DOCSLIB.ORG

Glasgow Film Theatre Listings | 11 - 17 Oct

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Glasgow Film Theatre Listings | 11 - 17 Oct GLASGOW FILM THEATRE LISTINGS | 11 - 17 OCT Judy (12A) 1h58m Fri 13.10 14.45 17.30 20.15 £6 Bargain Friday Matinee - Fri 13.10/14.45 Sat 14.50 17.35 20.10 Audio Description is available. Sun 13.15 19.05 Mon 13.00 14.30 17.15 20.20 Tue 12.20 15.00 17.40 20.15 Wed 13.15 14.40 20.20 Thu 13.00 15.45 17.40 20.15 Visible Cinema: Judy (12A) 1h58m Wed *17.45(c) No adverts/trailers, all tickets £6. *Josie Dolan, researcher in cinema, gender, and ageing will host this screening. Movie Memories: Judy (12A) 1h58m Thu 11.00(c)(d) Dementia friendly screening. No adverts/trailers, all tickets £3. Includes free refreshments and an interval with live music. The Day Shall Come (15) 1h28m Fri 13.45 16.00 18.05 20.50 £6 Bargain Friday Matinee - Fri 13.45 / 16.00 Sat 12.45(c) 16.00 20.50 Audio Description is available. Sun 14.00 19.40 Mon 13.45 15.45 18.30 20.50 Tue 13.00 15.50 20.45(c) Wed 12.30 15.50 20.50 Thu 13.40 15.30(c) 18.15 American Woman (15) 1h52m Fri 15.45 18.20 £6 Bargain Friday Matinee - Fri 15.45 Sat 13.30 18.15 Sun 16.15 Mon 16.00 Tue 13.15 15.30 Wed 12.45 15.15 Thu 15.45 20.25 Pay What You Decide: American Woman (15) 1h52m Mon 17.50 Book online or over the counter up until 2 hours before the performance start time. Maximum of 2 tickets per person (subject to availability). A customer account with glasgowfilm.org which includes an email address (or contact phone number) will be required to participate in this initiative. You may be contacted after the screening to take part in our research programme into Pay What You Decide. You will be able to pay your chosen sum on leaving the screening. For the purposes of speed and convenience, cash payments would be preferred, but a contactless option will also be available. Ride Your Wave (N/C 12+) 1h34m Fri 20.30 Screening as part of Scotland Loves Anime. Redline (15) 1h42m Fri 23.00 Screening as part of Scotland Loves Anime. Take 2: Mirai (PG) 1h38m Sat 11.30 Free adult ticket with every child ticket. Free entry for adult and child with valid GCC Young Scot or Kidz Card (One card required per adult & child - available on the day at box office). All other tickets £5.50. Weathering With You (N/C 12+) 1h54m Sat 14.30 Screening as part of Scotland Loves Anime. Sun 11.00 Please note that holders of the SLA weekend pass can only attend the screening of Weathering With You on Saturday 12 October. SLA passes are not valid for the additional screening on Sunday 13 October. The Relative Worlds + Q&A (N/C 15+) 1h33m Sat *17.20 *Followed by Q&A with director Yuhei Sakuragi Birthday Wonderland (N/C 8+) 1h55m Sat 20.25 Promare (N/C 15+) 1h51m Sun 13.30 Mystery Film (N/C 15+) 2h Sun 16.30 Children of the Sea (N/C 15+) 1h51m Sun 19.20 European Arthouse Cinema Day: Sun 16.00 By the Grace of God (15) 2h18m Jackie Brown - 35mm (15) 2h34m Mon 19.50 Screening as part of CineMasters: Quentin Tarantino Wed 17.15 Her Century: Scottish Women on Film (N/C 8+) 1h15m Tue 18.15 This screening will be introduced by Girlhood Gang. All tickets £6. Her Century is supported by Film Hub Scotland, part of the BFI’s Film Audience Net- work and funded by BFI and Screen Scotland. In partnership with the National Library of Scotland Moving Image Archive. 48 Hour Film Project: Parts 1 & 2 (N/C 18+) 2h approx Tue 20.30 Tue - Part 1 | Wed - Part 2. Book both screenings for £15/£11. Wed 20.30 Preview: Mystify: Michael Hutchence Wed *18.00 + Recorded Q&A (15) 1h42m *Followed by a recorded Q&A with director Richard Lowenstein and special guests. NT Live: A Midsummer Night’s Dream (as live 12A) 3h8m Thu 18.45 (c) - captioned screening | (d) - dementia friendly screening | (a) - autism friendly screening Browse our full listings, find full synopses and book tickets with no booking fee online:glasgowfilm.org/whats-on For updates on new screenings and events sign up to our enewsletter glasgowfilm.org/enewsletters.
