Betty Freeman Papers

Total Page:16

File Type:pdf, Size:1020Kb

Betty Freeman Papers http://oac.cdlib.org/findaid/ark:/13030/tf3000060v No online items Betty Freeman Papers Special Collections & Archives, UC San Diego Special Collections & Archives, UC San Diego Copyright 2005 9500 Gilman Drive La Jolla 92093-0175 [email protected] URL: http://libraries.ucsd.edu/collections/sca/index.html Betty Freeman Papers MSS 0227 1 Descriptive Summary Languages: English Contributing Institution: Special Collections & Archives, UC San Diego 9500 Gilman Drive La Jolla 92093-0175 Title: Betty Freeman Papers Creator: Freeman, Betty Identifier/Call Number: MSS 0227 Physical Description: 33.8 Linear feet (59 archives boxes, 2 records cartons, 1 cardfile box, 21 art bin items, 1 rolled drawing and 97 oversize folders) Date (inclusive): 1965 - 2008 Abstract: Papers of Betty Freeman, photographer, philanthropist, and patron of New Music and contemporary composers. The collection dates between 1965 and 2008 and contains photographs both of and by Freeman; correspondence with numerous artists and composers; and original artworks by Robert Wilson, John Cage, Steve Reich, and Merce Cunningham. The collection also includes clippings and ephemera related to music and the arts, musical scores dedicated to Freeman, and drafts of unpublished manuscripts written by Freeman. Scope and Content of Collection ACCESSION PROCESSED IN 1993 The Betty Freeman Papers contain materials that reflect Freeman's activities as a philanthropist and patron of contemporary composers and New Music. The collection is arranged in two series: 1) CORRESPONDENCE AND SUBJECT FILES and 2) ARTWORKS. SERIES 1: CORRESPONDENCE AND SUBJECT FILES The CORRESPONDENCE AND SUBJECT FILES series contains files, arranged by name of person that often comprise a variety of materials - correspondence, autographed programs, catalogs, and newsclippings. Well represented are composers John Adams, John Cage, Robert Erickson, Peter Garland, Lou Harrison, Harry Partch, Steve Reich, Virgil Thomson, and La Monte Young. Although Freeman's relationship with contemporary composers forms the bulk of the collection, many personalities in music and the arts are represented. SERIES 2: ARTWORKS In the ARTWORKS series are framed and unframed works given to Freeman from numerous artists. Many celebrate her birthday and are dedicated by the artist. The materials are arranged by artist. ACCESSIONS PROCESSED IN 1996 The accessions to the Betty Freeman Papers processed in 1996 chiefly comprise correspondence and subject files regarding the artists to whom Freeman provided emotional and financial support. Many files, including those for Robert Wilson, John Cage, Merce Cunningham, Steve Reich, and Mel Powell, contain personal exchanges, newspaper articles and critical reviews of a particular artist's work. Additional materials include photographs, personal mementos, musical scores (some in manuscript), and various works of art. The collection is arranged in five series: 3) CORRESPONDENCE AND SUBJECT FILES, 4) MUSICAL SCORES, 5) ARTWORKS, 6) CURIOS AND MEMENTOS, and 7) PHOTOGRAPHS. SERIES 3: CORRESPONDENCE AND SUBJECT FILES The CORRESPONDENCE AND SUBJECT FILES series contains files arranged alphabetically by person or topic. This series contains a wide range of materials, ranging from personal and business correspondence to autographed programs, catalogs, newsclippings and periodicals, and information on the artists. Persons include John Adams, Louis Andriessen, George Benjamin, Phillipe Boesmans, Pierre Boulez, John Cage, Philip Glass, Lou Harrison, Gyorgy Ligeti, Harry Partch, Mel Powell, Steve Reich, choreographers Merce Cunningham and Bill T. Jones, conductor Esa-Pekka Salonen, and director Robert Wilson. In addition to