Chords and Scale Patterns : for Resonator Guitar Chart Pdf, Epub, Ebook

Total Page:16

File Type:pdf, Size:1020Kb

Chords and Scale Patterns : for Resonator Guitar Chart Pdf, Epub, Ebook CHORDS AND SCALE PATTERNS : FOR RESONATOR GUITAR CHART PDF, EPUB, EBOOK Stacy Phillips | 4 pages | 30 May 2007 | Mel Bay Publications,U.S. | 9780786675401 | English | Missouri, United States Chords and Scale Patterns : For Resonator Guitar Chart PDF Book Resonator guitars i. Being able to play an entire song is such an impressive skill, but it takes lots of practice. You guys have done it again, I look forward to these lessons. Playing both strings together and sliding into the IV and V sounds really cool power chords! This handy book shows all of the basic banjo chords in photo and diagram form. You can read our full deliveries policy here. Flute Tin Whistle. A variation of this progression vi, V, VI, V is also seen more often in modern music. We covered most of this in Point 2, but again, the resonator is made of very lightweight wood. Piano Melody - Learn your favorite songs and play by ear. Vacuum Tubes. Read More. Here is a 2 octave G Major scale. The tablature will show the chords to a song from left to right, as if you were reading text. Intro to Playing Common Chords. Dirk your lessons are gold!! Because of this, there are a countless variety of progressions out there. For example, the next scale is the same pattern moved down to start at the open strings making it a G scale. We will be playing out of the open scale pattern, closed scale root on 5th string and the single string scale pattern…. Please note the following exclusions: DVD's and CD's cannot be returned unless they are faulty Banjo heads cannot be returned once you have tried to fit them to your banjo Harmonica's have a 7 day guarantee and can be returned within this time if they are found to be faulty Goods must be returned to Eagle Music together with a covering letter and contact details so that the matter can be dealt with efficiently and promptly. You can also use the neck of a bottle another expression for slide guitar is bottleneck guitar. You then can make a bar with your index or middle finger and push down all of the strings at the 5th fret to make a C chord. Once you master these two, make sure you learn all other positions as well. Special Deliveries. I like that! Play around with this to get a feeling for it. For items posted from Tuesday 31 March onwards, our guarantee delivery for Special Delivery Guaranteed by 9. Resophonic Dobro Guitar Scales. This group class is the perfect introduction to guitar scales for beginners. Never tune a string above standard tuning, at least with an acoustic guitar and heavy strings. The numbers to the left of the chart - 1, 3, 5, 1, 3, 5 - are the open strings. Bar the other numbers at the appropriate fret. It teaches the fundamentals of mandolin, chord strumming, single-note melody picking, and explains tablature. Choose one of these chord progressions to jump start your song! Igor says:. Should you not be entirely happy with your purchase, or you have ordered an incorrect item, Eagle Music is happy to refund your purchase excluding postage within 28 days providing the goods are in a fully resaleable condition including the original undamaged packaging and not featured within the Exclusion Policy. A general rule is that heavier slide create a better sustain. Let us know about any other myths you commonly hear about the banjo in the comments section below. Browse Subjects. Chords and Scale Patterns : For Resonator Guitar Chart Writer Learning jazz guitar scales can be complicated and often beginners wonder which scales they should learn first. If you do not wish to be contacted, leave it blank. This scale can be moved up or down the fretboard and named by whatever chord is formed at the fret where 1 is on the sixth string or by the note under your bar at that location. This is also the reason why your index finger is not ideal for the slide. Dirk Laukens says:. Buy Together. Buy It Now. Instruments Acoustic Guitars. Fully personalised as you can adjust the speed of the scale. Please see our Privacy Policy for details. Speed is an important factor that separates beginner from advanced guitar players. LearnToMasterLtd gmail. Gift Cards. Lowercase roman numerals are utilized to denote minor chords. The login page will open in a new tab. If not, it will vibrate also and produce unwanted sound. Description optional. An O represents an open note, which you play without holding down a fret. Happy strumming! That means you can forget what you