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Hanesbrands Inc. (Exact Name of Registrant As Specified in Its Charter)
UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended January 3, 2015 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number: 001-32891 Hanesbrands Inc. (Exact name of registrant as specified in its charter) Maryland 20-3552316 (State of incorporation) (I.R.S. employer identification no.) 1000 East Hanes Mill Road Winston-Salem, North Carolina 27105 (Address of principal executive office) (Zip code) (336) 519-8080 (Registrant’s telephone number including area code) Securities registered pursuant to Section 12(b) of the Act: Common Stock, par value $0.01 per share and related Preferred Stock Purchase Rights Name of each exchange on which registered: New York Stock Exchange Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Exchange Act. Yes No Indicate by check mark whether the registrant: (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
Hbi Letterhead
news release FOR IMMEDIATE RELEASE News Media: Kirk Saville, (336) 519-6192 Analysts and Investors: T.C. Robillard, (336) 519-2115 HANESBRANDS AND BELLE INTERNATIONAL ENTER LICENSING AGREEMENT TO INTRODUCE CHAMPION FOOTWEAR AND ACCESSORIES IN CHINA Partnership combines the power of the Champion brand with Belle’s extensive retail network, e-commerce expertise and supply chain capabilities WINSTON-SALEM, N.C. – (Feb. 26, 2021) – HanesBrands and Belle International today announced a licensing agreement that will introduce a line of Champion footwear and accessories to consumers in China next year. Under the agreement, Belle will distribute the new collection designed specifically for consumers in China through its countrywide retail network and e-commerce platform. The Champion product range will tap into the brand’s aesthetic and be available by June 2021. “We’re thrilled to expand our long-term distribution relationship with Belle to include a license for footwear and accessories in China, said Jon Ram, group president of global activewear for HanesBrands. “Belle has demonstrated vast capabilities across brick-and- mortar retail, e-commerce, consumer insights and supply chain – and we’re confident the partnership will further accelerate the global growth of the Champion brand.” Fashion Clothing, a Belle International company based in Shanghai, has been a strategic partner for the Champion brand since June 2019. The company operates hundreds of Champion-branded brick-and-mortar and official online stores on leading e-commerce platforms, including Alibaba Group’s TMALL, JD.com and VIP.com. “We see outstanding potential for Champion in the large, growing market in China, and Belle International’s long history of serving consumers in the country, extensive nationwide store network and cross-category supply chain capabilities make us complementary partners,” said Fang Sheng, executive director and president of the footwear and new ventures business group for Belle International. -
Annual Report
Annual Report Form 10-K for the Fiscal Year Ended December 31, 2016 UNITED STATES SECURITIES AND EXCHANGE COMMISSION Washington, D.C. 20549 FORM 10-K ANNUAL REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the fiscal year ended December 31, 2016 or TRANSITION REPORT PURSUANT TO SECTION 13 OR 15(d) OF THE SECURITIES EXCHANGE ACT OF 1934 For the transition period from to Commission file number: 001-32891 Hanesbrands Inc. (Exact name of registrant as specified in its charter) Maryland 20-3552316 (State of incorporation) (I.R.S. employer identification no.) 1000 East Hanes Mill Road Winston-Salem, North Carolina 27105 (Address of principal executive office) (Zip code) (336) 519-8080 (Registrant’s telephone number including area code) Securities registered pursuant to Section 12(b) of the Act: Common Stock, par value $0.01 per share Name of each exchange on which registered: New York Stock Exchange Indicate by check mark if the registrant is a well-known seasoned issuer, as defined in Rule 405 of the Securities Act. Yes No Indicate by check mark if the registrant is not required to file reports pursuant to Section 13 or Section 15(d) of the Exchange Act. Yes No Indicate by check mark whether the registrant: (1) has filed all reports required to be filed by Section 13 or 15(d) of the Securities Exchange Act of 1934 during the preceding 12 months (or for such shorter period that the registrant was required to file such reports), and (2) has been subject to such filing requirements for the past 90 days. -
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED
