Daksh 7 –Envisage-Mayabazar
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Sunada Vinodini Music Gurukulam, Gurgaon, Haryana, India
SUNADA Music, Therapy and More... Volume XIII, January, 2018 “WRITE IT ON YHOUR HEART THAT EVERY DAY IS THE BEST IN THE YEAR” – RALPH WALDO EMERSON HAPPY, HEALTHY NEW YEAR TO OUR DEAR READERS… From the Editor’s Desk… Baby Sunada completes one year. Despite some teething problems, we have learned a lot of things about running a magazine, the pains, pleasures and everything else. Taking the suggestions offered by our valued readers, we are changing the format of the magazine so that it becomes easier to turn the pages and makes it a more pleasurable experience to read. We hope the readers welcome the new Avatar.. We welcome your continued patronage and readership and valuable suggestions. And, baby Sunada needs all of your best wishes and blessings. We assure our readers that we will keep up our efforts to make this a magazine of high standards. KSVasanthaLakshmi Founder & Editor www.sunadavinodini.com In this issue… The Bhajan Effect…….3 Face to Face..…………………………6 What you Think……………………….9 Effect of listening to favourite music. GENRES OF MUSIC – THE BHAJAN EFFECT By K.S. Vasantha Lakshmi Bhajan means prayer or singing in praise of God generally. As is known to one and all, Bhajans, Keertans and chants are used to evoke and awaken the divine spirit hidden in the human mind and heart. There are many ways in which Bhajans are used, in a personal capacity as a one-to-one dialogue or as group prayers. To talk about Bhajan Effect and not mention great saint poets is blasphemous. However, the attempt is not to sing in praise of the saint poets, but to analyse the effect it has on the listeners and those who participate in the act of singing the Bhajans. -
The Journal of International Communication Film Remakes As
This article was downloaded by: [Mr C.S.H.N. Murthy] On: 08 January 2015, At: 09:46 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of International Communication Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rico20 Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking C.S.H.N. Murthy Published online: 13 Nov 2012. To cite this article: C.S.H.N. Murthy (2013) Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking, The Journal of International Communication, 19:1, 19-42, DOI: 10.1080/13216597.2012.739573 To link to this article: http://dx.doi.org/10.1080/13216597.2012.739573 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. -
1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 )
1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 ) 2) Shavukaru ( Category/Genre = Social ) (Date: 07.04.1950 ) 3) Palleturi Pilla ( Category/Genre = Social ) (Date: 27.04.1950 ) 4) Maya Rambha ( Category/Genre = Mythological ) (Date: 15.09.1950 ) 5) Samsaram ( Category/Genre = Social ) (Date: 29.12.1950 ) 6) Pathala Bhairavi ( Category/Genre = Classical ) (Date: 15.03.1951 ) 7) Mallishwari ( Category/Genre = Historical ) (Date: 20.12.1951 ) 8) Pelli Chesi Choodu ( Category/Genre = Social ) (Date: 29.02.1952 ) 9) Daasi ( Category/Genre = Social ) (Date: 1952 ) 10) Palleturu ( Category/Genre = Social ) (Date: 1952 ) 11) Ammalakkalu ( Category/Genre = Social ) (Date: 12.03.1953 ) 12) Pitchi Pulliah ( Category/Genre = Social ) (Date: 17.07.1953 ) 13) Chandi Rani ( Category/Genre = Classical ) (Date: 28.08.1953 ) 14) Chandraharam ( Category/Genre = Classical ) (Date: 06.01.1954 ) 15) Vaddante Dabbu ( Category/Genre = Social ) (Date: 19.02.1954 ) 16) Thodu Dongalu ( Category/Genre = Social ) (Date: 15.04.1954 ) 17) Rechukka ( Category/Genre = Classical ) (Date: 23.05.1954 ) 18) Raju Peda ( Category/Genre = Classical ) (Date: 25.06.1954 ) 19) Sangam ( Category/Genre = Social ) (Date: 10.07.1954 ) 20) Aggiramudu ( Category/Genre = Social ) (Date: 05.08.1954 ) 21) Parivarthana ( Category/Genre = Social ) (Date: 01.09.1954 ) 22) Iddaru Pellalu ( Category/Genre = Social ) (Date: 06.10.1954 ) 23) Missamma ( Category/Genre = Social ) (Date: 12.01.1955 ) 24) Vijaya Gowri ( Category/Genre = Classical ) (Date: 30.06.1955 ) 25) Cherapakura -