know about the fretboard and forget both your left and right hand techniques. Your video is in XX format and is playable on most pre- installed video players. Handy reference chart detailing the common chord positions that all squareneck resonator slide players should know. This online guitar class will help you add some style and flair to your playing. Sale Items. Open tunings see below give a different sound and have their advantages, but they are not better in every case. Close X Tell A Friend. The lowest-priced brand-new, unused, unopened, undamaged item in its original packaging where packaging is applicable. Account Options Sign in. Most slide players do that. In the early days of Blues the players also used a bone like Mississippi Fred McDowell, who gave some of his slide guitar secrets to Bonnie Raitt or a knife. Dale says:. Now pick the string and move the slide slowly up and down. It is mandatory to procure user consent prior to running these cookies on your website. Generally recommended for the beginner slide player. See details for additional description. If you move this scale pattern , it will be named by the note at the 1 or root note at whatever fret you move to. Mel Bay Publications, Inc Guitar tabs are frequently used to denote the chords that are used in songs. In addition, four major scale patterns and a diagram of the location of the notes on the neck are included. While he used a pick for fretted playing, he always played fingerstyle when using the slide. Practice New Fingerpicking Patterns and Exercises. Job Application. That means, for any major chord in standard tuning we can use these strings. Chords and Scale Patterns : For Resonator Guitar Chart Reviews Customers who bought this item also showed interest in. Acoustic-Electric Guitars. Related Articles. Start with the slide a little bit under the fret and than reach the note above the fret. I have one suggestion. But playing the normal way is hard. You can read our full deliveries policy here. Maybe you have to adjust the neck a bit and raise the action. Used to contact you regarding your review. You also have the option to opt-out of these cookies. On the day of delivery you will receive a text message with your hours delivery time slot You will be informed immediately if there is a problem with any part of your order or if any item is 'out of stock'. The scales are the same, but keep in mind that you have to position the slide right above the fret, not between. Thanks Ray! We covered most of this in Point 2, but again, the resonator is made of very lightweight wood. We'll assume you're ok with this, if not, please leave this site or disable cookies in you browser. You can hear that there are many in-between notes which are hard to tab. One of the worst banjos that ever came into our shop was a mid 70s Gibson Mastertone. If you have an extra guitar only for slide, you can also try out the open tunings. Your cart is empty. Close X Learn about Digital Video. You can also use the neck of a bottle another expression for slide guitar is bottleneck guitar. Banjo Heads. During the following vocals the chords are played with a slide, starting with a slide into the 12th fret I, G, root and including the bass line low G string! Mirko says:. The great banjoist Bela Fleck has been nominated for more different Grammy categories than any other artist in history. Non-necessary Non-necessary. The weight of a banjo does not let you know if it is a good or bad banjo. If you want to play much slide guitar, prepare a guitar just for this job. Tutor DVD by Instrument. Buy Together. Having a hard time writing or finishing a song? Your video is in XX format and is playable on most pre-installed video players. Tutor Tutor. A mad beast. You have to learn everything new. Duane was one of my heroes and, in my opinion, he was the best slide player who ever lived. If you move this scale pattern , it will be named by the note at the 1 or root note at whatever fret you move to. You can play any style of music, on any type of banjo. Knowing the numbers of the scale steps or scale degrees will be helpful if you need to transpose a tune to another key. Details Handy reference chart detailing the common chord positions that all squareneck resonator slide players should know. Easily share your music lists with friends, students, and the world. If you have only one and play sometimes slide or want to switch between slide and normal playing, use the standard tuning. Our video section features snippets from Eagle Music events, award presentations, instrument demonstrations and technical advice.
