THE IAN Mclean SHOW to IT's YOUR CHOICE the Ian Mclean
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Popular Love Songs
Popular Love Songs: After All – Multiple artists Amazed - Lonestar All For Love – Stevie Brock Almost Paradise – Ann Wilson & Mike Reno All My Life - Linda Ronstadt & Aaron Neville Always and Forever – Luther Vandross Babe - Styx Because Of You – 98 Degrees Because You Loved Me – Celine Dion Best of My Love – The Eagles Candle In The Wind – Elton John Can't Take My Eyes off of You – Lauryn Hill Can't We Try – Vonda Shepard & Dan Hill Don't Know Much – Linda Ronstadt & Aaron Neville Dreaming of You - Selena Emotion – The Bee Gees Endless Love – Lionel Richie & Diana Ross Even Now – Barry Manilow Every Breath You Take – The Police Everything I Own – Aaron Tippin Friends And Lovers – Gloria Loring & Carl Anderson Glory of Love – Peter Cetera Greatest Love of All – Whitney Houston Heaven Knows – Donna Summer & Brooklyn Dreams Hello – Lionel Richie Here I Am – Bryan Adams Honesty – Billly Joel Hopelessly Devoted – Olivia Newton-John How Do I Live – Trisha Yearwood I Can't Tell You Why – The Eagles I'd Love You to Want Me - Lobo I Just Fall in Love Again – Anne Murray I'll Always Love You – Dean Martin I Need You – Tim McGraw & Faith Hill In Your Eyes - Peter Gabriel It Might Be You – Stephen Bishop I've Never Been To Me - Charlene I Write The Songs – Barry Manilow I Will Survive – Gloria Gaynor Just Once – James Ingram Just When I Needed You Most – Dolly Parton Looking Through The Eyes of Love – Gene Pitney Lost in Your Eyes – Debbie Gibson Lost Without Your Love - Bread Love Will Keep Us Alive – The Eagles Mandy – Barry Manilow Making Love -
'With a Heavier Back...Comes a Lighter Spirit'
ISSUE 24 VOLUME 2 Proudly Serving Celts in North America Since 1991 FEBRUARY 2015 WELSH schoolchildren wave the red dragon – the official na- tional flag of Wales. On March 1 Welsh around the world cel- ebrate the feast day of Saint David, the patron saint of Wales. [To learn more, see pages 2 & 8] Are you ready for CelticFest Vancouver? Twelve fun-filled days of Celtic entertainment from March 6-17. Check out the full line-up on page 6. ARTWORK BY: Nataša Ilincic, artist and illustrator. ‘With a heavier back....comes a lighter spirit’ This month’s cover artwork is by artist Nataša Ilincic. She was inspired after a visit to Wales last year where she worked on an organic farm near Llanidloes, experiencing rural life, sleeping in a barn, tending to animals and wandering through the hills nearby. [For more about the artist, see page 2] NORTHERN IRELAND WIN FREE TICKETS SEVENTY-FIVE years since CANADA’S new Ambassador Win free tickets to Festival du Bois Mackin Park, Coquitlam, starting Febru- PARTIES AGREE ON his “finest hour” in leading the to Ireland Kevin Vickers pre- ary 26 (see page 4 for details). Entry by February 19. Mark your entry: A £2 BILLION DEAL fight against fascism in the sented his credentials to Presi- Festival du Bois. Second World War, Winston dent Higgins at Áras an Win tickets to CelticFest, to A Tribute to the Pogues at the Imperial, 319 TO SECURE Churchill is remembered as “a Uachtaráin on January 21. Main Street, Vancouver on March 7 (see page 6 for details). -
COMPTES RENDUS the Life and Times of Dalton Camp
James Ferrabee COMPTES RENDUS The life and times of Dalton Camp Geoffrey Stevens, The Player: The Life and Times of Dalton Camp, Toronto, Key Porter Books, 2003. Review by James Ferrabee n the mid-1950s there was little dian politics on the provincial and For the next 30 years he was an observ- hope a Conservative Government federal scene. er rather than a participant, turning to I would or could be elected in In all, Camp watched over and writing columns for the Toronto Star Ottawa. By 1955, the Liberals had directed 28 elections. His helped create and participating in debates about pol- ruled with little effective opposition and fertilize several Tory dynasties on itics on TV, radio and in public debates. for 20 years. It felt like 40 years. Who the provincial scene, including Robert He was, in short, “a player” which is was going to stop them? Stanfield’s in Nova Scotia (11 years), also the title of Geoffrey Stevens superbly At universities, Canadian history Richard Hatfield’s in New Brunswick (16 researched and cogently written biogra- texts read like a slightly revised ver- years), William Davis’ in Ontario (14 phy of Camp. Not everyone, including sion of the history of the Liberal Party. years) and Duff Roblin’s in Manitoba (11 many who were deeply involved in poli- No one found that strange. The pre- years). He helped direct John Diefenbak- tics in the 1960s and 1970s, will want to eminent historian was A.R.M. Lower er’s campaigns in 1957, 1958, 1962 and read it. -
