Wolfgang Tillmans

Galerie Chantal Crousel Wolfgang Tillmans Selected Press Galerie Chantal Crousel http://fr.phaidon.com/agenda/art/articles/2016/august/16/when-wolfgang-tillmans-shot-concorde/ «When Wolfgang Tillmans shotConcorde»,Phaidon, August 16,2016. Galerie Chantal Crousel http://fr.phaidon.com/agenda/art/articles/2016/august/16/when-wolfgang-tillmans-shot-concorde/ «When Wolfgang Tillmans shotConcorde»,Phaidon, August 16,2016. Galerie Chantal Crousel http://fr.phaidon.com/agenda/art/articles/2016/august/16/when-wolfgang-tillmans-shot-concorde/ «When Wolfgang Tillmans shotConcorde»,Phaidon, August 16,2016. Galerie Chantal Crousel http://fr.phaidon.com/agenda/art/articles/2016/august/16/when-wolfgang-tillmans-shot-concorde/ «When Wolfgang Tillmans shotConcorde»,Phaidon, August 16,2016. Galerie Chantal Crousel Heiser, Jörg. «1998.Wolfgang Tillmans. friends»,Frieze, 25th anniversary issue, NO.181, September 2016,p.122. Galerie Chantal Crousel capacity fromtheageof 19. in our monograph, he sees it as his first proper exhibition, though he had shown, on and off, in a less formal This show wasimportant for a number of reasons. As Tillmans explains to the artist and writer Peter Halley back 1993, when Buchholz’s January gallerywasstillhousedwithinhisfather’s antiquarianbookshop. 22 on opened which Cologne, in gallery Buchholz’s Daniel at exhibition first very that left an enduring mark on contemporary art. One of the shows to be re-staged in this section 1990s the is from exhibitions Tillmans’recreating 90s, The section, new a present will Fair Frieze Art the October In this autumn. simple where style, hanging magazine spreads are sometimes taped non-hierarchical up next to high-quality prints, unusual, will receive a fresh airing in his London of incarnation first The work. his display to One ofthemoreremarkable thingsaboutthephotographer Wolfgang Tillmans isthewayhechooses http://fr.phaidon.com/agenda/art/articles/2016/june/29/why-frieze-is-remaking-this-wolfgang-tillmans-show/ “Why Frieze isremaking thisWolfgang Tillmans show”. Phaidon, June, 2016. Galerie Chantal Crousel fashion magazine] i-D at that time they were as close to an original work by me as the print that I was I that print the making inthe darkroom.” as me by work original an to close as were they time that at i-D magazine] fashion British [the in spreads my of some designing was I since objects; and compositions actual as newspapers, For and magazines value. loved always of I start. the terms from multiple unlimited in of sort a distinction been had page a printed the make me, to not unframed, photographs the leave to and photographs “It was a very radical thing at the time,” Tillmans tells Halley, “to show magazine pages alongside original the of centre the at then was German artworld–that Tillmans established hishangingstyle. that city a – Cologne in exhibition small this at was it importantly, More Installation viewof Wolfgang Tillmans exhibitionatDanielBuchholz’s gallery, 1993 http://fr.phaidon.com/agenda/art/articles/2016/june/29/why-frieze-is-remaking-this-wolfgang-tillmans-show/ “Why Frieze isremaking thisWolfgang Tillmans show”. Phaidon, June, 2016. Galerie Chantal Crousel perfect formagazineslike i-D,butalsofitforfine-artcontemplation. quality,near-minimal near-abstract, a on took series sexy frenetic, the sequence, in Viewedthroats. and This engaging, unusual series, featured clubbers’ faces, as well as less obvious body parts, such as armpits house andtechnonightheldattehequallytinySound ShaftclubincentralLondon. Chemistry,at taken clubbers short-lived of a shots small close-up, of number a series, Squares Chemistry famous Tillmans’now included exhibition 1993 The matter. subject of treatment unusual his as well as Yet, while Tillmans might not have recognized the display’s importance, others picked up on his techniques, something be might it that time the at important,” hetellsHalley. aware never you’re guess “I provocative. willfully in as pictures gallery his displayed a he way the regard didn’t work, magazine his for known better then Tillmans, Armpit (1992)fromChemistrySquaresby Wolfgang Tillmans http://fr.phaidon.com/agenda/art/articles/2016/june/29/why-frieze-is-remaking-this-wolfgang-tillmans-show/ “Why Frieze isremaking thisWolfgang Tillmans show”. Phaidon, June, 2016. Galerie Chantal Crousel how fluidthings areduringthese‘difficult’ periods.” Halley.tells he “It’scrash,” the surprising after market art the of bottom the – period open very a was “It Wolfgang’s in which, 1990s, early the of recession opinion, loosenedthings up. the to thanks easy, more the all was photography The 1993 exhibition established Tillmans’ fine-art credentials, yet this transition from magazine to gallery Sigmar PolkealsovisitedtheCologneshow. painter German leading and König with Wolfgang,Kasper friendship curator lasting prominent the while Fellow artist Isa Genzken was the first to buy a work from the exhibition, and subsequently struck-up long- Smoker (1992)fromChemistrySquaresby Wolfgang Tillmans http://fr.phaidon.com/agenda/art/articles/2016/june/29/why-frieze-is-remaking-this-wolfgang-tillmans-show/ “Why Frieze isremaking thisWolfgang Tillmans show”. Phaidon, June, 2016. Galerie Chantal Crousel year’s Frieze? economy leadtoanotherperiodofcreativityfluidity?Perhapsthat’ That recession, over 30 years ago, may have helped Tillmans, yet will the challenges of a post Brexit UK Self-portrait (Christian)forPhaidonmonograph,2013,colourphotograph,by http://fr.phaidon.com/agenda/art/articles/2016/june/29/why-frieze-is-remaking-this-wolfgang-tillmans-show/ “Why Frieze isremaking thisWolfgang Tillmans show”. Phaidon, June, 2016. s somethingtobearinmindatthis Wolfgang Tillmans Galerie Chantal Crousel Referendum, wieessiefünf malimJahrgibt. ein großesundwichtigesLandbetrifft.chales Ereignis,auchweil esso ist keinkleinesSchweizer Das wäre einFestfürdieRechtsaußenkräfte innerhalb der EU.InsofernseheichdasReferendumalsepo ken stehen,einSieggereicht. EinegeschwächteEUwäreeinFestfürRussland. EinegeschwächteEU Feinden vonInstitutionen, die fürMäßigung, Verhandlungen unddasGegenteil von Schwarz-Weiß-Den - den würde Damit auslösen. Dominoeffekt einen das könnte dann schiefläuft, WennAbstimmung diese alles zusammen. die NATO. Wissen Siezum Beispiel, wie Donald Trump überdieNATO spricht?Fürmichgehörtdas sich gegenInstitutionen, die unsereNachkriegswelt geprägtundgestützthaben.EsgehtumdieUNO, weltweit umsichgreift-einediffuse Unzufriedenheit, eine LustanStörung und Zerstörung.Sierichtet Wolfgang Tillmans: Der Brexit betrifft nicht nur 63 Millionen Briten. Es geht um eine Stimmung, die DW: Herr Tillmans, Siemachensichfüreinen Verbleib GroßbritanniensinderEUstark–warum? nach, ineinemexklusivenDW-Interview. Preisträger. Mit einer Plakatserie warnte er die Briten vor einem EU-Ausstieg. Jetzt legt er Der inLondonlebende Fotograf Wolfgang Tillmans ist Deutschlandseinziger Turner- Brexit Fotokünstler Tillmans vermisst Aufschrei der Kultur zu http://www.dw.com/de/fotok%C3%BCnstler-tillmans-vermisst-aufschrei-der-kultur-zu-brexit/a-19329602 Dege, Stefan. «Fotokünstler Stefan. Dege, Tillmans vermisst Aufschrei derKultur zuBrexit», Deutsche Welle, June 14,2016. - Galerie Chantal Crousel Die Feindeder Freiheit,schadendie auch derKulturinGroßbritannien? Hand zunehmen.Schauen SienurindieUkraine… bandelt sind, müssensiesichaneinen Tisch setzen und miteinander reden, ohnegleich das Gewehrindie Und derdritte Grund: Dank der EU gibt es weniger Kriege in Europa. Wenn 28 Länder miteinander ver gäbe, würdenChinaundandereLänderdieRegeln diktieren. – für Arbeitnehmerrechte, Arbeits- undSicherheitsstandards, Umweltstandards. Wenn esdie EU nicht Immer wenndieEUHandelsabkommen schließt, geht esnichtnurum Geld,sondernauchumRegeln Zweiter Grund: DieMenschenrechte. Die EUverteidigt die Menschenrechte durch Handelsabkommen. Drei GründefürEuropa ten, dieesüberhauptmitdenenaufnehmenkönnen. die bestimmen unsere Wirklichkeit. Die EUunddieUS-Kartellbehördensindeinzigen Körperschaf alle Herausforderungen dieser Welt münzen.Die Wirtschaft schafft Fakten:GoogleundSilicon Valley, Pfund proMinute gekostet, heute nur noch ein Bruchteil davon. DasBild versteht jeder. Manmussesauf