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Martine Syms B 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC MARTINE SYMS B. 1988 Lives and works in Los Angeles, California EDUCATION 2017 MFA, Milton Avery Graduate School of the Arts, Bard College, Annandale-on-Hudson, New York 2007 BFA, The School of the Art Institute of Chicago, Chicago, Illinois SELECTED SOLO EXHIBITIONS 2021 Bergen Kunsthall, Bergen, Norway (forthcoming) 2020 Ugly Plymouths, Offsite: Sadie Coles HQ 24 Cork Street, London, United Kingdom, October 6 – October 31 New Media Series: Martine Syms, Saint Louis Art Museum, St. Louis, Missouri, August 7 - November 15 Ugly Plymouths, 5239 Melrose Avenue, presented by Bridget Donahue and Sadie Coles, Los Angeles, California, February 12 -17 2019 Boon, Secession, Vienna, Austria, April 12 - June 16 Shame Space, Institute for Contemporary Art at Virginia Commonwealth University, Richmond, Virginia, February 16 - May 12 2018 Incense Sweaters & Ice, Graham Foundation, Chicago, Illinois, September 26 - January 12, 2019 Big Surprise, Bridget Donahue, New York, September 16 - November 30 SHE MAD: Laughing Gas, Art Institute of Chicago, Chicago, Illinois, September 7 - October 25 Grand Calme, Sadie Coles HQ, London, United Kingdom, September 6 - October 20 FRONT International: Cleveland Triennial For Contemporary Art, Museum of Contemporary Art, Cleveland, Ohio, July 14 - September 30 Contemporary Projects: Martine Syms, Serralves Museum, Porto, Portugal, June 14 - September 9 2017 Projects 106: Martine Syms, Museum of Modern Art, New York, May 27 - July 16 VNXXCAS: Martine Syms, Camden Arts Centre, April 20 - May 14, London, United Kingdom The Easy Demands, CONDO: Bridget Donahue hosted by Sadie Coles HQ, London, United Kingdom, January 13 - February 11 2016 Borrowed Lady, Audain Gallery, Vancouver, British Columbia, October 13 - December 10 Fact & Trouble, Institute of Contemporary Art London, United Kingdom, April 20 - June 19 COM PORT MENT, Karma International, Beverly Hills, California, March 5 - April 23 Martine Syms: Black Box, Human Resources, Los Angeles, California, February 6 - 27 2015 Art on the Move: Martine Syms curated by Franklin Sirmans, Locust Projects, Miami, Florida, November 7 - December 31 Notes On Gesture, Machine Project, Los Angeles, California, October 26 Vertical Elevated Oblique, Bridget Donahue Gallery, New York, September 17 - November 1 Martine Syms, White Flag Projects, St. Louis, Missouri, January 10 - March 28 2014 The Queen’s English, Armory Center for the Arts, Pasadena, California, July 12 - August 29 SELECTED GROUP EXHIBITIONS 2022 We Are Not Aliens: Arthur Jafa, Martine Syms, and Afro-Futurism 2.0, as part of Beyond the End of the World: Approaches in Contemporary Art Seminar, Mary Porter Sesnon Art Gallery, University of California Santa Cruz, Santa Cruz, California, February 2 - March 19 (forthcoming) 2021 Underexposed: Women Photographers From The Collection, High Museum of Art, Atlanta, Georgia, April 17 - August 1 (forthcoming) 2020 For Real This Time, The Ringling Museum, Sarasota, Florida, December 20 - May 16, 2021 The Body Electric, Miami Dade College Museum of Art and Design, Miami, Florida, November 5 - May 30, 2021 Hello? God Is The Space Between Us, Anonymous Gallery, New York and Mexico City, October 20 - January 20, 2021 Sammlung, Tower MMK, Museum Für Moderne Kunst, Frankfurt, Germany, August 22 - May 30, 2021 Self Maintenance Resource Center 2020, online project, The Luminary, St. Louis, Missouri, May 18 - September 21 No Space, Just a Place - Eterotopia, Daelim Museum, Seoul, South Korea, April 17 - July 12 We Are Not Aliens: Arthur Jafa, Martine Syms, and Afro-Futurism 2.0, as part of Beyond the End of the World: Approaches in Contemporary Art Seminar, UC Santa Cruz Sesnon Gallery, Santa Cruz, California, April 2 - May 16 Honestly Speaking: The Word, the Body and the Internet, Auckland Art Gallery Toi o Tamaki, Auckland, New Zealand, February 22 - August 23 Uncanny Valley: Being Human in the Age of AI, de Young Museum, San Francisco, California, February 22 - June 26, 2021 William Greaves, Sondra Perry, Martine Syms, organized by Martine Syms, Princeton University, Princeton, New Jersey, February 21 - March 12 Colored People Time: Mundane Futures, Quotidian Pasts, Banal Presents, MIT List Visual Arts Center, Cambridge, Massachusetts, February 7 - July 19 2019 Manual Override, The Shed, New York, New York, November 13 - January 12, 2020 In Production: Art and the Studio System, Yuz Museum, Shanghai, China, November 7 - March 1, 2020 99 BOWERY 2ND FLOOR, NEW YORK, NY 10002 USA BRIDGETDONAHUE.NYC Aria Dean, Diamond Stingily and Martine Syms, tongewölbe T25, Ingolstadt, Germany, September 21 - February 1, 2020 In the Absence of Light: Gesture, Humor and Resistance in The Black Aesthetic: Selections