Madness One Step Beyond... Mp3, Flac, Wma

Total Page:16

File Type:pdf, Size:1020Kb

Madness One Step Beyond... Mp3, Flac, Wma Madness One Step Beyond... mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Reggae Album: One Step Beyond... Country: UK Released: 1979 Style: Ska MP3 version RAR size: 1723 mb FLAC version RAR size: 1233 mb WMA version RAR size: 1297 mb Rating: 4.7 Votes: 201 Other Formats: DTS VOX MIDI APE AIFF ADX MMF Tracklist Hide Credits One Step Beyond... A1 Written-By – C. Campbell* My Girl A2 Written-By – M. Barson* Night Boat To Cairo A3 Written-By – G. McPherson*, M. Barson* Believe Me A4 Written-By – J. Hasler*, M. Barson* Land Of Hope & Glory A5 Written-By – L. Thompson* The Prince A6 Written-By – L. Thompson* Tarzan's Nuts A7 Written-By – C. Smash*, M. Barson* In The Middle Of The Night B1 Written-By – C. Foreman*, G. McPherson* Bed & Breakfast B2 Written-By – M. Barson* Razor Blade Alley B3 Written-By – L. Thompson* Swan Lake B4 Arranged By – M. Barson*Written-By – Trad.* Rockin' In Ab B5 Written-By – W. Wurlitzer* Mummy's Boy B6 Written-By – M. Bedford* Chipmunks Are Go! B7 Written-By – B. Smyth*, C. Smash* Companies, etc. Phonographic Copyright (p) – Stiff Records Copyright (c) – Stiff Records Recorded At – Eden Studios Recorded At – T.W. Studios Mixed At – Rushent's Mansion Published By – Copyright Control Published By – Melodisc Records Ltd. Published By – Warner Bros. Music Ltd. Printed By – GIP "Beograd" Credits Artwork By [Cover Art] – Eddie And Jules + Stiff Backing Vocals, Vocals [Various Shouts], Other [Fancy Footwork] – Chas Smash Baritone Saxophone, Tenor Saxophone – Lee "Kix" Thompson Bass – Mark Bedford (Bedders)* Drums, Percussion – Woody Woods Woodgate (Don Woodgate)* Guitar – Chris Foreman (Chrissy Boy)* Keyboards – Mike Barson (Monsieur Barso)* Other [Minder] – John Hassler Photography By [Back Cover] – C. Gabrin* Photography By [Front Cover And Mugshots] – Cameron McVey Photography By [Inside Back] – Nutty Punters Producer – A Clanger / Alan Winstanley Production* Vocals – Lee "Kix" Thompson, Suggs (Graham McPherson)* Notes The song "Madness" is not listed, but it IS printed as merged with "Chipmunks Are Go!" on track B7, just before it. Barcode and Other Identifiers Rights Society: SOKOJ Other versions Category Artist Title (Format) Label Category Country Year One Step Beyond... SEEZ 17 Madness Stiff Records SEEZ 17 UK 1979 (LP, Album, M/Print) One Step Beyond... MADCD1, 7243 Virgin, MADCD1, 7243 Madness (CD, Album, Enh, UK 2000 849263 2 8 Virgin 849263 2 8 RE, RM) Stiff 103-35500, One Step Beyond... 103-35500, Madness Records, Venezuela 1982 102-35500 (LP, Album) 102-35500 Stiff Records One Step Beyond... 2-6085 Madness Sire 2-6085 US Unknown (CD, Album, RE) One Step Beyond Size 12 Size1001 Madness Size1001 UK 2010 (2x10") Records Related Music albums to One Step Beyond... by Madness Madness - Divine Madness Madness - Embarrassment = Desconcierto Madness - Full House (The Very Best Of Madness) Madness - Embarrassment Madness - Al Completo Madness - Complete Madness Various - The Stiff Generation Madness - Cardiac Arrest Madness - My Girl Madness - 7.