Load more

Recommended publications
  • Animax Svod - Uk
    ANIMAX SVOD - UK DRAFT - CONFIDENTIAL DRAFT - CONFIDENTIAL ANIMAX DNA POSITIONING: ANIMAX is the destination for the ultimate anime experience ATTRIBUTES: ... Loud ... Colourful ... Unconventional ... Authentic ... Cheeky ANIMAX is a digital platform for the best in anime DRAFT - CONFIDENTIAL ANIMAX Target Audience Primary: 18 - 29 years, Secondary: 15 - 45 years Real time, multi-media consumption lies at the core of our viewers’ lifestyle. ANIMAX VIEWERS • Early adopters with relatively high discretionary income • Pop culture fanatics in search of what’s new…now • Multi-tasking consumers of cross-platform content • Aware of global trends and engaged in global issues • They want to watch TV on-line and on their mobile phones • They’re gamers and they own either a Play station or X-Box DRAFT - CONFIDENTIAL What you get with ANIMAX ANIMAX features hit anime series, movies and exclusive material such as behind-the-scenes interviews and music footage. ANIMAX provides…. • Unlimited access to content • Subscription = ad free • Available on IOS, Android, and PS3 from launch, other connected devices in phase 2 • Simulcast – latest shows from Japan ANIMAX strives to offer its devoted fan base dedicated content tailored to a dedicated platform. World-class production values and first look, high-profile titles. Anytime. Anywhere. On Any Device. + + DRAFT - CONFIDENTIAL ANIMAX Program Strategy ANIMAX aims to bring the whole world of anime to a much wider public with programming that includes: • Box Sets – a catalog of complete full seasons • Movies
    [Show full text]
  • Review of the Film Sector in Scotland Creative Scotland
    Review of the Film Sector in Scotland Creative Scotland January 2014 This report was produced by: BOP Consulting (www.bop.co.uk) in partnership with: Whetstone Group (www.whetstonegroup.org) Jonathan Olsberg (www.o-spi.com) If you would like to know more about the report, please contact the project’s director, Barbara McKissack: Email: [email protected] Tel: 0207 253 2041 i Contents 4.6 Festivals ........................................................................................... 17 1. Executive Summary ............................................... 1 4.7 Archives ........................................................................................... 18 1.1 Introduction ....................................................................................... 1 4.8 Cultural impact of film ................................................................... 18 1.2 Watching film ..................................................................................... 1 4.9 Consultants’ assessment of the issues ..................................... 19 1.3 Learning about film .......................................................................... 1 1.4 Making film ........................................................................................ 2 5. Learning about film ............................................. 21 1.5 Earning from film – supporting enterprises and 5.1 Introduction .....................................................................................21 employment ......................................................................................
    [Show full text]
  • Animax SVOD UK
    Animax SVOD UK Business Plan 1 ANIMAX DNA POSITIONING: ANIMAX is the destination for the ultimate anime experience ATTRIBUTES: ... Loud ... Colourful ... Unconventional ... Authentic ... Cheeky ANIMAX is a digital platform for the best in anime 2 ANIMAX Target Audience Primary: 18 - 29 years, Secondary: 15 - 45 years Real time, multi-media consumption lies at the core of our viewers’ lifestyle. ANIMAX VIEWERS • Early adopters with relatively high discretionary income • Pop culture fanatics in search of what’s new…now • Multi-tasking consumers of cross-platform content • Aware of global trends and engaged in global issues • They want to watch TV on-line and on their mobile phones • They’re gamers and they own either a Play station or X-Box 3 What you get with ANIMAX ANIMAX features hit anime series, movies and exclusive material such as behind-the-scenes interviews and music footage. ANIMAX provides…. • Unlimited access to content • Subscription = ad free • Available on IOS, Android, and PS3 from launch, other connected devices in phase 2 • Simulcast – latest shows from Japan ANIMAX strives to offer its devoted fan base dedicated content tailored to a dedicated platform. World-class production values and first +look, high-profile titles.+ 4 ANIMAX PROGRAM STRATEGY ANIMAX aims to bring the whole world of anime to a much wider public with programming that includes: • Box Sets – a catalog of complete full seasons • Movies (the competition doesn’t offer movies on their service) • Simulcast series from Japan • First they’ll air on anime-on-demand
    [Show full text]
  • Dickson, Lesley-Ann (2014) Film Festival and Cinema Audiences: a Study of Exhibition Practice and Audience Reception at Glasgow Film Festival
    Dickson, Lesley-Ann (2014) Film festival and cinema audiences: a study of exhibition practice and audience reception at Glasgow Film Festival. PhD thesis. http://theses.gla.ac.uk/5693/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten:Theses http://theses.gla.ac.uk/ [email protected] Film Festival and Cinema Audiences: A study of exhibition practice and audience reception at Glasgow Film Festival Lesley-Ann Dickson A thesis submitted in fulfilment of the requirements of the degree of Doctor of Philosophy University of Glasgow School of Culture and Creative Arts September 2014 Abstract This thesis takes the view that film festivals are ‘social constructions’ and therefore need social subjects (people) to function. From global media audiences to those physically present at screenings: it is people who make film festivals (Dayan 2000). Nevertheless, Film Festival Studies, with its preoccupation with global economics and/or the political nature of these events, has arguably omitted the ‘audience voice’ meaning much of the empirical work on offer derives from market research by festivals themselves. As such, there is little conceptual contribution about what makes festivals culturally important to audiences or the ways in which festival practice differs from, or synergises with, broader cinematic practice.
