Taking Instruments to New Heights: the Allman Brothers Band
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Some Bros. & a Blonde
page 16 BLUE Joni Mitchell ; Reprise MS2038 ? -How does it sound? ; --Well, you can really see where James Taylor, uhh... you've really got to listen to the background.. .you know so much of the guitar playing sounds just like him.. the electric parts, I guess. -Does she have a lot of piano in it? . ; --Not really. Not so distinctive. But she's got practically * everything else on it , everything else that you might ex-;.. I pect from her, that is, a lot of different instruments. * -Do you think it's prettier than Ladies of the Canyon? . .. f --Technically better. ': ''Technically better?What do you mean? --The music is better. She's doing a lot of more compli cated arrangements. Musically it's almost perfect, you know. -I don't even know who else is playing with her on that album. --It doesn't say. It's very plain. On the inside are all the words. And on the back it has all die titles of the songs. .... ; . .. the front has Blue Joni Mitchell and you open it up .,.'!. and there are her words. Oh wait a minute... down here t I see something... Stephen Stills bass guitar on "Carey",| James Taylor on " California", and "All I Want", "A Case ! Of You". Sneaky pete, pedal steel guitar. ! - Yeah, he's from the Flying Burritfc Brothers. « --Uhh.. engineer.. Henry Lewey. Lewey? \ -Lewey, yeah. f (long pause) '. -How long have you had it? ••• t. --Just this afternoon. , . jj -How many times have you heard it? :- | --Once. I'm on my second now. -
Tim Carter, and Dave Hagerman on “Keep on Smilin’” by Wet Willie
1 Rockin’ Songs of the South: Freebird Night By Deroy Murdock Bohemian Club January 28, 2009 January 29, 2009 (Ladies’ Night) Draft I (Separate Thursday, Head Table and Friday scripts to follow) [The Jinks Theater’s curtain rises as we hear…] [Song: “South’s Gonna Do It Again”] Sire: Thank you very much, Michael Lee Firkins and Carlos Reyes with the Charlie Daniels Band’s hit, “The South’s Gonna Do it Again.” [Applause.] I’m Haley Barbour, and I’m your Sire tonight. This is my first time to be a Sire, but with my accent, Rich Garlinghouse, the Imperial Potentate around here, thought I’d be perfect . 2 . and, Rich, thanks for letting me do it without an interpreter. Rich says I’m the only member of the Club who pronounces his first name with three syllables. [For Thursday continue with head-table remarks, then end; Resume remarks after first musical number in Jinks Theater Thursday night. Downstairs script begins with thank yous after “South’s Gonna Do It Again.] [For Friday Night, continue straight through.] -- 3 We are here tonight to honor and appreciate Southern Rock. One of this genre’s pioneers, Greg Allman, believes the term “Southern Rock” is redundant. “Sort of like ‘rock rock.’” After all, rock & roll began as southern music. There’d be no rock without the blues, created in the Mississippi Delta by the original bluesmen, like Charlie Patton of Dockery Farms, and Hazlehurst’s Robert Johnson, who, legend has it, sold his soul to the devil to learn to play the blues guitar, down where Highway 49 intersects with US 61. -
R&B Legend Natalie Cole Joins Rock Legend Gregg Allman, Merck
NEWS RELEASE R&B Legend Natalie Cole Joins Rock Legend Gregg Allman, Merck and The American Liver Foundation to Turn Up the Volume Around Hep C 7/26/2011 Cole to Perform with The Allman Brothers Band at the Tune In to Hep C Benet Concert Tomorrow on the Eve of World Hepatitis Day Merck (NYSE: MRK) (known as MSD outside the United States and Canada) today announced that GRAMMY® winner Natalie Cole is adding her voice to the company's public health campaign, Tune In to Hep C, with the American Liver Foundation (ALF) and rock legend Gregg Allman. The goal of the campaign is to raise awareness of chronic hepatitis C virus infection. Cole will join Allman onstage at a benet concert featuring The Allman Brothers Band and other special guests in New York tomorrow, July 