THE MERCHANT OF MODERNISM The Economic few in Anglo-American Literature, 1864–1939 Gary Martin Levine THE MAKING OF THE VICTORIAN NOVELIST Anxieties of Authorship in the Mass Market Bradley Deane OUT OF TOUCH Skin Tropes and Identities in Woolf, Ellison, Pynchon, and Acker Maureen F.Curtin WRITING THE CITY Urban Visions and Literary Modernism Desmond Harding FIGURES OF FINANCE CAPITALISM Writing, Class, and Capital in the Age of Dickens Borislav Knezevic Routledge New York & London Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group This edition published in the Taylor & Francis e-Library, 2005.
    [Show full text]
  • Victorian Negotiations with the Recent Past: History, Fiction, Utopia
    Victorian Negotiations with the Recent Past: History, Fiction, Utopia Helen Kingstone Submitted in accordance with the requirements for the degree of Doctor of Philosophy The University of Leeds Leeds Trinity University Department of Humanities September 2013 The candidate confirms that the work submitted is her own and that appropriate credit has been given where reference has been made to the work of others. This copy has been supplied on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. © 2013 The University of Leeds and Helen Kingstone The right of Helen Kingstone to be identified as Author of this work has been asserted by her in accordance with the Copyright, Designs and Patents Act 1988. Acknowledgements Most obvious and important thanks go to my supervisors, Rosemary Mitchell and Nathan Uglow at Leeds Trinity University, and Richard Salmon at the University of Leeds, for their generous, patient and encouraging support, without which this thesis certainly would not have reached completion. Particular thanks to Rosemary for her generosity with her time, her ideas and her collection of highly relevant books. This thesis would also not have come into being without the intellectually exciting and collaboratively supportive training I received during my MA studies at York. I owe a great deal to Jane Moody, who got me there, and who was always an inspiration. She is much missed. Trev Broughton was incisively insightful as my dissertation supervisor, but her help has not stopped there, and I am very grateful to her for voluntarily applying her critical eye to my opening chapter at a difficult stage.
    [Show full text]
  • A Body, Undone: Christina Crosby
    1 A Body, Undone: Living On after Great Pain Christina Crosby NEW YORK UNIVERSITY PRESS New York and London {~?~ST: end chapter} 2 {~?~ST: begin chapter} NEW YORK UNIVERSITY PRESS New York and London www.nyupress.org © 2016 by New York University All rights reserved References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared. CIP tk New York University Press books are printed on acid-free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books. Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Also available as an ebook {~?~ST: end chapter} 3 1 Your Puny, Vulnerable Self On October 1, 2003, I caught a branch in the spokes of the front wheel of my bicycle, and hurtled toward the pavement. My chin took the full force of the blow, which smashed my face and broke the fifth and sixth cervical vertebrae in my neck. The broken bone scraped my spinal cord, and in an instant I was paralyzed. There’s no knowing right away exactly what impairments will result from a spinal cord injury, but as the days passed, it became clear that I had lost the use not only of my leg muscles, but also the muscles of my torso, arms, and hands, and that the loss of muscle compromised my body’s circulatory systems.
    [Show full text]
  • Cross-Cultural Encounter and the Novel: Nation, Identity, and Genre in Nineteenth- Century British Literature
    CROSS-CULTURAL ENCOUNTER AND THE NOVEL: NATION, IDENTITY, AND GENRE IN NINETEENTH- CENTURY BRITISH LITERATURE DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Chimi Woo, M.A. * * * * * The Ohio State University 2008 Dissertation Committee: Approved by Professor Clare Simmons, Adviser Professor David Riede ____________________________ Adviser Professor Amanpal Garcha Graduate Program in English ABSTRACT My dissertation considers cross-cultural encounter represented in the nineteenth- century novel by focusing on the relationships between England’s imperial nationalism and the novel. Whereas many postcolonial critics have situated the nineteenth-century novelistic process in the national context of English colonialism and have argued that the novel mainly sustained the hegemonic mode of conceptualization of England’s cultural others, I argue that the story of cross-cultural encounters conceives an alternative vision that counters such a hegemonic conceptualization of English subjectivity and its subordinate otherness. The notion of cross-cultural encounter in my project is differentiated from that of the space of colonial encounter through which the colonizer from the metropolis seeks to assert his superiority and secure his innocence while he is involved with colonial practices. On the contrary, English characters in the texts that I consider experience the sense of guilt, ennui, or uncertainty that is frequently attributed to colonized subjects. Through actual encounter with their cultural others, English characters distance themselves from the dominant cultural order and the imperialist assumptions as to their superiority and engage with other cultures and people. I show how novels suggest the disruption of the claimed cultural hierarchy by addressing the positive alterity of other ii cultures and hybridity that the dynamics of cross-cultural encounter invoke.
    [Show full text]
  • The Ends of History
    ROUTLEDGE LIBRARY EDITIONS: WOMEN’S HISTORY THE ENDS OF HISTORY THE ENDS OF HISTORY Victorians and “The Woman Question” CHRISTINA CROSBY Volume 11 First published in 1991 This edition first published in 2013 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © 1991 Christina Crosby All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. Trademark notice: Product or corporate names may be trademarks or registered trademarks, and are used only for identification and explanation without intent to infringe. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN: 978-0-415-53409-3 (Set) eISBN: 978-0-203-10425-5 (Set) ISBN: 978-0-415-62304-9 (Volume 11) eISBN: 978-0-203-10412-5 (Volume 11) Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original copies may be apparent. Disclaimer The publisher has made every effort to trace copyright holders and would welcome correspondence from those they have been unable to trace. The Ends of History Victorians and ''The Woman Question'' Christina Crosby New York and London First published 1991 by Routledge a division of Routledge, Chapman and Hall, Inc.
    [Show full text]
  • {PDF EPUB} a Body Undone Living on After Great Pain by Christina Crosby a Body Undone: Living on After Great Pain by Christina Crosby
    Read Ebook {PDF EPUB} A Body Undone Living on After Great Pain by Christina Crosby A Body Undone: Living on After Great Pain by Christina Crosby. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 6605c6b41bd3323c • Your IP : 116.202.236.252 • Performance & security by Cloudflare. A Body Undone: Living on After Great Pain by Christina Crosby. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #c961e830-cec8-11eb-994c-3d6ed1e259e0 VID: #(null) IP: 116.202.236.252 Date and time: Wed, 16 Jun 2021 17:32:13 GMT. CHRISTINA CROSBY: “A BODY, UNDONE” Christina Crosby is a feminist, a lesbian, and a scholar of gender and sexuality, but the concept of embodiment—what it means to be in and of one’s body—was not just something she thought about, but something she lived .
    [Show full text]