information about the artists with whom Freeman worked, files on composers such as Wolfgang Mozart, Arnold Shoenberg, and Olivier Messiaen are also present. SERIES 4: MUSICAL SCORES MUSICAL SCORES are by Harrison Birtwistle, John Cage, Morton Lauridsen, Gyorgy Ligeti, Tod Machover, Mel Powell, and Christopher Rouse. Several scores appear in holograph, and many are accompanied by information on the composer and the particular piece. SERIES 5: ARTWORKS Betty Freeman Papers MSS 0227 2 The ARTWORKS series contains the architectural/essayistic collaboration of Sumiko Kamagai and Shin Kano dedicated to John Cage. It also contains artworks by Mark Bulwinkle, John Cage, Steve Reich, and Charles Shere, and posters of Darius Milhaud, the Cabrillo Music Festival, the Salzburg Festival, the Los Angeles Philharmonic, Rolywholyover: A Circus for Museum, and Wilson's "Einstein on the Beach." SERIES 6: CURIOS AND MEMENTOS CURIOS AND MEMENTOS contains three items. The first is a fossil in stone that was originally given by John Cage to Merce Cunningham; Cunningham subsequently gave it to Freeman. The second is a bundle of black satin ribbon with gold lettering from the Los Angeles Philharmonic. The last item is a nail found in Barstow by a researcher on hobos who was tracing Harry Partch's adventures there. SERIES 7: PHOTOGRAPHS The PHOTOGRAPHS series documents two music-related events: The American Music Center Award held in 1986 at Lincoln Center in New York City; and, The Gold Baton of the American Symphony Orchestra League held in 1987 at the Waldorf Astoria in New York City. Among those featured in the first set of photographs are John Cage, Lou Harrison, Milton Babbit, and Paul Zukofsky. The latter set of photographs features John Cage, Nicolas Slonimsky, Alan Rich, Ned Rorem, and Peter Kermani. Also included in this series is a photograph from Lou Harrison of the Gamelan he named for Freeman. ACCESSIONS PROCESSED IN 1998 The accession to the Betty Freeman Papers processed in 1998 includes clippings, letters to Freeman, several writings by Freeman, musical scores commissioned and/or dedicated to Freeman, artworks, awards, audiocassette interviews with Freeman, and outtakes from her film on Harry Partch entitled The Dreamer That Remains: A Portrait Of Harry Partch. The collection is arranged in eight series: 8) CLIPPINGS, 9) CORRESPONDENCE, 10) WRITINGS, 11) MUSICAL SCORES, 12) ARTWORKS AND POSTERS, 13) AWARDS AND GIFTS, 14) PHOTOGRAPHS, and 15) RECORDINGS. SERIES 8: CLIPPINGS The CLIPPINGS series contains articles about Betty Freeman, programs listing works she commissioned, panels on which she served, and her published photographs of composers and artists arranged alphabetically. SERIES 9: CORRESPONDENCE The CORRESPONDENCE series contains two folders: letters to Betty Freeman and letters to editors from Freeman. SERIES 10: WRITINGS The WRITINGS by Betty Freeman consist of an article on new music for Upbeat in 1990 and the speech she delivered at the Cunningham Award Dinner in 1984. SERIES 11: MUSICAL SCORES The MUSICAL SCORES series includes primarily published versions or bound photocopies of works in progress and works commissioned by and/or dedicated to Betty Freeman, many of which are inscribed with personal notes by the composer. The works of Fredric Myrow and Mel Powell contain pages from manuscript scores. Other composers include John Cage, Robert Erickson, Lou Harrison, Harry Partch, and Virgil Thomson. SERIES 12: ARTWORKS AND POSTERS The ARTWORKS AND POSTERS series includes artwork by Mark Bulwinkle, John Cage and William Kraft, a David Hockney poster for the San Francisco Opera, a Pierre Boulez Festival poster, and a Los Angeles Philharmonic poster with photography by Betty Freeman. SERIES 13: AWARDS AND GIFTS The AWARDS AND