Recommended publications
  • Layout 1 Copy
    STACK ROCK 2020 An illustrated guide to sea stack climbing in the UK & Ireland - Old Harry - - Old Man of Stoer - - Am Buachaille - - The Maiden - - The Old Man of Hoy - - over 200 more - Edition I - version 1 - 13th March 1994. Web Edition - version 1 - December 1996. Web Edition - version 2 - January 1998. Edition 2 - version 3 - January 2002. Edition 3 - version 1 - May 2019. Edition 4 - version 1 - January 2020. Compiler Chris Mellor, 4 Barnfield Avenue, Shirley, Croydon, Surrey, CR0 8SE. Tel: 0208 662 1176 – E-mail: [email protected]. Send in amendments, corrections and queries by e-mail. ISBN - 1-899098-05-4 Acknowledgements Denis Crampton for enduring several discussions in which the concept of this book was developed. Also Duncan Hornby for information on Dorset’s Old Harry stacks and Mick Fowler for much help with some of his southern and northern stack attacks. Mike Vetterlein contributed indirectly as have Rick Cummins of Rock Addiction, Rab Anderson and Bruce Kerr. Andy Long from Lerwick, Shetland. has contributed directly with a lot of the hard information about Shetland. Thanks are also due to Margaret of the Alpine Club library for assistance in looking up old journals. In late 1996 Ben Linton, Ed Lynch-Bell and Ian Brodrick undertook the mammoth scanning and OCR exercise needed to transfer the paper text back into computer form after the original electronic version was lost in a disk crash. This was done in order to create a world-wide web version of the guide. Mike Caine of the Manx Fell and Rock Club then helped with route information from his Manx climbing web site.
    [Show full text]
  • The Record Producer As Nexus: Creative Inspiration, Technology and the Recording Industry
    The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry A submission presented in partial fulfilment of the requirements of the University of Glamorgan/Prifysgol Morgannwg for the degree of Doctor of Philosophy by Michael John Gilmour Howlett April 2009 ii I certify that the work presented in this dissertation is my own, and has not been presented, or is currently submitted, in candidature for any degree at any other University: _____________________________________________________________ Michael Howlett iii The Record Producer as Nexus: Creative Inspiration, Technology and the Recording Industry Abstract What is a record producer? There is a degree of mystery and uncertainty about just what goes on behind the studio door. Some producers are seen as Svengali- like figures manipulating artists into mass consumer product. Producers are sometimes seen as mere technicians whose job is simply to set up a few microphones and press the record button. Close examination of the recording process will show how far this is from a complete picture. Artists are special—they come with an inspiration, and a talent, but also with a variety of complications, and in many ways a recording studio can seem the least likely place for creative expression and for an affective performance to happen. The task of the record producer is to engage with these artists and their songs and turn these potentials into form through the technology of the recording studio. The purpose of the exercise is to disseminate this fixed form to an imagined audience—generally in the hope that this audience will prove to be real.
    [Show full text]
  • Scanned Image
    NEW SINGLE FROM $ $ I Bubbling Index $ $ $ $ I A -Z guide to producers $ $ $ $ $ UnderSingles 101-150 and publishers 101A WAY YOU'LL NEVER BE LEISURE 17 YEARS OF HELL (EP) 089 PROCESS (EPIC EPC A(13)2475) 3X3 (EP) GENESIS (HIT & RUN) 60 102SOUL DEEP GARY U .S .BONDS (EMI A NIGHT TO REMEMBER LEON F SYLVERS III (CHAPPEW 8 AMERICA EA 140) A WAY YOU'LL NEVER BE 0 94 ABRACADABRA STEVE MILLER/GARY MALLABER (HEATH LEVY) 4 103RED SKIES F/XX (MCA FIXX(T) 3) ALWAYS ON MY MIND CHIPS MOMAN (SCREEN GEMS/EMI) 80 104 HOLD ME FLEETWOOD MAC (WARNER ANGEL 84 BLUE SETH JUSTMAN (RONDORI 83 BROS K17965) ARTHUR DALEY 'ES ALRIGHT 1181 105WHAM RAP! WHAM ( INNERV IS ION IVL AVALON RHETT DAVIES/ROXY MUSIC LEG RECORDS) 28 A(13)2442) BBC WORLD CUP GRANDSTAND ANDREW LLOYD WEBBER EYE OF THE TIGER (THEME FROM ROCKY (REALLY USEFUL/FABER178 106 BEATLES