David As a Biblical "Good- Fella" and "The Godfather"
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LOD14 David in Ziglag-Compromise and Recovery
INTERNATIONAL HOUSE OF PRAYER UNIVERSITY – MIKE BICKLE STUDIES IN THE LIFE OF DAVID (FALL 2015) Session 14 Ziklag: Compromise & Recovery (1 Sam. 27-30; Ps. 18) I. INTRODUCTION A. After the miracle in 1 Samuel 26, David was overcome with despair and left the territory of Israel (27:1). He lost hold of the clear, prophetic insight that he had about the Lord removing Saul (26:10). In this season of his life, David embraced compromise based in fear, though he had been delivered 12 times before this (18:11, 27; 19:6, 18; 20:1; 22:1; 23:12-14; 23:28; 24:11; 25:33; 26:12). 1And David said in his heart, “Now I shall perish someday by the hand of Saul. There is nothing better for me than that I should speedily escape to the land of the Philistines [Gath and Ziklag].” (1 Sam. 27:1) 9David said to Abishai, “…for who can stretch out his hand against the LORD’s anointed, and be guiltless? 10…the LORD shall strike him…he shall go out to battle and perish.” (1 Sam. 26:9-10) B. There were times when his circumstances contradicted God’s promises over his life that everything seemed lost to David. The Lord was testing his faith and calling him to realign his thinking and refine his character. He learned lessons in these times that he would not have learned otherwise. C. Our battle is a fight for faith or for believing God’s Word in the face of our fears. To trust God in times of blessing and victory is one thing, but to trust Him when things look negative is another. -
A Study of Musical Affect in Howard Shore's Soundtrack to Lord of the Rings
PROJECTING TOLKIEN'S MUSICAL WORLDS: A STUDY OF MUSICAL AFFECT IN HOWARD SHORE'S SOUNDTRACK TO LORD OF THE RINGS Matthew David Young A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC IN MUSIC THEORY May 2007 Committee: Per F. Broman, Advisor Nora A. Engebretsen © 2007 Matthew David Young All Rights Reserved iii ABSTRACT Per F. Broman, Advisor In their book Ten Little Title Tunes: Towards a Musicology of the Mass Media, Philip Tagg and Bob Clarida build on Tagg’s previous efforts to define the musical affect of popular music. By breaking down a musical example into minimal units of musical meaning (called musemes), and comparing those units to other musical examples possessing sociomusical connotations, Tagg demonstrated a transfer of musical affect from the music possessing sociomusical connotations to the object of analysis. While Tagg’s studies have focused mostly on television music, this document expands his techniques in an attempt to analyze the musical affect of Howard Shore’s score to Peter Jackson’s film adaptation of The Lord of the Rings Trilogy. This thesis studies the ability of Shore’s film score not only to accompany the events occurring on-screen, but also to provide the audience with cultural and emotional information pertinent to character and story development. After a brief discussion of J.R.R. Tolkien’s description of the cultures, poetry, and music traits of the inhabitants found in Middle-earth, this document dissects the thematic material of Shore’s film score. -
King Saul in the New Testament
King Saul In The New Testament Hanford enflaming her macrodomes tiptop, catty and self-pitying. Pan-American and diverticular Benjie tessellationwreaths her necessitatingsavants chat causally?or insheathed soakingly. Is Louis rebarbative or caloric when contrast some Click on his own strength had spoken language, but my son of your support or his reign which samuel who carried the king saul. If we confess our sins, he is faithful and just and will forgive us our sins and purify us from all unrighteousness. Jonathan defeated the house, king the middle, david to see below and to thee at david of your browser security reasons some kind of? Saul and