Druck auf Telefongiganten ausüben. Vor zehnJahren hatein Telefonat von ParisnachLondonzwei Die internationalen Telefongebühren wären niegesenktworden. Alle 28Länderkönntennichteinzeln Nennen SieunsbittedreiGründe,warumeineEUbesserist,alskeineEU. Produkt derNachkriegsgeschichte,von Versöhnung und Austausch. meiste Zeit meines Erwachsenenlebens habe ich dort verbracht, seit 1990 wohneich da. Ich sehemich als Auch bewegtesmichganzpersönlich:Durchmeine Vita binichstarkmitGroßbritannienverbunden. Die Porträt desdeutschenFotografen Wolfgang Tillmans. Foto:CarolineSeidel/dpa http://www.dw.com/de/fotok%C3%BCnstler-tillmans-vermisst-aufschrei-der-kultur-zu-brexit/a-19329602 Dege, Stefan. «Fotokünstler Stefan. Dege, Tillmans vermisst Aufschrei derKultur zuBrexit», Deutsche Welle, June 14,2016. - - Galerie Chantal Crousel Geben SieIhren Turner-Prize zurück,wennderBrexit kommt? geschlagen werdenkönnen. Diezerbrechen. der aufseineungeliebten Eltern draufhaut. Wir sindjetzt an demPunkt,dieEltern nicht länger Die EU schämt sich, in Erscheinung zu treten. Das ist wie bei den Eltern eines verwöhnten Teenagers, Aber esistein Phänomen, dass die EU ihre Erfolge ihren 500 Millionen Bewohnern kaum vermittelt. hat bisjetztnichtsotollfunktioniert. zu äußern.Dabräuchteeseigentlich eine Kampagne, Führung, Vorbilder, Worte, Werbemittel. das Und Andererseits istesnichtjedermannsSache,sichplötzlich ineineranderenForm,einemMedium Wolfgang Tillmans Fotoarbeit«MarketI»(2012) tiell, daswirdmeinLebenverändern!’ Dassdanichtskommt,wundertmichschonsehr. vor demEU-Referendum nicht ein Aufschrei durchdieKulturgehtundLeute sagen: ‘Dasistexisten oder Neurobiologen, auch keine Initiative von britischen Physikern. Ichbinetwas entsetzt, dass sokurz Ja, daswäretoll. Aber ichkenneauchkeine Anti-Brexit-Initiative von Hirnchirurgen, Neurochirurgen Fragen einmischen? Als Künstlerbeziehen Sie klar Position. Sollten sich nicht noch mehr Kulturschaffende in politische (lacht). tendes Gift.Ichkannnurhoffen, dasswireinestarkeLeberhaben,diediesesGiftwiederherauswäscht Flüchtlinge den Debattenton massiv verschärft. Ganz viel Gift ist in die Umlaufbahn geraten, ein spal- Das Referendum in Großbritannien verschärft extrem die Töne. Auch inDeutschland hat eine Million http://www.dw.com/de/fotok%C3%BCnstler-tillmans-vermisst-aufschrei-der-kultur-zu-brexit/a-19329602 Dege, Stefan. «Fotokünstler Stefan. Dege, Tillmans vermisst Aufschrei derKultur zuBrexit», Deutsche Welle, June 14,2016. - Galerie Chantal Crousel Mit Wolfgang Tillmans sprachStefanDege Turner Prizeverliehen. don undBerlin.ImJahr2000wurdeihmalserstemFotografenNichtengländer der renommierte Wolfgang Tillmans, Jahrgang 1968,isteindeutscher Fotograf undKünstler. Erlebt und arbeitet in Lon Genau, Eskalation! Eskalation? wollen. hat, Anm. d.R.).UndwennmandiesenHandschuhaufnimmt, tut mangenaudas,wasdie Aggressoren den Ring-wiejetztinOrlando(woeinMassakereinemSchwulen-ClubUSA Tote gefordert einsteigen auf diesen Spaltungsdialog. In unserer Zeit wirft ständig jemand einen Fehdehandschuhe in (lacht) Nein, dashieße ja, den HandschuhderSpaltunganziehen. Wer denSchatz erhalten will, darf nicht http://www.dw.com/de/fotok%C3%BCnstler-tillmans-vermisst-aufschrei-der-kultur-zu-brexit/a-19329602 Dege, Stefan. «Fotokünstler Stefan. Dege, Tillmans vermisst Aufschrei derKultur zuBrexit», Deutsche Welle, June 14,2016. - Galerie Chantal Crousel crucial step: voterregistration. particular I wanted to work towards maximizing turnout among younger voters by focusing on that first, an activedrivetogetvoters registered–whichiswhyIwantedtogetinvolved andactively campaign. In spark not did and me to lame felt It passion. in lacking ‘Remain’ was official campaign the that feeling reconciliation, peace and exchange. Also, at the time I started to get involved in the referendum, I hadthe warm welcome Ifelt here asaGerman.Iseemyselfproduct oftheEuropeanpost-warhistory involvement with theUK,itsculture, music andpeople,mycareer’s grounding inBritain and thealways The reasons whyIfelt compelled to get involved in the UK-EU referendum are personal – my lifelong get involvedonthisissue? people bothtoregistervoteandremain in theEUthis Thursday 23June. What urged youto You’ve beenavocal campaigner on Britain’s EUReferendum, creating a seriesofpostersencouraging to overtlypoliticalperson. dum, Wolfgang Tillmans talks to TASCHEN’s Eliza Apperly about morphingfrom aninherently “I seemyselfasaproduct ofEuropean post-war history”.OntheeveofBritain’sEU Referen https://www.taschen.com/pages/en/company/blog/795.wolfgang_tillmans_talks_brexit.htm Wolfgang Tillmans talksBrexit Why theartistfeltcompelledtogetpolitical «Wolfgang Tillmans talks Brexit», Phaidon, June, 2016. © Photo:KarlKolbitz Wolfgang Tillmans - Galerie Chantal Crousel in favorofkeepingtheclubtogether. easily taken for granted, but after centuries of bloodshed in Europe, this is not a small argument to make It’s states. member 28 now it’s among peace of years 60 enjoyed we a that played fact it the in that role 2012, major major,in for Prize Peace Nobel the received it what be, to has EU the of achievement biggest the But giants. phone mobile the on take could alone country No laws. our dictating Brussels as mon market and the prices are down now to 20 cent a minute. I don’t understand why this should be seen minute? Then the EU got in there, and forced the multinational phone companies to treat this as a com remember not toolongago,themobile phone calls between European countries costing two eurosa you do example For granted. for taken quickly and done are that things good Youmany are there know Of thevariouspro-Europeanarguments thepostersdisplay, whichisthemostresonanttoyou? https://www.taschen.com/pages/en/company/blog/795.wolfgang_tillmans_talks_brexit.htm «Wolfgang Tillmans talks Brexit», Phaidon, June, 2016. - Galerie Chantal Crousel conducted inthecompletelywrongtoneandwithanunattractivevisualdesign being was Brexit against campaign official the that me to clear became forcefully.It and clearly across message the getting about it’s primarily since style my with or me with identifiable not are that images of group a have to good is Personally,it posters. think the I on text be to going just was it point, one At How didyoufinditworkingwithtextasmuchimagesforthiscampaign? They’ll snap. of aspoiled teenager who ishitting them. We are now at the point that the parents can no longer be hit. parents the It’sare appearance. they an like make to ashamed is EU Europe. The in citizens million 500 people. I find it remarkable that the EU has done so little to communicate their successes to the more than have artists history, recent played an important role in generating imagery and language for causesthat ended up being good forall Throughout powerful. so art make can that expression of freedom the It’s On anycontestedortopical issue,whatcancultural expressions contribute that political rhetoric cannot? which allowustolivethelivesthatweareliving. moderation and democracy,negotiation of institutions very the of demolition the towards sleepwalking when 1914, in Europe describes which Clark different societies endedupinaworldwar, whichnoneofthem wanted. Today,Christopher by Iseethe Western world book the of title the from comes kers” of understanding Westernan and situation “Sleepwal abyss. term the The into sleepwalkers as cultures, from an inherently political, to an overtly political person, lies in my observation of the larger geopolitical have to fulfill a purpose or justify itself. However, a very pressing reason why I morphed in recent months I haveneverbeforebeenacampaigning artist. I’vealwaysseenart’sIt doesn’tstrength initsuselessness. Do youfinditmoreproductive,ordifficult,tocreateartinanageofradicalizedpolitics? https://www.taschen.com/pages/en/company/blog/795.wolfgang_tillmans_talks_brexit.htm «Wolfgang Tillmans talks Brexit», Phaidon, June, 2016. - Galerie Chantal Crousel attracted me. And then here is the predilection for the irrational. Brexit, though, would be taking that taking irrationality waytoofar! be would though, Brexit, irrational. the for predilection the is here then And me. attracted always has that stance anti-authoritarian an