MOVIE MEDLEY GEORGE MARTIN/PHIL SPECTOR III) SURVIVOR (SCOTTI BROS SCT (NORTHERN) 12 A2411) BRAVE NEW WORLD STEVE ULLYWHITE (SWEET & SOUR)51 107 IF YOU KNEW SOUZA (PART 1) R .P .0 . CAN'T TAKE MY EYES OFF YOU 1193 (RCA RCA(T) 256) CHALK DUST (THE UMPIRE STRIKES BACK) KAYE/WILDER I t (NORTHPOND/CONSORTWAY/ROCKET) 66 ASYLUMS 108 LOVE'S BEEN A LITTLE BIT HARD ON ME CLUB COUNTRY ASSOCIATES/HEDGES (APB) 85 JUICE NEWTON (CAPITOL CL 248) COME ON EILEEN CUVE LANGEfi/ALAN WINSTANLEY (EM)) 49 109 NIGHT AND DAY EVERYTHING BUT THE CRIMSON AND CLOVER RITCHIE CORDELL/KENNY LAGUNA GIRL (CHERRY RED CHERRY 37) (PLANETARY NOM) 77 INJERUSALEM 110 LOVE ON A SUMMER NIGHT MCCRARYS DA DA DA KLAUS VOORMAN (FRANCIS DAY & HUNTER /JUMP) 26 (CAPITOL
    [Show full text]
  • Lesson 7 Slides
    IVP CLASSICS Escape from Reason Frances A. Schaeffer Clabon Bogan Jr 609.230.5809 [email protected] IVP CLASSICS Escape from Reason Frances A. Schaeffer Clabon Bogan Jr 609.230.5809 [email protected] ESCAPE FROM REASON Escape from Reason was first published in 1968, and thus in that setting we are able to understand the nature of Schaeffer’s writings. The foundational premise which motivated him was his sense that truth, which was once based on reason, had morphed into a truth which was based on feelings. • He felt that feelings had become the truest source of reality He felt that there was an obsession with the emotive and the experiential, without a relief from societies still facing anxiety, despair, and purposelessness. Escape from Reason was written to discover how we got to this place and what is the remedy for this mindset shift. In the book, Francis A. Schaeffer traces trends in key thinking from the “Age of Reason” to the 20th century have shaped our society. ESCAPE FROM REASON So far in our review of the book, we have seen that he was wide-ranging in his analysis, examining philosophy, science, art and popular culture to identify dualism, fragmentation and the decline of reason. • He anticipated a rekindling of Christianity's promise of a scriptural purpose and hope “We still have not exhausted this subject of the leap. There are other areas where it shows itself. A recent book by Michel Foucault called Madness and Civilization1 is important here. In a review of the book in The New York Review of Books (November 3, 1966), entitled “In Praise of Folly,” the reviewer Stephen Marcus of Columbia University comments, “What Foucault is finally against, however, is the authority of reason.
    [Show full text]
  • The Interplay of Madness and Narrative in Don Quijote
    Wesleyan University The Honors College Suddenly, Opportunity for Adventure: The Interplay of Madness and Narrative in Don Quijote by Jacqueline Mica Stavis Class of 2009 An essay submitted to the faculty of Wesleyan University in partial fulfillment of the requirements for the Degree of Bachelor of Arts with Departmental Honors from the College of Letters Middletown, Connecticut April, 2009 1 In his Lectures on Don Quixote, Vladimir Nabokov characterizes Cervantes’ writing as “alternate phases of lucidity and vagueness, deliberately planning and sloppy vagueness, much as his hero was mad in patches.” 1 Both the thematic and formal aspects of the novel vacillate between the clarity and ambiguity referenced by Nabokov, who with this one phrase encapsulates two themes that inundate Volume One of Don Quijote: madness and narrative. Madness in Don Quijote manifests in various forms, the most notable of which appear in the characters of Cardenio, Sancho Panza, and of course, Don Quixote.2 The madness of Don Quixote drives the narration of the novel forward not by itself, but through its interactions with the other instances of madness in the novel. It is these three forms of madness—Cardenio’s, Sancho’s, and Quixote’s—that produce narrative. The madnesses of the aforementioned characters share a common denominator: each stems from the character’s desire to change his social situation. Society, in this case, refers to the community of the villages they each initially inhabit. These yearnings range from wanting complete removal from society, to aspirations of an improved social status, and finally to the wish to inhabit an alternate society—one that no longer exists.