27, the eve of World Hepatitis Day. This cause is personal to Cole, who was diagnosed with chronic hepatitis C during a routine blood test in 2008. It was then that she realized she'd been living with the virus for more than 25 years - nearly half of her life. Cole's experience is not uncommon. In fact, chronic hepatitis C is often referred to as the silent disease because – for many people – it can be in the body for decades without any symptoms. Cole is joining the campaign to encourage others with chronic hepatitis C to put aside fear and stigma and take action. "One thing is for sure – there's a stigma surrounding hepatitis C because it's associated with IV drug use. -
16 Lc 110 0193 S. R
16 LC 110 0193 Senate Resolution 912 By: Senators Mullis of the 53rd, Miller of the 49th, Tate of the 38th, Cowsert of the 46th and Jackson of the 24th A RESOLUTION 1 Recognizing and commending Gregg Allman for his 2015 Songwriters Award and third 2 induction into the Georgia Music Hall of Fame; and for other purposes. 3 WHEREAS, Gregg Allman is a long-time resident of Macon and Savannah, Georgia; and 4 WHEREAS, he was a member of The Allman Brothers Band and is a solo artist, musician, 5 singer, songwriter, and rock and roll icon; and 6 WHEREAS, as a songwriter, he has written many hits such as "Whipping Post," "Black 7 Hearted Woman," "Midnight Rider," and many other rock classics; and 8 WHEREAS, he has been recognized by the Georgia Music Hall of Fame twice before, as a 9 solo performer and in the group category for The Allman Brothers Band; and 10 WHEREAS, as a member of The Allman Brothers Band, he was inducted into the Rock and 11 Roll Hall of Fame in 1995 and earned the Grammy Lifetime Achievement Award in 2012; 12 and 13 WHEREAS, through his work with The Allman Brothers Band and Gregg Allman Band, he 14 has inspired many musicians, experienced enormous success in his life, and had a lasting 15 impact on the State of Georgia; and 16 WHEREAS, it is abundantly fitting and proper that the accomplishments of this 17 distinguished Georgian be appropriately recognized. 18 NOW, THEREFORE, BE IT RESOLVED BY THE SENATE that the members of this body 19 commend Gregg Allman for his outstanding musical achievements and recognize his 20 acceptance of the 2015 Songwriters Award and third induction into the Georgia Music Hall 21 of Fame. -
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QuadraphonicQuad Multichannel Engineers of 5.1 SACD, DVD-Audio and Blu-Ray Surround Discs JULY 2021 UPDATED 2021-7-16 Engineer Year Artist Title Format Notes 5.1 Production Live… Greetins From The Flow Dishwalla Services, State Abraham, Josh 2003 Staind 14 Shades of Grey DVD-A with Ryan Williams Acquah, Ebby Depeche Mode 101 Live SACD Ahern, Brian 2003 Emmylou Harris Producer’s Cut DVD-A Ainlay, Chuck David Alan David Alan DVD-A Ainlay, Chuck 2005 Dire Straits Brothers In Arms DVD-A DualDisc/SACD Ainlay, Chuck Dire Straits Alchemy Live DVD/BD-V Ainlay, Chuck Everclear So Much for the Afterglow DVD-A Ainlay, Chuck George Strait One Step at a Time DTS CD Ainlay, Chuck George Strait Honkytonkville DVD-A/SACD Ainlay, Chuck 2005 Mark Knopfler Sailing To Philadelphia DVD-A DualDisc Ainlay, Chuck 2005 Mark Knopfler Shangri La DVD-A DualDisc/SACD Ainlay, Chuck Mavericks, The Trampoline DTS CD Ainlay, Chuck Olivia Newton John Back With a Heart DTS CD Ainlay, Chuck Pacific Coast Highway Pacific Coast Highway DTS CD Ainlay, Chuck Peter Frampton Frampton Comes Alive! DVD-A/SACD Ainlay, Chuck Trisha Yearwood Where Your Road Leads DTS CD Ainlay, Chuck Vince Gill High Lonesome Sound DTS CD/DVD-A/SACD Anderson, Jim Donna Byrne Licensed to Thrill SACD Anderson, Jim Jane Ira Bloom Sixteen Sunsets BD-A 2018 Grammy Winner: Anderson, Jim 2018 Jane Ira Bloom Early Americans BD-A Best Surround Album Wild Lines: Improvising on Emily Anderson, Jim 2020 Jane Ira Bloom DSD/DXD Download Dickinson Jazz Ambassadors/Sammy Anderson, Jim The Sammy Sessions BD-A Nestico Masur/Stavanger Symphony Anderson, Jim Kverndokk: Symphonic Dances BD-A Orchestra Anderson, Jim Patricia Barber Modern Cool BD-A SACD/DSD & DXD Anderson, Jim 2020 Patricia Barber Higher with Ulrike Schwarz Download SACD/DSD & DXD Anderson, Jim 2021 Patricia Barber Clique Download Svilvay/Stavanger Symphony Anderson, Jim Mortensen: Symphony Op. -