from the Beth Rudin DeWoody Collection, Stony Island Arts Bank, Chicago, Illinois, September 18 - December 29 The Body Electric, Yerba Buena Center for the Arts, San Francisco, California, September 6 - February 23, 2020 It’s Urgent! – Part II, Luma Westbau, Zürich, Switzerland, August 30 - October 11 Dry Land, Gladstone Gallery, New York, New York, June 24 - July 26 Celebration of Our Enemies: Selections from the Hammer Contemporary Collection, Hammer Museum, Los Angeles, California, June 9 - September 8 The Foundation of the Museum: MOCA’s Collection, Museum of Contemporary Art, Los Angeles, California, May 19 - January 13, 2020 Whitney Biennial 2019, Whitney Museum of American Art, New York, New York, May 17 - September 22 Straying from the line, Schinkel Pavillon, Berlin, Germany, April 13 - July 28 Hypertimes, FuturDome, Milan, Italy, April 1 - May 25 The Body Electric, Walker Art Center, Minneapolis, Minnesota, March 30 - July 21 Colored People Time: Mundane Futures, Institute of Contemporary Art at University of Pennsylvania, Philadelphia, Pennsylvania, February 1 - March 31 2018 Art in the Age of the Internet, 1989 To Today, University of Michigan Museum of Art, Ann Arbor, Michigan, December 15 - April 7, 2019 Per_forming a collection. The Show Must Go_ON, Museo Madre, Naples, Italy, October 10 - ongoing The 12th Gwangju Biennale Exhibition: Imagined Borders, Gwangju, South Korea, September 7 - November 11 Out of Easy Reach, Grunwald Gallery, Bloomington, Indiana, August 24 - November 14 Succession Sounds, Kunstverein, Amsterdam, The Netherlands, August 15, 22, 29 Eckhaus Latta: Possessed, Whitney Museum of American Art, New York, New York, August 3 - October 8 Radically Ordinary: Scenes from Black Life in America Since 1968, Allen Memorial Art Museum, Oberlin, Ohio, July 12 - December 16 Group Show, The Gallery, Michael’s, Santa Monica, California, April 28 - June 30 Out of Easy Reach, Gallery 400 and DePaul Art Museum, Chicago, Illinois, April 26 - August 5 This is Utopia, to Some, Kadist Foundation, Paris, France, March 11 - May 13 A Lone, installed adjacent to Capitol Hill Link rail station within city-wide project, Seattle, Washington, May 1 - 31 A Page from My Intimate Journal (Part 1), Gordon Robichaux, New York, New York, February 11 - April 8 Yebisu International Festival for Art & Alternative Visions, Tokyo Photographic Art Museum, Tokyo, Japan, February 9 - 25 Art in the Age of the Internet, 1989 To Today, Institute of Contemporary Art Boston, Massachusetts, February 7 - May 20 2017 com/.cn, chi K11 art museum, organized between K11 Art Foundation and Klaus Biesenbach and Peter Eleey, Shanghai, China, November 9, 2017 - January 3, 2018 Electronic Superhighway (2016-1966), Museum of Art, Architecture and Technology, Lisbon, Portugal, November 7 - March 19, 2018 Speech/Acts, Institute of Contemporary Art at University of Pennsylvania, Philadelphia, Pennsylvania, September 13 - December 23 The Public Body .02, Artspace, Sydney, Australia, July 28 - October 2 Analog Currency, The Mistake Room, Los Angeles. California, June 11 - September 14 At This Stage, Chateau Shatto, Los Angeles, California, June 10 - August 10 Future Generation Art Prize @ Venice 2017, organized by the Victor Pinchuk Foundation, Palazzo Contarini Polignac, Venice, Italy, May 13 - August 13 That I am reading backwards and into for a purpose, to go on:, The Kitchen, New York, New York, May 23 - June 10 What does one do with such a clairvoyant image?, Trinity Square Video, Toronto, Ontario, May 5 - June 3 56 Artillery Lane, Raven Row, London, England, April 22 - June 11 Our Words Return in Patterns (Part 1), Galerie PCP, Paris, France, March 31 - May 7 Whitney Biennial, as part of the John Riepenhoff installation, Whitney Museum, New York, New York, March 17 - June 11 Exhibition of 21 Artists Shortlisted for the Future Generation Art Prize 2017, Pinchuk Art Centre, Kyiv, Ukraine, February 25 - April 16 Commercial Break, Public Art Fund, New York, New York, February 6 - March 6 I Am the Organizing of My Own Objects, Dazibao, Montreal, Canada, February 2 - April 1 The Love Object (organized by Tom Brewer), Team Gallery, New York, New York, January 12 - February 18 2016 Potentially Yours, The Coming Community, Artspace NZ, Auckland, New Zealand, November 10 - December 22 Los Angeles - A Fiction, Astrup Fearnley Museet, Oslo, Norway, September 23 - January 22, 2017; traveling to Musée d’art Contemporain de Lyon, Lyon, France, March 10 - July 9, 2017 Umwelt Inversion, Galerie Conradi, Hamburg, Germany, September 9 - October 15 Down To Write You This Poem Sat, Oakville Galleries, Oakville, Ontario, June 26 - September 3 Cool Memories, Occidental Temporary, Paris, France, June 5 - July 30 Public, Private, Secret, International Center of
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