Syllabus Under Choice Based Credit System B. A
SYLLABUS UNDER CHOICE BASED CREDIT SYSTEM B. A. TELUGU Total Credits: 120 Core Courses : 72 Elective : 36 Ability Enhancement : 04 Skill Enhancement : 08 1 CORE COURSES Credits-72 COURSE I: HISTORY OF TELUGU LANGUAGE Credits: 5+1 Preamble: The course intends to furnish a comprehensive account of the origin and development of Telugu language in the light of studies during modern times. It is broadly divided into three main periods: (i) Influence of Prakrit and Dravidian languages up to A.D. 1100 (ii) Influence of Sanskrit from A.D. 1100 to 1800 and (iii) European influence and modern trends from A.D. 1800. This is designed for an exegetic study of Telugu in the Dravidian family of languages, its linguistic structure, various dialects and the present day usage. Units of the Course: 1. Dravidian Languages and Telugu. 2. Evolution of Telugu Script. 3. Mentions of Telugu, Tenugu and Andhramu. 4. Evolution of Telugu: B.C 200 to A.D 1100. 5. Phonological, Morphological & Syntactic changes: A.D. 1100 to 1900. 6. Loan Words in Telugu. 7. Dialects in Telugu. 8. Semantic change. List of Reading Materials: 1. Prof. Bh. Krishnamurthy (Ed.). 2004: Telugu BhashaCharitra, PS Telugu University, Public Gardens, Hyderabad – 500004. 2. Simmanna, Prof. V. 2004: Telugu BhashaCharitra, DalitaSahityaPeetham, 4-39-12/3, Munsiff St., PedaWaltair, Visakhapatnam – 530017. 3. Sphurtisree (T. BhaskaraRao). 1972:Telugu BhashaCharitra, Prasanthi Publishers, Pattabhi St.Gandhi Nagar, Kakinada – 533004. 4. Somayaji, G. J. 1969: Andhra BhashaVikasamu, Triveni Publishers, Machilipatnam. 5. Subrahmanyam, Prof. P.S. 1997: Dravida Bhashalu, PS Telugu University, Public Gardens, Hyderabad – 500004. 2 COURSE II: LANGUAGE VARIETIES Credits: 5+1 Preamble: The course aims at creating an awareness of varieties in linguistic usage and their successful application in creative literature.It looks at various aspects of high literary language and rules of grammar in Telugu alongside the common conversational/colloquial language. -
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A hundred grains of rice: regional Mahābhārata stories in performance Srinivas Reddy V ol. 5, No. 1, pp. 237–248 | ISSN 2050-487X | www.southasianist.ed.ac.uk 2017 | The South Asianist 5 (1): 237-248 | pg. 237 Vol. 5, No. 1, pp. 237-248 A hundred grains of rice: regional Mahābhārata stories in performance SRINIVAS REDDY, IIT Gandhinagar [email protected] This article explores the subject of regional folk stories found in various vernacular expressions of the Mahābhārata. In particular, the non-canonical stories of Śaśirekha and Śakuni as found in several Telugu versions of the Mahābhārata story are taken up as exemplars to investigate the dynamic process by which regional folk stories transitioned from theatre to text, and from text to cinema. The Śaśirekha story for example, moves from Surabhi folk theatre to a multitude of parinaya texts and finally to the Telugu cinematic hit Maya Bazaar of 1957. By tracking these stories as they evolved into various forms of new media, this article elucidates the fluid, circulatory process by which folk elements enter a grand narrative like the Mahābhārata, penetrate the normative text and get recirculated back as new literary forms and performative genres. In this context, I also try to complicate the classical/folk dichotomy and question the permeability and mutually constitutive nature of such hermeneutical categories. Introduction Regional/vernacular literary transcreations of Sanskrit source texts (the Mahābhārata being just one of many examples) serve two important complimentary functions: 1) they allow canonical Sanskrit paradigms to enter the realm of vernacular discourse, and 2) they open up pathways for regional folklores and narrative innovations to recirculate into and transform the Sanskrit cosmopolitan discourse. -
Films and Theatre