Every Parent's Nightmare
Every parent's nightmare A famous Canadian singer-songwriter's family was almost destroyed when his son started bringing home dangerous new friends DAN HILL | February 13, 2008 | Over the last year and a half, three young adults who have set foot in my house, in the well-to- do, tree-lined Beaches neighbourhood of Toronto, have been murdered. All black, all by gunshot, all in Toronto. All three of these men had been in contact with my son, David, now 19. The first two murder victims I'd categorize as less than friends but more than acquaintances. But the third and most recent, Eric Boateng, I'd known quite well, because he had once been a close friend of David's. That friendship had eventually turned bad. Dangerously bad. Eric was shot to death Oct. 22, 2007, shortly after leaving the Don Jail, where he'd been visiting an inmate. My son, in his dramatic and perilous journey to come to grips with his mixed-race identity, had opened up to me a world that had previously been closed. A world where violent deaths for young black males in Toronto have been, for quite a while now, a matter of course. This story is my attempt to open up a tiny window on that world for people like me, who have lived a relatively blessed and sheltered life. The product of a middle-class, mixed-race upbringing in Toronto's squeaky clean suburban Don Mills and the son of a celebrated black human rights leader and white mother committed to social change, I was desperate, as a teenager, to forge my own identity. -
War: How Britain, Germany and the USA Used Jazz As Propaganda in World War II
Kent Academic Repository Full text document (pdf) Citation for published version Studdert, Will (2014) Music Goes to War: How Britain, Germany and the USA used Jazz as Propaganda in World War II. Doctor of Philosophy (PhD) thesis, University of Kent. DOI Link to record in KAR http://kar.kent.ac.uk/44008/ Document Version Publisher pdf Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html Music Goes to War How Britain, Germany and the USA used Jazz as Propaganda in World War II Will Studdert Thesis submitted for the degree of Doctor of Philosophy in History University of Kent 2014 Word count (including footnotes): 96,707 255 pages Abstract The thesis will demonstrate that the various uses of jazz music as propaganda in World War II were determined by an evolving relationship between Axis and Allied policies and projects. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
The Irish Rovers Live at the River Rock Show Theatre
FOR IMMEDIATE RELEASE OCTOBER 21, 2008 RIVER ROCK CASINO RESORT PRESENTS THE IRISH ROVERS LIVE AT THE RIVER ROCK SHOW THEATRE TUESDAY, MARCH 17 FOR TWO SHOWS ON ST. PATRICK’S DAY! The Irish Rovers are the international ambassadors of Irish music and have charmed and entertained people all over the world. It was in 1963 when 16-year old George Millar and 23-year old Jim Ferguson, both new emigrants from Northern Ireland, met in Toronto at an Irish function. They ended up singing together until dawn and it was right there and then that the Irish Rovers were launched. They performed as a duo until George's cousin, Joe Millar, immigrated to Canada the following year. After several months of engagements throughout Ontario, the trio made their way to Calgary where they joined forces with George's brother, Will Millar. The group then headed to the United States in 1965 where they ended up headlining for an unprecedented 22 sold- out weeks at The Purple Onion in San Francisco. The folk clubs of California became the learning grounds for the young Rovers and a year later, they were offered a recording contract with Decca Records. The First Of The Irish Rovers, a live album recorded at The Icehouse in Pasadena was released and it generated enough excitement to warrant another album and from this release came the million selling single “The Unicorn” … the band’s signature song to this day. Wilcil McDowell, an old friend from Ireland, joined the band at this time enhancing their sound and rounding out the group. -
