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Ampico Catalog The Reproducing Piano Roll Foundation© Ampico Piano Roll Catalog Also Contains Jumbo Listings Edited By: Albert M. Petrak MacMike ©1998 Acknowledgements n The Reproducing Piano Roll foundation is pleased to be able to make this catalog available to the roll community and the pianistic world...painstakingly compiled and transferred to the Portable Document format by myself and Mr. Michael DeSavoy. Having said that, let me hasten to acknowl- edge the contributions of catalog information from the listings of Charles Davis Smith (Duo-Art); of Elaine Obenchain (Ampico) and of Smith and Richard Howe (Welte). Thanks also to Mr. Larry Sitsky, of the Canberra School of Music, Australia for detail garnered from his complete publication. (1990, by Greenwood Press, CT.) We take full responsibility for omissions, believing that the material of most interest to posterity has in all cases been preserved. The catalogued material is arranged in the following manner: 4The classical recordings of the various companies are detailed in one-line descriptions of the composer, composition and performer. The listings are numerical, insuring accuracy and concision. Omitted are the recordings of salon, march, show, operetta, accompaniment and specialty pieces, as well as the compositions of now obscure composers and performers. The decision to thus limit was made in terms of history’s preference; though many of the artists were much admired and played in their day, posterity has not retained interest or affection for their work. 4Because of the predominance both here and abroad of the recordings of two companies: AMPICO and DUO-ART, the listings reflect a complete survey of what was released in the “classical” series.At the onset, both companies issued much of what was recorded in the SAME numerical series. For purposes of complete detail, the catalogs of these companies are therefore as accurate as present-day research will permit. 4In the case of WELTE (Original German) and WELTE-MIGNON (Licensee) catalog material is confined to the classical rolls produced by both companies, again eliminating the catego- ries outlined above. 4Listings of the smaller companies reflect the reproducing piano rolls made by the historic performers, including some not now remembered, but who recorded -in some instances - significant compositions by then contemporary artists. We sincerely hope that these densely-packed and rather austere pages will serve the roll and pianistic community in research and recovery of music which deserves to transcend the medium it now occupies. The reproducing piano is, and it is hoped will continue to be, a testament to man's inventiveness and ingenuity in the service of music and commerce. These devices exist in our con- temporary age thanks to the efforts of committed men and women who see the beauty of preserving the history of such a remarkable invention. The RPRF seeks the same commitment in efforts to preserve the rolls themselves. Contact us via our website to learn how you can help in this effort. AMPICO CLASSICAL NUMERICAL CATALOG 5000 PADEREWSKI - Minuet, Op. 14, No. 1, G Clarence Adler 5001 SCHUBERT - Impromptu, Op. 90, No. 3, Gb Teresa Carreño 5002 LISZT - Harmonies Poétiques et Réligieuses, no. 11: Harmonies du soir Arthur Friedheim 5003 A. RUBINSTEIN - Melody, Op. 3, No. 1, F Marguerite