Films and Theatre A. Reading: Rendezvous with Ray A French-Canadian priest, Gaston Roberge’s association with Satyajit Ray made a remarkable contribution to Indian film. Roberge was attracted to the works of Ray through Apu triology. In his book, “Satyajit Ray Essays: 1970-2005’ Roberge provides a scholarly analysis. After watching Ray’s movies Roberge came to Calcutta and met him. Their friendship lasted (22 years), till the death of Ray. He says “Ray took off where Tagore signed out”. Ray was the icon of Indian film at that moment. Both spent a lot on film discussions. ‘Chitrabani’, a communication and film institute was one of the out puts of their friendship. Glossary En route (adv) : on the way Stopover (n) : a halt in a long journey Path-breaking (adj) : totally new Portal (n) : an entrance Trilogy (n) : a set of three films with the same artists or characters Haunted (v) : obsessed Accusation (n) : the act of accusing somebody Detractors (n) : people who criticise Arrogance (n) : showing pride muster up Dictum (n) : a statement that is believed to be true and followed Analogy (n) : a feature that is similar Aesthetics (n) : the art of judging beauty Fallout (n) : result Agnostic (n) : a person who does not know whether God exists Idioms and Phrasal Verbs Muster up confidence (idiom): gather or gain confidence Right away (idiom) : immediately Come across (phr. v) : meet by chance On the dot (idiom) : exactly on time B. Reading: Maya Bazaar In 2013 we grandly celebrated 100 years of Indian cinema. On this occasion ‘Maya Bazaar’ was selected as a ‘greatest Indian film’ in a TV channel’s opinion poll. -
This Thesis Has Been Submitted in Fulfilment of the Requirements for a Postgraduate Degree (E.G
This thesis has been submitted in fulfilment of the requirements for a postgraduate degree (e.g. PhD, MPhil, DClinPsychol) at the University of Edinburgh. Please note the following terms and conditions of use: This work is protected by copyright and other intellectual property rights, which are retained by the thesis author, unless otherwise stated. A copy can be downloaded for personal non-commercial research or study, without prior permission or charge. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author. When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given. The Aesthetics of Emotional Acting: An Argument for a Rasa-based Criticism of Indian Cinema and Television PIYUSH ROY PhD South Asian Studies The University of Edinburgh 2016 1 DECLARATION This thesis has been composed by me and is my own work. It has not been submitted for any other degree or professional qualification. Piyush Roy 25 February 2017 2 For Thakuba (Aditya Prasanna Madhual), Aai (Malatilata Rout), Julki apa and Pramila Panda aunty II संप्रेषण का कोई भी माध्यम कला है और संप्रेषण का संदेश ज्ञान है. जब संदेश का उद्येश्य उत्तेजना उत्पन करता हो तब कला के उस 셂प को हीन कहते हℂ. जब संदेश ननश्वार्थ प्रेम, सत्य और महान चररत्र की रचना करता हो, तब वह कला पनवत्र मानी जाती है II ननदेशक चंद्रप्रकाश निवेदी, उपननषद् गंगा, एप. -
DEPARTMENT of MODERN INDIAN Telugu (Effective from Aca Revised
DEPARTMENT OF MODERN INDIAN LANGUAGES & LITERARY STSTUDIUDIESES UNIVERSITY OF DELHI Telugu Syllabus for UG Courses (Effective from Academic Year 2019 -20) Revised Syllabus as approved by Academic Council Date: No: Executive Council Date: No: Applicable for students registered with Regular Colleges, Non Collegiate Women’s Education Board and School of Open Learning I List of Contents Preamble Page No. 1. Introduction to Telugu Syllabus for Under Graduate III Courses 2. Learning Outcome-based Curriculum Framework IV IV 2.1. Nature and Extent of the Programme 2.2. Aims of Bachelor Degree IV 3. Graduate Attributes IV 4. Qualification Descriptors for Graduates VII 5. Programme Learning Outcomes VII 6. Assessment Methods VIII 7. Keywords VIII 8. Structure of the Programme IX IX 8.1. Credit Distribution 8.2. Semester-wise Distribution of Courses. X Indian Language under CBCS Core Course (Compulsory): 1 Telugu (A) Indian Language under CBCS Core Course (Compulsory): 13 Telugu (B) Indian Language under CBCS Core Course (Compulsory): 25 Telugu (C) Indian Language under CBCS Core Course (Compulsory): 37 Telugu (For candidates who studied Telugu up to Class XII) Discipline Specific Elective Indian Language under CBCS Core Course (Compulsory): 49 Telugu (For candidates who studied Telugu up to Class XII) I Year / Semester – I: AECC / MIL Indian Language under CBCS Core Course (Compulsory): 53 TELUGU SKILL ENHANCEMENT COURSE (SEC): Telugu (A) & (B) B.A (Honours) & B.Com (Honours) & B.Sc (Honours): 57 Generic Elective under CBCS: Telugu Indian Language under CBCS Core Course (Compulsory): 72 Telugu II Preamble The objective of any programme at Higher Education Institute is to prepare their students for the society at large. -