Shel Silverstein
BIOGRAPHY: SHEL SILVERSTEIN CHILDREN’S AUTHOR, ONE-OF-A-KIND SONGWRITER Shel Silverstein is most famous, especially among younger generations, for the best-selling children’s books that he wrote and illustrated: The Giving Tree, Where the Sidewalk Ends, and A Light in the Attic. But Silverstein’s abundant creativity also stretched into songwriting, and he played a significant role in Outlaw- era music making. “Shel is the greatest lyricist there ever was,” said Country Music Hall of Fame member Bobby Bare, who frequently collaborated with Silverstein. “What he writes is so, so descriptive — so visual — that you couldn’t help but respond to it.” Born on September 25, 1930, in Chicago, Silverstein soaked up country music as a boy, but he felt the strongest tug toward art and words that were meant to be read. “When I was a kid — twelve, fourteen, around there — I would much rather have been a good baseball appeared on the landmark Wanted! The Outlaws album player or a hit with the girls,” he recalled. “But I couldn’t in 1976. Waylon Jennings released “The Taker” play ball. I couldn’t dance. Luckily, the girls didn’t want (co-written with Kris Kristofferson) in 1971. Silverstein me; not much I could do about that. So, I started to also scored two hits on the 1972 pop chart with Dr. Hook draw and to write.” & the Medicine Show’s “Cover of the Rolling Stone” and “Sylvia’s Mother.” Drafted into the U.S. Army in 1953, Silverstein became the staff cartoonist for the Pacific edition of Stars and The songwriter formed an enduring partnership with Stripes, the military newspaper. -
February 13 , 2003 •
formerly the trent report 13 feb. 2003 focusYour connection to news at Canada’s Outstanding Small University trent innews the Trent English Prof. a cosmic Geoffrey Eathorne combination was quoted in a January 18 Globe and Mail world’s beauty through images article about the Bloomsbury she captures on film. “Your val- era and its effect on current ues become entrenched after you style trends. fly in space,” Dr. Bondar explains. “I was already environment- In a minded and came back from January space with a clear sense of pur- 23 pose.” Toronto A quote from Passionate Vision, Star arti- a beautiful book of Dr. Bondar’s cle that photography that focuses on docu- Canada’s national parks, explains mented her viewpoint further. She writes: applications to nursing pro- “For a brief moment, I lived grams in Canada for fall, beyond Earth, ceasing to exist on 2003, Trent’s B.Sc.N. program land or sea. Space isolated me was noted. The rise in nursing from Earth’s complex, beautiful applications was cited as and precious life, leaving me good news for the profession with only faint memories of bird- and the health care system. song, splashing water, warm scented plants. My photographs Dr. Chris Metcalfe was fea- are of a land that protects this tured in a Feb. 9 CTV televi- fragile beauty. This is the passion sion segment that looked at of my vision.” She also writes: pharmaceutical drug traces in “No two people are alike, so no drinking water. This was also two space experiences can be the focus of a front page Globe alike; but my flight left me with a and Mail article on Monday, whole new view of my science, Feb. -
First Dance/Parent Dance Suggestions
Love Song Suggestions BUTCH GRAY DISC JOCKEY/ ENTERTAINER, LLC 815 Flanders Road Southington, Connecticut 06489 860.306.5560 [email protected] www.butchgraydj.com To Make You Feel My Love - Trisha Year- First Dance: wood Tonight I Celebrate My Love - Peabo Bryson Always and Forever - Heatwave / Roberta Flack Always - Atlantic Star True Companion - Marc Cohn Amazed - Lonestar Unchained Melody - Righteous Brothers Angel Eyes - Jeff Healey We've Only Just Begun - The Carpenters At Last - Etta James When A Man Loves A Woman - Percy Sledge Beautiful In My Eyes - Joshua Kadison When I Said I Do - Clint Black Because You Loved Me - Celine Dion Wonderful Tonight - Eric Clapton Breathe - Faith Hill You're Still The One - Shania Twain Can't Help Falling In Love - Elvis Presley Could I Have This Dance - Anne Murray Mother-Son Dance: Dance of Love - Dan Hill Crazy - Patsy