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A Mixed Methods Study of Internet Pornography, Masculinity
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Public Access Theses and Dissertations from the Education and Human Sciences, College of (CEHS) College of Education and Human Sciences Fall 10-26-2018 "I imagine the male isn't in the video and it is me:" A Mixed Methods Study of Internet Pornography, Masculinity, and Sexual Aggression in Emerging Adulthood Christina Richardson University of Nebraska-Lincoln, [email protected] Follow this and additional works at: http://digitalcommons.unl.edu/cehsdiss Part of the Counseling Psychology Commons, and the Gender and Sexuality Commons Richardson, Christina, ""I imagine the male isn't in the video and it is me:" A Mixed Methods Study of Internet Pornography, Masculinity, and Sexual Aggression in Emerging Adulthood" (2018). Public Access Theses and Dissertations from the College of Education and Human Sciences. 328. http://digitalcommons.unl.edu/cehsdiss/328 This Article is brought to you for free and open access by the Education and Human Sciences, College of (CEHS) at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Public Access Theses and Dissertations from the College of Education and Human Sciences by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. “I IMAGINE THE MALE ISN’T IN THE VIDEO AND IT IS ME:” A MIXED METHODS STUDY OF INTERNET PORNOGRAPHY, MASCULINITY, AND SEXUAL AGGRESSION IN EMERGING ADULTHOOD by Christina Richardson A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska-Lincoln In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: Educational Psychology (Counseling Psychology) Under the Supervision of Professor M. -
Participatory Porn Culture Feminist Positions and Oppositions in the Internet Pornosphere Allegra W
from Paul G. Nixon and Isabel K. Düsterhöft (Eds.) Sex in the Digital Age. New York: Rougledge, 2018. CHAPTER 2 Participatory porn culture Feminist positions and oppositions in the internet pornosphere Allegra W. Smith Introductions: pornography, feminisms, and ongoing debate Though first-wave feminists had engaged in debate and advocacy surrounding sexual knowledge and obscenity since the late-19th century (Horowitz, 2003), American advocates did not begin to address pornography as a feminist concern until the 1970s, ostensibly beginning with the formation of the activist group Women Against Violence in Pornography and Media (WAVPM) in 1978. WAVPM was a reactionary response to the mainstreaming of hardcore pornography in the wake of American sexual liberation, which many second wave feminists claimed “…encouraged rape and other acts of violence, threatening women’s safety and establishing a climate of terror that silenced women and perpetuated their oppression… [thus helping] create and maintain women’s subordinate status” (Bronstein, 2011, pp. 178–179). The resulting “porn wars” (or, more broadly, “sex wars”) of the 1980s and 1990s polarized second- and third-wave feminists into two camps: (1) anti-porn feminists, such as writer Andrea Dworkin (1981) and legal scholar Catharine MacKinnon (1984), who opposed the creation and distribution of pornographic images and videos on moral and political grounds; and (2) pro-porn or sex-positive feminists, such as anthropologist Gayle Rubin and feminist pornographer Candida Royalle, who advocated for freedom of sexual expression and representation. The rhetoric surrounding the social and cultural ills perpetuated by pornography was duly acrimonious, with one prominent feminist writing, “pornography is the theory, rape is the practice” (Morgan, 1978, p. -
Our Story, Market, Vision and Product