GIFTS series contains plaques and certificates awarded to Betty Freeman for her film The Dreamer That Remains: A Portrait Of Harry Partch, a gold baton from the American Symphony Orchestra League, a stone from the Cunningham Dance Foundation presented to her by John Cage, and two folders containing inscribed programs and keepsakes. SERIES 14: PHOTOGRAPHS The PHOTOGRAPHS series contains a group of photographs documenting the Cunningham Dance Foundation Arts Salute in February 1984, where Freeman received an award from John Cage. It also includes a photograph from Peter Garland taken during a trip to Mexico in 1981. Magazine clippings of published photographs by Freeman of artists and composers are located in Series 1: CLIPPINGS. SERIES 15: RECORDINGS The RECORDINGS series is arranged in two subseries: A) Film and B) Audiocassettes. Among the films are outtakes from the Betty Freeman-produced film The Dreamer That Remains: A Portrait Of Harry Partch. Audiocassettes include radio interviews of Freeman and programs of music dedicated to her. Betty Freeman Papers MSS 0227 3 ACCESSIONS PROCESSED IN 2001 The accession to the Betty Freeman Papers processed in 2001 contains correspondence, clippings, festival brochures and programs, musical scores commissioned by or dedicated to Freeman, photographs, cassette audio- and videorecordings, artworks, and miscellaneous material. The collection is arranged in seven series: 16) CORRESPONDENCE AND SUBJECT FILES, 17) FESTIVAL MATERIALS, 18) MUSICAL SCORES, 19) PHOTOGRAPHS, 20) RECORDINGS, 21) ARTWORKS AND POSTERS, and 22) MISCELLANEOUS. SERIES 16: CORRESPONDENCE AND SUBJECT FILES The CORRESPONDENCE AND SUBJECT FILES series, arranged alphabetically, contains correspondence with composers and artists, brochures and programs, and clippings. The collection features primarily composers such as John Adams, Harrison Birtwistle, and Steve Reich, but also includes materials from dramaturges such as Peter Sellars and Robert Wilson, as well as other members of the arts community. SERIES 17: FESTIVAL MATERIALS The FESTIVAL MATERIALS series
Recommended publications
  • German Jews in the United States: a Guide to Archival Collections
    GERMAN HISTORICAL INSTITUTE,WASHINGTON,DC REFERENCE GUIDE 24 GERMAN JEWS IN THE UNITED STATES: AGUIDE TO ARCHIVAL COLLECTIONS Contents INTRODUCTION &ACKNOWLEDGMENTS 1 ABOUT THE EDITOR 6 ARCHIVAL COLLECTIONS (arranged alphabetically by state and then city) ALABAMA Montgomery 1. Alabama Department of Archives and History ................................ 7 ARIZONA Phoenix 2. Arizona Jewish Historical Society ........................................................ 8 ARKANSAS Little Rock 3. Arkansas History Commission and State Archives .......................... 9 CALIFORNIA Berkeley 4. University of California, Berkeley: Bancroft Library, Archives .................................................................................................. 10 5. Judah L. Mages Museum: Western Jewish History Center ........... 14 Beverly Hills 6. Acad. of Motion Picture Arts and Sciences: Margaret Herrick Library, Special Coll. ............................................................................ 16 Davis 7. University of California at Davis: Shields Library, Special Collections and Archives ..................................................................... 16 Long Beach 8. California State Library, Long Beach: Special Collections ............. 17 Los Angeles 9. John F. Kennedy Memorial Library: Special Collections ...............18 10. UCLA Film and Television Archive .................................................. 18 11. USC: Doheny Memorial Library, Lion Feuchtwanger Archive ...................................................................................................