Recommended publications
  • Measurement and Modeling of a Resonator Guitar
    ISMA 2019 Measurement and modeling of a resonator guitar Mark Rau(1)∗, Julius O. Smith III(1) (1)Center for Computer Research in Music and Acoustics, Stanford University, USA Abstract Resonator guitars are acoustic instruments which have one or more spun metal cones embedded in the top plate, with strings driving the cone directly through a bridge. They were originally designed to be louder than traditional acoustic guitars and are often played with a metal slide. The vibrational characteristics of resonator guitars having a single inverted-cone are studied as the basis for a synthesis model. The small-signal input admittance is obtained using an impact hammer and laser Doppler vibrometer. As well, sinusoidal sweeps are made using a modal shaker at various driving amplitude levels. The shaker measurements show that some of the modes exhibit nonlinear characteristics. These measurements are used to design body resonator filters with time-varying resonant modes for a digital waveguide model of the resonator guitar. Keywords: Guitar, Measurement, Modeling 1 INTRODUCTION During the early twentieth century, the playing levels of American bands were increasing due to the use of brass instruments and percussion. Conventional stringed instruments were not loud enough to compete, leading to the invention of “resophonic” or “resonator” instruments. Resonator instruments have similar construction to their traditional counterparts, with the addition of one or more spun metal cones replacing the majority of the top plates. With the introduction of electronically amplified musical instruments, the need for louder acoustic instruments was reduced, but by this time, resophonic instruments had already become part of the canon of American music such as blues and traditional music.
    [Show full text]
  • Prek–12 EDUCATOR RESOURCES QUICK GUIDE
    PreK–12 EDUCATOR RESOURCES QUICK GUIDE MUSICAL INSTRUMENT MUSEUM BRING THE WORLD OF MUSIC TO THE CLASSROOM MIM’s Educator Resources are meant to deepen and extend the learning that takes place on a field trip to the museum. Prekindergarten through 12th-grade educators can maximize their learning objectives with the following resources: • Downloadable hands-on activities and lesson plans • Digital tool kits with video clips and photos • Background links, articles, and information for educators • Free professional development sessions at MIM Each interdisciplinary tool kit focuses on a gallery, display, musical instrument, musical style, or cultural group—all found at MIM: the most extraordinary museum you’ll ever experience! RESOURCES ARE STANDARDS-BASED: Arizona K–12 Academic Standards • English Language Arts • Social Studies • Mathematics • Science • Music • Physical Education Arizona Early Learning Standards • English Language Arts • Social Studies • Mathematics • Science • Music • Physical Education EXPLORE MIM’S EDUCATOR RESOURCES ONLINE: • Schedule a field trip to MIM • Download prekindergarten through 12th-grade tool kits • Register for free professional development at MIM MIM.org | 480.478.6000 | 4725 E. Mayo Blvd., Phoenix, AZ 85050 (Corner of Tatum & Mayo Blvds., just south of Loop 101) SOUNDS ALL AROUND Designed by MIM Education MUSICAL INSTRUMENT MUSEUM SUMMARY Tool Kits I–III feature activities inspired by MIM’s collections and Geographic Galleries as well as culturally diverse musical selections. They are meant to extend and
    [Show full text]
  • Mark Simon's Terraplane Resonator Guitars
    Mark Simon's Terraplane Resonator Guitars (index.html) Good Vibrations How Sweet e Sound! Mark Simon and the Terraplane resonator guitar. One hundred years ago, in 1916, the Martin Guitar Company manufactured a new model called a Dreadnought. e most o vious characteristic of the Dreadnought"to this day the most popular acoustic guitar style in America"was its larger ody si$e, meant to help players in their e%orts to e heard amidst the rass and percussive instruments that made up many popular ensem les of the day. Later, in the 1920s, a violin repairman named )ohn Dopyera addressed the pro lem in a di%erent way when he made the *rst resonator guitar for George Beauchamp, a ,audeville lap steel guitar player from Te.as. Rather than rely on the instrument0s wooden top and ody to amplify the sound waves from the strings, Dopyera devised aluminum cones that received the string vi rations through a variety of com inations and con*gurations, producing a sound much louder and righter than that of a traditional acoustic guitar. Dopyera and Beauchamp egan manufacturing tri1cone, metal1 odied 2ational Steel guitars in Los Angeles in 1927. A year later, Dopyera le5 to form his own company with his rothers, naming it Dobro Manufacturing, producing a single, larger resonator cone that sat inverted under a perforated metal cover plate. e Dopyera rothers were a le to eventually com ine oth 2ational and Dobro into one company, while Beauchamp, himself no slouch when it came to innovation, went on to achieve supreme audi ility y developing the *rst electric guitars.