humor,reflects their which by helped are British the course, tion everything–especially thoseromantic feelings whicharesomewhatproblematic for usGermans.Of ques- to learned I however Britain In romanticism. and rationality of interplay an as described be could Art. But of course I’m defined by certain German elements, too, that I wouldn’t want to lose. I guess they the recipient of Britain’s biggestartprize and Ihave beenmade a fullmember of theRoyal Academy of I have lived in Britain for 26 years and contributed to British taxes. I went to college here. I have been product ofEuropeanreconciliation and cultural exchange. That iswhathasenrichedmylifesomuch. a as myself see Really,I European. is identity My Londoner.German. Nationally,a I’m I’m City-wise, sentiments betweenthetwocountries? As a longtime resident of both London and Berlin, have you alwaysbeen aware of different European think thatpeaceisnotthefirstthingontheirmind. you makes Farage Trumplike or people of rhetoric The peace. promote precise: more be to and change are nowmovinginto a periodwhenartists realize that they can usetheir practices as atool to promote music, andIregretthathasreallydieddownmuchinmyyoungergenerations.canseewe make a difference in politics. I always felt moved deeply by political art from former periods, especially can really kind all of artists and art that idea the more embrace, realize, me made campaign whole This Do youthinkthereisalwaysagreatersocio-politicalimmediacytophotographicpractice? https://www.taschen.com/pages/en/company/blog/795.wolfgang_tillmans_talks_brexit.htm «Wolfgang Tillmans talks Brexit», Phaidon, June, 2016. Galerie Chantal Crousel © Wolfgang Tillmans. From Neue Welt rica» byEliaKazanfrom1963. week, we will have an almost 3 hour film screening that was proposed by Yusuf Etiman: «America Ame- The British-born writer Kirsty Bell will be in video conversation with me in London. The following Pimm’s. and music channels, news British of screenings «Meeting live dedicate with will referendum the we following June to Place» 23rd On climate. this alter and influence to help to do can people of tical climate. It’s basically trying out ways to openly discuss questions about what individuals and groups Currently we are running «Meeting Place», an attempt to open a space for dialogue about the current poli- traße, Berlin,providesaspaceforengagementasmuchcreativity. What’s nextontheprogram? Your BetweenBridges exhibition and event space, formerly in Bethnal Green, London, nowin Keiths I dobelievestandingupforthecentregroundshouldbenewcool,becauseitissodangerousnotto. a cancerspreading around theworld. The greatest hope isthat more and people start undoing this. I think one of the greatest challenges of the future is people disengaging with the political world, it’s like what doyouconsiderthemostpressingchallengesandgreatesthopesforourcommonfuture? Europe, of question the World“.from „New Apart Weltor Neue TASCHENis with titles your of One triumphed. The voicesofreasonandnegotiationwillhavelost. rope. For me, it is more about the message it will send out. The minority of loud voices against will have Eu- from in coming tomatoes of full truck single every searching start and easyJet down to shut suddenly going not They’re Fear. Project in engaging in interested not I’m knows? who but so, think don’t I Would yourfeelingstowardsBritainchangeifthecountryvotestoleaveEuropeanUnion? https://www.taschen.com/pages/en/company/blog/795.wolfgang_tillmans_talks_brexit.htm «Wolfgang Tillmans talks Brexit», Phaidon, June, 2016. - Galerie Chantal Crousel Exhibition Pavilion 19 -22May ABOUT Wolfgang Tillmans: BetweenBridges http://photolondon.org/event2016/wolfgang-tillmans-between-bridges/ “Wolfgang Tillmans:, May, Between PhotoLondon Bridges”. 2016. Visit Tillman’s websitetolearnmore. generation moment’. cooperation over confrontation. This couldprovetobeaonce-in-a- whole it stands forademocratic worldview, humanrightsandfavours the endofEU.It’s aawedandproblematic institution, but onthe consequences and political fall-out….Brexit could effectively spell know andenjoyit–onethatmightresultinacascade of problematic critical moment thatcouldprovetobeaturningpointforEuropeaswe seriousness ofthe choice before them. ‘I feel that we have reached a Tillmans hasmade26ready-to-print posters alerting peopletothe campaigning on economic issues andlacks passion’ theartist Wolfgang across Europeandbya‘Remain’ campaign that ‘feels like it isonly Alarmed by riseofanti EU sentiment brewing intheUKandelsewhere Galerie Chantal Crousel Toronto: November11 Vancouver: October25 and postersadvocatingagainst the“Brexit”andrelatedanti-EUsentiments. writings distributed he after shortly and crisis, migrant Europe’songoing to related matters to over space project In recent years, Tillmans’s practice has become ever more politically engaged. Most recently, he turned his Berlin was thefirstphotographer, andnon-British artist, toreceivethe Turner Prize. Royal Tillmans2000, of the In Academy in Arts. membership and Frankfurt, in Städelschule the at professorship a TateBritain, at trustee artist including appointments, prestigious numerous had has Photography.AwardHe in Based in Berlin and London, Wolfgang Tillmans was the recipient of the 2015 Hasselblad Foundation International (Walther König). redistribution? with wrong What’sTillmans:Wolfgang monograph published recently the to McDonough, contributor Tom lead critic a and writer Toronto-based and York–New by conversation in joined be will Tillmans mans’s firstvisittoCanadainmorethan20years. mark Till will talks The encountered. and exhibited made, are images photographic how redefined radically has critically the with engagements speaking exclusive acclaimed German photographer Wolfgang two Tillmans. announce One of the most to influential artists of his thrilled generation, Tillmans is Foundation Art Canadian The ner. to Torontoand VancouverorganizedCanadian engagements by speaking rare some for Brun- Carmen Photo: Art. Internationally acclaimed German artist Wolfgang Tillmans—the first non-Brit to win the Turner Prize—is coming Wolfgang Tillmans Talksin Vancouver Torontoand «Wolfgang Tillmans Talks inVancouver andToronto», CanadianArt, May 31,2016. http://canadianart.ca/talks/wolfgang-tillmans/ BY Canadian Art BY May 31,2016 Talks - Galerie Chantal Crousel and exchange” Wolfgang Tillmans: “Iseemyselfas aproductoftheEuropeanpost-warhistory reconciliation,peace keep BritaininEurope The legendaryphotographeroutlineshispersonalandpoliticalreasonsforwantingto Wolfgang Tillmans: theUKmuststayinEU http://www.dazeddigital.com/artsandculture/article/31258/1/wolfgang-tillmans-on-why-the-uk-must-remain-in-the- Tillmans, Wolfgang. “Wolfgang Tillmans: theUKmust stay intheEU”.Daze,May 24,2016. eu Galerie Chantal Crousel the opposite. Inthe EastofEurope, wesee a surge innationalist fervour, which wantsto sweepaway free which anchor theworldasweknow it. These peopleclaim to make America greatagain, buttheyembody In theUSwe arecurrently observing aragewhich isthreatening to washaway great American values, moderation whichallow ustolivethelivesthatweareliving. Western world sleepwalking towardsthe demolition of the very institutions of democracy, negotiation and in 1914,whendifferent societies ended upinaworldwar, whichnoneofthemwanted. Today, Iseethe The term “Sleepwalkers” comes from the title of the book byChristopher Clark which describesEurope Western cultures,assleepwalkersintotheabyss. overtly political person, lies inmyobservationofthelarger geopolitical situation andanunderstandingof However, the more pressing reason why I morphed in recent months from an inherently political, to an post-war historyofreconciliation,peaceandexchange. in Britain and the always warmwelcome I felt here asaGerman.Iseemyself as aproduct of the European and itsculture,musicandpeople,mycareer’smy lovefortheUK involvement with theUK, groundedness The reasons whyIfelt compelled to get involved in the UK-EU referendum are personal – my lifelong http://www.dazeddigital.com/artsandculture/article/31258/1/wolfgang-tillmans-on-why-the-uk-must-remain-in-the- Tillmans, Wolfgang. “Wolfgang Tillmans: theUKmust stay