Our story, market, vision and product. WHITEPAPER V1.0 Table of Contents 04 Abstract 06 Hypothesis 09 The Adult Industry 11 Progressive Decentralization 12 Problems & Solutions 12 Censorship & Shadowbanning 13 Anonymity & Privacy 14 Discoverability 14 Compliance 17 Vision & Roadmap 17 Sharesome: Facebook for Porn 19 Flame Token: Global Social Currency 20 Roadmap 22 Sharesome 22 The Feed 22 The Ranking 24 Time Factor 24 Topics 25 Verified Users 26 Coming soon: Community Profiles 27 Coming soon: Crowd Tagging 28 Flame Token 29 The Token Integration Model 30 Goods & Services 31 Token Specifications 31 Token Distribution Table of Contents 32 Social Landscape 32 Facebook 32 Instagram 32 Tik Tok 32 Twitter 33 Tumblr 33 Reddit 33 Snapchat 33 The Sharesome Social Plugins 34 Sharesome Login 34 Innovation Abstract Sharesome is the first free social network for content discovery, built with creators in mind, powered by a native crypto currency called Flame Token (XFL). Today, a large number of people make a living off their creations, whether as artists, musicians, actors, authors, models, or entrepreneurs. The top-earning writer on the paid newsletter platform Substack earns more than $500,000 a year from reader subscriptions 1. The top content creator on Podia, a platform for video courses and digital memberships, makes more than $100,000 a month. Jem Wolfie is the top earner on OnlyFans 2, where subscribers pay models a fee to view a feed of NSFW imagery too racy for Instagram. According to OnlyFans, she has 14,000 subscribers who pay $10 a month for access to her feed. These stories are indicative of a larger trend: The monetization of social media following. -
Revenge Pornº: an Evaluation of the Elements That Make an Effective Nonconsensual Pornography Statute
DECONSTRUCTING THE STATUTORY LANDSCAPE OF ªREVENGE PORNº: AN EVALUATION OF THE ELEMENTS THAT MAKE AN EFFECTIVE NONCONSENSUAL PORNOGRAPHY STATUTE Jonathan S. Sales and Jessica A. Magaldi* INTRODUCTION Changes in social mores and technology have yielded the phenomenon of sext- ing, which includes the capturing and forwarding of intimate images through the Internet.1 Research reveals that nearly ®fty percent of adults in the United States have sent or received intimate digital content. 2 At the same time, the con¯uence of these changes has spawned new violations of privacy and predatory actions when these images are made available on the Internet without the subject's consent.3 The re-distribution or dissemination of these intimate images without the consent of the subject and without a legitimate purpose (such as a law enforcement investigation) is referred to as nonconsensual pornography (ªNCPº). 4 NCP has caused victims to suffer substantial harm.5 In some cases, NCP inci- dents have precipitated a victim's suicide.6 Prior generations might have concluded that a person who allowed such images to be captured and placed in the possession of another person assumed the risk of re-distribution; in essence, a negligence, recklessness, or constructive consent argument. In contrast, in the twenty-®rst cen- tury, capturing or sharing of intimate images is often regarded as an acceptable * Jonathan S. Sales, J.D., Northeastern University School of Law, Lecturer, Bentley University; Jessica A. Magaldi, J.D., New York University School of Law, Associate Professor, Pace University. The authors gratefully acknowledge the research support of Clifton M. Chow, Ph.D., Research Consultant at Bentley University; Peng Zhang and Piotr Kolodzie, Graduate Assistants at Bentley University; and Primrose Zvinavashe, LL.B, LL.M, Graduate Assistant at Pace University. -
A Critical Case Study on Pornography 2.0
‘‘I’ll bet I’m having more fun than you are.” A critical case study on pornography 2.0 Asher Boersma Master Thesis Film and Television Studies, Utrecht University Supervisor: prof. dr. Frank Kessler Cohort February 2006-2007 / August 29, 2008 17.814 words main body / 22.651 words total honey, close the curtains. Contents Acknowledgements 3 0. Introduction 4 . Key concepts 6 . Metaphors, myths and discourse 6 .. Web 2.0 6 ..2 Pornography 2.0 7 .2 Theory of pornography 9 .2. The early years of the discourse 0 .2.2 Problematic binary .2.3 Porn Studies 2 .2.4 Narrative sets the tone 3 .2.5 Internet and pornography 4 .3 The case 7 .4 Method 8 2. Case study 20 2. Representation versus real? 20 2.. Shady divide 2 2.2 Discerned and yet connected 24 2.2. Continuity 24 2.2.2 Home is where... 26 2.2.3 Money shot 29 2.2.4 Female solo performance 30 2.2.5 Division of labour 33 2.3 A long story short 34 3. Conclusion 36 Works cited 38 Websites 42 Audiovisual 43 3 Acknowledgements I am indebted to Prof. Dr. Frank Kessler for critical guidance and to Joost Broeren, MPhil, and Henry Allen for unstinting feedback. Furthermore, the love and support from Florence, friends, and family were imperative – thank you. 0. Introduction A great sexual sermon – which has had its subtle theologians and its popular voices – has swept through our societies over the last decades; it has chastised the old order, denounced hypocrisy, and praised the rights of the immediate and the real; it has made people dream of a New City. -
