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The Seven Ages of Musical Theatre: the Life Cycle of the Child Performer
UNIVERSITY OF SOUTHAMPTON The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook A thesis submitted in partial fulfillment for the degree of Doctor of Philosophy in the Humanities Faculty School of Music April 2016 \A person's a person, no matter how small." Dr. Seuss UNIVERSITY OF SOUTHAMPTON Abstract Humanities Faculty School of Music Doctor of Philosophy The Seven Ages of Musical Theatre: The life cycle of the child performer by Lyndsay Barnbrook The purpose of the research reported here is to explore the part played by children in musical theatre. It aims to do this on two levels. It presents, for the first time, an historical analysis of involvement of children in theatre from its earliest beginnings to the current date. It is clear from this analysis that the role children played in the evolution of theatre has been both substantial and influential, with evidence of a number of recurring themes. Children have invariably made strong contributions in terms of music, dance and spectacle, and have been especially prominent in musical comedy. Playwrights have exploited precocity for comedic purposes, innocence to deliver difficult political messages in a way that is deemed acceptable by theatre audiences, and youth, recognising the emotional leverage to be obtained by appealing to more primitive instincts, notably sentimentality and, more contentiously, prurience. Every age has had its child prodigies and it is they who tend to make the headlines. However the influence of educators and entrepreneurs, artistically and commercially, is often underestimated. Although figures such as Wescott, Henslowe and Harris have been recognised by historians, some of the more recent architects of musical theatre, like Noreen Bush, are largely unheard of outside the theatre community. -
Ebook Download Arlen and Harburgs Over the Rainbow 1St Edition
ARLEN AND HARBURGS OVER THE RAINBOW 1ST EDITION PDF, EPUB, EBOOK Walter Frisch | 9780190467340 | | | | | Arlen and Harburgs Over the Rainbow 1st edition PDF Book The parched, mysterious deserts of the world are the landscapes for this alphabet array of plants, animals, and phenomena. To see what your friends thought of this book, please sign up. Archived from the original on September 27, Any Condition Any Condition. American singer Ariana Grande released a version of the song on June 6, , to raise money at her benefit concert One Love Manchester after 22 people were killed in the Manchester Arena bombing at Grande's concert on May 22, User icon An illustration of a person's head and chest. Retrieved May 21, Digitized at 78 revolutions per minute. The winner of a Grammy Award, Collins' glorious voice is one of the most admired of the 20th and 21st centuries. The EP debuted at number four on the Billboard with 54, album-equivalent units , of which 50, were pure album sales. About this Item: Alfred Music, Create a Want BookSleuth Can't remember the title or the author of a book? Osborn rated it liked it Dec 23, To ask other readers questions about Over the Rainbow , please sign up. Customer service is our top priority!. About this Item: HarperCollins Publishers. More information about this seller Contact this seller 6. Discography Great Balls of Fire! About this Item: Harper Collins, Meet Me in St. Retrieved June 6, Retrieved June 7, Uploaded by jakej on September 9, Seller Inventory X Michelle marked it as to-read Apr 08, Discography Performances Songs Awards and honors. -
Charlie Stemp and Danielle Hope to Play the Prince and Snow White in S N O W W H I T E at T H E L O N D O N P a L L a D I U M
CHARLIE STEMP AND DANIELLE HOPE TO PLAY THE PRINCE AND SNOW WHITE IN S N O W W H I T E AT T H E L O N D O N P A L L A D I U M Qdos Entertainment today (12 October 2018) announced that Charlie Stemp will return to the London Palladium to play The Prince in this year’s Pantomime, Snow White at the London Palladium along with Danielle Hope who will play the title role of Snow White. They join the previously announced Dawn French as The Wicked Queen, Julian Clary as The Man in The Mirror, Paul Zerdin as Muddles, Nigel Havers as The Understudy, Gary Wilmot as Mrs Crumble with Vincent and Flavia as The King and The Queen for this strictly limited 5 week run. They are joined by Josh Bennett, Simeon Dyer, Craig Garner, Ben Goffe, Jamie John, Blake Lisle and Andrew Martin as The Magnificent Seven and ensemble members Faye Best, Myles Brown, Darragh Cowley, Ivan De Freitas, Scott English, Liz Ewing, Ross Finnie, Diana Girbau, Matt Holland, Abigayle Honeywill, Stevie Hutchinson, Jemima Loddy, Megan Louch, Mollie McGugan, James Paterson, Leanne Pinder, Oliver Roll, Jordan Rose, Aaron J Smith, Lucie-Mae Sumner, Carrie Sutton, Grant Thresh and Charlotte Wilmot along with The Palladium Pantoloons. Performances of Snow White at the London Palladium begin on Saturday 8 December 2018 with Gala Night on 12 December with the run concluding on Sunday 13 January 2019. Produced by the Olivier Award-winning team behind last year’s Dick Whittington, Snow White at the London Palladium will again be directed by Michael Harrison, with choreography by Karen Bruce, scenery designed by Ian Westbrook, costumes designed by Hugh Durrant, speciality costumes designed by Mike Coltman, visual special effects by The Twins FX, lighting by Ben Cracknell, sound design by Gareth Owen, video and projection design by Duncan McLean, and original music by Gary Hind. -
