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Sonic Interventions

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Sonic Interventions ["TEXTS AND NOTES ON ELECTRONIC VOICING AND TECHNICAL SONO-POIESIS"] I ELECTRONIC VOICING AND TECHNICAL SONO-POIESIS (nearly edited): THE PHONIC CHOQUE The phonographic Nipper effect: "shocking" logocentrism Sonic choque: Telephone call and answering machine Delayed phonocentrism Case Kurenniemi William Buroughs "on" tape Sono-chronic tunneling of historical distance Future in the past: phonographic storage driven by a virtual trauma Disembodied voices from analog to digital analytics RESONANCE OF SIREN SONGS (Hyper-)Sonic beams Auralization of Sirenic voices Conditioned by the vocal alphabet Phonographic sirenism Artificial voices, uncanny GUSLARI ON-LINE Electrified memory Re-discovering the sound of "texts": Oral poetry Textual dictation versus sound recording Transcription versus technical recording Technical recording vs. symbolic transcription (Bartok) Singers and Tales in the 21st Century: digital memory Mathematically discovering sub-semantic poetic articulation AURALIZATION AS RE-ENACTMENT OF THE SONIC PAST Introduction To what extent is the auralization of past sonospheres a valid historical or an archaeological method of research? Knowing past sonospheres before Edison Delayed presence: Micro-tuning of space and time-reversal in acoustics More than just a metaphor: Acoustic archaeology Archaic sonospheres Auralization of Teatro Olimpico, Vincenza "Re-enactment" of past sonospheres (Collingwood) SOUND, SURVEILLANCE AND SIGNAL ANALYSIS. The other "Lautarchiv" Techno-productive "operational" surveillance: The MfS "Stimmenarchiv" "Cold listening" to sensitive sound archives "Cantometrics" Is there a "sound of the archive"? Audio-recordings and their media-archaeological understanding "Forensic" signal (instead of textual) criticism: First audio recordings TECHNOLOGICAL VOICING OF TRAUMATIC MEMORY AND SONIC MEDIA TESTIMONY From the phenomenological to the media-archaeological perspective: media-induced temporealities Broken presence: "Ringsendung" x-mas 1943 Future in the past: Storage driven by a virtual trauma Voice recordings from (beyond) the concentration camps Disembodied voices from analog to digital analytics Sonic media testimony and the audio-visual gap: Theresienstadt Black Boxes of sonic testimony Radiophonic testimony and media-archaeological voice analysis (Hitler, Himmler) Different Trains: Traumatic memory triggered by the sound archive Negative sound as traumatic interval: silence as form of sonic witnessing MICRO-DRAMA / TECHNO-TRAUMA Introducing Samuel Beckett's media theatre The untimeliness of KLT Beckett's logocenstrism? The missing machine noise Repetition and différance Lessness Irruption of media-traumatic "real" into the symbolical time-order of drama "The techno-trauma in Samuel Beckett’s Medientheater" Tape age(s): Time, temperature, entropy The audio-visual difference How to re-enact KLT today What really happens inbetween the human voice and magnetophonic recording: "carpentry" as media-theatrical research Listening to the magnetophone with media-archaeological ears Techno-traumatic silence Loops, analog and / or digital: Krapp's Last Tape and the Halteproblem SONIC "PRESENCING" AND TECHNOLOGICAL VOICING OF THE PAST Analysis of the "sonic" Husserlean vs. Aristotelean time: Sonic "rhythmograms" vs. clocking Electronic media tempor(e)ality: "acoustic space" (McLuhan) „Presence“ in audio technology Signal run-time as acoustic media archaeology The sonic present Micro-archiving sonic presence with analog technologies Sonic Media Temporalities: From Analog to Digital Sound pulses human / inhuman: Heart beats as affect of life The sono-traumatic affect MEDIA TEMPORALITIES AS OBJECT OF KNOWLEDGE (AND THEIR SONIC UNDERSTANDING) For an epistemological understanding of technical media Operative media diagrammatics The specific (a)historicity of media time (epistemology of the technological object) From time-based media to media tempor(e)alities Focus: Media tempor(e)alities New Options of Navigating in the Archives of Audiovisual Times Past Epistemogenic things: Listening to the monochord On sonicity: Sound as epistemic object of (media) analysis Sonic tempor(e)alities CHRONOPOETICS AS "SONO-POETICS". The Appeal of Sound as Time-Object and Time-Subject for Technology-Oriented Media Theory So what is "chronopoetics"? Rhythmograms and their media-archaeological Kehrwert Ubiquitous oscillations (Ørsted) Geometrization of sono-temporal patterns Materiality in being: Temporal sonicity of the monochord Short Wave Radio Technical recording vs. symbolic transcription A genuine media archaeology of recorded sound avant la lettre "First sounds" (Patrick Feaster), "Time(ly) matters" (GWY)? ASYMMETRIES BETWEEN SONIC SIGNALS AND MUSICAL MEANING LISTENING