all the men of Israel rejoiced greatly. And he shall be as the light of the morning, when the sun riseth, even a morning without clouds; as the tender grass springing out of the earth by clear shining after rain. Try again later, disable any ad blockers, or reload the page. The fight was carried out with all the remorselessness common to tribal warfare. Saul and his three sons fallen in Mount Gilboa. How the mighty have fallen in the midst of the battle! For by grace you have been saved through faith. Interactive Study of Jerusalem with Map. If request of contradictions in the will be missionaries to be again to god and a very sad terms of new king testament in saul the young saul and. To the south, in northern Judah, settlement was even sparser. To which shall I go up? The description of Samuel is authentic. The rest of the people he sent home, every man to his tent. -
Godfather Part II by Michael Sragow “The a List: the National Society of Film Critics’ 100 Essential Films,” 2002
The Godfather and The Godfather Part II By Michael Sragow “The A List: The National Society of Film Critics’ 100 Essential Films,” 2002 Reprinted by permission of the author Although Francis Ford Coppola has often been depicted president.” — and loves to depict himself — as primarily an emotion- Kay re- al and intuitive director, “The Godfather” is a film filled sponds, with correct choices, painstakingly thought out and pas- “You know sionately carried through. Part of what made it a break- how naïve through as a crime move is that it’s about gangsters who you sound? make choices too and aren’t propelled simply by blood- Senators lust and greed. They’re battling for position in New York’s and presi- Five Families, circa 1945-1946. If Don Vito Corleone dents don’t (Marlon Brando) and his successor Michael (Al Pacino) have men come off looking better than all the others, it’s because killed.” In a they play the power game the cleverest and best — and line that Marlon Brando as Don Vito Corleone. the game is sordidly exciting. marked a Courtesy Library of Congress breakthrough For all the movie’s warmth, you could never confuse the for mainstream political awareness when the film premi- Corleones or their allies and competitors for fun-loving ered in 1972, Michael wearily answers, “Who’s being ethnic types. The first scene shows the Don exacting naïve, Kay?” deadly patronage, coercing an undertaker named Bonasera into vows of love and pledges of unmitigated But when Michael says his father’s way of doing things is loyalty in exchange for a feudal bond than can’t be bro- finished, he is being naïve. -
The Role of the Philistines in the Hebrew Bible*
Teresianum 48 (1997/1) 373-385 THE ROLE OF THE PHILISTINES IN THE HEBREW BIBLE* GEORGE J. GATGOUNIS II Although hope for discovery is high among some archeolo- gists,1 Philistine sources for their history, law, and politics are not yet extant.2 Currently, the fullest single source for study of the Philistines is the Hebrew Bible.3 The composition, transmis sion, and historical point of view of the biblical record, however, are outside the parameters of this study. The focus of this study is not how or why the Hebrews chronicled the Philistines the way they did, but what they wrote about the Philistines. This study is a capsule of the biblical record. Historical and archeo logical allusions are, however, interspersed to inform the bibli cal record. According to the Hebrew Bible, the Philistines mi * Table of Abbreviations: Ancient Near Eastern Text: ANET; Biblical Archeologist: BA; Biblical Ar- cheologist Review: BAR; Cambridge Ancient History: CAH; Eretz-Israel: E-I; Encyclopedia Britannica: EB; Journal of Egyptian Archeology: JEA; Journal of Near Eastern Studies: JNES; Journal of the Study of the Old Testament: JSOT; Palestine Exploration Fund Quarterly Statement: PEFQSt; Vetus Testamentum: VT; Westminster Theological Journal: WTS. 1 Cf. Law rence S tager, “When the Canaanites and Philistines Ruled Ashkelon,” BAR (Mar.-April 1991),17:36. Stager is hopeful: When we do discover Philistine texts at Ashkelon or elsewhere in Philistia... those texts will be in Mycenaean Greek (that is, in Linear B or same related script). At that moment, we will be able to recover another lost civilization for world history. -