© 2018 Weronika Gaudyn ALL RIGHTS RESERVED STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment of the Requirements for the Degree Master of Arts Weronika Gaudyn December 2018 STUDY OF HAUTE COUTURE FASHION SHOWS AS PERFORMANCE ART Weronika Gaudyn Thesis Approved: Accepted: _________________________________ _________________________________ Advisor School Director Mr. James Slowiak Mr. Neil Sapienza _________________________________ _________________________________ Committee Member Dean of the College Ms. Lisa Lazar Linda Subich, Ph.D. _________________________________ _________________________________ Committee Member Dean of the Graduate School Sandra Stansbery-Buckland, Ph.D. Chand Midha, Ph.D. _________________________________ Date ii ABSTRACT Due to a change in purpose and structure of haute couture shows in the 1970s, the vision of couture shows as performance art was born. Through investigation of the elements of performance art, as well as its functions and characteristics, this study intends to determine how modern haute couture fashion shows relate to performance art and can operate under the definition of performance art. iii ACKNOWLEDGEMENTS I would like to thank my committee––James Slowiak, Sandra Stansbery Buckland and Lisa Lazar for their time during the completion of this thesis. It is something that could not have been accomplished without your help. A special thank you to my loving family and friends for their constant support -
A. Research Design B. Data Source
19 CHAPTER III RESEARCH METHODOLOGY This chapter presents how the researcher collected and analyzed the data. Research method consists of research design, data source, instrument of the research, data collection, and technique of data analysis. A. Research Design This research use a descriptive qualitative method to identify and analyze translation techniques in translating Judy‘s Utterances in Zootopia movie. According to Arikunto (1993: 208), there is no hypothesis in descriptive research as it only describes a phenomenon without any hypothesis. This research was carried out by formulating the problem, collecting data, classifying data, analyzing data, and drawing the conclusion and some suggestion. B. Data Source The data of this research were taken from The Subtitle Text of Zootopia movie. Zootopia is a 2016 American 3D computer-animated buddy cop comedy film produced by Walt Disney Animation studios and released by Walt Disney Pictures. It is the 55th Disney animated feature film. It was directed by Byron Howard and Rich Moore, co-directed by Jared Bush, and Stars the voices of Ginnifer Goodwin, Jason Bateman, Idris Elba, Jenny Slate, Nate Torrence, Bonnie Hunt, Don Lake, Tommy Chong, J. K. Simmons, 19 20 Octavia Spencer, Alan Tudyk, and Shakira. It details the unlikely partnership between a rabbit police officer and a red fox con artist, as they uncover a conspiracy involving the disappearance of savage predator inhabitants of a mammalian metropolis. The data in this research are all of the sentences spoken by Judy, the rabbit cop in this movie. The source text in English, and the target text in Bahasa Indonesia. -
In the United States District Court for the District of Delaware
Case 1:17-cv-00595-LPS-CJB Document 18 Filed 08/23/17 Page 1 of 50 PageID #: 98 IN THE UNITED STATES DISTRICT COURT FOR THE DISTRICT OF DELAWARE HANESBRANDS INC., Plaintiff, C.A. No. 1:17-595-LPS-CJB v. JURY TRIAL DEMANDED JACQUES MORET, INC., Defendant. FIRST AMENDED COMPLAINT FOR PATENT INFRINGEMENT AND ANSWER TO DEFENDANT’S AMENDED COUNTERCLAIMS Plaintiff Hanesbrands Inc. (“Hanesbrands”) for its Complaint against Jacques Moret, Inc. (“Jacques Moret”), and its answer to Defendant Jacques Moret’s Amended Counterclaims, states as follows: The Nature of the Action 1. This is an action for infringement of United States Patent Nos. 6,125,664; 6,685,534; 7,163,432; 6,790,122; and 7,169,011 (collectively, “the Asserted Patents”) under 35 U.S.C. § 271. The Parties 2. Hanesbrands is a Maryland corporation, with a principal place of business at 1000 East Hanes Mill Road, Winston-Salem, North Carolina 27105. 3. On information and belief, Jacques Moret is a Delaware corporation, with a principal place of business at 1411 Broadway, 8th Floor, New York, NY 10018. Service upon Jacques Moret may be made by serving its registered agent for service of process, The Corporation Trust Company, 1209 Orange Street, Wilmington, DE 19801. Case 1:17-cv-00595-LPS-CJB Document 18 Filed 08/23/17 Page 2 of 50 PageID #: 99 4. On information and belief, Jacques Moret is in the business of selling basic and fashion apparel for men, women and children, and derives revenue from sales and distribution of the products at issue in the District. -
BIOGRAPHY COLIN O’DONOGHUE ‘Gordon “Gordo” Cooper’