Sexually Progressive and Proficient
Article Sexualities 2017, Vol. 20(5–6) 558–584 Sexually progressive ! The Author(s) 2016 Reprints and permissions: and proficient: sagepub.co.uk/journalsPermissions.nav DOI: 10.1177/1363460716665785 Pornographic syntax and journals.sagepub.com/home/sex postfeminist fantasies Maria Gurevich Ryerson University, Canada Amy Brown-Bowers Ryerson University, Canada Stephanie Cosma Ryerson University, Canada Alexander T Vasilovsky Ryerson University, Canada Usra Leedham Ryerson University, Canada Nicole Cormier Ryerson University, Canada Abstract Mainstream and pornographic images and practice norms are becoming increasingly blurred (Paasonen et al., 2007), while sexual entrepreneurship discourses (Gill, 2009) promote ongoing sexual self-transformation. Women’s sexuality, specifically, is expected to be proficient and perpetually practising. We examine what the mainstreaming of porn- ography means for sexual desire and agency among 27 young women negotiating hetero- sex. Participants’ accounts of sexuality and pornography are reflected in a (dis)ordering porn interpretive repertoire. Porn is positioned alternately as: ridiculous and recapitulated performance; a (contested) arousal tool; pedagogy and pictogram;and(resisted) re-enactment pressure. Pornography’s regulatory effects are both rejected and recapitulated. Whether they use porn as a template for sexual possibilities or decry its codes as undesirable, porn acts as an unavoidable cultural reference point for considering sexuality for these young Corresponding author: Maria Gurevich, PhD, -
Confronting Pornography: Some Conceptual Basics Rebecca Whisnant University of Dayton, [email protected]
University of Dayton eCommons Philosophy Faculty Publications Department of Philosophy 2004 Confronting Pornography: Some Conceptual Basics Rebecca Whisnant University of Dayton, [email protected] Follow this and additional works at: http://ecommons.udayton.edu/phl_fac_pub Part of the Other Feminist, Gender, and Sexuality Studies Commons, Philosophy Commons, and the Women's Studies Commons eCommons Citation Whisnant, Rebecca, "Confronting Pornography: Some Conceptual Basics" (2004). Philosophy Faculty Publications. 167. http://ecommons.udayton.edu/phl_fac_pub/167 This Book Chapter is brought to you for free and open access by the Department of Philosophy at eCommons. It has been accepted for inclusion in Philosophy Faculty Publications by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. Rebecca Whisnant Confronting pornography: Some conceptual basics Porn takes over There can be no doubt, at this moment in history, that pornography is a truly massive industry saturating the human community. According to one set of numbers, the US porn industry's revenue went from $7 million in 1972 to $8 billion in 1996 ... and then to $12 billion in 2000.1 Now I'm no economist, and I understand about inflation, but even so, it seems to me that a thousand fold increase in a particular industry's revenue within 25 years is something that any thinking person has to come to grips with. Something is happening in this culture, and no person's understanding of sexuality or experience of relationships can be unaffected. The technologies of pornography are ever more dynamic. Obviously, video porn was a huge step up from magazines and even from film. -
Generated Pornography: Amateurs and the Ambiguity of Authenticity