    [Show full text]
  • ACOUSTIC Waterloo WL-12 the Waterloo Line from Collings Guitars Seeks to Evoke the Small-Bodied Soul of Pre- War Acoustics
    ACOUSTIC Waterloo WL-12 The Waterloo line from Collings Guitars seeks to evoke the small-bodied soul of pre- war acoustics. These are not overly ornate Waterloo WL-12 flat-tops, but simpler workhorses that put a Price: $2,200 (list) premium on sounding good. Info: www.waterlooguitars.com The WL-12 is a 12-fret acoustic fitted with an X-braced spruce top and flamed-maple back and sides, topped with an Iced Tea Santa Cruz Vintage finish, tortoise pickguard, and white top Southerner binding. The body has a width of 14.75" on Price: $5,700 (list) the lower bout and a neck scale of 24.875", Info: www.santacruzguitar.com while its rosewood fingerboard has dot inlays, vintage-styled tuners, and a drop-in saddle. Also impressive is its light weight – under 3.5 pounds. The neck is a larger D-shape that’s quite comfortable and set up with low action. One selling point is that, with the 12-fret design, the bridge sits closer to the middle of the lower bout, which endeavors to create more bass and projection. In practice, the WL-12 sounded like a fine parlor guitar, with medium bass, pleasing high-end, and a midrange akin to a resonator guitar – just right for miked-up recording, gigging, or playing on the porch. Overall, the Waterloo WL-12 is more about craftsmanship and tone than fancy finishes, and it more than delivers in that regard. Com- pared to a heavier dreadnought or jumbo, the light weight and playability of the guitar also makes the WL-12 a go-to instrument that sounds great for fingerpicking, blues, ragtime, bottleneck, country, or any kind of acoustic music you can think of.
    [Show full text]
  • Guitar in Oxford Music Online
    Oxford Music Online Grove Music Online Guitar article url: http://www.oxfordmusiconline.com:80/subscriber/article/grove/music/43006 Guitar (Fr. guitare; Ger. Gitarre; It. chitarra; Sp. guitarra; Port.viola; Brazilian Port. violão). A string instrument of the lute family, plucked or strummed, and normally with frets along the fingerboard. It is difficult to define precisely what features distinguish guitars from other members of the lute family, because the name ‘guitar’ has been applied to instruments exhibiting a wide variation in morphology and performing practice. The modern classical guitar has six strings, a wooden resonating chamber with incurved sidewalls and a flat back. Although its earlier history includes periods of neglect as far as art music is concerned, it has always been an instrument of popular appeal, and has become an internationally established concert instrument endowed with an increasing repertory. In the Hornbostel and Sachs classification system the guitar is a ‘composite chordophone’ of the lute type (seeLUTE, §1, andCHORDOPHONE). 1. Structure of the modern guitar. Fig.1 shows the parts of the modern classical guitar. In instruments of the highest quality these have traditionally been made of carefully selected woods: the back and sidewalls of Brazilian rosewood, the neck cedar and the fingerboard ebony; the face or table, acoustically the most important part of the instrument, is of spruce, selected for its resilience, resonance and grain (closeness of grain is considered important, and a good table will have a grain count about 5 or 6 per cm). The table and back are each composed of two symmetrical sections, as is the total circumference of the sidewalls.