CATS • April 1-3, 2011 • TPAC’S Andrew Jackson Hall
OnStage The official playbill and performing arts magazine of the TENNESSEE PERFORMING ARTS CENTER HCA/TriStar Broadway at TPAC • TPAC Family Field Trip • TPAC Presents • TPAC’s Signature Series CATS • April 1-3, 2011 • TPAC’s Andrew Jackson Hall www.tpac.org POWERING YOUR family time u plugged It’s often said that there are no small parts. At First Tennessee, we believe that there are no small dreams either. That’s why we offer a wide-range of financial services designed to help your family enjoy more of the things that matter most. So whether you’re looking for a convenient checking account or help with a home loan, our friendly staff is always available to play a supporting role. Banking products and services provided by First Tennessee Bank National Association. Member FDIC. ©2009 First Tennessee Bank National Association. www.firsttennessee.com Sure, it’s just a tire. Like the ancient redwood is just a tree. bridgestonetire.com 1-800-807-9555 tiresafety.com 11bridge5056 Arts 7.125x10.875.indd 1 1/28/11 1:46:37 PM REPRESENTATIONAL PHOTO REPRESENTATIONAL hen we learned how sick Mom was, we didn’t know what Wto do. We’re so thankful that we asked her doctor about Alive Hospice. They came into our home like family, helping Mom stay with us where she wanted to be. 1718 Patterson Street | Nashville, TN 37203 615-327-1085 or 800-327-1085 | www.alivehospice.org We provide loving care to people with life-threatening illnesses, support to their families, and service to the community in a spirit of enriching lives. -
By L. Frank Baum with Music and Lyrics of the MGM Motion Picture Score by Harold Arlen and E
By L. Frank Baum With Music and Lyrics of the MGM motion picture score By Harold Arlen and E. Y. Harburg Background Music by Herbert Stothart Dance and Vocal Arrangements by Peter Howard Adapted by John Kane from the motion picture screenplay By arrangement with MusicScope and Stage Musicals Limited of New York Chairperson’s Message Welcome to the Mercury Theatre and thank you for supporting CO2’s production of The Wizard of Oz. Societies like ourselves are finding it more and more difficult to find a show to perform that is not only suitable but has a fairly large cast. We become very frustrated when we hit upon a show only to find that the performance rights are not available. Last year’s production, Little Shop of Horrors was written for a cast of 10 but our production team managed to make it work with a cast of 40. I must congratulate them as we were awarded the NODA Best Musical in Area 11 in addition to Will Mugford who played Seymour being voted Best Young Actor in Area 11, so congratulations to all involved CO2 has performed The Wiz, a more upbeat production, but we thought this year we would produce what has become the classic MGM story as produced on stage by the Royal Shakespeare Company. So, no pressure on our production team who have enjoyed working with our cast of very talented youngsters, and I would like to thank them for all their hard work. Finally, I would like to take this opportunity to thank all who have helped with this production of The Wizard of Oz, plus the CO2 Committee for all their support, and you our audience who we continually rely upon to make this possible. -
Has TV Eaten Itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00Pm BFI Southbank, London SE1 8XT
May 2015 Has TV eaten itself? RTS STUDENT TELEVISION AWARDS 2014 5 JUNE 1:00pm BFI Southbank, London SE1 8XT Hosted by Romesh Ranganathan. Nominated films and highlights of the awards ceremony will be broadcast by Sky www.rts.org.uk Journal of The Royal Television Society May 2015 l Volume 52/5 From the CEO The general election are 16-18 September. I am very proud I’d like to thank everyone who has dominated the to say that we have assembled a made the recent, sold-out RTS Futures national news agenda world-class line-up of speakers. evening, “I made it in… digital”, such a for much of the year. They include: Michael Lombardo, success. A full report starts on page 23. This month, the RTS President of Programming at HBO; Are you a fan of Episodes, Googlebox hosts a debate in Sharon White, CEO of Ofcom; David or W1A? Well, who isn’t? This month’s which two of televi- Abraham, CEO at Channel 4; Viacom cover story by Stefan Stern takes a sion’s most experienced anchor men President and CEO Philippe Dauman; perceptive look at how television give an insider’s view of what really Josh Sapan, President and CEO of can’t stop making TV about TV. It’s happened in the political arena. AMC Networks; and David Zaslav, a must-read. Jeremy Paxman and Alastair Stew- President and CEO of Discovery So, too, is Richard Sambrook’s TV art are in conversation with Steve Communications. Diary, which provides some incisive Hewlett at a not-to-be missed Leg- Next month sees the 20th RTS and timely analysis of the election ends’ Lunch on 19 May. -