BIOGRAPHY COLIN O’DONOGHUE ‘Gordon “Gordo” Cooper’ Colin O’Donoghue plays the role of original Mercury 7 astronaut ‘Gordon “Gordo” Cooper’ in National Geographic’s original scripted series THE RIGHT STUFF on Disney+, based on Tom Wolfe’s bestselling nonfiction series, which dramatically explores the early days of the NASA space program. A native of Drogheda, Ireland, and a graduate of the Gaiety School of Acting in Dublin, Colin’s early career consisted of predominately theater and television work in Ireland and the UK. In 2003, Colin won the Irish Film and Television Award for Best New Talent for his role as ‘Norman’ in the made-for-TV movie “Home For Christmas.” Soon after, he had stints on “Proof,” “Fair City,” the mini-series “Rebel Heart” and “The Clinic” for Irish Television. He appeared in Season 3 of the hit Showtime series “The Tudors” as ‘Duke Philip of Bavaria,’ where he caught the eye of many industry followers. In 2010, Colin decided to head to Hollywood, where he instantly landed the lead role of ‘Michael Kovak’ and worked alongside Academy-Award winner Sir Anthony Hopkins in the New Line Cinema feature “The Rite,” directed by Mikael Hafstrom. The following year, he starred in the ABC pilot “Identity,” opposite Angela Bassett for executive producer Mark Gordon (“Grey’s Anatomy,” “Criminal Minds,” “Private Practice”), and booked the co-lead opposite BAFTA winner Noel Clarke in Johannes Roberts’ sci-fi film “Storage 24” for Universal Pictures Home Entertainment. In 2012, Colin booked a series regular role on ABC’s hit series “Once Upon A Time” and played fan-favorite ‘Captain Hook,’ which was created by Adam Horowitz and Edward Kitsis (“Lost,” “Felicity”). -
HANESBRANDS INC GOING COMMANDO September 13, 2016 DISCLAIMER
BRIAN MCGOUGH ALEC RICHARDS JEREMY MCLEAN HANESBRANDS INC GOING COMMANDO September 13, 2016 DISCLAIMER DISCLAIMER Hedgeye Risk Management is a registered investment advisor, registered with the State of Connecticut. Hedgeye Risk Management is not a broker dealer and does not provide investment advice for individuals. This research does not constitute an offer to sell, or a solicitation of an offer to buy any security. This research is presented without regard to individual investment preferences or risk parameters; it is general information and does not constitute specific investment advice. This presentation is based on information from sources believed to be reliable. Hedgeye Risk Management is not responsible for errors, inaccuracies or omissions of information. The opinions and conclusions contained in this report are those of Hedgeye Risk Management, and are intended solely for the use of Hedgeye Risk Management’s clients and subscribers. In reaching these opinions and conclusions, Hedgeye Risk Management and its employees have relied upon research conducted by Hedgeye Risk Management’s employees, which is based upon sources considered credible and reliable within the industry. Hedgeye Risk Management is not responsible for the validity or authenticity of the information upon which it has relied. TERMS OF USE This report is intended solely for the use of its recipient. Re-distribution or republication of this report and its contents are prohibited. For more details please refer to the appropriate sections of the Hedgeye Services Agreement and the Terms of Use at www.hedgeye.com © Hedgeye Risk Management LLC, All Rights Reserved. 2 PLEASE SUBMIT QUESTIONS* TO [email protected] *ANSWERED AT THE END OF THE CALL STILL CALLING IT LIKE WE SEE IT 1) Core business weakening. -
'Dior Couture,' with Stunning
bitebookreviews ior Couture,’ with stunning pho- tography by Patrick Demarcheli- ‘Der, is a gorgeous must-have book chronicling the glory days of the Parisian fashion house established by Christian Dior shortly after the end of the Second World War. Dior, one of the legendary couturiers of all time, is famous for revo- lutionizing the world of haute-couture with the launch in 1947 of his first col- lection of hour-glass silhouettes, chris- tened the ‘New Look.’ Although he would die ten years later at the age of 52, Dior was a pow- erful muse to his successors, Yves Saint Laurent, Marc Bohan, Gianfranco Fer- ré, and John Galliano. “The delicate stitches of Christian Dior’s couture are reminiscent of a spider’s web, mir- roring nature, and these photographs capture the silhouettes like flower buds about to bloom,” American art- ist, Jeff Koons writes in the book’s foreword. Demarchelier — a veteran fash- ion photographer who has shot editorials for the likes of Vogue, Harper’s Bazaar and Elle, along with campaigns for Dior, Yves Saint Lau- rent, and Chanel — captures more than 100 gowns, suits and coats from the entire span of Chris- tian Dior haute couture through to recent creations by Galliano. Beautiful locations — like a Bei- jing movie studio, New York’s Times Square, and Paris’ Opéra Garnier — serve as the back- drop for these exquisite pieces, worn by models including Gem- ma Ward, Karlie Kloss, Agyness Deyn and Natalia Vodianova. Ingrid Sischy, International Editor for Vanity Fair’s Eu- ropean editions and former Interview Magazine Editor, wrote the introduction to the 240-page book. -
BEAUTY NATALIA, NATURALLY She’S Nicknamed Supernova and Natalia Vodianova’S Modelling Career Has Been Suitably Stellar
