DOCSLIB.ORG

Overall There Is a Smell of Fried Onions

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Overall There Is a Smell of Fried Onions Y. FIILILY Fl KIN BANDS 36 Mansfield Road Notttngham NG1 SGY Tel [O1 15] 947 2739 WANTED -' REAL ALES for new live music venue close to student accomodation TRADITIONAL PUB GRUB LIVE TV SPORTS COVERAGE Opportunities for promoters ,./ (,3 or self promoting artistes LIVE MUSIC Also booking manager requked @ THURS. FRI 8: SAT FREE FUNCTION FACILITIES CATCHEMS CORNER [for up to 100 people) New Basford DO YOUR EXTRA FIRKIN STUDY AT THE FILLY E .Te|. Mick Myddleton AND PASS [out] IN STYLE I I (0115) 927 ‘Z8953 _.-J’ ?r1 e O Erin f M m and SIZVZIITQ u.*¢Ic'0rm 1/on l0 SOUND SYSTEMS _._ _._____ ; __»-"T _f___ -__ ""‘- -»— TIT“- RND F’-fll PUBLIC I-IDDRGSS THE I1 /§({--:%\ ~.ii__,_i__ I O I-llfl€ MECHANICS ARMS THE SYSTEMS AVAILABLE Alfred Strut \orth \ott1ngh FROM 150W TO BKW ® SYSTEM COMPONENTS E W OLDEN FLEECE SHURE ' STUDIOMASTER LIVE IRISH IVIUPIC I05 Mansfield Road Nottingham ~ PEAVEY YAMAHA ' ALESIS ' HH ' AKG c\cl\/l\i1l”1SL3Z‘1\f(2.1‘;1l:l Efitglrdav TI‘£idlg1OI1E1:g:ElSk Ales ® s 14 YEARS EXPERIENCE IN Plaw Your Cards Right 9 eers ROCK ' POP ' FOLK ' FUNK ' SOUL exerw Sundaw JAZZ ' CAJUN ' ASIAN ' AFRICAN ' LATIN ' BLUES H4 p pg Ham Home cooked food AND ALL W%RLD MUSIC Ipm 7pm filo T ALL KINDS OF INDOOR AND OUTDOOR Good B 8 ers L1\eN’lus1c Sundax \/londax EVENTS. ALSO SCHOOLS AND SPORTS Tuesdax Sec listmgs tor deta1ls - EVENTS CATERED FOR ® A We“ “Mk, QL112 n1ghtThursda\ 24 HOUR NATIONI£DE AVAILABILITY PHONE SID ON 0115 939 6844 I - - (0115) 947 2843 Up I — T 441* \\\ P.A. HIRE “-\ AS“ll HIGH SPECIFICATION HIGH QUALITY H1594“BIT /,- L TO 2.5K WITHI WITHOUT 3/IN]’\ L: 51 ___ THERUNMAG HORSE 2 { SEPERATE MONITOR MIX. INTELLIGENT LIGHTS The student and biker IFISDCIIY pub ,.--—-Qs V’5*J TUDlOS\ /BACKLINE/DRUMKITS/GUITARS Lave mus|c c1|| weeI< See Ilshngs r'”cJ,\/L Happy hours I2 7 pm Mon to Fri [H5/“gin floors ALSO AVAILABLE r. Pifylilifkf DAT & MINIDISC Recording IT‘A( RUN‘ P.A. RIGS from £65 EVERY TUESDAY at 9pm Fe“ PI§::"’“:m PR QM Reliable competent artist-friendly Folk Blues & Beyond 20 years experience working for EVERY WEDNESDAY t 9 you Cohn Staples Jam Iaigham STUDIOS I LOUD & CLEAR EVERY SUNDAY at noon A """“'L Z“ The Fun Jam SPQCIHI “ll ‘* “IE PRODUCTIONS II“ :,_ I6 Alfreton Road Noftm tel. (01623) 452964 IF YOU HAVE TRIED THE REST (OI I5l 978 7393 NOW TRY THE BEST! I I I - '_' _ _ - ,- BACK TO AIEIASIINILGUTS I Plusl~jYpop‘5Iand Posh have signed to Flhythm Bishop is algdiiitalgpg part in an exhibition records. The band’s debut single Mermaid ' ,1. Hf,» ’ ,- rt»I of Artists Against the Jdb Seekers Allowance. tiiiias released on Jealous records and reached v=‘__i"|'.'¢ 1- -. entitled The Stakes Are High. Organised by the No. 7 in the indie charts. Their new single Shark i Nottingham Campaign Against the JSA the Attack is out 14th Oct. cover: THE HYBIBDS (see Fried Alive) exhibition is situated in Sneinton Market retail Brit punks Apocalypse Babys’ Shooting From photo: Flob Pitt units 29-35 Avenue C, and opens Oct. 7th until The Hip ep is available for £2.50 from 23, Nov. 4th. Other artists and groups involved Monsal Drive, South Normanton, ALFRETON Set in 1999 Epic is Andy Barret's third include Terry Dennett, OCTOPUS, Class War, Derbys. DE55 2BG. commission for the stage in 1996. It follows on John Stockton, The Masked Avenger, the Sheffield -based label ITN Corporation is set to the success of Breaking Bread (see Overall # Anarchist Communist Federation, Mickela release a new soundtrack score by In The 45), and Searching For The Sense of Adventure, Sonola and Mark Somerfield. Viewing times Nursery. Specially commissioned for the classic a new musical for two hundred children written are 10am-4pm Monday and Saturday, 12-4pm silent film The Cabinet Of Dr. Caligari will be the with Mat Anderson. Solo shows include My Tuesday and Friday. first in an occasional series titled Optical Music. Nose performed at Broadway Cinema, The Sex While you are there why not cross the way and The 1919 German movie will be showing along Jelly at Byard Gallery and Hey There, Dr. visit ETC Records formerly of Mansfield