1 User-generated pornography: amateurs and the ambiguity of authenticity Susanna Paasonen When focusing on pornographic content generated by amateurs, pornography starts, to a degree, become undone as a point of reference, object of common-knowledge, topic of public debate, policy and regulation. Largely, albeit not completely detached from the framework of the porn industry as a perceived system of production and distribution, the developments and histories of amateur pornography remain ill documented. These cultural artefacts remain notably absent from publicly available media archives, yet enough traces of images, films and texts have remained to suggest that the amateur production has been both lively and multi-medial well before the rise of digital production and distribution, and so-called user generated porn. While some scholars identify DIY content especially with the affordances and specificities of network media (e.g. Jacobs 2007), such claims come with the risk of ahistorical generalization This chapter accounts for both the historical roots of amateur porn production across different media and the complexities that contemporary distribution of user-generated content involves. In order to chart some of the mundane histories and experiences connected to amateur practice, I draw on memory work material on pornography that my research group collected together with the Folklore Archives of the Finnish Literature Society in 2012.1 These recollections are helpful in mapping out both transformations and continuities in everyday encounters with pornography across decades as they have played out in one specific North European country in the course of drastic changes in media culture, technology and in the public visibility and regulation of sexual cultures alike. -
Sexcams in a Dollhouse: Social Reproduction and the Platform Economy
Sexcams in a Dollhouse: Social Reproduction and the Platform Economy Antonia Hernández A Thesis In the Department of Communication Studies Presented in Partial Fulfllment of the Requirements For the Degree of Doctor of Philosophy (Communication) at Concordia University Montréal, Québec, Canada July 2020 © Antonia Hernández, 2020 CONCORDIA UNIVERSITY SCHOOL OF GRADUATE STUDIES This is to certify that the thesis prepared By: Antonia Hernandez-Salamovich Entitled: Sexcams in a Dollhouse: Social Reproduction and the Platform Economy and submitted in partial fulfillment of the requirements for the degree of Doctor Of Philosophy (Communication) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final examining committee: Chair Dr. Richard Lachapelle External Examiner Dr. Geert Lovink External to Program Dr. Johanne Sloan Examiner Dr. Fenwick McKelvey Examiner Dr. Mark Sussman Thesis Co-Supervisor Dr. Kim Sawchuk Approved by Dr. Krista Lynes, Graduate Program Director August 25, 2020 _____________________________________________ Dr. Pascale Sicotte, Dean Faculty of Arts and Science iii ABSTRACT Sexcams in a Dollhouse: Social Reproduction and the Platform Economy Antonia Hernández, Ph. D. Concordia University, 2020 Once a peripheral phenomenon on the Web, sexcam platforms have been gaining social and eco- nomic importance, attracting millions of visitors every day. Crucial to this popularity is the tech- nical and economic model that some of those sites use. Sexcam platforms combine the practices of labor and user-generated platforms. As platforms, they mediate between users and providers, becoming the feld where those operations occur. Sexcam platforms, however, are more than inter- mediaries, and their structures incorporate and reproduce discriminatory conventions. -
List of All Porno Film Studio in the Word
LIST OF ALL PORNO FILM STUDIO IN THE WORD 007 Erections 18videoz.com 2chickssametime.com 40inchplus.com 1 Distribution 18virginsex.com 2girls1camera.com 40ozbounce.com 1 Pass For All Sites 18WheelerFilms.com 2hotstuds Video 40somethingmag.com 10% Productions 18yearsold.com 2M Filmes 413 Productions 10/9 Productions 1by-day.com 3-Vision 42nd Street Pete VOD 100 Percent Freaky Amateurs 1R Media 3-wayporn.com 4NK8 Studios 1000 Productions 1st Choice 30minutesoftorment.com 4Reel Productions 1000facials.com 1st Showcase Studios 310 XXX 50plusmilfs.com 100livresmouillees.com 1st Strike 360solos.com 60plusmilfs.com 11EEE Productions 21 Naturals 3D Club 666 130 C Street Corporation 21 Sextury 3d Fantasy Film 6666 Productions 18 Carat 21 Sextury Boys 3dxstar.com 69 Distretto Italia 18 Magazine 21eroticanal.21naturals.com 3MD Productions 69 Entertainment 18 Today 21footart.com 3rd