intheEU”.Daze,May 24,2016. eu - Galerie Chantal Crousel Register tovotehere–deadline isJune7 Brexit hascatastrophicrepercussions forthewholeofEuropeandworld. to weakentheEUatthispointintime. Whatever your feelingstowardstheEU, beawarethatvotingfor a negotiating chamber of28nations,isthekeytoitssuccess.Itnotinsecurityinterests oftheUK European values. designed tobethatway.not perfectanditneverwas The EUis The verywayofitbeing political times, is not patriotic, it’s simply foolish and it would sendthe wrong message to the enemies of The EU protects your rights against these enemies of freedom. To leave the EU now, in these dangerous North America, are allpoisedtowashawaytheEU’s lawsofmoderation. cratic forces ineasternEurope, theIslamist forces aroundtheMediterranean, the bigbusiness interests in a mostcrucial point–thevaluesEUstandsforarefragileinthisworldofextremism. The anti-demo giving upBritishsovereignty.leaving theEUaredisregarding IfeelthattheforcesdrivingtowardsUK take in amove towards aEuropean States. This isnolongeronthecards. There is nolongeradangerof The EUiswellawareofitsshortcomings and DavidCameron has secured a clause for the UK tonotpart- are frustrationswiththeverynatureofcompromiseandshareddecisionmaking. There continent. the across span that rules from benefit Brits especially here and borders, respect doesn’t health and safetymuchmore. The EUenforcesstandardsthatprotect the environment. Water pollution laws, making up only10percent of lawsmade in theUK,enshrinedrightslike four weeks’ paidholiday, We have in thelast decades become a European family, with much less dividing us than connecting us. EU now, andduetoderegulationofairtravelmillionsenjoycheapEurope. People can move and work in whichever EU country they like. In fact, 1.5 million Brits enjoy this right just efficiently.quite actually and that, with deals bureaucracy Brussels countries. 28 the between time every that this even works sowell. We can exchange goods without having to probe product safety each and upon itselfthetasktonegotiate the affairs of28member states. This canneverbeaneasytask.Iadmire when infact it does itsbesttodeal with the fallout of the tectonic shifts inworldpolitics. The EU takes The EU isa scapegoat in the midst of all this. For decadespressand politicians have loaded blame on it, billionaires, totheweakestinoursocieties:refugeesfromterrorandwar. outcome of globalisation, which turns its anger from the real perpetrators, say forexample the tax-evading doms wononlysome25yearsago.InwesternEuropeandBritain,weseeawaveofdiscontentwiththe http://www.dazeddigital.com/artsandculture/article/31258/1/wolfgang-tillmans-on-why-the-uk-must-remain-in-the- Tillmans, Wolfgang. “Wolfgang Tillmans: theUKmust stay intheEU”.Daze,May 24,2016. terror andwar”– Wolfgang Tillmans billionaires, to the weakest in our societies: refugees from from therealperpetrators,say forexamplethetax-evading with theoutcomeofglobalisation,itsanger which turns “In westernEuropeandBritain, we seeawaveofdiscontent eu - Galerie Chantal Crousel Or: “IftheUK leavesEuropeitmay spelltheendoflargest peace projectinhumanhistory.” Britain toleavetheE.U., wheredoesthatputyou?” “If peoplelikeRupertMurdoch, NigelFarage,George Galloway, NickGriffin,andMarineLePenwant campaign “lame”and“lacking inpassion.”Enterhisclean,quippydesigns, withlineslike: In aletteronhiswebsite, Tillmans, whoisbasedinLondonandBerlin,callstheofficial“Remain” distribution oncampuses. the imagesarepostedtoartist’s website,wheretheycanbeuploadedtosocialmediaorprinted for national voteonJune23. The signsurge Britstoregister, withuniversitystudentsasthemaintarget — “Brexit,” theUnitedKingdom’s proposedwithdrawalfrom theEuropeanUnionthatisbeingputtoa menting 1980sand’90sravesubculturehasdesigned morethantwo-dozenpostersinoppositionto olfgang Tillmans) for discussionoftherefugeecrisisinEurope.Now, the German-bornartistwhorosetofamefordocu Earlier thismonth,photographer Wolfgang Tillmans convertedhisBerlinprojectspaceintoaplatform BY NoelleBodick| April 27,2016 Wolfgang Tillmans DesignsPosters Against Brexit info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art (W Posters Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. by Wolfgang Tillmans. term=0_df23dbd3c6-042788ac62-83702285 - Galerie Chantal Crousel See allthepostersinslideshowabove. info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel info+Newsletters&utm_campaign=042788ac62-Europe+Edition+Newsletter+April+28%2C+2016&utm_medium=email&utm_ http://www.blouinartinfo.com/news/story/1388752/wolfgang-tillmans-designs-posters-against-brexit?utm_source=Blouin+Art Bodick, Noëlle. «Wolfgang Tillmans DesignsPosters Brexit», BlouinArt Info, Against April 27,2016. term=0_df23dbd3c6-042788ac62-83702285 Galerie Chantal Crousel http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Taken fromtheJuly2010 issueofDazed&Confused: Photography Wolfgang Tillmans, takenfrom theJuly2010issueofDazedandConfused Lutz & Alex holdingcock Sarah Fakray 2010 interviewinwhichhediscusseshisjourneytoabstraction As Tate Modernannouncesamajorretrospectiveofthephotographer, werevisita and empowerment Wolfgang Tillmans onhisfirsttime,ecstasy Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. , 1992 time-ectasy-and-empowerment Galerie Chantal Crousel months ofnationalservicewiththearmyyouhadtoserve20incommunityservice. there wasneveranydrama. After schoolwemoved toHamburg, becauseifyoudidn’t wanttodothe15 my bestfriends. We werenevergoingoutwitheachother–Lutzwasgayand Alex wasstraight,and I haveknownLutzand Alex, mybestfriendsfromschool,sincewewereabout13,and theyarestill – Wolfgangther’soven” Tillmans thes andputtingonmake-up–Iwore ahatmadefrom perspexmeltedinmymo- “(Popmusic)wasn’tcalled‘gay’,itwasjuststylish.Itallaboutmaking clo make-up –Iworeahatmadefromperspexmeltedinmymother’s oven. sexual ambiguity. It wasn’t called ‘gay’, it was just stylish. It was all about making clothes and putting on was aluckymomenttogrowupaslatentlygayboy, inatimewherethewholeofpop musicwasabout I cametoLondonforthefirsttimein1983onalanguagetripandsawCultureClubplay first exhibitioninHamburg. where Ireallyfoundmyexpression–didn’t own acamerauntilIwas20,afterhadalreadydonemy bined withmyownlyricsandalotofteenageangst. The greyshadesofearlydigitalphotocopieswere graphs inamuchclearerqualitythanbefore.Imadelittlefanzineusingit,collageofimagescom In highschoolIdiscoveredthefirstCanonlasercopierinacof experience. Itwasallaboutdisarmament,demonstrationsandpacifism. When Iwas13,wenttosummercampwithagroupfromchurch,andthatanotherlife-changing else. That iswhatIhavekeptwithmesincethen:theimportanceofexactobservation andfactualness. At theageoften,Ibecameobsessedwithastronomytodegreethatcouldnotthinkaboutanything parents werenotalwaysaround. accountant andwasalsoalocalpolitician.Mybrother, sisterandIenjoyedalotoffreedombecausethe spent aboutnineyearsinSouth America onsalestripsthroughouthislife,andmymumworkedasan “I grewupinRemscheid,anindustrialtownthatisthecentreoftool-makingGermany http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. time-ectasy-and-empowerment fee shop,whichcouldphotocopyphoto . Ithinkthat . Myfather - - - Galerie Chantal Crousel August selfportrait, 18. We hadanightofromance inColognewhen Iwas16,whenunder theageofconsent, whichwas The firstloveofmylife wasthekeyboardplayerofBronskiBeat.Iguess Iwassomekindofgroupie. innocence ofastudent.Plus IalwayshadasoftspotfortheEnglishmen! that, soIquitasuccessful careerandlefttostudyphotographyinBournemouth. Ireallyjustwantedthe I wentfromclubpicturestotakingfullpagespreads formagazines,butIneveractuallywantedtodo ful inatrulypoliticalway. LutzandIthought,‘Everyoneshouldexperiencethis.’ and thatseemedtobethemostexcitingthing, ecstasyfeeling.Itwassoempoweringandmeaning I wantedtoshowthemhowhappeningthecitywas. Iwasrightinthemiddleofwholeclubexplosion hat madefromlivingmoss. When they cametoHamburg, Itookmyfirstclubpicturesforthembecause was photographedbyi-Dattheirpartyin Amsterdam formakinganecofashionstatementbywearinga reduced photocopywork,andontheotherhand feeling Iwantedtorecordwhatwentonintheseclubs. Hamburg hadthemostsophisticatedclubsceneinGermany. Iwas, ontheonehand,workingvery Photography Wolfgang Tillmans, takenfromtheJuly2010issueofDazedandConfused http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. 