Broadcasting in Wales
House of Commons Welsh Affairs Committee Broadcasting in Wales First Report of Session 2016–17 HC 14 House of Commons Welsh Affairs Committee Broadcasting in Wales First Report of Session 2016–17 Report, together with formal minutes relating to the report Ordered by the House of Commons to be printed 13 June 2016 HC 14 Published on 16 June 2016 by authority of the House of Commons Welsh Affairs Committee The Welsh Affairs Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Office of the Secretary of State for Wales (including relations with the National assembly for Wales.) Current membership David T.C. Davies MP (Conservative, Monmouth) (Chair) Byron Davies MP (Conservative, Gower) Chris Davies MP (Labour, Brecon and Radnorshire) Glyn Davies MP (Conservative, Montgomeryshire) Dr James Davies MP (Conservative, Vale of Clwyd) Carolyn Harris MP (Labour, Swansea East) Gerald Jones MP (Labour, Merthyr Tydfil and Rhymney) Stephen Kinnock MP (Labour, Abervaon) Liz Saville Roberts MP (Plaid Cymru, Dwyfor Meirionnydd) Craig Williams MP (Conservative, Cardiff North) Mr Mark Williams MP (Liberal Democrat, Ceredigion) The following were also members of the Committee during this inquiry Christina Rees MP (Labour, Neath) and Antoinette Sandbach MP (Conservative, Eddisbury) Powers The committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the internet via www. parliament.uk. Publication Committee reports are published on the Committee’s website at www.parliament.uk/welshcom and in print by Order of the House. -
WGGB Annual Report 2014-15 General Secretary’S Report
Annual report 201 4 -15 www.writersguild.org.uk The Writers’ Guild of Great Britain is a trade union registered at 134 Tooley Street, London SE1 2TU Contents REGIONAL AND BRANCH REPORTS General Secretary’s report 3 East Midlands / London & 20 South East 5 Chair’s report North West (Merseyside 6 President’s report 21 & Manchester) / Scotland 8 Treasurer’s report 23 South West CRAFT COMMITTEE REPORTS 24 Wales 10 Books / Children’s 26 West Midlands 12 Film 28 Yorkshire & North East Radio 14 OBITUARIES 16 Television 29 Rememberin g WGGB members 18 Theatre 19 Videogames JOIN US CONTACT US If you are not a WGGB member, and would If you want to contact any of the WGGB like to join, you can do this online: officers, craft chairs or regional representatives featured in this annual report, you can find www.writersguild.org.uk their details on our website: Or by phone: 020 7833 0777 www.writersguild.org.uk/contact/ You can also follow us on Twitter: @TheWritersGuild Facebook: www.facebook.com/thewritersguild 2 WGGB annual report 2014-15 General Secretary’s report The Writers’ Guild of Great Britain (WGGB) is as strong as it has ever been – stronger, indeed. We have more members than ever. In a tough climate we continue We have a marvellous cohort of successful working to negotiate better minimum terms for writers who – somehow or other – find time in their busy lives to contribute to our negotiations, writers – in the past year, 6% on regional policies, events and debates. We are so lucky to theatre rates; 5% on ITV rates; above- have them. -
Sector Skills Assessment for the Creative Media Industries in Wales
Sector Skills Assessment for the Creative Media Industries in Wales January 2011 Contents Page Executive Summary........................................................................................................ 3 1. Introduction.............................................................................................................. 5 1.1 Aims and Objectives of a Strategic Skills Assessment ................................. 10 1.2 Policy Context ............................................................................................... 11 1.3 Research and Data ....................................................................................... 12 2. What Drives Skills Demand? ............................................................................ 14 2.1 Introduction ................................................................................................... 14 2.2 Employment Profile....................................................................................... 14 2.3 Economic Profile ........................................................................................... 20 2.4 Recruitment and Retention ........................................................................... 22 2.5 Factors Driving Skills Demand in Wales ....................................................... 27 3. Current Skills Needs.............................................................................................. 29 3.1 Introduction .................................................................................................. -
Cultivating Culture Celebrating Local Arts in Birmingham