Ftoad, with In The Nursery’s modem accompaniment in Pancrazio at Potters House for the No More now at 32, Avenue C. their hometown of Sheffield (Showroom, Sat 2nd Hiroshimas Campaign. Andy will perform Epic An art space has been set up in The Alley Café Nov.) where they have not appeared live for over at the Y Theatre, Leicester, 25th October. A to exhibit contemporary and innovative art. lt is a decade. performance of Breaking Bread will take place at situated in Cannon Courtyard, Long Flow West, Scarce have, ahem, made themselves scarce Clarendon College, Nottingham Nov. 4th as part Nottm. Tel. 924 3370 or 9551013. and will not be appearing at the Filly 81 Firkin on of Now '96 Nottingham’s Festival Of Arts for Sheffield based brash pop band Speedy have Oct. 16th or anywhere else.Their final release today. Now in its 7th year the festival celebrates signed a world wide recording deal with Boiler Days Like This is out Oct. 14th. the best contemporary performance, spoken House records via Arista. Their new single Boy word, visual and live art, dance, new music, Wonder is released on Oct. 21st. The song is The Ballad Qt John And Norma digital imagery and new technology, presenting about the relationship a girl has with a poster artists who present their work in non-traditional and how it changes as she becomes sexually Imagine no recession venues such as nightclubs, disused substations aware. She ends up creating her ideal boyfriend It's easy if you’re thick and shops and electronic sites as well as in from from various parts of her favourite pop No single girls expecting theatres and galleries. Sponsored by Habitat, stars: “Jason’s hair, Fiobbie’s stare, Flyan’s hips, their Boyfriendz ‘N’ the Nick. the festival also features specially commissioned Liam’s lips, Damon's eyes, Jamie’s thighs, works, this year including Incarceration, an Michael’s nose, Jan/is’ clothes. Lilley on the Dole installation piece by Pressure Of Speech, The music industry more than any other is run with Dire Funds, Aargh. Scanner and Dorigen Hammond examining the and controlled by men. The majority of sound concepts and forms of incarceration (Sandfield engineers are men and key positions in record imagine no successor House, Mansfield Bd. 21st-26th Oct. Free). A companies are held by men. Women and Music It's easy it you try Guy Called Gerald, Errolyn Wallen and Buggy is a project initiated by Bandwagon Studios in old Tarzan on a stretcher G Ftiphead collaborate to create a new music Mansfield aiming to give women the chance to being mauled by Lady Di. composition for live instruments and midi improve their. It includes workshops run by technology combined with a computer generated women for women only in playing music, sound, He’d had a Hard Day’s Hype visual language. Called Digital Clubbing it is an lighting, recording, music technology, promoting, and I‘d been rowing with the Frogs. event where The Essance nightclub in stage management, etc. Contact Heather Wilson Nottingham will be digitally linked to to other Imagine Middle England I?! Iain i or Andrea Hall on 01623 422962. clubs with on-line and video conference facilities As part of their continuing fifteenth birthday voting Johnny back 1" ' F}?’ ° FOR.-I-.I:|C19lYé|||N<';.. A-U-RACTIONS Tl with a Performance by Zion Train direct from you may say I'm a dreamer H §§ T as adygzfd °°‘°I°s°’ Euro e transmitted simultaneousl to all the celebrations On-U Sound releases the first ever D V album of remixes on the label. Flesearch And or developed CJD. clubs taking part. Pass that spliff thorough the Development features nine tracks by Dub I SAM FA s ADAIIII S FIEAHIVIILY hot wall... (Nov. 8th) Shoot Bambi do, ‘l Syndicate remixed by such artists as Zion I e reat Northern C LEISURE HIVE ..-1.1. £250 You know we ‘d love you. ,j London Ftoad, Nottingham FFtEEFQ_Fl_A_l=L Train, Huts DC, Rootsman, lration Steppas, 1 (0115) 941 asso Abashanti and Tribal Drift. Dub Syndicate Imagine no possessions 1 PIQSGFIIS WIN A YEAFt’S SUPPLY OF RIZLA. mainstays Adrian Sherwood and Style Scott ln this month’s Freeforall we have an amazing have even contributed their own remix of The You on drugs or something? one whole year's supply of Rizla Originals Only Alternative featuring the vocals of Lee I FRIED cigarette papers to give away to our lucky I ‘Scratch’ Perry and a sample of Margaret HELP! THE SKY ROCKETS EASE winner. All entries will then go into a national Thatcher. That bloody woman just won't go competition to win a stash of Rizla goodies vote NEW LABOUR RACING GREEN aclm.