Cline A Song For My Son - Vickie Mereck Endless Love - Diana Ross / Lionel Ritchie Wind Beneath My Wings - Bette Midler Everything I Do - Bryan Adams I'll Be - Reba McIntyre Faithfully - Journey I Hope You Dance - Leann Womack Forever and Ever, Amen - Randy Travis A Song For Mama - Boys II Men From Here To Eternity - Michael Peterson From This Moment - Shania Twain - Bryan Mother-Daughter Dance: White Give Me Forever I Do - James Ingram / John Tesh Because You Loved Me - Celine Dion Grow Old With Me - Mary Chapin Carpenter Through The Years - Kenny Rogers Have I Told You Lately - Rod Stewart Wind Beneath My Wings - Bette Midler Have I Told You Lately - Van Morrison 26 cents - -
Martin Amis and Me: Tales from the Humber School for Writers - the Afterword
Martin Amis and Me: Tales from The Humber School for Writers - The Afterword Home | Financial Post | News | Opinion | Arts | Life | Sports | Homes | Cars | Blogs | Multimedia | Classifieds Main | About | Contact Editor | Subscribe RSS Martin Amis and Me: Tales from The The Afterword is National Post's books blog. Editors: Humber School for Writers Brad Frenette / Ron Nurwisah / Mark Medley Posted: July 17, 2009, 4:10 PM by Mark Medley Martin Amis Feedback: [email protected] Twitter: Follow us on Twitter (NPBooks) Index: • Book Reviews • Bookmarks: News from the literary world • Philip Marchand's Open Book • Events • Features For our music, film and pop culture news, visit National Post's arts blog, The Ampersand. POPULAR Prologue Book Review: The Wife's Tale, by Lori It began with an ambush. Lansens Recent Posts I paced outside the faculty lunchroom, in the basement of one of the Open Book: Philip building's of Humber College's scenic Lakeshore campus, waiting for Martin Bookmarks: More Lemony Snicket, A book lover's Marchand bemoans Amis to finish his meal. The goal was modest: I wanted a brief, 15 or 20 guide to Ikea seating, new Sony reader the lost art of minute interview with the renowned British author of such books as The –Ron Nurwisah creating vivid Information and Money, to discuss his thoughts of teaching creative The Afterword characters writing. I was at The Humber School for Writers' Summer Workshop for the week, researching a story, and Amis was this season's star instructor. Amis Bookmarks: Weird stuff on Amazon, Korea's city of Swindle: I'll take my had been my target since it was announced he was joining the faculty last books, mini-fiction on iPhone RSS in pentameter, December. -
20 Years of Inspiration
20 years of inspiration The arts engage and inspire us 20 years of inspiration National Arts Centre | Ottawa | May 5, 2012 20 years of inspiration Welcome to the 20th anniversary Governor General’s In 2007 the National Film Board of Canada (NFB) Performing Arts Awards Gala! joined the Awards Foundation as a creative partner, and agreed to produce a short film about each Award The Governor General’s Performing Arts Awards recipient (beginning with the 2008 laureates). After (GGPAA) were created in 1992 under the patronage of the late Right Honourable Ramon John Hnatyshyn premiering at the GGPAA Gala, these original and (1934–2002), 24th Governor General of Canada, engaging films are made available to all Canadians and his wife Gerda. on the Web and in a variety of digital formats. The idea for the GGPAA goes back to the late 2008 marked the launch of the GGPAA Mentorship 1980s and a discussion between Peter Herrndorf Program, a unique partnership between the Awards (now President and CEO of the National Arts Centre) Foundation and the National Arts Centre that pairs and entertainment industry executive Brian Robertson, a past award recipient with a talented artist in both of whom were involved at the time with the mid-career. (See page 34.) Toronto Arts Awards Foundation. When they “The Governor General’s Performing Arts Awards approached Governor General Hnatyshyn with are the highest tribute we can offer Canadian artists,” their proposal for a national performing arts awards said Judith LaRocque, former Deputy Minister of program, they received his enthusiastic support. Canadian Heritage and former Secretary to the “He became a tremendous fan of the artists receiving Governor General, in an interview on the occasion the awards each year, the perfect cheerleader in the of the 15th anniversary of the Awards.