The Allman Betts Band
May 2020 May WashingtonBluesletter Blues Society www.wablues.org Remembering Wade Hickam COVID-19 Resources for Musicians Special Feature: Th e Allman Betts Band LETTER FROM THE PRESIDENT WASHINGTON BLUES SOCIETY Hi Blues Fans, Proud Recipient of a 2009 You will find lots ofKeeping the Blues Alive Award information in this Bluesletter if you are a musician. Our 2020 OFFICERS editor, Eric Steiner, has kept President, Tony Frederickson [email protected] his eyes open and his ears Vice President, Rick Bowen [email protected] tuned for opportunities that Secretary, Marisue Thomas [email protected] musicians can explore to Treasurer, Ray Kurth [email protected] help them in this challenging Editor, Eric Steiner [email protected] time. He has a real knack for this as he’s worked in public and private sector grant programs. We will continue to print these 2020 DIRECTORS opportunities in both the Bluesletter and post them on our website Music Director, Amy Sassenberg [email protected] (www.wablues.org), and our Facebook page. Please explore these Membership, Chad Creamer [email protected] opportunities and share with your bandmates. Education, Open [email protected] For our members, please continue to practice social distancing, Volunteers, Rhea Rolfe [email protected] wear face masks and stay safe. As we overcome this first wave of Merchandise, Tony Frederickson [email protected] infections and our state reopens, be patient and stay informed as I Advertising, Open [email protected] hope to see all of you out and about once we can go see live music. We will overcome this and be back enjoying all of our favorite THANKS TO THE WASHINGTON BLUES SOCIETY 2020 STREET TEAM playing live music. -
Columbuscityscene11 18
NOVEMBER 2018 [$2.25] www.cityscenecolumbus.com insideON THE COVER 6 on the scene 12 Made in the U.S.A. Shared experiences in providing local handmade products If it Feels Right to the community Derek Trucks grew up amongst the legends but 1 8 Window Wonderland never imagined he would be where he is today Contest focuses on community and collaboration 24 Double the Talent Local author and actor, Gary Braunbeck, shares his stories and insight 14 38 20 Lifting Spirits departments Personal tragedies and hardships result in 6 insight 35 spirits 41 on view valuable community endeavors 10 health 36 travel 44 calendar COVER: Photo courtesy of Tab Winters 14 cuisine 38 visuals 48 critique 2 cityscenecolumbus.com | November 2018 CS INSIGHT If it Feels Right Derek Trucks grew up amongst the legends A but never imagined he would be where he is today By Rocco Falleti The Tedeschi Trucks Band Live from the Palace Theatre Nov. 9. Tickets are available at all Ticketmaster outlets • • • • • 6 cityscenecolumbus.com | November 2018 Mayhem The young prodigy caught the attention of Ace Moreland’s West Side Story, a Jacksonville blues band, was getting ready to take Allman Brothers Band guitarist Col. Bruce the stage at Applejacks, a small bar connected to a hotel in Miami back in the late Hampton. Hampton would serve not only as a ’80s. Moreland had recently enlisted the talents of a young and talented prodigy, mentor, but as a role model to Trucks early on in 9-year-old guitarist Derek Trucks. his career. Trucks is the nephew of drummer and founding member “Bruce’s M.O. -
Celebrating Gregg Allman: Storytelling and Special Performances, Featuring Eric Church