    [Show full text]
  • Medium of Performance Thesaurus for Music
    A clarinet (soprano) albogue tubes in a frame. USE clarinet BT double reed instrument UF kechruk a-jaeng alghōzā BT xylophone USE ajaeng USE algōjā anklung (rattle) accordeon alg̲hozah USE angklung (rattle) USE accordion USE algōjā antara accordion algōjā USE panpipes UF accordeon A pair of end-blown flutes played simultaneously, anzad garmon widespread in the Indian subcontinent. USE imzad piano accordion UF alghōzā anzhad BT free reed instrument alg̲hozah USE imzad NT button-key accordion algōzā Appalachian dulcimer lõõtspill bīnõn UF American dulcimer accordion band do nally Appalachian mountain dulcimer An ensemble consisting of two or more accordions, jorhi dulcimer, American with or without percussion and other instruments. jorī dulcimer, Appalachian UF accordion orchestra ngoze dulcimer, Kentucky BT instrumental ensemble pāvā dulcimer, lap accordion orchestra pāwā dulcimer, mountain USE accordion band satāra dulcimer, plucked acoustic bass guitar BT duct flute Kentucky dulcimer UF bass guitar, acoustic algōzā mountain dulcimer folk bass guitar USE algōjā lap dulcimer BT guitar Almglocke plucked dulcimer acoustic guitar USE cowbell BT plucked string instrument USE guitar alpenhorn zither acoustic guitar, electric USE alphorn Appalachian mountain dulcimer USE electric guitar alphorn USE Appalachian dulcimer actor UF alpenhorn arame, viola da An actor in a non-singing role who is explicitly alpine horn USE viola d'arame required for the performance of a musical BT natural horn composition that is not in a traditionally dramatic arará form. alpine horn A drum constructed by the Arará people of Cuba. BT performer USE alphorn BT drum adufo alto (singer) arched-top guitar USE tambourine USE alto voice USE guitar aenas alto clarinet archicembalo An alto member of the clarinet family that is USE arcicembalo USE launeddas associated with Western art music and is normally aeolian harp pitched in E♭.
    [Show full text]
  • A Guitarra Clássica Como Instrumento Concertista Através De Andrés Segovia 9
    UNIVERSIDADE DE ÉVORA ESCOLA DE ARTES DEPARTAMENTO DE MÚSICA Reportório de Jazz para guitarra a solo Mário Delgado Orientação: Prof. Doutor Eduardo Lopes Mestrado em Música Área de especialização: Interpretação Dissertação Évora, 2014 1 Mestrado em Música Interpretação Dissertação Reportório de Jazz para guitarra a solo Mário Delgado Orientador: Prof. Doutor Eduardo Lopes 2 Dedicada à memória dos meus pais Manuel Ribeiro da Silva Delgado e Manuela das Dores Barrela da Silva Delgado 3 Agradecimentos Em primeiro lugar cumpre-me agradecer à minha mulher Luísa Paiva Delgado e sua mãe Lídia Paiva por todo o apoio e ajuda na elaboração deste trabalho e ainda aos meus filhos que suportaram por vezes a minha ausência. Ao meu orientador Prof. Eduardo Lopes por toda ajuda, disponibilidade e sábios conselhos; Ao Prof. José Meneses e ao meu colega de mestrado Alexandre Dinis pelos aconselhamentos bibliográficos; aos meus irmãos Pedro Delgado e José Delgado pela exposição que me proporcionaram desde muito cedo a diversos tipos de música e também aos vários músicos com que tenho partilhado o palco e aos meus alunos. Índice 4 Resumo 6 Abstract 7 A Guitarra Clássica como instrumento concertista através de Andrés Segovia 9 Breve história da guitarra eléctrica 12 Charlie Christian e a implementação da guitarra eléctrica como um instrumento funcional e popular 17 Fundamentações para a análise demonstrada nos três discos de guitarra a solo 23 JOE PASS 24 Breve biografia 24 JOE PASS – Virtuoso 25 Seleção de reportório 33 Recursos estruturais de andamento
    [Show full text]
  • Steel Guitar Shop Catalog 20504 Constitution Highway Orange, VA 22960 Email: [email protected] 540-854-5940
    Billy Cooper's Steel Guitar Shop Catalog 20504 Constitution Highway Orange, VA 22960 www.billycoopersmusic.com Email: [email protected] 540-854-5940 2021 Billy Cooper's Music, Inc. 20504 Constitution Highway, Orange, VA 22960 540/854-5940 [email protected] www.billycoopersmusic.com Hello Friends, We are so pleased to send you our catalog of steel guitar products. In addition to the products found within, we offer: Used steel guitars. Our pre-owned steels are reconditioned and if necessary, completely rebuilt. Six month warranty New steel guitars with one year warranty Complete customization for new and used steel guitars purchased from us. We want your guitar to feel like your own right from the start Trade-in options Prompt shipping services. You may call, email or mail an order and be assured that it will receive prompt attention MasterCard & VISA, personal check, money orders accepted Convenient Hours: Tuesday through Friday ................................. 10 am-4:30 pm Saturday.................................... 10 am-12 noon Sunday & Monday ................................ Closed Thank you for taking a moment to browse through these pages and check out what we offer. We continually strive to find quality products and instructional material to add to our already extensive selections. You will see, too, that Billy is producing a steadily increasing line of pedal steel CD’s and instruction. We invite you to stop by the store any time for a visit. We usually have a huge selection of new and used steel guitars on our showroom floors at any given time. Email us for an updated listing of these instruments at the address above.