2005 time-ectasy-and-empowerment - Galerie Chantal Crousel thing butsnapshots. work washowun-artificialitlooked,andthatisexactlywhatIworkedhardtocontrol. or overlyartistic–Iphotographedwhatsawwithlittleartifice. sented inthephotographythatIsaw;wasmymotivation. A lotofphotographywaseitherstylised and activismwerenotexclusive–thatwasmystrongpersonalbelief.Ididn’ trations thatmatteredtome,liketheCriminalJusticeBillor Photography Wolfgang Tillmans, takenfromtheJuly2010 issueofDazedandConfused NICE HERE, buteverbeentoKYRGYZSTAN? Free Gender-Expression WORLDWIDE,2006 before. Itwasonlyreallyin2000thatIcameoutoftotallyovershadowedperiod. so illwithpneumoniathathewasn’t abletotakethecombinationtherapythathadbeeninventedyear idea thathewasilluntilfiveweeksbeforedied;theremusthavebeenafaultytest.Hesuddenly fell with Jochen,andhewastotallyhealthyatthatpoint. The greattragedyofhisdeathisthatwehadno can. Iwaslongingforsomethingabitdarker, withoutthisconstant‘upness’.ImovedbacktoLondon I hadstartedagreencardprocess,butthenextyearrealised,no,actuallydon’ Žižek, andIwouldtellhimabout The HaçiendaandNewOrder. men whoweredealingwithissuesoftheirtimeinway. IcouldlearnfromJochenaboutLacanand opened myeyestooldartandunderstandingCaravaggiothelikeaspotentialfriends–young tures offoldsandfabricslandscapes.BeingwithJochen,whowasapainterconceptualartist, boyfriend, andIhadagreatopportunitytodevelopmyworkindif I movedtoNew York withtheopeningofmyfirstsoloshowtherein1994.ImetJochenKlein,then I sawwithlittleartifice”– Wolfgang Tillmans “A lotofphotographywaseither stylisedor overlyartistic–Iphotographedwhat Alex, LutzandImovedtoLondonin1990,whengayrightswasstillabigissue.wentonthedemons http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. time-ectasy-and-empowerment Anti-Nazi League.Itfeltasifhedonism What gotalotofpeoplemadaboutmy ferent direction:stilllifesandpic t seemyownvisionrepre t wanttobean They wereany Ameri- - - - - Galerie Chantal Crousel Wolfgang Tillmans willbeonshowat Tate ModerninLondon,February15–June 11, 2017 interesting newperiodinmyphotography. I’mreallyexcitedabouttakingpicturesnow. at theSerpentineexhibition,areinformedbynon-figurativeworkoflasttenyears,sothis isan has changedintheworldaftermelookingatitfor20,25years.Mynewpictures,someofwhich willbe tographing LondonandBerlinaswellSouth America and Asia. I’vegotagreathungertoseewhat Last yearItookasabbatical,andrediscoveredthecamera.foundmyselftravellinglotbutalso pho gning initsmajority. artists thatareengagedinsocialprocesses.Iseemypracticeaspolitical,eventhoughit’ certain kindsofartnotrepresentedinLondon.SinceIhadalwayslikedpoliticalart,wantedtoshow The sameyear, Irealisedtheentranceofmystudiocouldbeused asagallery, andIfeltthattherewere being subjectedtomentellingyouthattheyknowwhatGodwants. War, thewarpingoftruthandelectionGeorge (W)Bush.Ialwaysfindmyselfindisbeliefabout rial forthe Victims ofOrganised Religions’. That timewasfuelledbyoutrageover9/11 andalsotheIraq The USgotonboardwithmyworkin2006,andNorth American museumtourIincluded‘Memo A bullshitdetector!Idon’t getupsetaboutit.Maybealittle,butnotreally. influence ononeanotherisquiteintense.Heplaysanincrediblyimportantroleindetectingweaknesses. met Anders Clausen,theDanishartist. When artistsarepartnerstheytalkabouteverythingalot,sothe and callingmeGerman-born,London-based,ratherthanGerman.In2004,IgotaplaceinBerlin were nominated.ItwasnicethewaythatBritaindealtwithaforeignertheyliked,embracingme sively internationally, butIwasabitinsecureaboutthepress–2000firstyear thatforeigners I wasn’t surprisedthatIgotnominatedforthe Turner Prize,becauseatthatpointIhadshownexten same way. pigment... That’s whytheyaresopowerful.IfIhadpaintedthem,youwouldnotengagewiththemthe me questioningwhatapictureis.Peopleinterpretthepicturesassomethingunderwater 1998, Iexhibitedpicturesmadewithoutacamera,themostimportantdevelopmentinmywork.Itwas which isasabstractitfigurative. Abstractionhasalwaysbeeninherentlythereinmywork,but I hadmytimeofgreatesthappinessin1997withJochen,whenembarkedontheConcordeseries, http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. time-ectasy-and-empowerment , somethingwith s notcampai - - - - Galerie Chantal Crousel Photography Wolfgang Tillmans, takenfromtheJuly2010issueofDazed andConfused Dennis, 1995 http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. time-ectasy-and-empowerment Galerie Chantal Crousel Photography Wolfgang Tillmans, takenfrom theJuly2010issueofDazedandConfused Blushes #105 03/ 10 Wolfgang Tillmans inDazed http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. time-ectasy-and-empowerment Galerie Chantal Crousel Confused Photography Wolfgang Tillmans, takenfrom theJuly2010issueofDazedand Concorde L449-11, 1997 04 /10 Wolfgang Tillmans inDazed http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. time-ectasy-and-empowerment Fakray, Sarah. “Wolfgang Tillmans takes over the Tate”. Daze, April 19, 2016. http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- time-ectasy-and-empowerment Galerie Chantal Crousel

Wolfgang Tillmans in Dazed 05/ 10 rain, 2006 Photography Wolfgang Tillmans, taken from the July 2010 issue of Dazed and Confused Fakray, Sarah. “Wolfgang Tillmans takes over the Tate”. Daze, April 19, 2016. http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- time-ectasy-and-empowerment Galerie Chantal Crousel

Wolfgang Tillmans in Dazed 07/ 10 o.T. München, 1997 Photography Wolfgang Tillmans, taken from the July 2010 issue of Dazed and Confused Galerie Chantal Crousel Confused Photography Wolfgang Tillmans, takenfromtheJuly2010issueofDazed and paper drop (Roma),2007 09 /10 Wolfgang Tillmans inDazed http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- Fakray, “Wolfgang Sarah. Tillmans takes over theTate”. Daze,April 19,2016. time-ectasy-and-empowerment Fakray, Sarah. “Wolfgang Tillmans takes over the Tate”. Daze, April 19, 2016. http://www.dazeddigital.com/photography/article/30822/1/wolfgang-tillmans-on-his-first- time-ectasy-and-empowerment Galerie Chantal Crousel

Wolfgang Tillmans in Dazed 10 / 10 Faltenwurf (submerged), 2000 Photography Wolfgang Tillmans, taken from the July 2010 issue of Dazed and Confused Galerie Chantal Crousel for somepotentialclues. installation featuring liveevents.” What shouldweexpect?Let’s turntoourrecent Tillmans monograph show, the Tate has alsoinvited the artist to take control ofthe Tate’s South Tank fortendays,staging“an will focusonthephotographer’sshow outputsincehisexhibitionat Tate Britainin2003.Inaddition tothis subject, willreceive a mid-career retrospective at the Tate Modernfrom 15February–11 June2017. The The Tate hasjustannounced thattheGerman Turner Prizewinnerand Phaidon Contemporary Artist Series pher like Wolfgang Tillmans istheanswer. not onlyitsnewvisual arts calendar, butalsoitsperformance and installations programme? A photogra up drawing when to turn institutions world’sfine-art largestthe of one would photographer of sort What http://fr.phaidon.com/agenda/art/articles/2016/april/20/wolfgang-tillmans-takes-over-the- He’ll getasoloshowat Tate Modernin2017andwillalsotakeovertheSouth Tank. So Self-portrait (Christian)forPhaidonmonograph,2013,colourphotograph,by Wolfgang Tillmans Wolfgang Tillmans takesoverthe Tate “Wolfgang Tillmans takes over theTate”. Phaidon, April 20,2016. what canweexpect? tate/ - Galerie Chantal Crousel tions; perhapshewillincludeafewinthisnewshow. magazines on displayathisgallerybackin2015. Visitors wereallowedtoleafthroughtheseoldpublica our book. Tillmans began his career as aphotographer for i-Dmagazine, and placed a series of vintage from magazines to installations, from books to inserts in newspapers,” explains the critic Jan Verwoert in Magazines “Overtheyears Tillmans has beentryingoutvaryingplatformsforthecirculation of hisimages, http://fr.phaidon.com/agenda/art/articles/2016/april/20/wolfgang-tillmans-takes-over-the- A spreadfromi-Dmagazinefeaturingearlyphotographyby Wolfgang Tillmans. As reproducedinour “Wolfgang Tillmans takes over theTate”. Phaidon, April 20,2016. monograph tate/ - Galerie