FOR IMMEDIATE RELEASE: July 27, 2015 Media Contacts: Laura B. Cohen, LC Media PR for Skirball Cultural Center, (310) 867-3897, [email protected] Hannah Berryman, GRAMMY Foundation, (310) 392-3777, [email protected] Christina Cassidy, GRAMMY Foundation, (310) 392-3777, [email protected] Christian T. Potts, Iron Mountain Incorporated, (617) 535-8721, [email protected] Skirball Cultural Center and GRAMMY Foundation® announce CELEBRATING GREGG ALLMAN: STORYTELLING AND SPECIAL PERFORMANCES, FEATURING ERIC CHURCH Two musical superstars take the stage at the Skirball in celebration of the popular exhibition Bill Graham and the Rock & Roll Revolution Presented as part of the GRAMMY Foundation’s Living Histories program Thursday, September 24, 2015, 8:00 p.m. $35 General | $30 Skirball Members Dress code: business casual This program will take place at the Skirball Cultural Center 2701 N. Sepulveda Blvd., Los Angeles, CA 90049 FREE parking Tickets available on site, online at skirball.org/allman-church, or by phone at (877) SCC-4TIX LOS ANGELES, CA—The Skirball Cultural Center and the GRAMMY Foundation® announce GRAMMY®-winning legend Gregg Allman, renowned founding member of the Allman Brothers Band, in conversation with GRAMMY-nominated country star Eric Church on Thursday, September 24, 2015, at 8:00 p.m. The program will take place at the Skirball Cultural Center. Moderated by Scott Goldman, Vice President of the GRAMMY Foundation and MusiCares®, the evening will conclude with live acoustic performances by both Allman and Church, which will be recorded and archived as part of the GRAMMY Foundation Living Histories program. The Living Histories program preserves on visual media the life stories of key recording industry professionals and visionaries who helped create the history of recorded sound. -
Requiem for Thomas Wood B.3/10/65 D.6/27/19 “Sometimes I Feel
Requiem for Thomas Wood b.3/10/65 d.6/27/19 “Sometimes I feel, sometimes I feel Like I been tied to the whipping post Tied to the whipping post, tied to the whipping post Good Lord, I feel like I’m dyin’” Allman Brothers Band. Whipping Post The last time I saw Tom Wood alive the scene played out this way. I was heading down Bishop Street when I spotted Tom on the side of the road across from the MWRTA’s headquarters. I’m thinking maybe he was lookin’ for a lift to cover the last 700 yards from the Turning Point to the mother ship. First I groaned, then hesitated, yes hesitated before pulling over to the side of the road and rolling the passenger side window. “Tom, hey Tom, do you want a ride, are you OK?” Tom’s eyes are cloudy and unfocused, they appear to be spinning in his head. “You may need to go to the hospital. Come on, let’s go see your caseworker.” No way, Tom dismisses me. His eyes focus for a moment. “I’m OK. I’ll walk.” As I pull away, the twin throbbing guitars of Duane Allman and Dickey Betts accompanied by the futile existential wail of sorrow by Gregg Allman starts playing between my ears. The Live at the Fillmore version. It’ll be a while before it recedes. I learn, when Tom is lying in a hospital bed with the electrical activity in his brain reduced to a mere flicker, that Tom was a heavy metal aficionado. -
Introduction in Their Thirty Years Together, the Grateful Dead Forever
Introduction In their thirty years together, the Grateful Dead forever altered the way in which popular music is performed, recorded, heard, marketed, and shared. Founding members Jerry Garcia, Bill Kreutzmann, Phil Lesh, Ron “Pigpen” McKernan, and Bob Weir took the name Grateful Dead in 1965, after incarnations as Mother McCree’s Uptown Jug Champions and The Warlocks. Despite significant changes in the band’s lineup, including the addition of Mickey Hart and the death of Ron McKernan, the band played together until Jerry Garcia’s death in 1995. From the beginning, the Grateful Dead distinguished themselves by their preference for live performance, musical and business creativity, and an unprecedented dedication to their fans. Working musicians rather than rock stars, the Dead developed a distinctive sound while performing as latter-day American troubadours, bringing audio precision to their live performances and the spontaneity of live performances to their studio work. Side-stepping the established rules of the recording industry, the Dead took control of the production and distribution