£2 away. The styles range from heavy dub to including a jacket, lighters, cigarette cases, hats, techno with the cream of the UK’s contemporary T-shirts tobacco pouches and rolling machines. 5°°°'- ‘ BaropenuntiI2am dub outfits at the controls. Wicked. Yes, folks, Ftizla have finally come out of the Also on On-U sound is Longtime an album of 1; pint 81 pasta £3 5 ‘til 8pm closet and admitted that they sell 20 million both old and new material by Earl Lowe a.k.a.
Load more

Recommended publications
  • Live Among the White Trash: a History of Nono----Manman on Stage
    Live Among the White Trash: A history of nono----manman on stage “There are no No-Man concerts scheduled for the foreseeable future.” (from the official no-man website) Anyone who has followed no-man’s career over the previous ten years or so will be acutely aware that the band does not play live. If no-man “exist” as a band at all – and their infrequent releases mean they are more an ongoing understanding between two men rather than an active unit – it is only in the studio. Over a series of uncompromising albums no-man’s music has become ever more complex, yet ironically, “live sounding” than the release which proceeded it. But this organic “liveness” is mainly an illusion; the feeling of spontaneity often the result of numerous edits and takes which only the precision of studio work can produce. Others have tried to perform equally difficult music live: Radiohead ambitiously thrusting their clicks-and- cuts post-rock upon the world’s stadiums, for example. But for a variety of reasons, no-man simply haven’t tried – at least, not since 1994 and not until a one-off performance in 2006. The only comparable case is Talk Talk’s retreat into the studio in the late 1980s. Both bands have undoubtedly crafted their best work without going near an audience. 1 But it wasn’t always so. no-man were once very much a live act, promoting singles and albums with dates and undertaking two full-blown tours – though they rarely played outside London, never went further north than Newcastle, and never played outside Great Britain.
    [Show full text]
  • Surround Sound Auteurs and the Fragmenting of Genre
    Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Williams, A. (2019). Surround Sound Auteurs and the Fragmenting of Genre. In J.-O. Gullö (Ed.), Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 319-328). Stockholm: Royal College of Music (KMH) & Art of Record Production. Alan Williams: Surround Sound Auteurs and the Fragmenting of Genre Abstract Multi-channel sonic experience is derived from a myriad of technological processes, shaped by market forces, configured by creative decision makers and translated through audience taste preferences. From the failed launch of quadrophonic sound in the 1970s, through the currently limited, yet sustained niche market for 5.1 music releases, a select number of mix engineers and producers established paradigms for defining expanded sound stages. Whe- reas stereophonic mix practices in popular music became ever more codified during the 1970s, the relative paucity of multi-channel releases has preserved the individual sonic fingerprint of mixers working in surround sound. More- over, market forces have constricted their work to musical genres that appeal to the audiophile community that supports the format. This study examines the work of Elliot Scheiner, Bob Clearmountain, Giles Martin, and Steven Wilson to not only analyze the sonic signatures of their mixes, but to address how their conceptions of the soundstage become associated with specific genres, and serve to establish micro-genres of their own. I conclude by ar- guing that auteurs such as Steven Wilson have amassed an audience for their mixes, with a catalog that crosses genre boundaries, establishing a mode of listening that in itself represents an emergent genre – surround rock.