National Film Registry Titles Listed by Release Date
National Film Registry Titles 1989-2017: Listed by Year of Release Year Year Title Released Inducted Newark Athlete 1891 2010 Blacksmith Scene 1893 1995 Dickson Experimental Sound Film 1894-1895 2003 Edison Kinetoscopic Record of a Sneeze 1894 2015 The Kiss 1896 1999 Rip Van Winkle 1896 1995 Corbett-Fitzsimmons Title Fight 1897 2012 Demolishing and Building Up the Star Theatre 1901 2002 President McKinley Inauguration Footage 1901 2000 The Great Train Robbery 1903 1990 Life of an American Fireman 1903 2016 Westinghouse Works 1904 1904 1998 Interior New York Subway, 14th Street to 42nd Street 1905 2017 Dream of a Rarebit Fiend 1906 2015 San Francisco Earthquake and Fire, April 18, 1906 1906 2005 A Trip Down Market Street 1906 2010 A Corner in Wheat 1909 1994 Lady Helen’s Escapade 1909 2004 Princess Nicotine; or, The Smoke Fairy 1909 2003 Jeffries-Johnson World’s Championship Boxing Contest 1910 2005 White Fawn’s Devotion 1910 2008 Little Nemo 1911 2009 The Cry of the Children 1912 2011 A Cure for Pokeritis 1912 2011 From the Manger to the Cross 1912 1998 The Land Beyond the Sunset 1912 2000 Musketeers of Pig Alley 1912 2016 Bert Williams Lime Kiln Club Field Day 1913 2014 The Evidence of the Film 1913 2001 Matrimony’s Speed Limit 1913 2003 Preservation of the Sign Language 1913 2010 Traffic in Souls 1913 2006 The Bargain 1914 2010 The Exploits of Elaine 1914 1994 Gertie The Dinosaur 1914 1991 In the Land of the Head Hunters 1914 1999 Mabel’s Blunder 1914 2009 1 National Film Registry Titles 1989-2017: Listed by Year of Release Year Year -
Svensk Exegetisk 81 Årsbok
SVENSK EXEGETISK 81 ÅRSBOK På uppdrag av Svenska exegetiska sällskapet utgiven av Göran Eidevall Uppsala 2016 Svenska exegetiska sällskapet c/o Teologiska institutionen Box 511, S-751 20 UPPSALA, Sverige www.exegetiskasallskapet.se Utgivare: Göran Eidevall ([email protected]) Redaktionssekreterare: Tobias Hägerland –2016 ([email protected]) David Willgren 2017– ([email protected]) Recensionsansvarig: Rosmari Lillas-Schuil ([email protected]) Redaktionskommitté: Göran Eidevall ([email protected]) Rikard Roitto ([email protected]) Blaåenka Scheuer ([email protected]) Cecilia Wassén ([email protected]) Prenumerationspriser: Sverige: SEK 200 (studenter SEK 100) Övriga världen: SEK 300 Frakt tillkommer med SEK 50. För medlemmar i SES är frakten kostnadsfri. SEÅ beställs hos Svenska exegetiska sällskapet via hemsidan eller postadress ovan, eller hos Bokrondellen (www.bokrondellen.se). Anvisningar för medverkande åter- finns på hemsidan eller erhålls från redaktionssekreteraren. Manusstopp är 1 mars. Tidskriften är indexerad i Libris databas (www.kb.se/libris/). SEÅ may be ordered from Svenska exegetiska sällskapet either through the homepage or at the postal address above. Instructions for contributors are found on the homep- age or may be requested from the editorial secretary (david.willgren@ altutbildning.se). This periodical is indexed in the ATLA Religion Database®, published by the Ameri- can Theological Library Association, 300 S. Wacker Dr., Suite 2100, Chicago, IL 60606; E-mail: [email protected]; WWW: https://www.atla.com/. Omslagsbild: Odysseus och sirenerna (attisk vas, ca 480–470 f.Kr., British Museum) Bildbearbetning: Marcus Lecaros © SEÅ och respektive författare ISSN 1100-2298 Uppsala 2016 Tryck: Bulls Graphics, Halmstad Innehåll Exegetiska dagen 2015/Exegetical Day 2015 Bruce Louden Agamemnon and the Hebrew Bible ...................... -