Chantal Crousel forthcoming Tate showwillalsoincludemusic, sokeepyourearsopen. Colourbox for his first installation – elevating pop music to the same status as fine art. The BBC reports his enabled visitors tolisten to the work ofasingle band - Tillmans chose the work ofthe 1980s indie group high-quality hi-fi and a selection of CDs, at his Berlin gallery Between Bridges in 2014. The listening room pictures on record sleeves. Wolfgang Tillmans installed a listening room, or gallery space fitted out with a Music In our book Tillmans tells the artist Peter Halley that, he first grew to appreciate photography via the http://fr.phaidon.com/agenda/art/articles/2016/april/20/wolfgang-tillmans-takes-over-the- “Wolfgang Tillmans takes over theTate”. Phaidon, April 20,2016. Love (Handsin Air) (1989)by Wolfgang Tillmans tate/ Galerie Chantal Crousel cape.” also saysomething very deliberate in termsofformal considerations related to, say, portraiture or lands have a little joke inonecorner and somesortofpersonal wink tosomebody else in another corner. And to haveavoice,”heexplains to Halley in ourmonograph. “It’s aninclusive practice, which allowsme to hanging hedescribesas‘‘Multi-vectored’ “ This wayof hangingallowsforeachofthesedifferent vectors to hehold.Instead,hecoversgallerywallswitha imagesinarangeofsizes,oftenunframed,style Idiosyncratic picturehanging Wolfgang doesn’tfor visitors presentasuccessionofsingle,framedworks http://fr.phaidon.com/agenda/art/articles/2016/april/20/wolfgang-tillmans-takes-over-the- “Wolfgang Tillmans takes over theTate”. Phaidon, April 20,2016. Silver Installation VII (2009) by Wolfgang(2009) Installation VII Silver Tillmans tate/ - Galerie Chantal Crousel front ofmyeyes,»andnowconsidersthesepictures tobeamonghisbest. says inourmonographthat“itwasamovingexperience to seetheactual mechanics of theskyworkin he value, scientific no have images these that admits Tillmansteenager. While was he since ever owned A little bit of astronomy Tillmans shot the transit of Venus across the sun in 2004, using a telescope he has Silver Installation VII, 2009,26colourphotographs,306x843cm,installationviewatthe Venice Bien http://fr.phaidon.com/agenda/art/articles/2016/april/20/wolfgang-tillmans-takes-over-the- “Wolfgang Tillmans takes over theTate”. Phaidon, April 20,2016. nale, 2009,featuring Tillmans’ Venus pictures tate/ - Galerie Chantal Crousel Tillmans monographhere. For greaterinsightinto this important contemporary artistbuyacopyof ournewlyupdated Wolfgang he willcallononeofthem. Genzken, andshownherworkaswellotherartists suchasJennyHolzer, athisBerlingallery. Perhaps fellow German artist Isa Genzken. The two have remained friends ever since. He hascollaborated with two or artist famous another Maybe Tillmans to photographer fine-art a as sale professional first his made http://fr.phaidon.com/agenda/art/articles/2016/april/20/wolfgang-tillmans-takes-over-the- “Wolfgang Tillmans takes over theTate”. Phaidon, April 20,2016. Astro Crusto, A (2012) by Wolfgang Tillmans tate/ Galerie Chantal Crousel Julian Rose. «Wolfgang visibility»,Artforum, n°5,vol. 54,January, Tillmans: ontheverge of 2016,p. 149. Julian Rose. «Realist Estates, Julian Rose on Wolfgang Tillmans’s Book for Architects», Artforum, Vol. 53, n° 10, Summer 2015, pp. 137 - 138. Galerie Chantal Crousel Julian Rose. «Realist Estates, Julian Rose on Wolfgang Tillmans’s Book for Architects», Artforum, Vol. 53, n° 10, Summer 2015, pp. 137 - 138. Galerie Chantal Crousel Galerie Chantal Crousel Anna Sansom.«Between theBlurandFlicker», Magazine, Damn n°50,May 2015,pp. 78-82. Galerie Chantal Crousel Anna Sansom.«Between theBlurandFlicker», Magazine, Damn n°50,May 2015,pp. 78-82. Galerie Chantal Crousel Anna Sansom.«Between theBlurandFlicker», Magazine, Damn n°50,May 2015,pp. 78-82. Galerie Chantal Crousel Anna Sansom.«Between theBlurandFlicker», Magazine, Damn n°50,May 2015,pp. 78-82. Galerie Chantal Crousel Anna Sansom.«Between theBlurandFlicker», Magazine, Damn n°50,May 2015,pp. 78-82. Galerie Chantal Crousel Étienne Hatt. «Wolfgang Tillmans, GalerieChantalCrousel», Artpress,n° 423,June 2015,p. 31. Galerie Chantal Crousel Emmanuelle Lequeux.«Faire lapaixavec dumonde»,LeQuotidiendel’Art, n.825,April cetteinquiétanteétrangeté 30,2015. Galerie Chantal Crousel Emmanuelle Lequeux.«Faire lapaixavec dumonde»,LeQuotidiendel’Art, n.825,April cetteinquiétanteétrangeté 30,2015. Galerie Chantal Crousel la manière dontleréelsedonneànous–etpasseulementdans lesdarkroomsla manière d’unclub berlinois. lesplusnovatricesParmi deWolfgang actuellement,lapratique photographique Tillmans sur necessedes’interroger que leréalisme“deadpan” ducliché numérique semble nicomposition. nousprésentelascène ellemême, sanscadrage pixelliséereproductiongrignote leréel,soit –soitquelatrame dela différente demanière lesphotographies interprète commedeshumainsbrisésenpleinélan.Danslesdeuxcas,représentés parlespectateur toutestàrecomposer :chacun sinistréslors delatempête2014enAllemagne, àl’expo d’arbres son titre :LignineDuress, leportrait oùildresse série, datant de2014,quel’onretrouvera ChantalCrousel àParis. àlagalerie Elleyvoisinera avec uneautre,qui donne pixellisé. C’estcette unmotif abstraitesmontrant par trois desanouvelle autres photographies série:degigantesques habituellement lesmurs. photosquienornent grandes ceuxdeWolfgang Cestirages, Tillmans, ontainsiétéremplacés d’ailleurs, depuisquelquessemaines, leshabitués duBerghainàBerlin auront puconstater lerenouvellement destrois lascènerave unnomdanslesannées 1990enphotographiant Il s’estfait i-D. berlinoise naissantepourlemagazine Et Wolfgang Tillmans Chaque semaine, lemeilleurdesexpositions àParis artcontemporain, etenprovince. Le top5desexpos dela semaine http://www.lesinrocks.com/2015/04/17/arts-scenes/arts/le-top-5-des-expos-de-la-semaine-13-11742390/ Claire Moulène.Claire «Letop5desexpos delasemaine»,LesInrocks,April 17,2015. Wolfgang Broadcast VIII»,2014 Tillmans, «Sendeschluss /Endof Galerie Judith Benhamou.«Trois àParis del’artcontemporain :BruceNauman,Marcel Broodthaers, grands Wolfgang Tillmans», Les Chantal Crousel http://blogs.lesechos.fr/judith-benhamou-huet/trois-grands-de-l-art-contemporain-a-paris-bruce-nauman-marcel-a15319. donc suspecté denoncynisme. Ducoupson musée estpleind’esprit, decharmes, derebondissements etd’humour mène évidemment àlasincéritétoutcomme lepéché avoué estàmoitiépardonné... Broodthaers estun cynique officiel créer l’institution.Ilva créerun musée :«Lemusée départementdesAigles d’art moderne, ».L’insincérité déclarée XXe siècle :desannéesdéclaratives. Broodthaers déclare queplutôtdetenterd’appartenir àl’institutionilva lui même quelque chose metraversa d’insincère l’espritetjememisaussitôtautravail ».Lesannées60sontcommeledébut du dans lavie. ans. unmomentdéjàquejenesuisbon àrien.Je dequarante Celafait suisâgé L’idée enfind’inventer dansl’arten1964 :«Moiaussi,jemesuisdemandésinepouvaisreconnaissance pasvendre quelquechose etréussir commence desacarrière avec unedéclaration surlesystèmeclaire ( 1924-1976).Lepointdedépartsignificatif de Cette semaineétaitinauguréel’exposition Marcel àl’hôteldelaMonnaie d’unartisteimportant,lebelge Broodthaers defemmes.corps L’homme dutemps. dupassage portelestraces Regardez :https://youtu.be/fq2-rbR-P-o Dans lasallesuivante projettent écrans dessortesd’horloges géantesdontletempsestscandépardes deuxgrands lasalleporteuncasqued’insonorisation. Regardezgarde lavidéo:https://youtu.be/cZtdrzJwQEE éructeuncriatroce. projeté entrèsgrand dans lemêmetempsprèsdelàunpersonnage Atelpoint quelajeunefillequi humaine. d’unedouleur universelle.au solestl’incarnation D’autantque férocité d’unegrande Commeuneallégorie plusanciennes.on estprisparlamaestriadesesdeuxœuvres decesanimauxfigésquilaisseunetrainée Letourniquet vidéoetinstallation sontmoinsconvaincantes. aurez-de-chaussée etsesdernières Celaditausous-sol contemplatif petite parcelle desontravail jusqu’au12juin.C’est toujoursmieuxquerien.EnvieillissantNaumanestdevenu plus dans l’expression del’émotionaiguë… maître. BruceNaumanestungrand Lafondation Cartierprésenteunetoute que cetartisteaméricainainventé beaucoupdechoses avant toutlemonde. duson, Envidéo, aunéon,dansl’usage Pour ceuxquiauront eulachance devoir larétrospective deBruceNauman(néen1941)1995auMoma,ilestclair Paris expose encemomentletravail qualité. deplusieursartistesgrande Broodthaers, Wolfgang Tillmans Trois àParis del’artcontemporain :BruceNauman,Marcel grands Echos, April 19,2015. : html Galerie Judith Benhamou.