    [Show full text]
  • Visions Presents Steven Wilson Mp3, Flac, Wma
    Steven Wilson Visions Presents Steven Wilson mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock Album: Visions Presents Steven Wilson Country: Germany Released: 2013 Style: Prog Rock, Art Rock MP3 version RAR size: 1715 mb FLAC version RAR size: 1315 mb WMA version RAR size: 1759 mb Rating: 4.9 Votes: 230 Other Formats: AU AA VOX VQF TTA AUD MPC Tracklist 1 –Steven Wilson Luminol 12:12 2 –Blackfield Blackfield 4:08 3 –Porcupine Tree I Drive The Hearse (Live) 6:50 4 –No-Man True North (Radio Edit) 4:25 5 –Steven Wilson Harmony Korine 5:09 6 –Blackfield Pills 3:36 7 –Porcupine Tree Even Less 7:13 8 –No-Man Back When We Were Beautiful 5:07 Companies, etc. Phonographic Copyright (p) – Steven Wilson Copyright (c) – Steven Wilson Notes Given away in a cardboard sleeve with German magazine "Visions" issue 240 March 2013. Information on backcover: For promotional use only. Not for resale 1 - (taken from the album "The Raven That Refused To Sing And Other Stories") 2 - (taken from the album "Blackfield") 3 - (taken from the album "Octane Twisted") 4 - (taken from the album "Schoolyard Ghosts") 5 - (taken from the album "Insurgentes") 6 - (taken from the forthcoming album "IV") 7 - (taken from the album "Stupid Dream") 8 - (taken from the album "Together We're Stranger") The copyright in this compilation is owned by Steven Wilson/Blackfield/Porcupine Tree/No-Man under exclusive license to Kscope This compilation ℗ 2013 Steven Wilson This compilation © 2013 Steven Wilson Made in Germany Track timings are not appearing on this release.
    [Show full text]
  • Porcupine Tree — the Sound of Muzak 13 — 14
    Porcupine Tree The Sound Of Muzak Track Porcupine Tree — The Sound Of Muzak 13 — 14 Als 2002 zum Album „In Absentia“ Gavin Harrison als neuer Drummer zu Porcupine Tree kam, holte man damit einen echten Spezialisten für vertrackte Rhythmen an Bord. Polyrhythmik, Akzentverschiebungen und ungeraden Rhythmen machen sein Spiel unverwechselbar. Genau diese Stilelemente findet man auch in „Sound Of DH: Was macht den Drumpart von „The Sound Of Muzak“ Muzak“. Dazu kurz vorweg: Dieser Song ist rhythmisch und denn so charakteristisch? spieltechnisch ein echter Brecher, also nicht unbedingt was für Einsteiger. Aber dafür dürfen wir mit Stolz verkünden, Gavin: Es is ist das spezielle Feel in der Strophe. Den dass Gavin höchstselbst unsere Transkription gecheckt hat Hauptrhythmus denke ich als 7/8-Takt, aber darüber spiele und als „... the most accurate version I've seen of this Song!“ 7/4. Das gibt dem Hörer eine bessere Orientierung. Wenn bezeichnet hat. ich diese Viertel-Akzentuierung wegließe, wäre es ein sehr Zudem stand Harrison uns noch für das folgende Mini- ruckeliger Rhythmus. Interview Rede und Antwort: DH: Wie lange benötigtest du, um deinen Drumpart für „The DH: Gavin, die meisten Songs von Porcupine Tree schreibt Sound Of Muzak“ aufzunehmen? Steve Wilson. Gibt er dir auch genau vor, wie du deinen Part zu spielen hast? Gavin: Ich glaube, der Song war mit dem ersten Take im Kasten. Gavin: Also, dieser Song war fertig, bevor ich zur Band stieß. Ich flog nach New York als Session Drummer und spielte das Album in sechs Tagen ein. Steve hatte das 7/8-Pattern auf einem Drumcomputer programmiert.