TO SONIC EXPRESSIONS WITH MEDIA-ARCHAEOLOGICAL EARS Sound art matters: Implicit "sonicity" "Sonicity" inbetween vibrational force and electro-magnetic waves From bodily sound ... to the all-embracing sonic? Material sound versus electro-magnetic sonicity (Ultra-)Sonic imaging Sound & matter versus the electronic audio signal The electro-acoustic "lab": Cologne versus Paris De-materialization? Digitalized "sound" BETWEEN PHYSICS AND INFORMATION: AUDIO RECORDINGS FROM THE PAST AND THEIR TEMPOR(E)ALITIES Technical recording vs. symbolic transcription Entropical and negentropical sound memory Phonography versus magnetophon: Electronics makes a difference A counter-archive? Acoustic archaeology Media as active archaeologists New options of sound retrieval AS SLOW AS POSSIBLE? Introducing tempor(e)al sonicity Substituting ears for the missing time sense Understanding slowness: Wiener's harmonical analysis and the limits of the organ As Slow as Possible / Organ²/ASLSP (Cage) [Sonification of / as time: AION, resonance, drones, minimal music] Electro-acoustic time stretching Very low frequencies: frozen voices, frozen vibrations For digital machines there is no "time" II ON PHONICITY AND SONICITY (notes): Case study: "Lautarchiv", Humboldt University "dictaphone" Lautarchiv analytics Technological analysis of phonetic recordings Case study in sonic analytics: Kurenniemi a(r)chi(e)ved with Constant Listening to magnetic tape recordings Frequency analysis: Popular music as technical memory Electrified memory Transcription versus technical recording Rescuing the ephemerality of sonic articulation from "historic" time: symbolic notation and signal recording The Wire Recorder (technical description) Technical recording vs. symbolic transcription (Bartok) Novi Pazar trip report Computerprints for Albert Lord, MPC 1982 Technologies for uncovering the correlations between oral poetic articulation and senso- motoric instrument feedback Phonography: Recording the volatile Inbetween the present and the immediate past: acoustic delay Phonograph versus magnetophone: Electronics makes a difference Technological memory: The sound of the phonograph itself Lord's Wire Recorder Retextualizing audio(visual) records: Digitized sound Re-discovering the sound of texts: "Oral poetry" Speech becoming "immortal" Trans-cultural musical memory? A techno-cultural paradox driven by traumatic "future in the past" Disembodied voices from analog to digital analytics Singers and Tales in the 21st Century: digital memory Motion and immobilization: the audiovisual archive Reverberative memory Locating the Sirens Archeo-acoustic phonautography? Time Shards in the media-active test Siren songs Technological de-humanizing of oral testimony "Bad recording" of beautiful voices Let the medium speak: ghost talk Martin Heidegger's radio "Radio silence" Techno-traumatic irritations Archiving Presence: From Analog to Digital Techno-Trauma: From Analog to Digital "Prayers of a Phonographic Doll" (Anderson Blanton) Phonographic recursion of the phonetic alphabet Historical versus media-archaeological reconstruction of sonospheres Indirect transmission of sound (the vocal alphabet) Sound archaeology Technologies of sonic tradition: a signal-to-noise ratio "First Sounds" (Patrick Feaster): (Archaeo-)Phonography avant la lettre Active media archaeology: Sonic revelations from the past (Au claire du lune) Sonic arts / acoustic archaeology The Vocoder Un-natural: Artificial voices "Frozen" voices "Harmonizing" voices by sampling "Cold" speech synthesis A different kind of recording: The phonographic un-archive Remembering past sonospheres by technical media Is there a "sound of the archive"? Listening to silence with media-archaeological ears Material entropy of the signal versus symbolic (archival) endurance of sound recording On "sonicity" Matter sounds: Acoustic earthquake monitoring "Post-digital" nostalgia for sound matter? On Untitled II Fourier('s) implicitely "sonic" analysis of heat conduction and its cold calculation Paris (Schaeffer) vs. Cologne (Stockhausen): Body-performative electro-mechanical kinetics vs. circuitry-operative electronics Sonic memory's two technological embodiments: physical signal and archival symbol Sonic memory: Electronics makes a difference Material entropy versus symbolic endurance of sound recording Media "music" Symbolic notation: invariant against historic, i. e. entropic time (N)ever present: the vocal voice Re-entry of "music" as symbolic form: computing Abuses of "sound" for computer graphics Listening (to) radio transitively and nuclear "radio" "Immaterial" sonic heritage? Archaeo-acoustics Tuning into the past Message or noise? Acoustic archaeology A media-archaeological approach to sound Water waves, flimmering air: Order by fluctuation Informational aesthetics: Entropy
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