«Trois àParis del’artcontemporain :BruceNauman,Marcel Broodthaers, grands Wolfgang Tillmans», Les Chantal Crousel http://blogs.lesechos.fr/judith-benhamou-huet/trois-grands-de-l-art-contemporain-a-paris-bruce-nauman-marcel-a15319. prendre demultiplesprendre chemins, toutaussiexpressifs. Surtoutlorsquelesartistesontcetalentlà. ressemblecette image aucarrousel desanimauxpendusdeBruceNauman.L’expression deladouleurprofonde peut pas làpouraider. Reste victimed’unetempête. d’unarbre format massacré. Unarbre unephotoengrand Par sonesprit abstraites ennoiretblanc esttrèsdifficiled’accès.consacrée àdesimages Etlel’accrochagetexte quiaccompagne n’est commedelacoupepierre. Cependantcetteexpositiondépendant del’angle principalement devue, duregardeur affectionnées commeuninstrumentdeméditation parles chinois lettrés. Ontrouve partoutbeautéetpoésie tout sujets quisemblent dérisoires. Dansmonespritsontravail ressemble derêves unpeuauxpierres collectionnéeset à Arles. Tillmans desphotosquisemblent fait (illesaccroche dérisoires souvent aumur avec desépingles) surdes Wolfgang Tillmans (néen1968).Ilavait étél’objetd’uneexcellente rétrospective en2013aufestival delaphoto galerie ChantalCrousel présentelenouveau la Enfin depuissamedidernier travail dutrèstalentueuxallemand tout nu danscetunivers. avant Ilestconseillédeserenseigner lavisite. intellectuelle visàdel’œuvre. L’exposition pèche parmanqued’explications. cependantvraiment Onestpropulsé Monsieur Teste »dunomroman dePaul fameux Valery surlaprisededistance quiservitdemodèleàAndréBreton installation d’unpetitmonsieurchauve dansunenvironnement Ill’abaptisé« debordmerquilitsonjournal. l’expositioncomme lemontre de l’HôteldelaMonnaie. Surlaquestionducynisme etdeladérisionvoire l’amusante Echos, April 19,2015. html Galerie Chantal Crousel Wolfgang Tillmans enlignedemire Wolfgang Tillmans andGalerieChantalCrousel, Paris) (b)2014,deWolfgang«Lignin Duress» Tillmans. surpapier, jetd’encre Impression non encadrée. (Courtesyof http://next.liberation.fr/arts/2015/04/20/wolfgang-tillmans-en-lignine-de-mire_1231624 Stéphane Corréard. «WolfgangStéphane Corréard. Tillmans Liberation enlignedemire», Next, April 20,2015. Galerie Chantal Crousel (www.crousel.com) «Wolfgang Tillmans du 18avril :LignineDuress», ChantalCrousel, Paris au23mai,à la galerie 3e. remarqué substantifiquement photographiques, aurait Roland Barthes. qui donneauboissarigidité, etsarésistanceàladécomposition.Autant sonimperméabilité dequalités nouvelle exposition depuis2011)souslesignedelalignine, personnelleàParis cetélément (lapremière extrême va lui,l’élégance depairavecChez depudeur. unecertaine sécheresse, forme Ilplacecette médium. Je medisavant decouleurs.» decouleursestune plage tout:uneplage assemblées»,certain ordre Tillmans decatégoriesspécifiquesàun martèle:«Je nepensepasentermes déclarant qu’untableau planerecouverte toujours«essentiellementune surface sera decouleursenun constammentdel’origineépiphaniquelaphotographie. Ilrepart CommeMauriceDenis Son secret? mille. Pourtant, deTillmans quelquesoitsonsujetoumatériau, uneimage toujoursentre sereconnaît léchésmentaux, banalesphotocopies, etcartespostales. tirages Sansoublierlivres sesfameux d’artiste. Cette variété seretrouve numériques monu- desesexpositions dansleformat oùsecôtoienttirages sophistiquées,tractions Tillmans, tousazimuts. 46ans, dégaine D’ailleurs, destarsoud’anonymes, portraits nus, natures mortes, paysages, instantanés deraves, abs- l’ennui,rer hyper-actuel sonartembrasse maisjamaisjournalistique, etdéborde touteslescatégories. etilyaWolfgangIl yalesphotographes Tillmans. conceptuelsansmêmeeffleu- vulgaire, Crusansêtre tion parisienneauxnotesboisées, alliantsouplesseetdureté. très éclectique allemandlivre unenouvelle photographe exposi- non-BritanniquelauréatPremier duTurner Prizeen2000,le

http://next.liberation.fr/arts/2015/04/20/wolfgang-tillmans-en-lignine-de-mire_1231624 Stéphane Corréard. «WolfgangStéphane Corréard. Tillmans Liberation enlignedemire», Next, Avril 20,2015.

Galerie http://toutelaculture.com/arts/interview-wolfgang-tillmans-la-photographie-est-un-outil-qui-enregistre-nos-pensees-avec- Chantal Crousel nospenséesavec estunoutilquienregistre Hugo Saadi.«Laphotographie précision»,Toute unegrande laCulture, April, 23, Crousel jusqu’au23mai.Nousl’avons àcetteoccasion. rencontré rétrospective, allemandWolfgang letalentueuxphotographe Tillmans seposeàParis. Ilestexposé àlaGalerieChantal Exposé en2002auPalais deTokyo grande deBerlin d’unepremière en2008danslecadre ouàl’Hamburger Bahnhof nospenséesavecgistre précision» unegrande [Interview] Wolfgang Tillmans estunoutilquienre- :«laphotographie une-grande-precision/ 2015. Galerie http://toutelaculture.com/arts/interview-wolfgang-tillmans-la-photographie-est-un-outil-qui-enregistre-nos-pensees-avec- Chantal Crousel nospenséesavec estunoutilquienregistre Hugo Saadi.«Laphotographie précision»,Toute unegrande laCulture, April, 23, même tuneconnaissais pas. Tu partadécouverte surpris d’être quetune peux pasprévoir tedoispresque ! peux pasdépasser tesidolesparderrière. Tu doistoujoursvenir parlecôtéencherchant quetoi- unangle surprenant Non. Enfinje d’avoirn’ai jamaiseul’impression commequelqu’un, parcevoulu être quejetrouve toujoursquetune D’ailleurs, avez-vous desinfluences, desinspirations lorsque vous travaillez ? ment cen’en estpasetjeneveux pasyressembler. dePollock.le plus. detélévision, penserauxpeintures quemesécrans onpourrait Bienévidem- Danslemêmeregistre lesdeuxétats abstraittout enétantréel.C’estcedialogueentre quim’intéresse sens oùilssontancrésdansunlangage Avec masériedephotossurleConcorde j’avais déjàpénétrédanscedomaine. Cesontdestravaux dansun similaires Allez-vous poursuivre votre dansledomainedel’abstrait? réflexion photographique un momentaléatoire, quel’on n’identifie passpécialement. moi cesdeuxtravaux eux.Ilsdécrivent liésentre sontd’unecertainemanière avec uneprécision etuneacuitétechnique connaît pasdesuite. Al’instar dutravail avec lesarbres, onnesaitpasoùcelasesitue,etpour c’estcequim’intéresse delasérie«WeakLes photographies Signal»sont différentes. Ilyaquelque re- chose departiculierdedansquel’onne censure. d’unétat decommunication àunepotentielle ment l’image quirésonnecomme unmalentenduetonpenseégalement un événement naturel sous mes yeux, lesignalanalogue oùletempssemble suspenduoùvole cetteneige. C’estégale- Quand jevois leschoses jemedemandesic’estpossible delesphotographier. Iciavec destélés, lescoupures ily avait amateurs dephoto. peuvent cegenre prendre abstraites sontexpérimentales,que cesphotographies quilesontplus. maisfinalement cesontcellesdesarbres Des ancrédansquelquechosemais jepensequeceladoitêtre avec unelibertévisuellebeaucoupplusforte. pensent Lesgens etriend’autre.message Cen’est Je auxartspolitiques, doncpasintéressant. m’intéresse ceuxquiportentunmessage, Si j’avais commencémontravail avec entêtecelan’aurait pasétéuntravail unmessage maissimplementce libre Y-a-t-il ? derrière unmessage personnes. quivoledésormais, maiscettesortedeneige aétéprésentpendantlongtemps. dansl’écran beaucoupde Etelleafasciné J’ai capturél’instantoùleschaînes detélévision leursprogrammes. arrêtent C’estquelquechose quin’existe plus broadcast» et«WeakParlez-nous devotre secondnouveau signal»? projet «Endof qui nesontplusdansleurétat naturel. Pour lesvêtements, cequestionnementestleplusintriguant. vois unesensation unobjet,jeressens etjemedemande «Commentcetobjetétait-ilhier?»,c’estlecasavec cesarbres on perçoit leschoses dumonde. Tout Quandje etc’estcequiestleplusintéressant. estdansunchangement perpétuel etcommuniquer afindetraduire cespensées. unephotographie façon dont le désird’enfaire Lesecondrésidedansla comme unediscussiondela3Dvers la2D, capteetcequ’ilyadansmonesprit.C’estlàquenait cequeleregard entre cequejevois c’estceluiquivientnaturellement,traduire Lepremier Oui. Je conçoisdeuxactesdetransformation. mation estsouvent aucœurdevotre travail. Dans votre nouvelle démembrés. desarbres »,ondécouvre série«LignineDuress L’acte detransfor- une-grande-precision/ 2015. Galerie http://toutelaculture.com/arts/interview-wolfgang-tillmans-la-photographie-est-un-outil-qui-enregistre-nos-pensees-avec- Chantal Crousel nospenséesavec estunoutilquienregistre Hugo Saadi.