Fact Sheet 1994

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LOS ANGELES PHILHARMONIC ASSOCIATION Fact Sheet Founded by William Andrews Clark, Jr., a 42-year-old amateur musician, lawyer, and art patron, the Los Angeles Philharmonic performed its first concert on Friday, October 24, 1919, in Trinity Auditorium with its first Music Director, Walter Henry Rothwell. The Philharmonic’s premiere audience heard Dvorák's New World Symphony, Liszt's Les Préludes , the Overture to Weber's Oberon , and Chabrier's España . The Philharmonic gave concerts in Philharmonic Auditorium from 1920 through the end of the 1963/64 season. In 1964, the orchestra moved to the Dorothy Chandler Pavilion of the Los Angeles Music Center, which was its winter home until their final performances there in May 2003. The orchestra moved to its new home, the 2,265-seat Walt Disney Concert Hall when it opened in October 2003 for the Inaugural season in 2003/2004. The Music Directors of the Philharmonic: Walter Henry Rothwell 1919-1927 Georg Schnéevoigt 1927-1929 Artur Rodzinski 1929-1933 Otto Klemperer 1933-1939* Alfred Wallenstein 1943-1956 Eduard van Beinum 1956-1959* Zubin Mehta 1962-1978 Carlo Maria Giulini 1978-1984* André Previn 1985-1989* Esa-Pekka Salonen 1992- present * During the periods when the orchestra had no music director, the orchestra performed under the direction of guest conductors. The orchestra consists of 105 musicians: Violins: 34 Flutes (incl. Piccolo): 4 Horns: 6 Violas: 13 Oboes (incl. English Horn): 4 Trumpets: 4 Cellos: 12 Clarinets (incl. Bass Clarinet): 4 Trombones: 4 Basses: 9 Bassoons (incl. Contrabassoon): 4 Tuba: 1 Harp: 1 Timpani and Percussion: 4 Keyboards: 1 BUDGET: The Los Angeles Philharmonic Association's budget for the 2005/06 fiscal year was approximately $76 million. Ticket sales and other earned income represent approximately 74% of the budget. 1/06 .

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ARSC Journal
A Discography of the Choral Symphony by J. F. Weber In previous issues of this Journal (XV:2-3; XVI:l-2), an effort was made to compile parts of a composer discography in depth rather than breadth. This one started in a similar vein with the realization that SO CDs of the Beethoven Ninth Symphony had been released (the total is now over 701). This should have been no surprise, for writers have stated that the playing time of the CD was designed to accommodate this work. After eighteen months' effort, a reasonably complete discography of the work has emerged. The wonder is that it took so long to collect a body of information (especially the full names of the vocalists) that had already been published in various places at various times. The Japanese discographers had made a good start, and some of their data would have been difficult to find otherwise, but quite a few corrections and additions have been made and some recording dates have been obtained that seem to have remained 1.Dlpublished so far. The first point to notice is that six versions of the Ninth didn't appear on the expected single CD. Bl:lhm (118) and Solti (96) exceeded the 75 minutes generally assumed (until recently) to be the maximum CD playing time, but Walter (37), Kegel (126), Mehta (127), and Thomas (130) were not so burdened and have been reissued on single CDs since the first CD release. On the other hand, the rather short Leibowitz (76), Toscanini (11), and Busch (25) versions have recently been issued with fillers.
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