    [Show full text]
  • Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
    University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known.
    [Show full text]
  • Claudia Richter, Photos/Layout: Claudia Richter
    No Fear of a blank interview By Uwe Häberle And Claudia Richter, Photos/Layout: Claudia Richter During the „Fear of a blank planet“ autumn tour 2007 Steven Wilson was ready to answer the questions of the editors from www.Voyage-PT.de on 13th Novem- ber 2007 at the „LKA“ in Stuttgart, despite the fact that there is no massive promotion effect for the band to be expected from a fan website as e.g. from re- spective music magazines or radio stations. Mr. Wilson presented himself as a deeply grateful conversational partner. And if he enjoyed the questions than the coverage of his answers exceeded the questions many times over. Steven allo- wed fascinating insights into his intellectual world, which significantly influences his creativity. And en passant he proved that he still is a down-to-earth person. There is probably nothing a blank planet“ tour in au- take several pictures. Our Well prepared we came on better for a diehard Porcu- tumn 2007 we retried our main goal was to conduct the dot to the „LKA“ to fire pine Tree fan (beside the miss out chance again and an interview that steps be- our questions at Steven. live events of course ) as to started a new inquiry at the yond the usual questions Not an easy undertaking, ask Steven Wilson exactly record label „Roadrunner“. and that addresses as- as it all causes a great those questions that you „Roadrunner“ arranged pects on which Steven, in excitement on ourselves always wanted to ask. Du- an interview appointment our humble opinion, never that we had to keep under ring the Blackfield tour in on the 13th of November commented on.
    [Show full text]
  • Dave Hartl's 2017 Top Ten (Or So) Most Influential Albums
    Dave Hartl’s 2017 Top Ten (Or So) Most Influential Albums It’s time once again to look back and do that annual tradition of picking out the 10 or so most influential albums I heard in the past year. Not the most popular, or even the best, but what made me think the most as a musician. You can always go to http://www.davehartl.com/top10.html and look at other years’ postings. The links there go all the way back to 1998, when I started this with George Tucker. It’s a way of hearing about great music you might otherwise miss. If you want to contribute, please write to [email protected] with your own list and your contribution will be added to this document online for future downloads. This is why I do this! It always gives me some great recommendations for what to listen to that would be off my radar otherwise. So don’t be shy! Last year, Brian Groder, Jack Loughhead, and Kaz Yoshihara gave me some great things to listen to. 1.) John McLaughlin & the 4th Dimension: Live at Ronnie Scott’s 2017 saw the farewell American tour of the great guitarist John McLaughlin, who joined up with fellow guitarist Jimmy Herring for an unbelievable 3-set night concluding with pieces from his old Mahavishnu Orchestra days (you can see an entire concert at https://www.youtube.com/watch?v=ZPWa9F4UBQQ&t=19s, highly recommended!). This CD was recorded in London with McLaughlin’s working band of the last decade, the 4th Dimension, about 7 months ahead of the aforementioned American tour, but it shows a microcosm of that concept, opening with 1971’s Meeting of the Spirits and working through pieces showcasing the amazing drummer Ranjit Barot and his Indian classical influences, bassist Etienne M’Bappé’s multilevel constructions, and Gary Husband’s otherworldly synth textures, blowout chops, and energetic drumming.