    [Show full text]
  • THE CLEVELAN ORCHESTRA California Masterwor S
    ����������������������� �������������� ��������������������������������������������� ������������������������ �������������������������������������� �������� ������������������������������� ��������������������������� ��������������������������������������������������� �������������������� ������������������������������������������������������� �������������������������� ��������������������������������������������� ������������������������ ������������������������������������������������� ���������������������������� ����������������������������� ����� ������������������������������������������������ ���������������� ���������������������������������������� ��������������������������� ���������������������������������������� ��������� ������������������������������������� ���������� ��������������� ������������� ������ ������������� ��������� ������������� ������������������ ��������������� ����������� �������������������������������� ����������������� ����� �������� �������������� ��������� ���������������������� Welcome to the Cleveland Museum of Art The Cleveland Orchestra’s performances in the museum California Masterworks – Program 1 in May 2011 were a milestone event and, according to the Gartner Auditorium, The Cleveland Museum of Art Plain Dealer, among the year’s “high notes” in classical Wednesday evening, May 1, 2013, at 7:30 p.m. music. We are delighted to once again welcome The James Feddeck, conductor Cleveland Orchestra to the Cleveland Museum of Art as this groundbreaking collaboration between two of HENRY COWELL Sinfonietta
    [Show full text]
  • Richard O'neill
    Richard O’Neill 1276 Aikins Way Boulder, CO 80305 917.826.7041 [email protected] www.richard-oneill.com Education University of North Carolina School of the Arts 1997 High School Diploma University of Southern California, Thornton School of Music 2001 Bachelor of Music, magna cum laude The Juilliard School 2003 Master of Music The Juilliard School 2005 Artist Diploma Teaching University of Colorado, Boulder, College of Music 2020 - present Experience Artist in Residence, Takacs Quartet University of California Los Angeles, Herb Alpert School of Music 2007 - 2016 Lecturer of Viola University of Southern California, Thornton School of Music 2008 Viola Masterclasses Hello?! Orchestra (South Korea) 2012 - present Multicultural Youth Orchestra Founder, conductor and teacher Music Academy of the West, Santa Barbara 2014 - present Viola and Chamber Music Florida International University 2014 Viola Masterclass Brown University 2015 Viola Masterclass Hong Kong Academy of Performing Arts. 2016, 2018 Viola Masterclasses Scotia Festival 2017 Viola Masterclasses Asia Society, Hong Kong 2018 Viola and Chamber Music Masterclasses Mannes School of Music 2018 Viola Masterclass The Broad Stage, Santa Monica 2018 - 2019 Artist-in-residence, viola masterclasses, community events Affiliations Sejong Soloists 2001 - 2007 Principal Viola The Chamber Music Society of Lincoln Center 2003 - present CMS Two/Bowers YoungArtist from 2004-06 CREDIA International Artist Management 2004 - present Worldwide manager, based in South Korea Seattle Chamber Music Society
    [Show full text]
  • Interview with David Alan Miller
    The Classical Beat By Stephen Dankner INTERVIEW WITH MAESTRO DAVID ALAN MILLER Looking as if a few choice, slightly seedy blocks were snatched up from Greenwich Village and plunked down in Albany’s central city district, Lark Street is a fascinating, hip place. With a row of laid-back watering holes, eateries and latte dens, it was a good place to sit down for awhile with David Alan Miller, the conductor and Music Director of the Albany Symphony Orchestra over a cup of coffee. Miller is a young and energetic man, charming and likeable, irrepressible and ardent. He has the same messianic zeal that Leonard Bernstein had – a mission to convince you of his love for music – all kinds of it – and to prove to you, through the force of his high strung but always cheerful personality, that classical music is really important – it’s not just entertainment or an indulgence for an elite class of sedate listeners. No, it’s absolutely necessary. Listen to him for just a few minutes and you’ll be convinced; I have rarely encountered a more articulate spokesman for the cause. Miller has a talent for speaking off the cuff; his knowledge of music history and the full repertoire of classical music enable him to fire off facts, figures and opinions at his popular pre-concert conversations. It’s clear that audiences love him, judging by the filled seats for the talks one hour before the ASO concerts. Right about now he’s thinking seriously about next season. All orchestras have to schedule their programs at least a year in advance.