    [Show full text]
  • Visit Fullcompass.Com Today! for Expert Advice - Call: 800-356-5844 M-F: 9:00-5:30 Central 278 FOLK INSTRUMENTS
    FOLK INSTRUMENTS 277 NEW! FINISHFINISH OPTIONS:OPTION M510 M510EM510E FENDER FM-52E ACOUSTIC-ELECTRIC MANDOLIN This 4-course mandolin combines the best traditional features with modern technology. The “tone bar”- IBANEZNEZ M SERIES SERIES MANDOLINSMANDOLINS SinceSi the th 1600’s 1600’ mandolins d li have h been b an braced spruce top is matched with nato back/sides/neck for crisp tone. Also features important part of folk music, lending their uniquely crisp sound to many an arrange- a 21-fret rosewood fretboard with traditional dot inlays, single-coil neck pickup with ment and performance from traditional folk to modern country and bluegrass. volume/tone controls, chrome hardware and high-gloss sunburst finish. These 4-course A-style instruments both feature a spruce top which provides clear, bright tone, mahogany back/sides/neck, chrome tuners, and rosewood fretboard and ITEM DESCRIPTION PRICE FM-52E ..................... Acoustic-electric mandolin ...........................................................269.99 floating bridge. M510E adds a magnetic neck pickup with volume/tone controls for microphone-free amplification. ITEM DESCRIPTION PRICE M510 ..................Mandolin ..............................................................................................149.99 M510E ................Acoustic-electric mandolin ..................................................................199.99 NEW! FENDER FM-101 MANDOLIN Melding tone, performance, and value, this 4-course mandolin features a laminated spruce top with f-holes, and tone
    [Show full text]
  • Our Comprehensive Technical Inspection Ensures Your Guitar Ships In
    272 FOLK INSTRUMENTS BACK OF BANJO RESONATORS FINISH OPTIONS: G9410 G9400 FENDER FM-52E ACOUSTIC-ELECTRIC MANDOLIN This 4-course mandolin GRETSCHGRETSCH BROADKASTERBROROAADKAASTER BANJOS Combining authentic tone and vibe vib combines the best traditional features with modern technology. The “tone bar”- with early 20th-century style and modern craftsmanship, these new/old braced spruce top is matched with nato back/sides/neck for crisp tone. Also features banjos are true players with a good-time sound. Both 5-string models include a a 21-fret rosewood fretboard with traditional dot inlays, single-coil neck pickup with mahogany neck and resonator, rosewood fingerboard with snowflake inlays, 24 volume/tone controls, chrome hardware and high-gloss sunburst finish. brackets, coated Remo head, chrome hardware, 26-3/8" scale, 1-3/16" nut and ITEM DESCRIPTION PRICE gloss finish. The G9400 has a 1-piece flange, zinc-alloy tone ring, “Presto”-style FM-52E ..................... Acoustic-electric mandolin ...........................................................269.99 tailpiece and 3-ply solid maple rim. The G9410 features a rolled-brass tone ring, traditional tailpiece and mahogany rim. ITEM DESCRIPTION PRICE G9400 .............................Broadkaster Deluxe, 5-string, zinc-alloy tone ring ......................................639.00 G9410 .............................Broadkaster Special, 5-string, rolled-brass tone ring ................................ 419.00 FENDER FM-101 MANDOLIN Melding tone, performance, and value, this 4-course mandolin features a laminated spruce top with f-holes, and tone bar bracing for strength and clarity of tone. Also features nato top/sides/neck, synthetic bone nut, a rosewood bridge with compensated saddle for proper intonation, a bound rosewood fretboard with traditional dot inlays, a chrome tailpiece, bound body and a gloss sunburst finish.