«Laphotographie précision»,Toute unegrande laCulture, April, 23, celles deJeff Wall oude Richardson àdes Terry kilomètres. Etmêmelescopies !(Rires). nospenséeset nosidéesavec enregistre descentainesde photos, reconnaître précision.Parmi jepourrait unegrande munication mécanique, purement maisjel’aitoujoursappréhendéavec unaspectsociologiquefort.C’estoutilqui La chose avec laplusfascinante pensentquec’estun simplement unmoyen c’estque lesgens laphotographie, decom- sesclichés amateur etdepartager nir photographe ? Quelle estvotre relationavec àn’importe lesnouveaux quipermettent quidedeve- réseauxsociauxcomme Instagram proche deleurstravaux. photo demode, bienquejen’y travaillé. aijamaisvraiment Je cesassociations nesuispascontre maisjene mesenspas Teller. c’est quemontravail cescomparaisons Je quipousseàfaire pensequelaraison aeuuneforteinfluencesurla litudes avec Terry Richardson,mais disonspasplusque3%!Avec Clark toutcomme Larry c’esttrèsdiffèrent Juergen années, qu’ilya5%demontravail jedirais oùilyadesconnotations sexuelles. quelquessimi- Je peutêtre reconnais cesvingtdernières durant cequej’aipufaire toutescescomparaisons.Je peuxcomprendre Maisquandl’onregarde Clark.même Larry Lesvalidez-vous ? Quand onparle devous, lesnomsdeTerry onassocierapidement Richardson, Juergen Teller et une-grande-precision/ 2015. Galerie http://toutelaculture.com/arts/interview-wolfgang-tillmans-la-photographie-est-un-outil-qui-enregistre-nos-pensees-avec- Chantal Crousel nospenséesavec estunoutilquienregistre Hugo Saadi.«Laphotographie précision»,Toute unegrande laCulture, April, 23, mans ».(Rires) dephotos. cegenre quemoiquandj’aifais façon Etilsnesedisentpas«jevais copierWolfgang Till- enphotosdesfruitssurunetable quicommemoiprennent delamême des gens etlesressentent Cependant, jenedispaspourautantqu’ilyadestravaux dénués desens. ilyaaussi SurInstagram, une-grande-precision/ 2015. Galerie http://toutelaculture.com/arts/interview-wolfgang-tillmans-la-photographie-est-un-outil-qui-enregistre-nos-pensees-avec- Chantal Crousel nospenséesavec estunoutilquienregistre Hugo Saadi.«Laphotographie précision»,Toute unegrande laCulture, April, 23, À l’heure actuelle, tout le monde tout le monde vis sa vie à travers l’objectif desonsmartphone… actuelle,À l’heure toutlemondevissavieàtravers l’objectif Plus d’informations surlesitedelaGalerieChantalCrousel.Plus d’informations à l’époquecelan’existait pas. aujourd’hui! encore Etjecontinue d’enfaire appelé«Meintheshowerun autoportrait çaunselfie, onappellerait »,désormais aussi, cenesontpluslesmêmesqu’audébut demacarrière. Ilya 25ansj’aifait Mesphotosontchangéseulement nous, quinousentourent. maislesparamètres dedécouvrircela.Tout etc’estfascinant C’est vrai change chaque jour, pas une-grande-precision/ 2015. Galerie Chantal Crousel Chris Fite-Wassilak. “ Art reviewed, February,”, Art Review 2014,p.112. Galerie Chantal Crousel http://www.rencontres-arles.com/A11/C.aspx?VP3=CMS3&VF=ARL_1024_VForm&SrvRsp=1&FRM=Frame:ARL_1035 1998. Le nom Silver (« gris métallisé ») dérive des traces de saleté et de sel argenté qui restent sur le sur restent qui argenté sel de et saleté de traces des dérive ») métallisé depuis gris poursuit (« TillmansSilver que nom Silver, Le série 1998. la de encadrées uvres grandes aux associés sont tirages Ces commerciaux). centres et transports de moyens sédiments, photogra- minéraux, animaux, ses (plantes, science dans et la technologie reprises de la de maintes issus thèmes à des que donc ainsi façades, retrouvedes extérieurs, revêtements On des toits, donné. des phies endroit un dans visi- situation surface la la sur concentrer de se com- pour ble longues assez sans juste – haltes précision brèves de que tour de faisant le ne fait monde, degré a du Tillmans numérique, un appareil d’un avecÉquipé humaine. vision détails la la et l’oeil des avec de mesure mune numérique représenter de l’évolution de à termes capable relation en la seulement désormais travers non à photographie, » aussi nouveau mais « économique, le et traque politique Tillmans pos- changement d’ensemble.est s’il vue et médiatiques, une d’images saturée dégager époque une de à » sible neuf mon- « le oeil si un demande avec se regardé il être monde, peut du de vision sa livrer nous à commencé a Tillmans que après ans Vingt voyages.nombreux de nouveau cours au créée Monde éponyme, série nouvelle la exposition de extraites Son photographies des filmées. présente et photographiques oeuvres ses travers à moyens les tous par photographie la de possibilités les d’étendre et d’interroger cesse ne TillmansWolfgang ans, 20 Depuis Wolfgang Tillmans, neuewelt Headlight (b),2012.CourtesyGalerieBuchholz, Berlin/Cologne. Cologne. Wolfgang Tillmans de voiture -Phare (b),2012.Avec l’aimable Buchholz, autorisationBerlin/ delagalerie “Wolfgang Tillmans, neuewelt,” Les rencontres d’ArlesLes rencontres , April, 2013. Galerie Chantal Crousel http://www.rencontres-arles.com/A11/C.aspx?VP3=CMS3&VF=ARL_1024_VForm&SrvRsp=1&FRM=Frame:ARL_1035 signe fort donné par la fondation quant au futur projetfondationfutur Parcla au de par quant donné fort signe ateliersdes développé avec Frank Gehry. Tillmans n’a pas été présentée en France. Sa production à Arles, en lien étroit avec de les Rencontres,l’oeuvre sur ampleur est telle un d’une monographie qu’une ans dix de plus fait Ateliers.Cela des halle de réitérer son soutien à travers la coproduction de l’exposition Neue Welt de Wolfgang Tillmans, à la Gran- internationale.à élargir sa renommée Pour cette édition des Rencontres d’Arles, LUMA de est heureuse et fonder LUMAfondationà la contribué décennie, a Rencontresd’une des plus d’ArlesSoutien depuis photographie. la de matérialité la et formation de processus le révèle qui photographique, technologie la par produit accident d’un découle photographique papier le sur dépôts des L’apparencepre.visuelle pro- entièrement pas n’est qui machine une dans photographies les développe l’artiste lorsque papier : Carmen_Brunner. Portrait deWolfgang Tillmans processus photographique. En2000,ilestlelauréatTurner duprestigieux Prize. àsonsujetetdel’objectiviténée delarelationémotionnellequilielephotographe du natures mortesetpaysages, deTillmans l’uvre unecompréhensionsimulta- démontre queTillmans intimes,même dumédiumphotographique portraits Entre aredéfini. etauxidentitéssexuelles.tions liéesauxsous-cultures Depuis, c’estlavaleur artistique comme novatrices parlajeunegénérationdesannées1990,etquisoulèvent desques- ilattirel’attention dupublicGrande-Bretagne, avec considérées desphotographies Wolfgang Tillmans estundesartistesmajeursdesagénération. Après desétudesen Vit ettravaille àBerlin etàLondres. Né en1968Allemagne. Wolfgang Tillmans “Wolfgang Tillmans, neuewelt,” Les rencontres d’ArlesLes rencontres , April, 2013. Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel Martin Herbert.“Wolfgang Tillmans, The world through my lens” Art Review, Issue 67,April 2013 Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel ascendancy of ink-jetprinting”Artforum , 50thanniversary issue, September 2012,p.ascendancy of 420-429. Michelle Kuo. “StepintoLiquid.Michelle Kuo talks with Wolfgang Tillmans about the Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Adrienne Braun, UteThon,Adrienne Braun, “Ich will dasDazwischen ausloten”,ART#7, July 2011. Galerie Chantal Crousel Laura McLean-Ferris.“AbstractLaura ArtReview, Pictures”, Issue52, September 2011,p. 185. Galerie Chantal Crousel “Best of 2011:Wolfgang Tillmans”, Artforum,Decembr“Best of 2011. Galerie Chantal Crousel “Best of 2011:Wolfgang Tillmans”, Artforum,Decembr“Best of 2011. Galerie Chantal Crousel “Best of 2011:Wolfgang Tillmans”, Artforum,Decembr“Best of 2011. Galerie Chantal Crousel “Best of 2011:Wolfgang Tillmans”, Artforum,Decembr“Best of 2011. Galerie Chantal Crousel Anonyme, “Wolfgang Tillmans :Dunkelkammer Darkroom”, Frieze, 2011.