    [Show full text]
  • Social Enterprise in Scotland Census 2019
    Social Enterprise in Scotland Census 2019 Technical Report CONTENTS 1. INTRODUCTION ........................................................................................................ 4 2. IDENTIFICATION OF SOCIAL ENTERPRISES ....................................................... 5 Defining Social Enterprise.......................................................................................... 5 Basis for the Assessment ............................................................................................ 5 Limitations ................................................................................................................ 10 3. DATA CLASSIFICATIONS ....................................................................................... 13 Classification of Regions .......................................................................................... 13 Classification of Urban-Rural Areas ........................................................................ 13 Classification of Areas of Multiple Deprivation ....................................................... 14 Classification of Economic Sectors .......................................................................... 14 4. INCLUSIONS AND EXCLUSIONS FROM THE STUDY ........................................ 16 Arts and Creative Industries..................................................................................... 16 Community Centres and Halls ................................................................................. 16 Early Learning and
    [Show full text]
  • Social Enterprise in Scotland Census 2017
    Social Enterprise in Scotland Census 2017 Technical Report CONTENTS 1. INTRODUCTION ........................................................................................................ 4 2. IDENTIFICATION OF SOCIAL ENTERPRISES ....................................................... 6 Defining Social Enterprise.......................................................................................... 6 Basis for the Assessment ............................................................................................ 6 Limitations ................................................................................................................. 11 3. DATA CLASSIFICATIONS ....................................................................................... 14 Classification of Regions .......................................................................................... 14 Classification of Urban-Rural Areas ........................................................................ 14 Classification of Areas of Multiple Deprivation ....................................................... 15 Classification of Economic Sectors .......................................................................... 15 4. INCLUSIONS AND EXCLUSIONS FROM THE STUDY ........................................ 17 Arts and Creative Industries..................................................................................... 17 Community Centres and Halls ................................................................................. 17 Early Learning and
    [Show full text]
  • 26Th Leeds International Film Festival 1 - 18 November 2012
    26th Leeds International Film Festival 1 - 18 November 2012 Free Guide PARTNERS Presented by Leading Partners Funding Partners Supported by the National Lottery through the BFI and Creative England Hospitality Partners Supporting Partners Centre for World Cinemas School of Modern Languages and Cultures Brochure designed by Martin Grund at www.scorpiodesign.co.uk 2 INTRODUCTION WELCOME TO THE 26th LEEDS INTERNATIONAL FILM FESTIVAL The LIFF26 Guide is just the start to your experience of one of the most diverse and exciting film festival programmes in Europe. Every year the mission of Leeds International Film Festival is to bring to the city the full incredible world of global filmmaking and to make the experience for audiences accessible and unforgettable. GUIDE CONTENTS In these pages are listed all the feature films, events and short film programmes at press date for our five major programme sections: Official Selection, Retrospectives, Fanomenon, Cinema Versa, and Short Film City. Full details of tickets, passes, and venues are up front (a full pass is only £85), while at the back you will find an invaluable day by day guide to more than 250 screenings and events in LIFF26. Tickets & Passes 5 Map & Venues 6-7 Official Selection A to Z 11 Retrospectives A to Z 21 Fanomenon A to Z 33 Cinema Versa A to Z 53 Short Film City A to Z 67 Day by Day Guide 73 Film & Event Index 90 KEEP IN TOUCH ONLINE AND DON’T MISS EXTRA FILM ANNOUNCEMENTS The LIFF26 Guide is just the start. To find out the latest news of special guests, new film announcements, and repeats of audience favourites, and to interact with LIFF26 through photos, videos, reviews, and more, check www.leedsfilm.com where you can also join our newsletter.