    [Show full text]
  • The Saint Paul Chamber Orchestra, Saturday, 20, May 1978, I.A O
    Great Composers Concert IV I.A. O'Shauqhnessy Auditorium The College of St. Catherine, St. Paul Saturday, 20 May 1978 8 p.m. Lou Harrison, featured composer - The Dale Warland Singers, Dennis Russell Davies, piano now in their sixth season, Romuald Tecco, violin have become one of the fore- The Dale Warland Singers most choral groups in the Dale Warland, director central USA and are rapidly William McGlaughlin, Exxon/Arts Endowment attaining national and world- Conductor wide recognition. Comprising 38 singers from the St. Paul- Minneapolis area, they have esta blished an envia ble repu- tation for their musicality, versatility and diverse pro- gramming. The Dale Warland Suite for Violin, Piano and Small Orchestra Singers appear regularly Romuald Tecco, violin with the Saint Paul Chamber Dennis Russell Davies, piano Orchestra and the Minnesota Opera Company. They give concerts throughout the Mid- west and broadcast regularly Suite from Marriage at the Eiffel Tower over public radio. At the invi- tation of the Swedish govern- ment.JheSingers toured INTERMISSION Sweden and-Norway in July 1977. They haverecorded incidental music for two Ear- ~ radio drama productions Mass to Saint Anthony ~ " ational Public Radio and .. ave made two recordings of 20th-century choral music. The choir has given a perfor- mance in honor of Sweden's King Carl Gustav, as well as concerts with tenor Ernst Haefliger, the American Brass Quintet, the Minnesota Orchestra and for the Minne- sota Bicentennial Commission. Lou Harrison (b. Portland, Oregon, 14 May 1917) Lou Harr-ison was raised in Oregon and California. He spent a decade in New York studying with Henry Cowell, Arnold Schoenberg and Virgil Thomson.
    [Show full text]
  • Hifi /Stereo Review of April 1968
    fulStereo Review APRIL 1968 60 CENTS NINE SOLUTIONS TO THE STEREO -INSTALLATION PROBLEM WHICH RECORDINGS FOR A DESERT -ISLAND DISCOGRAPHY? *AMERICAN COMPOSERS SERIES: WALLINGFORD RIEGGER * Hifi/StereoReview APRIL 1968 VOLUME 20 NUMBER 4 THE MUSIC GIACOMO MEYERBEER'S OPERA OF THE SEVEN STARS A report on Les Huguenots and Wagner inLondon HENRY PLEASANTS 48 THE BASIC REPERTOIRE Beethoven's Symphony No. 1, in C Major MARTIN BOOKSPA 53 WALLINGFORD RI EGGER A true original among the Great American Composers RICHARD FRANKO GOLDMAN 57 DESERT -ISLAND DISCOGRAPHY One man's real -life answers to a popular speculation 68 THE BAROQUE MADE PLAIN A new Vanguard release demonstrates Baroque ornamentation IGOR KIPNIS 106 THE EQUIPMENT NEW PRODUCTS A roundup of the latest high-fidelity equipment 22 HI-FI Q & A Answers to your technical questions LARRY KLEIN 28 AUDIO BASICS Specifications XX: Separation HANSH. FANTEL 34 TECHNICAL TALK ProductEvaluation;Hirsch -HoucklaboratoryreportsontheA ltec711stereo FM receiver, the Switchcraft 307TR studio mixer, and the Wollensah 5800 tape re- corder JULIAN D. HIRSCH 37 STEREO INGENUITY Clever and inexpensive component cabinets-a photo portfolio LARRY KLEIN 70 TAPE HORIZONS Tape and Home Movies DRUMMOND MCINNIS 127 THE REVIEWS BEST RECORDINGS OF THE MONTH 75 CLASSICAL 81 ENTERTAINMENT 109 STEREO TAPE 123 THE REGULARS EDITORIALLY SPEAKING WII.LIAM ANDERSON 4 LETTERS TO THE EDITOR 6 GOING ON RECORD JAMESGOODFRIEND 44 ADVERTISERS' INDEX; PRODUCT INDEX 130 COVER: .1. B. S. CHARDIN: STILL LIFE WITH HURDY-GURDY: PHOTO BY PETER ADEI.IIERG. EURDPF.AN ART COLOR SLIDE COMPANY, NEW YORK Copyright 1968 by Ziff -Davis Publishing Company. All rights reserved.