    [Show full text]
  • Composite Acoustics™ Cargo
    Model: Composite Acoustics™ Cargo Available Finishes: High gloss Carbon Burst, Solid Red, Solid Blue, Solid Metallic Charcoal, Solid White or in our Satin Back RAW carbon fiber top finish. Custom Tribal finish available on Red, Blue, White and Charcoal finishes. FEATURES • All Composite Acoustically Tailored™ construction for ultimate tone, durability and versatility • Rigid one-piece neck/body construction for long-term stability • Impervious to climate for consistent performance, wherever you go • 22.75” scale length • 14 fret to the body Carbon fiber neck for consistent playability (No truss rod adjustments needed, EVER!) • Proprietary carbon fiber bridge and saddle materials for maximum sound transfer • Proprietary Reinforced Polymer Fretboard with 21 medium stainless steel frets, top dots & side dots • 15 degree headstock pitch • Optional premium electronics for easy and clear amplification • Offset sound hole with integrated top bracing technology™ (IBT™) • Ultra-Precise tuning machines with 18:1 ratio • Handcrafted in the USA by skilled technicians and craftsmen • Gig bag included • Ships with Elixr® Nanoweb® strings, .012-.053 SPECIFICATIONS Neck Material: Carbon Fiber Inlays: Side marker, aluminum dot Neck Type: “C” neck shape Frets: 21, 2.13 mm wide, .99mm tall, Stainless Hardware Color: Black Chrome Steel Fingerboard: Proprietary Reinforced Polymer Bridge: Proprietary Carbon Composite Fretboard Pickup: L.R. Baggs Active Element* *See www.lrbaggs.com for detailed specifications of on-board electronics NECK DIMENSIONS & STRING HEIGHT SETUP SPECS Scale/Length: 22.75”, 21 frets RADIUS A a. Width at Nut: 1.75” (44.45mm) C b. Width at Last Fret: 2.25” (57.15mm) D c. Thickness at 1st Fret: .81” (20.57mm) d.
    [Show full text]
  • Program Notes by Terry Relph-Knight, Issue 1, 04/02/16 Copyright of Text and Images – T
    The London Guitar Academy – Guitar club podcast 2 - program notes by Terry Relph-Knight, issue 1, 04/02/16 Copyright of text and images – T. Relph-Knight 2016, except where noted otherwise. The sounds of the guitar – Part 2 A journey through the history of the guitar demonstrating the range of sounds now available to the modern guitarist. Christian Frederick Martin and the American flat-top After Torres the story of the guitar moves to America where highly skilled luthieres had set up shop after emigrating from Europe. Their innovations found fertile ground in a large, multicultural and growing nation. Perhaps now the most famous, C.F. Martin https://en.wikipedia.org/wiki/Christian_Frederick_Martin founder of the Martin guitar company, trained in Vienna under Johann Georg Stauffer https://en.wikipedia.org/wiki/Johann_Georg_Stauffer, but emigrated to America to escape the restrictions and inter-guild bickering of the European craft guild system. Martin trained as a cabinet maker and at the time the Cabinet Makers guild made guitars. However the Violin Makers guild argued that it is was the only guild with a royal mandate to make string musical instruments. Stauffer invented the six-on-a-side tuner arrangement (advantages – straight string pull over the nut and easier access to all six tuners) and a neck that could be easily adjusted for its angle to the body. It seems more than likely that Paul Bigsby, later 'copied' by Leo Fender, may have seen one of Martin's guitars built to the Stauffer pattern. C.F. Martin & Company founded in 1883, quickly developed from mimicking Stauffer's designs, to introducing innovations of its own in guitar design.
    [Show full text]