CULTIVATING CULTURE CELEBRATING LOCAL ARTS IN BIRMINGHAM Happening all across the city! February 7th – March 18th WHAT IS CULTIVATING CULTURE? Cultivating Culture is a feast of arts! It celebrates the work of the Arts Champions and Local Arts Fora throughout February and March, offering a range of high quality arts experiences in your neighbourhood. See Birmingham Royal Ballet perform with youth dancers and Handsworth elders in Perry Barr; hear CBSO SO Vocal choir in Selly Oak's Art SOAK Festival; uncover the ‘HeritEDGE’ stories of Edgbaston and travel on an ‘Arts Buzz’; take your family to Hodge Hill for ‘Splosh’ or Griffin Day. You Handsworth Elders can get involved in artist led walks (some curated through the Still Walking Photo: Birmingham Royal Ballet festival); photography, storytelling, poetry, film, singing and dance sessions in libraries and shopping malls near you. See how Birmingham is an adventurous artistic city that is cultivating culture on your doorstep – for more information visit www.birminghamculture.org . Local Arts Development led by Birmingham City Council’s Culture Commissioning Service : Birmingham falls into ten districts, each with a population of 100,000 residents. The approach has been to create an infrastructure for culture by developing activities at a local level, responding to local priorities developed in partnership with residents. This is organised through a Local Arts Forum in each district, supported by the one of Birmingham’s arts major organisations (Arts Champions). This is the first month long celebration of work after three years of residency. Contributing to this, three cultural pilots (funded by Birmingham City Council and Arts Council England) have been testing ways of developing engagement in culture and capacity to co-design arts and cultural activities with local residents. -
Interview with Danielle Hope – Maria Von Trapp in the Sound of Music
INTERVIEW WITH DANIELLE HOPE – MARIA VON TRAPP IN THE SOUND OF MUSIC YOU’VE JUST FINISHED THE UK TOUR OF JOSEPH, HOW WAS THE TOUR AND DO YOU HAVE ANY ADVICE FOR YOUR SUCCESSOR? It was my first touring experience and it was wonderful. I have made some lifelong friends and we had an amazing time. As for my successor – diction, diction, diction! There are so many words to remember, but just have a good time and enjoy telling the beautiful story. YOUR NEXT BIG PROJECT IS THE SOUND OF MUSIC, STARRING AS MARIA VON TRAPP – HOW DID THE ROLE COME ABOUT? I got involved through Bill Kenwright and I came into the office and did some singing for them and sang through the Maria music, which is just beautiful, and did a couple of scenes. They asked me if this was something I wanted to do, and I said, of course it is! I think it’s one of those amazing roles that is defining, and Julie Andrews is my hero, so to sing anything that she has done is just a gift. ARE YOU FAMILIAR WITH THE FILM, WAS IT SOMETHING YOU KNOW FROM YOUR CHILDHOOD? Yes. I’ve never seen a stage production but that’s kind of nice because I’m approaching it from a completely blank perspective and it’s all fresh, so I can make it my own. As a child, for me it was Mary Poppins but my grandmother, who I lost last year, we sat and watched How To Solve A Problem Like Maria programme (the 2006 BBC talent show created by Andrew Lloyd Webber to find a Maria for his stage production) and it’s the only programme that I watched any of because she put it on and said to me, ‘you’d be able to do something like this’. -
Market Analysis and Potential Interventions , File Type
Commercial Property: Market Analysis and Potential Interventions A report to the Welsh Government March 2020 Commercial Property: Market Analysis and Potential Interventions Contents Executive Summary .................................................................................................................. i 1. Introduction .......................................................................................................................... 1 Part I: National Overview ......................................................................................................... 7 2. Policy context for intervention ........................................................................................... 8 3. Economic overview............................................................................................................ 14 4. Potential commercial property demand .......................................................................... 21 Part II: Regional Market Analysis ......................................................................................... 28 5. Regional market analysis: South East Wales ................................................................. 29 6. Regional market analysis: South West and Mid Wales .................................................. 41 7. Regional market analysis: North Wales........................................................................... 48 Part III: Addressing the Challenges ....................................................................................