    [Show full text]
  • Charles Wuorinen
    NWCR744 Charles Wuorinen 3. I ........................................................... (7:42) 4. II ........................................................... (6:36) 5. III ........................................................... (4:42) David Braynard, tuba solo; The Group for Contemporary Music: Patricia Spencer, Harvey Sollberger, Sophie Sollberger, Karl Kraber, flutes; Josef Marx, Susan Barrett, oboes; Donald MacCourt, Leonard Hindell, bassoons; David Jolley, Edward Birdwell, Ronald Sell, Barry Benjamin, horns; Raymond DesRoches, percussion; Charles Wuorinen, conductor 6. Piano Concerto (1966) ......................................... (19:47) Charles Wuorinen, piano; Royal Philharmonic Orchestra; James Dixon, conductor 7. Chamber Concerto for Flute and Ten Players (1964) ........................................ (14:48) Harvey Sollberger, flute; The Group for Contemporary Music: Stanley Silverman, guitar; Susan Jolles, harp; Cheryl Seltzer, harpsichord; Joan Tower, celeste; Robert Miller, piano; Raymond DesRoches, John Bergamo, Richard Fitz, George Boberg, percussion; Two Part Symphony (1977-78) ................................ (23:30) Kenneth Fricker, contrabass; Charles Wuorinen, 1. I ...........................................................(12:27) conductor 2. II ...........................................................(11:03) Total playing time: 77:27 American Composers Orchestra; Dennis Russell Davies, conductor; Chamber Concerto for Tuba Ê 1979, 1983, 1997 © 1997 Composers Recordings, Inc. with 12 Winds and 12 Drums
    [Show full text]
  • Cabrillo Festival of Contemporarymusic of Contemporarymusic Marin Alsop Music Director |Conductor Marin Alsop Music Director |Conductor 2015
    CABRILLO FESTIVAL OFOF CONTEMPORARYCONTEMPORARY MUSICMUSIC 2015 MARINMARIN ALSOPALSOP MUSICMUSIC DIRECTOR DIRECTOR | | CONDUCTOR CONDUCTOR SANTA CRUZ CIVIC AUDITORIUM CRUZ CIVIC AUDITORIUM SANTA BAUTISTA MISSION SAN JUAN PROGRAM GUIDE art for all OPEN<STUDIOS ART TOUR 2015 “when i came i didn’t even feel like i was capable of learning. i have learned so much here at HGP about farming and our food systems and about living a productive life.” First 3 Weekends – Mary Cherry, PrograM graduate in October Chances are you have heard our name, but what exactly is the Homeless Garden Project? on our natural Bridges organic 300 Artists farm, we provide job training, transitional employment and support services to people who are homeless. we invite you to stop by and see our beautiful farm. You can Good Times pick up some tools and garden along with us on volunteer + September 30th Issue days or come pick and buy delicious, organically grown vegetables, fruits, herbs and flowers. = FREE Artist Guide Good for the community. Good for you. share the love. homelessgardenproject.org | 831-426-3609 Visit our Downtown Gift store! artscouncilsc.org unique, Local, organic and Handmade Gifts 831.475.9600 oPen: fridays & saturdays 12-7pm, sundays 12-6 pm Cooper House Breezeway ft 110 Cooper/Pacific Ave, ste 100G AC_CF_2015_FP_ad_4C_v2.indd 1 6/26/15 2:11 PM CABRILLO FESTIVAL OF CONTEMPORARY MUSIC SANTA CRUZ, CA AUGUST 2-16, 2015 PROGRAM BOOK C ONTENT S For information contact: www.cabrillomusic.org 3 Calendar of Events 831.426.6966 Cabrillo Festival of Contemporary
    [Show full text]
  • Armenian Orchestral Music Tigran Arakelyan a Dissertation Submitted
    Armenian Orchestral Music Tigran Arakelyan A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Musical Arts University of Washington 2016 Reading Committee: David Alexander Rahbee, Chair JoAnn Taricani Timothy Salzman Program Authorized to Offer Degree: School of Music ©Copyright 2016 Tigran Arakelyan University of Washington Abstract Armenian Orchestral Music Tigran Arakelyan Chair of the Supervisory Committee: Dr. David Alexander Rahbee School of Music The goal of this dissertation is to make available all relevant information about orchestral music by Armenian composers—including composers of Armenian descent—as well as the history pertaining to these composers and their works. This dissertation will serve as a unifying element in bringing the Armenians in the diaspora and in the homeland together through the power of music. The information collected for each piece includes instrumentation, duration, publisher information, and other details. This research will be beneficial for music students, conductors, orchestra managers, festival organizers, cultural event planning and those studying the influences of Armenian folk music in orchestral writing. It is especially intended to be useful in searching for music by Armenian composers for thematic and cultural programing, as it should aid in the acquisition of parts from publishers. In the early part of the 20th century, Armenian people were oppressed by the Ottoman government and a mass genocide against Armenians occurred. Many Armenians fled