Volavy 5004 CHOPIN - Ballade No. l, Op. 23, g Ferruccio Busoni 5005 LEHAR - Nature Divine from the Operetta “Alone at Last” Howard Brockway 5006 STERLING - Moon Winks - 3-step dance (Howard Brockway) Al Sterling 5007 FRIML - The Bubble from the Operetta “High Jinks” ( Howard Brockway) Andrei Kmita 5008 CHAMINADE - Automne (Autumn) Concert étude, Op. 35, No. 2 Marguerite Volavy 5009 HANDEL - Largo from the Opera “Serse” (Xerxes) Hans Hanke 5010 LISZT - Hungarian Rhapsody No. 12, c# Marguerite Volavy 5011 SCHUMANN - “Fantasiestücke”, Op. 12, No. 1: Des abends (Evening) Marguerite Volavy 5012 J.STRAUSS,JR.-SCHUETT - Voices of Spring - Waltzes Marguerite Volavy 5013 SINDING - Frühlingsrauschen (Rustle of Spring) - Op. 32, No. 3, Db Clarence Adler 5014 BACH-GOUNOD - Ave Maria (WTC - Prelude - Book I, No. 1) Hans Hanke 5015 LEHAR - Pretty Edelweiss from the Operetta “Alone at Last” Howard Brockway 5016 SCHUBERT - Ave Maria Howard Brockway 5017 CHAMINADE - Elévation, Op. 76, No. 2 Marguerite Volavy 5018 VOGRICH - Staccato-Caprice Marguerite Volavy 5019 CHOPIN - Prelude, Op. 28, No. 15, Db “Raindrop” Clarence Adler 5020 STODDARD AMPICO TESTER 5021 CHOPIN - Berceuse (Cradle Song) Op. 57, Db Leopold Godowsky 5022 BERGE - Somewhere in France William E. Berge 5023 PENN - Chrysanthemums (Marguerite Volavy) Felix Gerdts 5024 BROWN & SPENCER - Underneath the Stars William E. Berge 5025 DAVIS - Mercedes - Intermezzo (Howard Brockway ) Andrei Kmita 5026 MORRIS - The Kangaroo Hop William E. Berge 5027 SCHUBERT-LISZT - Soireés de Viennes (Vienna Evenings) - No. 6, a Marguerite Volavy 5028 BERLIN-That Hula Hula from the Broadway Show “Stop, Look & Listen” Pete Wendling 5029 FRIML - Rackety Coo from the Broadway Show “Katinka” William E. Berge 5030 VON TILZER - You’ll Always be the Same Sweet Girl Pete Wendling 5031 ROMBERG- Auf wiedersehn fr the Broadway Show “The Blue Paradise” William E. Berge 5032 KERN - Babes in the Woods fr the Broadway Show “Very Good Eddie” William E. Berge 5033 BEETHOVEN - Piano Sonata, Op. 27, No. 2, c# “Moonlight” Mvts. 2 & 3 Harold Bauer 5034 GRIEG - Ich liebe dich (I Love But Thee), Op. 41, No. 3 Howard Brockway 5035 SCHUETT - Romance, Op. 38, No. 2 Marguerite Volavy 5036 BERLIN - “I Love a Piano” fr the Broadway Show “Stop, Look & Listen” Pete Wendling 5037 BERLIN - The Girl on the Magazine Cover from “Stop, Look & Listen” William E. Berge 5038 BACH-SAINT-SAENS - Bourreé from the Violin Sonata No. 2 Ossip Gabrilowitsch 5039 CHOPIN - Piano Sonata No. 2, Op. 35, b-b 2nd Mvt. “Funeral March” Adriano Ariani 5040 BEETHOVEN - Piano Sonata, Op. 27, No. 2, c# “Moonlight” lst Mvt. Harold Bauer 5041 WENDLING - Soupirs d’amour (Love’s Sighs) (Howard Brockway) Al Sterling 5042 LISZT - Liebestraum (Nocturne) No. 3, Ab “O Lieb!” (Oh, Love) Leo Ornstein 5043 WENDLING - Yaka Hula, Hickey Dula from “Robinson Crusoe, Jr.” Pete Wendling 5044 DELIBES - Pas des fleurs (Flower Dance) Howard Brockway 5045 SCHUMANN - “Waldscenen”, Op. 82, No. 7: Bird as Prophet Leopold Godowsky 5046 KAILIMAI - On the Beach at Waikiki 1-step dance Pete Wendling 5047 MILES - Dancing Leaves Felix Gerdts 5048 CHOPIN - Waltz, Op. 70, No. l, Gb Leopold Godowsky 5049 TERSCHAK - Murillo, Allegro de concert, Op. 138 Felix Gerdts 5050 MENGES - Valse fantastique (Marguerite Volavy) Felix Gerdts 5051 BRAHAM - The Silvery Brook (Howard Brockway) Andrei Kmita 5052 NEVIN - “A Day in Venice”, Op. 