    [Show full text]
  • Eyez on Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad at Cha 2PAC Feat
    2 UNLIMITED- No Limit 2PAC - All Eyez On Me 2PAC – Changes 2PAC - Dear Mama 2PAC - I Ain't Mad At Cha 2PAC Feat. Dr DRE & ROGER TROUTMAN - California Love 311 - Amber 311 - Beautiful Disaster 311 - Down 3 DOORS DOWN - Away From The Sun 3 DOORS DOWN – Be Like That 3 DOORS DOWN - Behind Those Eyes 3 DOORS DOWN - Dangerous Game 3 DOORS DOWN – Duck An Run 3 DOORS DOWN – Here By Me 3 DOORS DOWN - Here Without You 3 DOORS DOWN - Kryptonite 3 DOORS DOWN - Landing In London 3 DOORS DOWN – Let Me Go 3 DOORS DOWN - Live For Today 3 DOORS DOWN – Loser 3 DOORS DOWN – So I Need You 3 DOORS DOWN – The Better Life 3 DOORS DOWN – The Road I'm On 3 DOORS DOWN - When I'm Gone 4 NON BLONDES - Spaceman 4 NON BLONDES - What's Up 4 NON BLONDES - What's Up ( Acoustative Version ) 4 THE CAUSE - Ain't No Sunshine 4 THE CAUSE - Stand By Me 5 SECONDS OF SUMMER - Amnesia 5 SECONDS OF SUMMER - Don't Stop 5 SECONDS OF SUMMER – Good Girls 5 SECONDS OF SUMMER - Jet Black Heart 5 SECONDS OF SUMMER – Lie To Me 5 SECONDS OF SUMMER - She Looks So Perfect 5 SECONDS OF SUMMER - Teeth 5 SECONDS OF SUMMER - What I Like About You 5 SECONDS OF SUMMER - Youngblood 10CC - Donna 10CC - Dreadlock Holiday 10CC - I'm Mandy ( Fly Me ) 10CC - I'm Mandy Fly Me 10CC - I'm Not In Love 10CC - Life Is A Minestrone 10CC - Rubber Bullets 10CC - The Things We Do For Love 10CC - The Wall Street Shuffle 30 SECONDS TO MARS - Closer To The Edge 30 SECONDS TO MARS - From Yesterday 30 SECONDS TO MARS - Kings and Queens 30 SECONDS TO MARS - Teeth 30 SECONDS TO MARS - The Kill (Bury Me) 30 SECONDS TO MARS - Up In The Air 30 SECONDS TO MARS - Walk On Water 50 CENT - Candy Shop 50 CENT - Disco Inferno 50 CENT - In Da Club 50 CENT - Just A Lil' Bit 50 CENT - Wanksta 50 CENT Feat.
    [Show full text]
  • Steven Wilson at the Colston Hall by the Bristol Post | Posted: January 27, 2016 by by Michael Scanlan
    REVIEW: Steven Wilson at the Colston Hall By The Bristol Post | Posted: January 27, 2016 By By Michael Scanlan Steven Wilson at the Colston Hall YOU may have thought Prog Rock was dead. It ruled the world in the early 70s when bands like Yes, ELP and King Crimson strode the earth like mighty dinosaurs. Prog seemed to get swept away in the musical upheaval of Punk Rock, but really it just moved sideways into its own little niche. Currently the top dog in that little niche is probably Steven Wilson, who was at the Colston Hall on Tuesday night to show prog still rules for a lot of people. Far from a household name, Wilson is a very big fish in the progressive rock pond, but swims under the radar of mainstream recognition (to mix a metaphor or two). He's sold a shedload of albums, been four times nominated for the Grammy Awards and was crowned "King Of Prog Rock" in the 2015 Progressive Music Awards. He's also in great demand as remix producer of choice for all those top prog band of the 70s as they re-release now classic albums, revitalising recordings by Yes, King Crimson, Jethro Tull and XTC, among others. The influences of Yes, Genesis, Crimson et al were present in Tuesday night's performance but there were plenty of more modern influences and creativity as the music swung from the melodic to hard-hitting – extremely hard-hitting – industrial metal. The first section of the close-to-three-hour concert was devoted to Wilson's latest album Hand.
    [Show full text]
  • Fairport Convention Beyond the Ledge (Filmed Live at Cropredy '98) Mp3, Flac, Wma
    Fairport Convention Beyond The Ledge (Filmed Live At Cropredy '98) mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Folk, World, & Country Album: Beyond The Ledge (Filmed Live At Cropredy '98) Country: UK Released: 1999 Style: Folk Rock MP3 version RAR size: 1379 mb FLAC version RAR size: 1974 mb WMA version RAR size: 1127 mb Rating: 4.2 Votes: 845 Other Formats: ASF MP4 WMA DXD MOD APE MIDI Tracklist Hide Credits Programme Start : Meet On The Ledge 1 1:50 Arranged By, Performer – Ric SandersWritten-By – Richard Thompson The Lark In The Morning 2 6:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Traditional Life's A Long Song 3 3:00 Written-By – Ian Anderson Woodworm Swing 4 3:18 Written-By – Ric Sanders Crazy Man Michael 5 5:03 Written-By – Dave Swarbrick, Richard Thompson Dangerous 6 5:29 Written-By – Kristina Olsen The Flow 7 5:13 Arranged By – Ric SandersWritten-By – Chris Leslie Close To You 8 4:24 Written-By – Chris Leslie The Naked Highwayman 9 4:56 Written-By – Steve Tilston The Hiring Fair 10 6:57 Written-By – Ralph McTell Jewel In The Crown 11 3:31 Written-By – Julie Matthews Cosmic Intermezzo 12 5:29 Written-By – Ric Sanders The Bowman's Retreat 13 3:08 Written-By – Ric Sanders Who Knows Where The Time Goes 14 7:11 Featuring – Chris WhileWritten-By – Sandy Denny Come Haste 15 4:36 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* Spanish Main 16 4:40 Written-By – Chris Leslie, Maartin Allcock* John Gaudie 17 6:03 Written-By – Chris Leslie Matty Groves 18a 11:14 Arranged By – Leslie*, Pegg*, Conway*, Sanders*, Nicol*Written-By – Trad.* The Rutland Reel / Sack The Juggler 18b Written-By – Ric Sanders Meet On The Ledge Guest – Anna Ryden*, Chas McDevitt, Chris Knibbs, Chris While, Dave Cousins, David 19 7:10 Hughes , Rabbit*, Maartin Allcock*, P.J.