The Great Plane Robbery
DOW JONES, A NEWS CORP COMPANY DJIA 27931.02 0.12% ▲ S&P 500 3372.85 0.02% ▼ Nasdaq 13019.09 0.20% ▼ U.S. 10 Yr 0/32 Yield 0.709% ▼ Crude Oil 42.23 0.52% ▲ Euro 1.1844 0.25% ▲ The Wall Street Journal John Kosner English Edition Print Edition Video Podcasts Latest Headlines Home World U.S. Politics Economy Business Tech Markets Opinion Life & Arts Real Estate WSJ. Magazine Search 15-Year Fixed 2.25% 2.42% APR Refinance Rates at Historic Lows 30-Year Fixed 2.25% 2.46% APR 2.42% 5/1 ARM 3.00% 2.96% APR APR $225,000 (5/1 ARM) $944/mo 2.96% APR Calculate Payment $350,000 (5/1 ARM) $1,409/mo 2.74% APR Terms & Conditions apply. NMLS#1136 BOOKS | BOOKSHELF SHARE FACEBOOKThe Great Plane Robbery TWITTERWithout firing a shot, the masked men escaped from Kennedy Airport in a van with 40 parcels containing jewelry and cash. EMAIL By Edward Kosner Aug. 26, 2015 6:27 pm ET PERMALINK SAVE PRINT TEXT 4 Today's Refinance Rate If there were a Mafia Hall of Fame, Henry Hill would be in it, just barely. No Frank Costello, 2.42% APR 15-Year Fixed Meyer Lansky or John Gotti, Hill was a hustling New York mob guy who wound up in the federal witness protection program and became the anti-hero of Martin Scorsese’s classic How much do you want to borrow? “Goodfellas.” $100,000 $150,000 Hill was only half-Italian—his mother was Sicilian, his father Irish—so he was never a made man. -
The Story of David
Supplement to the program THE STORY OF DAVID Prepared by Eric Lund For a free catalog of our videos contact: Vision Video P. O. Box 540 Worcester, PA 19490 610-584-3500 1-800-523-0226 Fax: 610-584-6643 E-Mail: [email protected] Web: www.visionvideo.com 2 From Dr. Ken Curtis President Gateway Films/Vision Video I love to read the Bible stories about David and have drawn instruction and inspiration from his life for years. Thus, it is with special pleasure we offer you Columbia Pictures television series The Story of David. We have prepared this supplement to help you get the most out of this production. David is one of the central characters in all of scripture. What greater could be said than “He was a man after God’s own heart” (I Samuel 13:14, Acts 13:22)? The Bible gives us more details and stories about David’s life than anyone else in all of scripture except Jesus. Consider that the very first thing we are told in the New Testament about Jesus is that he is the “Son of David.” (Matthew 1:1, see also 1:17, 9:27, 15:21). David’s life is a wonderful source for study, discussion and reflection. We believe this film can help bring David’s story alive to enrich your individual or group study. Unfortunately, a film can only cover so much and must be selective in what is included and omitted. For example, I deeply regret that my favorite incident in David’s life is left out entirely. -
The Godfather Is Widely Regarded As One of the Greatest Films in World Cinema and One of the Most Influential, Especially in the Gangster Genre
The Godfather is widely regarded as one of the greatest films in world cinema and one of the most influential, especially in the gangster genre. The Godfather is a 1972 American crime film directed by Francis Ford Coppola and produced by Albert S. Ruddy, based on Mario Puzo's best- selling novel of the same name. The Godfather was selected for preservation in the U.S. National Film Registry of the Library of Congress in 1990, being deemed "culturally, historically, or aesthetically significant" and is ranked the second-greatest film in American cinema (behind Citizen Kane) by the American Film Institute. It stars Marlon Brando and Al Pacino as the leaders of a fictional New York crime family. Marlon Brando Stanley Kowalski in A Streetcar Named Desire (1951) Emiliano Zapata in Viva Zapata! (1952) Johnny Strabler in The Wild One (1953) Mark Antony in Julius Caesar (1953) Terry Malloy in On the Waterfront (1954) Air Force Major Lloyd Gruver in Sayonara (1957) Al Pacino (Alfredo James) Frank Serpico in Serpico (1973) Sonny in Dog Day Afternoon (1975), Tony Montana in Scarface (1983) Frank Slade in Scent of a Woman (1992) Carlito in Carlito's Way (1993), Benjamin "Lefty" Ruggiero in Donnie Brasco (1997) Vincent Hanna in Heat (1995) The story, spanning 1945 to 1955, chronicles the family under the patriarch Vito Corleone (Brando), focusing on the transformation of Michael Corleone (Pacino) from reluctant family outsider to ruthless mafia boss. Paramount Pictures obtained the rights to Mario Puzo’s novel (1969) for the price of $80,000, before it gained popularity. -
David and Achish: the Minority Report (Part I)
David and Achish: the minority report (Part I) David’s escape to Philistia in I Samuel 27 & 29 is one of the more perplexing episodes in David’s life. We can certainly understand his desperation as Saul continues to pursue David despite his having spared Saul’s life twice. But surely, we think, David had no cause to flee to Philistia, or worse, to serve these sworn enemies of Israel, going so far as to line up in the Philistine order of battle on the way to attack Israel (I Samuel 28:1-2; 29:1-2). Indeed, the majority report is that these sixteen months in Philistia mark a grave backsliding on the part of David, a low point in his walk of faith. The general idea is that David is a flawed hero, and the Bible honestly reports his failures as well as his triumphs. This then is considered one of his great failures. The fact that the Bible honestly records the sins of its greatest heroes is certainly true. The question is whether the episode in Chapters 27 & 29 constitutes one of these failures. In the contemporary Reformed world at least, it appears to be beyond question. Take, for example, this list of sermon titles on I Samuel 27 found on mongergism.org (some preached by heroes of mine): ~ Crossing the Line ~ Backsliding again! ~ The eclipse of faith ~ David's Lapse into Unbelief ~ The Frailty of the Man ~ Faltering Faith & a Flight to Philistia ~ Lying Your Way Out of Trouble If this majority report is correct, then the lessons for us are obvious: namely, don’t backslide. -
Anthropology Goes to the Movies by Louise Krasniewicz
“ROUND UP THE USUAL SUSPECTS ” Anthropology Goes to the Movies by louise krasniewicz n 1946, while most anthropologists were exercising their professional skills and curiosities in cul- tures far from home, Hortense Powdermaker took on a most daring research project. Applying the training in participant-observation she had fine-tuned in the South Pacific, Powdermaker set her sights on that elusive social system known as Hollywood. That year one of the top-grossing films and the Academy Award winner for Best Picture was The Best Years of Our Lives. It was produced by Ithe legendary Samuel Goldwyn, who was notorious for supposedly having warned against taking movies too z c seriously, stating “If I wanted to send a message, I’d send a telegram!” i w e i n s a r K e s i u o L 8 volume 48, number 1 expedition Powdermaker failed to heed this warning, and she became mythological, contextual, and linguistic—could come into one of the earliest anthropologists to take this form of story- play. Technical efforts that support or dispute the narrative— telling, mythmaking, and social production seriously. In her music, special effects, camera movements and positions, published study, Hollywood, the Dream Factory: An sound effects, acting—all would be included in a considera- Anthropologist Looks at the Movie-Makers, she combined keen tion of how the story is put together and what it thinks it is social observations with unfortunately simplistic psychologi- saying. Movie reviews, which often reach more people than the cal generalizations, but still gave the impression that movies themselves, could act as related narratives.