Degree 6969 Entertainment 18 West Studios 21naturals.com 3rd World Kink 7Days 1800DialADick.com 21roles.com 3X Film Production 7th Street Video 18AndUpStuds.com 21sextreme.com 3X Studios 80Gays 18eighteen.com 21sextury Network 4 Play Entertainment 818 XXX 18onlygirls.com 21sextury.com 4 You Only Entertainment 8cherry8girl8 18teen 247 Video Inc 4-Play Video 8Teen Boy 8Teen Plus Aardvark Video Absolute Gonzo Acerockwood.com 8teenboy.com Aaron Enterprises Absolute Jewel Acheron Video 8thstreetlatinas.com Aaron Lawrence Entertainment Absolute Video Acid Rain 9190 Xtreme Aaron Star Absolute XXX ACJC Video 97% Amateurs AB Film Abstract Random Productions Action Management 999 -
The Celebrity Nude Photo Hack As Digital Phenomenon
Selected Papers of Internet Research 16: The 16th Annual Meeting of the Association of Internet Researchers Phoenix, AZ, USA / 21-24 October 2015 CASCADING EXPLOITATIONS: THE CELEBRITY NUDE PHOTO HACK AS DIGITAL PHENOMENON Caitlin E. Lawson University of Michigan Background On August 31, 2014, the Internet was abuzz after the release of hundreds of private nude photos of female celebrities. For months, a collective of hackers had worked to penetrate Apple’s iCloud storage, which automatically backs up photos from devices such as iPhones. However, iCloud does not lock users out after a number of incorrect login attempts, so the hackers guessed the usernames/email addresses and passwords of female celebrities until they were able to access the accounts. An anonymous self- proclaimed “collector” then acquired the photos and published them on social media sites such as AnonIB, 4chan and Reddit. From there, they quickly spread via various digital networks across the world. While the scandal was analyzed ad nauseum by media outlets, largely lost in the discussion was a sustained examination of the ways in which the affordances of digital media, and particularly social media, facilitated the incident. This essay examines the digital implications of the celebrity nude photo hack by analyzing three facets: its relation to the broader practices of hacking, the implications of the photographs’ circulation online through social media, and the photographs as a form of online pornography. Ultimately, the transcoding and online circulation of these nude and semi-nude images of women facilitated not only the exploitation of the celebrities but also the exploitation of the affordances of digital media. -
First Amendment Sexual Privacy: Adult Sexting and Federal Age- Verification Legislation
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of New Mexico Volume 45 Issue 1 Fall Fall 2014 First Amendment Sexual Privacy: Adult Sexting and Federal Age- Verification Legislation Jennifer M. Kinsley Recommended Citation Jennifer M. Kinsley, First Amendment Sexual Privacy: Adult Sexting and Federal Age-Verification Legislation, 45 N.M. L. Rev. 1 (2014). Available at: https://digitalrepository.unm.edu/nmlr/vol45/iss1/3 This Article is brought to you for free and open access by The University of New Mexico School of Law. For more information, please visit the New Mexico Law Review website: www.lawschool.unm.edu/nmlr \\jciprod01\productn\N\NMX\45-1\NMX101.txt unknown Seq: 1 14-JAN-15 12:38 FIRST AMENDMENT SEXUAL PRIVACY: ADULT SEXTING AND FEDERAL AGE-VERIFICATION LEGISLATION Jennifer M. Kinsley* INTRODUCTION The modern sexting phenomenon amongst adults raises important questions at the intersection of relational privacy, free expression, and federal criminal law. A little-known but long-standing federal statutory scheme—18 USC 2257, 2257A, and the accompanying Attorney General regulations (“Section 2257”)—threatens to criminalize the private ex- change of sexual communication between consenting adults. While there has been relatively frequent litigation involving Section 2257 initiated by the commercial adult entertainment industry, courts and scholars alike have been all but silent as to Section 2257’s impact on private, not-for- profit sexual speech. So too has the literature on the legality of sexting focused almost exclusively on adolescents, whose erotic exchanges raise concerns about child pornography and human trafficking not triggered by adult communication.