    [Show full text]
  • Sine Waves and Simple Acoustic Phenomena in Experimental Music - with Special Reference to the Work of La Monte Young and Alvin Lucier
    Sine Waves and Simple Acoustic Phenomena in Experimental Music - with Special Reference to the Work of La Monte Young and Alvin Lucier Peter John Blamey Doctor of Philosophy University of Western Sydney 2008 Acknowledgements I would like to thank my principal supervisor Dr Chris Fleming for his generosity, guidance, good humour and invaluable assistance in researching and writing this thesis (and also for his willingness to participate in productive digressions on just about any subject). I would also like to thank the other members of my supervisory panel - Dr Caleb Kelly and Professor Julian Knowles - for all of their encouragement and advice. Statement of Authentication The work presented in this thesis is, to the best of my knowledge and belief, original except as acknowledged in the text. I hereby declare that I have not submitted this material, either in full or in part, for a degree at this or any other institution. .......................................................... (Signature) Table of Contents Abstract..................................................................................................................iii Introduction: Simple sounds, simple shapes, complex notions.............................1 Signs of sines....................................................................................................................4 Acoustics, aesthetics, and transduction........................................................................6 The acoustic and the auditory......................................................................................10
    [Show full text]
  • TOCC0392DIGIBKLT.Pdf
    ERNST KRENEK: COMPLETE PIANO CONCERTOS, VOLUME TWO – 1. THE MUSIC-HISTORIAN’S PERSPECTIVE by Peter Tregear Ernst Krenek’s reputation as a ‘one-man history of twentieth century music’ is nothing if not well deserved. Over nearly eight decades of creative life he was not only to witness but also to contribute to most of the formative art-music movements of the age. It may come as a surprise, then, to find that the concertos on this second album are quite similar in style – until one realises that all four works were composed in the ten or so years following his arrival in America, when he was coming to terms with the likelihood of an indefinite period of exile from Europe. Te prospect did not rest easy with him, not least because, as he later observed, ‘in America, I am a composer-in-residence since I am not American-born, while in Europe, I am a composer-in-absence’.1 Here he would also no longer be able to support himself through composing alone. Instead, like so many of Europe’s cultural and scientific elite who also had had to flee Nazi Germany in fear of their lives, a career in university teaching beckoned. Now in relative isolation from compositional developments in Europe and elsewhere, and faced with the necessity of forging what was essentially a new career as he approached middle age, a degree of consolidation and stock-taking in his compositional outlook was perhaps inevitable. In February 1939 Krenek commenced a two-year contract as a professor in music at Vassar College, a liberal-arts College in up-state New York, which then was followed by an offer of a Chair in Music at Hamline University in Saint Paul, Minnesota.
    [Show full text]
  • Something Apart Yet an Integral Part
    King’s Research Portal Document Version Peer reviewed version Link to publication record in King's Research Portal Citation for published version (APA): Matlin, D. (2021). 'Something Apart, Yet an Integral Part': Duke Ellington's Harlem and the Nexus of Race and Nation. Modern Intellectual History. Citing this paper Please note that where the full-text provided on King's Research Portal is the Author Accepted Manuscript or Post-Print version this may differ from the final Published version. If citing, it is advised that you check and use the publisher's definitive version for pagination, volume/issue, and date of publication details. And where the final published version is provided on the Research Portal, if citing you are again advised to check the publisher's website for any subsequent corrections. General rights Copyright and moral rights for the publications made accessible in the Research Portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognize and abide by the legal requirements associated with these rights. •Users may download and print one copy of any publication from the Research Portal for the purpose of private study or research. •You may not further distribute the material or use it for any profit-making activity or commercial gain •You may freely distribute the URL identifying the publication in the Research Portal Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim.
    [Show full text]