Volume5 Issue3(5)
Volume 5, Issue 3(5), March 2016 International Journal of Multidisciplinary Educational Research Published by Sucharitha Publications 8-44-1/7, Bazil & Arul’s Nivas, Chinna Waltair Visakhapatnam – 530 017 Andhra Pradesh – India Email: [email protected] Website: www.ijmer.in Editorial Board Editor-in-Chief Dr.K. Victor Babu Faculty, Department of Philosophy Andhra University – Visakhapatnam - 530 003 Andhra Pradesh – India EDITORIAL BOARD MEMBERS Prof. S.Mahendra Dev Prof. Fidel Gutierrez Vivanco Vice Chancellor Founder and President Indira Gandhi Institute of Development Escuela Virtual de Asesoría Filosófica Research Lima Peru Mumbai Prof. Igor Kondrashin Prof.Y.C. Simhadri The Member of The Russian Philosophical Vice Chancellor, Patna University Society Former Director The Russian Humanist Society and Expert of Institute of Constitutional and Parliamentary The UNESCO, Moscow, Russia Studies, New Delhi & Formerly Vice Chancellor of Dr. Zoran Vujisiæ Benaras Hindu University, Andhra University Rector Nagarjuna University, Patna University St. Gregory Nazianzen Orthodox Institute Universidad Rural de Guatemala, GT, U.S.A Prof. (Dr.) Sohan Raj Tater Former Vice Chancellor Singhania University, Rajasthan Prof.U.Shameem Department of Zoology Andhra University Visakhapatnam Prof.K.Sreerama Murty Department of Economics Dr. N.V.S.Suryanarayana Andhra University - Visakhapatnam Dept. of Education, A.U. Campus Vizianagaram Prof. K.R.Rajani Department of Philosophy Dr. Kameswara Sharma YVR Andhra University – Visakhapatnam Asst. Professor Dept. of Zoology Prof. P.D.Satya Paul Sri. Venkateswara College, Delhi University, Department of Anthropology Delhi Andhra University – Visakhapatnam I Ketut Donder Prof. Josef HÖCHTL Depasar State Institute of Hindu Dharma Department of Political Economy Indonesia University of Vienna, Vienna & Ex. -
Ms. Radha Prathi Guest Faculty Specialization: Sanskrit and English Literature Email: [email protected] Linkedin: [email protected]
FACULTY PROFILE 20-21 Ms. Radha Prathi Guest Faculty Specialization: Sanskrit and English Literature Email: [email protected] LinkedIn: [email protected] Qualification Career Summary x MA in English, Hindi, Radha Prathi is Professor of English and Sanskrit , teacher of Carnatic Classical Music, and Veena and Sanskrit Literature (Instrumental music). She is a Bangalore based freelance journalist, author, and radio artist with x BA Prasar Bharati Community radio. Radio Active and is aired occasionally on other local radio stations. She has recorded more than a hundred episodes of Hindi lessons under the Sarva Shikshana Abhiyaan with Prasar Bharati, the primary channel of Akashvaani. She is also a scriptwriter for television shows in Kannada and a Voice-over Artist in multiple languages. She is a well-known keynote speaker on a variety of subjects on local, national and international Work Experience – platforms. 30 Years She feels humbled to have been given an opportunity for handcrafting the dress and accessories x 2005 – Present – for the idol of goddess Kannika Parameshwari at the temple in Malleswaram, Bangalore once in a Assistant Professor - year. She is also into painting, traditional crafts and arts and crafts using recycled material. Center for Management Studies, Jain (Deemed-to-be Research Interest University), Bangalore Indian Tradition and Culture in the backdrop of topical issues like Globalization, Global Warming, x 2002 2004 – Faculty - Environment, Culture and Education from an Indian context. KNET PU College x 1999-2001- Faculty - Research Publications St Anne’s Degree -NIL- College x 1990-1999- Faculty - Articles / Case Studies Maharani Lakshmi Ammanni College for All published articles have been digitally archived in a blogsite called Women and MS https://radhaprathi.wordpress.com/author/radhaprathi/ Ramaiah College Consultancy / Projects She conducts periodic sessions for various school teachers and students apart from corporates Courses Facilitated and senior citizens on practical, economic and environmental issues on invitation. -