    [Show full text]
  • Storytelling Festival 2010 Eastern
    Scottish International Storytelling Festival 2010 Eastern RoAuthentic voicesut from homees and abroad 22 October – 31 October Box office: 0131 556 9579 www.scottishstorytellingcentre.co.uk Welcome to the About the programme Scottish International We’ve given each event in our programme a category to help you decide which to book. The main programme is for adults, Storytelling Festival and takes place at the Scottish Storytelling Centre in Edinburgh. Authentic Voices: Eastern Routes complemented by stimulating talks experiencing first-hand the magic and At the Scottish Family events For centuries live oral storytelling, and discussions, rare film screenings, wonder of outstanding live storytelling. Storytelling Centre Live storytelling events, often blended with music and song, inspiring training workshops, intimate involving craft and storymaking has carried Scotland’s voices from ‘Meet the Storyteller’ sessions, and a But the essence of storytelling is not Live storytelling activities, especially designed for generation to generation – and special Festival supper for storytellers only in the telling but in the hearing – Live evening storytelling children and families. Please check round the world. and network members. so come and gather at Scotland’s only performances in the Centre’s each event listing for information International Storytelling Festival for a stunning, intimate theatre on age suitability, or check with the Now in its 21st year, the Scottish Then there’s an array of local partner unique autumn experience. Whether space.
    [Show full text]
  • Great Ship Giveaway !
    GREAT SHIP GIVEAWAY ! •• FREE •• to•• enter! 25 WINNERS!•• — WIN — a PIRATE SHIP! — TO — ENTER! Scan this QR CODE SECOND PRIZE THIRD PRIZE Thousand Sunny One Piece manga, GRAND PRIZE New World Ver. One Piece DVD • OR GO TO • Chogokin Going Merry (Merry Go) (Plastic Model Kit) and keychain www.viz.com/onepiece ONE PIECE © 1997 by Eiichiro Oda/SHUEISHA Inc. ©Eiichiro Oda/Shueisha, Toei Animation License coordinated by FUNimation®By Productions, Fans, Ltd. For Fans Sweepstakes ends on June 18, 2013. All Rightsii Reserved. See website for terms and conditions. THIS IS AN ADVERTISEMENT – iT DOES NOT REPRESENT FANIMECON. Welcome from the Chairs . 2 Wolfgang Coe • Josh Kessler • Table of Gary de Guzman Guests of Honor . 4 7!! • ROOKiEZ is PUNK’D • Darrel Guilbeau • Chris Patton • Tsuyoshi Nonaka • Gilles Poitras • Contents Takahiro Omori • Yumi Sato • Hiroyuki Yamaga Essentials . 10 . Registration Info • Emergency Services • Information Desks • Volunteering • Rovers • Lost & Found • Convention Etiquette • Food • FanimeCon Member Code of Conduct • Cosplay Rules and Weapons Policy • Fanime Cosplay & Peacebonding FAQ Events . 16. Fanimaid Cafe • Stage Zero • Manga Lounge • FanimeCon Music Video Contest • Speed Dating • Game Show • South Hall Events • SJCC Hall Events • Black & White Ball • Cosplay Events • Karaoke Events Panels . 22 Guests of Honor • Industry • Fan Panels • The Dojo Video Programming . 32. Video Themed Rooms • AMV Events • Video Themed Events • Late Night • Yaoi-Con Events • Asian Films • Anime Video FanimeCon 2013 Staff . .38 . Convention Maps . 40 Fanime.com 1 Welome from the Chairs reetings FanimeCon Goers, As I am sure you have noticed by now (or will very soon), the Convention Center is undergoing an extensive Welcome one and all! Whether renovation .