    [Show full text]
  • 8224;箩ƒ 臻2 #339;
    ROLLING CODE KEYLESS ENTRY SYSTEM ᗂ Up to 16 keyfob transmitters ᗂ Two door-strike outputs ᗂ High security ᗂ Alarm system RECYCLE IT A low-cost large-display anemometer from recycled parts FAST CHARGER FOR NiMH BATTERIES A versatile, safe charger to suit any size cells PLUS $8.75 US $10.25 CAN BREADBOARDING PROJECTS AUGUST 2009 PRINTED IN THE UK Festive Lights Copyright Ó 2008, Wimborne Publishing Ltd (Sequoia House, 398a Ringwood Road, Ferndown, Dorset BH22 9AU, UK) and TechBites Interactive Inc., (PO Box 857, Madison, Alabama 35758, USA) All rights reserved. WARNING! The materials and works contained within EPE Online — which are made available by Wimborne Publishing Ltd and TechBites Interactive Inc — are copyrighted. You are permitted to make a backup copy of the downloaded file and one (1) hard copy of such materials and works for your personal use. International copyright laws, however, prohibit any further copying or reproduction of such materials and works, or any republication of any kind. TechBites Interactive Inc and Wimborne Publishing Ltd have used their best efforts in preparing these materials and works. However, TechBites Interactive Inc and Wimborne Publishing Ltd make no warranties of any kind, expressed or implied, with regard to the documentation or data contained herein, and specifically disclaim, without limitation, any implied warranties of merchantability and fitness for a particular purpose. Because of possible variances in the quality and condition of materials and workmanship used by readers, EPE Online, its publishers and agents disclaim any responsibility for the safe and proper functioning of reader-constructed projects based on or from information published in these materials and works.
    [Show full text]
  • Jacques Derrida, of Hospitality
    Cultural Memory In the Present Mieke Bat and Rent de Vries, Editors OF HOSPITALITY Anne Dufourmantelle invites Jacques Derrida to respond Translated by Rachel Bowlby STANFORD UNIVERSITY PRESS STANFORD, CALIFORNIA 2000 I rvI ~ Contents Stanford University Press Stanford, California © 2000 by the Board of Trustees of the Leland Stanford Junior University Printed in the United States of America on acid-free, archival­ quality paper. Translator's Note lX Originally published in French in 1997 under the title De l'hospitalite: Anne Dufourmantelle invite Jacques Derrida Ii by Calmann-Levy repondre INVITATION 2 © 1997 by Calmann-Levy for the French edition Anne Dufourmantelle Assistance for the translation was provided by the French Ministry of Culture. FOREIGNER QUESTION 3 Jacques Derrida Library of Congress Cataloging-in-Publication Data STEP OF HOSPITALITY / NO HOSPITALITY 75 Derrida, Jacques Jacques Derrida [De l'hospitalite. English) Of hospitality I Anne Dufourmantelle invites Jacques Derrida to respond; translated by Rachel Bowlby. Notes 157 p. cm. -(Cultural memory in the present) Includes bibliographical references and index. ISBN 0-8047-3405-4 (alk. paper)- ISBN 0-8047-3406-2 (paper: alk. paper) I. Hospitality. 2. Strangers. I. Dufourmantelle, Anne. II. Title. III. Series. B2430.D483 D64I3 2000 177'.1 -dC2I ." J Translator's Note A pivotal word in these seminars is etranger. Like the Greek xenos, which figures here as well, the term covers both "stranger" and "foreigner" in English. Because it was more appropriate in most of the con­ texts, I have used "foreigner" where possible, occa­ sionally substituting "stranger" where necessary or conventional. It seemed necessary when the adjec­ tive etrange ("strange") was close by, to mark the parallel; and it seemed best to follow convention in mostly translating xenos in Greek tragedy as "stranger.