25, No. 3: Venetian Love Song Howard Brockway 5053 SCHUBERT - Impromptu, Op. 142, No. 3, Bb Clarence Adler 5054 RAFF - Cavatina, Op. 83, No. 3 Clarence Adler 5055 WAGNER-LISZT - Overture to the Opera “Tannhäuser” Josef Hofmann 5056 LISZT - Harmonies Poétiques et Réligieuses - No. 10: Cantique d’amour Lillian Utz 5057 CHOPIN-LISZT - “Polish Songs”, Op. 74, No. 5: My Joys Victor Wittgenstein 5058 KREISLER- Liebesfreud (Love’s Joy) “Alt-Wiener Tanzweisen” - No. 1 Marguerite Volavy 5059 RAFF - La fileuse (The Spinner) Op. 157, No. 2 Michael von Zadora 5060 CHOPIN - Waltz, Op. 64, No. 2, c# Eugen d’Albert 5061 SCHUBERT-LISZT - Du bist die Ruh (Thou art Repose) Wilhelm Backhaus 5062 GLAZOUNOV - Gavotte, Op. 49, No. 3 Ossip Gabrilowitsch 5063 MASCAGNI - Intermezzo from the Opera “Cavalleria Rusticana” Pietro Mascagni 5064 ORNSTEIN - Berceuse (Cradle Song) Leo Ornstein 5065 CHOPIN - Nocturne, Op. 15, No. 2, F# Leo Ornstein 5066 A. RUBINSTEIN - Melody, Op. 3, No. l, F Leo Ornstein 5067 VERDI-LISZT - Paraphrase on Themes from the Opera “Rigoletto” Ferruccio Busoni 5068 YRADIER-TREHDE - La Paloma (The Dove) (Howard Brockway) Andrei Kmita 5069 MARKGRAF - Rag Time Jingles l-step Pete Wendling 5070 MASSENET - Meditation from the Opera “Thais” Howard Brockway 5071 DEBUSSY - Images - Series 1, No. 1: Reflets dans l’eau (Reflections in Water) Leo Ornstein 5072 SCHUMANN - Die beiden Grenadiere (Two Grenadiers), Op. 49, No. l Howard Brockway 5073 FEARIS - Beautiful Isle of Somewhere (Howard Brockway) Al Sterling 5074 HERBERT - “Favorites” (Gypsy Love Song; Kiss Me Again et al.) Andrei Kmita 5075 GRIEG - Erotik, Op. 43, No. 5 “Lyric Pieces” Edvard Grieg 5076 MORET - “Nadja” Intermezzo Felix Gerdts 5077 SCHUMANN-Träumerei (Dreaming) Op. 15,#7; Romance,Op. 28,#2,F# Marguerite Volavy 5078 LISZT - Hungarian Rhapsody No. 6, Db Adriano Ariani 5079 BARTLETT - 1. Dream; 2. A Reverie Fred Colber 5080 BREIL - Song of the Soul (Howard Brockway) Andrei Kmita 5081 BERGER - La faute des roses (For Want of Roses) “ “ Al Sterling 5082 LISZT - Consolation No. 3, Db Victor Wittgenstein 5083 CARRENO - Spanish Dance Teresa Carreño 5084 THOMAS - Potpourri of Arias from the Opera “Mignon” Howard Brockway 5085 GERMAN - “Henry VIII” Dances, No. 1: Morris Dance Marguerite Volavy 5086 GERMAN - “Henry VIII” Dances, No. 2: Shepherd’s Dance Marguerite Volavy 5087 LIEBLING - “Florence” - Grand Valse Brillante Felix Gerdts 5088 POLDINI - Marche mignonne, Op. 15, No. 2 Marguerite Volavy 5089 NEVIN - In Boccaccio’s Villa (Notturno), Op. 21, No. 2 Howard Brockway 5090 GRIEG - Nocturne, Op. 54, No. 4 “Lyric Pieces” Howard Brockway 5091 LAVALLEE - Le papillon (The Butterfly) Felix Gerdts 5092 CHOPIN - Etude, Op. 25, No. l, Ab “Aeolian Harp” Howard Brockway 5093 VON FLOTOW - “Like a Dream, Bright and Fair” from Opera “Martha” Howard Brockway 5094 BERTHELMY - Serenade Coquette Melville Ellis 5095 GILLET - Loin du bal (After the Ball) (Howard Brockway) Andrei Kmita 5096 CHAMINADE - Air de ballet, Op. 41, No. 1: Pierrette Clarence Adler 5097 SUPPE - Overture to the Stage Work “Poet and Peasant” Volavy & Brockway 5098 ARR. DUKE - Improvisations on “Lead, Kindly Light” Harold Smith 5099 BRAHMS - Rhapsody, Op. 79, No. 2, g Victor Wittgenstein 5100 ARNOLD - Arabesque, Op. 59, No. 2 Marguerite Volavy 5101 MACDOWELL - To a Water Lily, Op. 51,No. 6; The Eagle, Op.
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