Volume9 Issue2(2)
Volume 9, Issue 2(2), February 2020 International Journal of Multidisciplinary Educational Research Published by Sucharitha Publications D.No: 8-42-18/3, F-2,1st Floor, M.K. Residency Tamil Street , Chinna Waltair Visakhapatnam – 530 017 Andhra Pradesh – India Email: [email protected] Website: www.ijmer.in Editorial Board Editor-in-Chief Dr. K. Victor Babu Associate Professor, Institute of Education Mettu University, Metu, Ethiopia EDITORIAL BOARD MEMBERS Prof. S.Mahendra Dev Prof. Igor Kondrashin Vice Chancellor The Member of The Russian Philosophical Indira Gandhi Institute of Development Society Research, Mumbai The Russian Humanist Society and Expert of The UNESCO, Moscow, Russia Prof.Y.C. Simhadri Vice Chancellor, Patna University Dr. Zoran Vujisiæ Former Director Rector Institute of Constitutional and Parliamentary St. Gregory Nazianzen Orthodox Institute Studies, New Delhi & Universidad Rural de Guatemala, GT, U.S.A Formerly Vice Chancellor of Benaras Hindu University, Andhra University Nagarjuna University, Patna University Prof.U.Shameem Department of Zoology Prof. (Dr.) Sohan Raj Tater Andhra University Visakhapatnam Former Vice Chancellor Singhania University, Rajasthan Dr. N.V.S.Suryanarayana Dept. of Education, A.U. Campus Prof.R.Siva Prasadh Vizianagaram IASE Andhra University - Visakhapatnam Dr. Kameswara Sharma YVR Asst. Professor Dr.V.Venkateswarlu Dept. of Zoology Assistant Professor Sri. Venkateswara College, Delhi University, Dept. of Sociology & Social Work Delhi Acharya Nagarjuna University, Guntur I Ketut Donder Prof. P.D.Satya Paul Depasar State Institute of Hindu Dharma Department of Anthropology Indonesia Andhra University – Visakhapatnam Prof. Roger Wiemers Prof. Josef HÖCHTL Professor of Education Department of Political Economy Lipscomb University, Nashville, USA University of Vienna, Vienna & Ex. -
The Surabhi Theatre–An Oasis of Telugu Theatre
Minnesota State University, Mankato Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato All Theses, Dissertations, and Other Capstone Theses, Dissertations, and Other Capstone Projects Projects 2020 The Surabhi Theatre–An Oasis of Telugu Theatre Pradeep Aswini Gurrala Minnesota State University, Mankato Follow this and additional works at: https://cornerstone.lib.mnsu.edu/etds Part of the Theatre History Commons Recommended Citation Gurrala, P. A. (2020). The Surabhi theatre-An oasis of Telugu theatre [Master’s thesis, Minnesota State University, Mankato]. Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. https://cornerstone.lib.mnsu.edu/etds/1013/ This Thesis is brought to you for free and open access by the Theses, Dissertations, and Other Capstone Projects at Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. It has been accepted for inclusion in All Theses, Dissertations, and Other Capstone Projects by an authorized administrator of Cornerstone: A Collection of Scholarly and Creative Works for Minnesota State University, Mankato. THE SURABHI THEATRE–AN OASIS OF TELUGU THEATRE by PRADEEP ASWINI GURRALA A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF ARTS IN THEATRE ARTS MINNESOTA STATE UNIVERSITY, MANKATO MANKATO, MINNESOTA MAY 2020 May 4, 2020 THE SURABHI THEATRE—AN OASIS OF TELUGU THEATRE . PRADEEP ASWINI GURRALA This thesis has been examined and approved by the following members of the student’s committee. Dr. Paul J. Hustoles Dr. Heather E. Hamilton ABSTRACT Gurrala, Pradeep Aswini, M.A. The Surabhi Theatre–An Oasis of Telugu Professional Theatre.