    [Show full text]
  • Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest
    THE INDEPENDENT JOURNAL OF CREATIVE IMPROVISED MUSIC Joe Bonner Rashaad Kagris Urs Leimgruber Roberto Magris Byron Morris John Tchicai Frank Walton Cape Town Jazz Fest International Jazz News CD Reviews Book Reviews DVD Reviews Obituaries Volume 42 Number 3 July Aug Sept 2016 THE DIFFERENT DRUMMER... IS ON OUR LABEL WWW.INNOVA.MU TWO GREAT BRAZILIAN JAZZ RELEASES BY AAM MUSIC CAROL SABOYA “CAROLINA” On her second solo release for the U.S. market, Carol Saboya presents “Carolina”. a suite of exquisite compositions by master composers such as Antonio Carlos Jobim, Pixinguinha, Joao Bosco, Edu Lobo, Djavan, Lennon and McCartney, and Sting. Her new CD is sure to become a classic. ANTONIO ADOLFO “TROPICAL INFINITO" On the heels of two consecutive Latin Grammy nominations in 2014 and 2015 for Best Instrumental Album, Antonio Adolfo pres- ents his latest work, “Tropical Infinito.” Continuing to mine the authentic samba jazz vein that is his specialty, Antonio offers his unique take on pieces by Benny Golson, Oliver Nelson and Horace Silver, and works in four of his own compositions. On this release, Antonio and his octet work to recreate the energy and intensity of "gafieiras" -- dance parties that were a prominent feature of Rio de Janeiro nightlife in the 1960s. CDs available at ITunes, Amazon, CDBaby and more… AAM music www.aammusic.com NICK FRASER QUARTET STARER Nick Fraser: drums, compositions Tony Malaby: saxophones Andrew Downing: cello Rob Clutton: bass "Nick Fraser's drumming is like a tide rushing in, its momentum surging and receding with engulfing force and polyrhythmic spray, cradling and upending its accompanying voices as it pours out into sonic space.
    [Show full text]
  • Of Virtual Spatiality: Surround Sound Mixing in King Crimson's Back
    Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Proceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi Burlin, T. (2019). The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets. In J.-O. Gullö (Ed.), Pro- ceedings of the 12th Art of Record Production Conference Mono: Stereo: Multi (pp. 37-53). Stockholm: Royal College of Music (KMH) & Art of Record Produc- tion. ISBN 978-91-983869-9-8 © The editors and authors own the copyright of their respective contrubutions. Toivo Burlin: The creation (and re-creation) of virtual spatiality: Surround sound mixing in King Crimson’s back catalog box sets Abstract: The article analyzes surround mixing of King Crimson’s analog recordings. “Lizard,” “Larks’ Tongues in Aspic (Part 1),” “The Night Watch,” “Trio,” and “One Time” are analyzed using the theoretical perspec- tives of the music recording as representation and spatial design. There is a difference between live and studio recordings in surround: live recordings tend to be mixed according to the direct/ambient principle, while studio re- cordings are mixed according to the principle of direct-sound all around. Live recordings in surround can also often be understood as examples of documentarism, and studio recordings as examples of hyper realism. The spatial design of the surround mix tends to emphasize aspects of spatiality in the broad sense: where the recording can, for example, be interpreted as a landscape in sound. Introduction This essay discusses some tendencies in the emerging conventions in con- temporary surround mixing of popular music.
    [Show full text]