of their music. With a similar business savvy, they introduced strategic marketing innovations that strengthened the bond with their fans. This exhibition, the first extensive presentation of materials from the Grateful Dead Archive housed at the University of California, Santa Cruz, testifies to the enduring impact of the Grateful Dead and provides a glimpse into the social upheavals and awakenings of the late twentieth century—a transformative period that profoundly shaped our present cultural landscape. Amalie R. Rothschild, Fillmore East Marquee, December 1969. Courtesy Amalie R. Rothschild Beginnings The Grateful Dead began their musical journey in the San Francisco Bay Area at a pivotal time in American history, when the sensibilities of the Beat generation coincided with the spirit of the burgeoning hippie movement. -
The Carroll News
John Carroll University Carroll Collected The aC rroll News Student 2-22-1977 The aC rroll News- Vol. 59, No. 14 John Carroll University Follow this and additional works at: http://collected.jcu.edu/carrollnews Recommended Citation John Carroll University, "The aC rroll News- Vol. 59, No. 14" (1977). The Carroll News. 566. http://collected.jcu.edu/carrollnews/566 This Newspaper is brought to you for free and open access by the Student at Carroll Collected. It has been accepted for inclusion in The aC rroll News by an authorized administrator of Carroll Collected. For more information, please contact [email protected]. VOL. liO. NO. 15 APR. 22. 1977 The Carroll Nevvs John Carroll University University Heights, Ohio 441 18 Freeman speaks on Union By J ohn F. Kostyo as a means of improving that ~oing agam while trying to get News Editor situation his administration organized. Student Union President. Freeman hopes to get some Committees. such as. Review. Tim Freeman, cites three Student Union committees continued on page 8 major goals for h1s new administration: to initiate new 1 programs: maintain the strong Junior S Noah areas of the present student wins government: and revitalize weaker areas. Stunt Night award Freeman sees the newly organized S.O.C as one of the By P ATRICE AYLWAIN> tion of the Blue Streak March main areas where potential mgBand changes may come "They can Thts past Saturday night The begtnning of the have a lot of power." Freeman Kulas Auditorium resound(>d program was marked by the says about campus organiza· with laughter. -
Macon Layout.Indd
Macon Gray/Old Clinton Milledgeville Eatonton Madison Watkinsville Athens -Where Soul Lives With our central location, breathtaking architecture, and rich musical heritage, Macon is a city with historic soul. You can feel our soul through our attractions,Maco, food, festivals, and culture. No matter where Ge you go, you’re exposed gi to Macon’s story which can be experienced in our historic homes showcasing our southern charm, our world- renowned museums, and our one-of-a-kind restaurants. Visit Macon and let us share a little bit of soul with you. 8:00 am- Breakfast at H&H Restaurant A meeting place for civil rights activists which was opened in 1959 by Inez Hill and Louise Hudson, also known as Mama Hill and Mama Lou- ise. The restaurant was a popular eatery during the early days of The Allman Brothers Band and other music groups from Macon such as The Marshall Tucker Band and Wet Willie. H&H is known for its delicious soul food. 9:30 am- Downtown Macon Visitors Center Enjoy this state-of-the-art visitors center, view colorful exhibits along an informative time-line, browse gifts in the souvenir shop and watch the exciting 11-minute video. With clean restrooms for all, stop by for a perfect introduction to Macon. 10:00 am- Tubman Museum Take a soulful journey through time, From Africa to America at the Tubman African American Museum, the largest facility in the Southeast devoted solely to African American art, history and culture. See colorful exhibits on Harriet Tubman, African American Inventors, Georgia artists, and the incredible slave to freedom story of William & Ellen Craft.