BEAUTY NATALIA, NATURALLY She’s nicknamed Supernova and Natalia Vodianova’s modelling career has been suitably stellar. Here, the mother of four shares her hair and beauty secrets and tells why doing good comes from the heart “Oh I love HELLO! magazine so much, you What do you particularly love about Euphoria? have always been so supportive of me.” As greetings go, “It was the last perfume created before Calvin retired and they do not get much better than that. Receiving such a it’s an amazing heritage to be associated with. It’s sensual, resounding endorsement from supermodel Natalia classy but light and flirty. It’s fantastic.” “Supernova” Vodianova is particularly gratifying. After growing up in poverty in Russia with her mother You are only 33. What is the secret of your success? and two younger half-sisters, Natalia went on to find fame “I feel that I have a lot more to achieve. The truth is that on the catwalk, becoming one of the world’s most my adult life seems longer than most other people’s. successful models. However, she is far more than just a When I was six years old my mother gave birth to my pretty face and remains passionate about using her high- sister, who has special needs – very severe autism and profile image to help others. In 2004 she founded the cerebral palsy. That completely changed my life, as my Naked Heart Foundation, which provides disabled and mother became a single mother to three children; underprivileged children in Russia with safe places to play she couldn’t work full-time but had four part-time and she recently launched Elbi, a social media app that hard-labour jobs. -
Disney's Zootopia to Be Released in Imax 3D
IMAX CORPORATION 2525 Speakman Drive Mississauga, Ontario, Canada L5K 1B1 Tel: (905) 403-6500 Fax: (905) 403-6450 www.imax.com DISNEY’S ZOOTOPIA TO BE RELEASED IN IMAX® 3D THEATRES DOMESTICALLY AND IN SELECT INTERNATIONAL MARKETS INCLUDING CHINA LOS ANGELES – Feb. 3, 2016 – IMAX Corporation (NYSE:IMAX) and The Walt Disney Studios, a division of The Walt Disney Company (NYSE: DIS), today announced that Zootopia, Walt Disney Animation Studios’ 55th feature-length animated film, will receive a special one-week domestic engagement in IMAX® 3D theatres beginning March 4. The film will also have an IMAX release in select international markets starting Feb. 12, including China on March 4. Zootopia, about an optimistic bunny, Officer Judy Hopps (voiced by Ginnifer Goodwin), who teams up with the fast-talking, scam-artist fox, Nick Wilde (Jason Bateman), to solve a mystery, is directed by Byron Howard (Tangled, Bolt) and Rich Moore (Wreck-It Ralph, The Simpsons) and co-directed and co- written (along with Phil Johnston, Wreck-It Ralph) by Jared Bush (Penn Zero: Part-Time Hero). Commenting on the announcement, Dave Hollis, Executive Vice President, Theatrical Distribution, The Walt Disney Studios, said, “Zootopia features some of the richest and most inventive environments ever created for an animated film, and we are thrilled that moviegoers around the world will have a chance to experience it in IMAX® 3D.” “We are excited to team with Disney and the talented filmmakers at Walt Disney Animation Studios on what is sure to be another animated Disney classic,” said Greg Foster, Senior Executive Vice President, IMAX Corp. -
Dressing in American Telefantasy
Volume 5, Issue 2 September 2012 Stripping the Body in Contemporary Popular Media: the value of (un)dressing in American Telefantasy MANJREE KHAJANCHI, Independent Researcher ABSTRACT Research perspectives on identity and the relationship between dress and body have been frequently studied in recent years (Eicher and Roach-Higgins, 1992; Roach-Higgins and Eicher, 1992; Entwistle, 2003; Svendsen, 2006). This paper will make use of specific and detailed examples from the television programmes Once Upon a Time (2011- ), Falling Skies (2011- ), Fringe (2008- ) and Game of Thrones (2011- ) to discover the importance of dressing and accessorizing characters to create humanistic identities in Science Fiction and Fantastical universes. These shows are prime case studies of how the literal dressing and undressing of the body, as well as the aesthetic creation of television worlds (using dress as metaphor), influence perceptions of personhood within popular media programming. These four shows will be used to examine three themes in this paper: (1) dress and identity, (2) body and world transformations, and (3) (non-)humanness. The methodological framework of this article draws upon existing academic literature on dress and society, combined with textual analysis of the aforementioned Telefantasy shows, focussing primarily on the three themes previously mentioned. This article reveals the role transformations of the body and/or the world play in American Telefantasy, and also investigates how human and near-human characters and settings are fashioned. This will invariably raise questions about what it means to be human, what constitutes belonging to society, and the connection that dress has to both of these concepts. KEYWORDS Aesthetics, Body, Dress, Falling Skies, Fringe, Game of Thrones, Identity, Once Upon a Time, Telefantasy.