    [Show full text]
  • Promare Press Release.Indd
    PRESS RELEASE PROMARE (Cert TBC) Fast Sell: Get caught up in a visceral fever dream of giant robots, RELEASE DATE exhilarating over-the-top fi re fi ghts, and delightfully chaotic visual fl air with “PROMARE”, the fi rst anime feature fi lm from In Cinemas 26th November, 2019 the brains behind “Gurren Lagann” and “Kill la Kill”! Subbed, Dubbed release from 28th November Synopsis: KEY TALENT INFORMATION Thirty years have passed since the appearance of Burnish, a race of fl ame-wielding mutant beings who destroyed half of • Directed by Hiroyuki Imaishi (“Gurren the world with fi re. Lagann”) • Written by Kazuki Nakashima (“Kill la Kill”) • Music by Hiroyuki Sawano (“Attack on Titan”) When a new group of aggressive mutants calling themselves • Produced by Studio Trigger (“Kill la Kill”), “Mad Burnish” appears, the epic battle between Galo Thymos, XFlag (“Dororo”) a new member of the anti-Burnish rescue team “Burning Rescue,” and Lio Fotia, the leader of “Mad Burnish” begins. Stars: • Japanese Cast: We like it because: • Kenichi Matsuyama (“Death Note”) • Taichi Saotome (“Bleach”) From the moment Studio Trigger fi rst unleashed “Kill la Kill” • Masato Sakai (“The Wonderful World of on the world, we’ve been enthralled by their unique mix of Captain Kuhio”) intense, fl amboyant action and well-developed characters • Ayane Sakura (“My Hero Academia”) that have made it and the likes of “SSSS.GRIDMAN” such • Hiroyuki Yoshino (“Fullmetal Alchemist Brotherhood”) celebrated fan favourites. Anyone already familiar with their work may have had an idea of the undiluted joy that • English Dub Cast: awaits them, yet Studio Trigger’s fi rst feature fi lm exceeds • Billy Kametz (“The Rising of the Shield Hero”) expectations as a culmination of Imaishi’s work that needs to • Johnny Yong Bosch (“Bleach”) be experienced sprawling across the big screen.
    [Show full text]
  • Liff26-2012-Catalogue-Low-Res.Pdf
    Proof Creative Art Account Production Finisher AMPAS Reading Director Director Executive Manager Leeds FilmFest CREATIVE Program Ad 19 October 2012 V1 THE ARTERIE 3710 S. Robertson Blvd. Suite 202 Culver City, CA. 90232/ Production Manager 310 558-1699 WELCOME AND CONTENTS The 26th Leeds International Film Festival Leeds City Council has supported Leeds International Welcome to the programme for the 26th Leeds Film Festival from the very beginning when it launched International Film Festival, another major step in our at the Hyde Park Picture House in 1987. The continued mission to bring to the city the real and incredible world commitment of the local authority and leading of global filmmaking culture. The favourite sections partners over the years has played a major part in remain – Official Selection, Fanomenon, Cinema the development of the Film Festival into a nationally- Versa, and Short Film City, and they are now joined by renowned event. The Media Programme of the Retrospectives. This new archive section is dedicated European Union has supported the Film Festival for to presenting classic films in new settings, like Stanley more than a decade, helping the event to present a Kubrick at Leeds Town Hall, and to growing access to programme with over 70% European film selections rarely seen aspects of world cinema, like the early work to growing audiences. UK lottery support has been of Andrei Konchalovsky and films directed by legendary another important and continuous source of funding Japanese actress Kinuyo Tanaka. The LIFF26 Official for the Film Festival, this year awarded through the British Selection includes thirty new feature films that together Film Institute and Creative England.
    [Show full text]
  • HOME of the EDINBURGH INTERNATIONAL FILM FESTIVAL Leaving on a Jet Plane
    4 OCT 19 31 OCT 19 1 | 4 OCT 19 - 31 OCT 19 88 LOTHIAN ROAD | FILMHOUSECINEMA.COM FILMS WORTH TALKING ABOUT HOME OF THE EDINBURGH INTERNATIONAL FILM FESTIVAL Leaving on a jet plane... As I write this I’m en route back to Edinburgh from the behemoth of new cinema that is the Toronto International Film Festival - TIFF, as it’s known. In the current, rapidly changing climate, I can’t make these trips without it crossing my mind how ridiculous it can seem to travel all that way to watch a few films; but the truth is, such is the way the film industry works in the UK, that in many cases the trip offers the only way of seeing a great number of films that will soon enough be delighting you in our cinemas. It would be very hard handpicking the best films for your delectation if we can’t see them - though there’s food for thought, for sure. It’s been quite a week, even if it wasn’t exactly a vintage edition of TIFF. Some 40 films watched by yours truly: some great (The Report, Joker, Knives Out, State Funeral); some great and controversial (The Painted Bird, Jojo Rabbit); and some... not so great, though I won’t mention any names - we just won’t show them! Critical opinion figures large at such events (the anticipation of the first reviews), and though I’ve been known to be critical of film critics (and their questionable, misleading opinions!) I take my hat off to The Guardian’s Peter Bradshaw, who I saw in two screenings only this morning and who’d posted two characteristically beautifully written, spot on (in my view) reviews of those films by the time I got to the airport.
    [Show full text]