    [Show full text]
  • Columbia Chronicle College Publications
    Columbia College Chicago Digital Commons @ Columbia College Chicago Columbia Chronicle College Publications 5-23-1983 Columbia Chronicle (05/23/1983) Columbia College Chicago Follow this and additional works at: http://digitalcommons.colum.edu/cadc_chronicle Part of the Journalism Studies Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Columbia College Chicago, "Columbia Chronicle (05/23/1983)" (May 23, 1983). Columbia Chronicle, College Publications, College Archives & Special Collections, Columbia College Chicago. http://digitalcommons.colum.edu/cadc_chronicle/51 This Book is brought to you for free and open access by the College Publications at Digital Commons @ Columbia College Chicago. It has been accepted for inclusion in Columbia Chronicle by an authorized administrator of Digital Commons @ Columbia College Chicago. What qualities do students. New Wave Hair Todd Rundgren look for in a potential date design Review OPINION POLL PAGE4 PAGE 11 PAGEB colombie~ chronicle Vol. 13 No.5 Columbia College, Chicago May 23,1983 Sex, love, marriage What do men value? PartTwo ' By laura Alonso and Maryanne Giustino A relatlousblp iD wbl.ch the man and woman make equal - contributions-aemally, emotlol)aJJy, and financially- soon the rule ralber lbaD tbe exception. It used to be tbat wben a wife worked out of economic necessity, berbulband took bel' employment a.sa slpofbis failure as a man. MaD's values are changing. A reeeDt artide iD Psychology Today sites a study ( t:y sociologist a-Id Kelllller and James McRae Jr.) that rel(ealed 20 to 30 year 1 old 111e11 have grown up with new expectations about work and family.
    [Show full text]
  • Practice It's Just a Rumour That Was Spread Around
    The Clang Group – Practice It’s just a rumour that was spread around town. It said there was a star that few had ever heard of. But that few included David Bowie, Morrissey and Elvis Costello and he’d produced them all. Also, this man had a band called Deaf School and they’d inspired many other bands from Dexys Midnight Runners to Frankie Goes To Hollywood. It’s time Clive “Clanger” Langer was known by more than a few. He is a quietly- spoken, bespectacled pop wizard from North London who (with his studio partner Alan Winstanley) made Come On Eileen and what seems like a hundred hits for Madness. He’s a songwriter, too. When Robert Wyatt broke our collective hearts with that great immortal sigh of a song called Shipbuilding, it was Langer’s music he was singing. A little while ago our secret star had a significant birthday. “At the age of 60,” he says, “I decided to start another band. I got The Clang Group together and I achieved what I wanted. Which was to play on my 60th birthday.” Forty years on from their inception at Liverpool art college, Langer’s first band Deaf School still record and tour, but not often enough for his taste. Nor for their keyboardist John Wood and drummer Gregg Braden: “Deaf School is like getting the circus out. And we wanted a band that could just go and play.” So this core trio did get out and play, with guest appearances by friends such as Andy Mackay of Roxy Music, whose sax you can hear on this record.
    [Show full text]
  • EPE Online — Which Are Made Available by Wimborne Publishing Ltd and Techbites Interactive Inc — Are Copyrighted
    Copyright Ó 2004, Wimborne Publishing Ltd (408 Wimborne Road East, Ferndown, Dorset, BH22 9ND, UK) and TechBites Interactive Inc., (PO Box 857, Madison, Alabama 35758, USA) All rights reserved. WARNING! The materials and works contained within EPE Online — which are made available by Wimborne Publishing Ltd and TechBites Interactive Inc — are copyrighted. You are permitted to make a backup copy of the downloaded file and one (1) hard copy of such materials and works for your personal use. International copyright laws, however, prohibit any further copying or reproduction of such materials and works, or any republication of any kind. TechBites Interactive Inc and Wimborne Publishing Ltd have used their best efforts in preparing these materials and works. However, TechBites Interactive Inc and Wimborne Publishing Ltd make no warranties of any kind, expressed or implied, with regard to the documentation or data contained herein, and specifically disclaim, without limitation, any implied warranties of merchantability and fitness for a particular purpose. Because of possible variances in the quality and condition of materials and workmanship used by readers, EPE Online, its publishers and agents disclaim any responsibility for the safe and proper functioning of reader-constructed projects based on or from information published in these materials and works. In no event shall TechBites Interactive Inc or Wimborne Publishing Ltd be responsible or liable for any loss of profit or any other commercial damages, including but not limited to special, incidental, consequential, or any other damages in connection with or arising out of furnishing, performance, or use of these materials and works. ISSN 0262 3617 PROJECTS .
    [Show full text]
  • Christmas Booklet-2020.Indd
    THE EARL CHRISTMAS & NEW YEAR CHRISTMAS EVENT DATE OVERVIEW Looking for a Christmas Event that fits in with your busy festive schedule? We have made Christmas easier with our date overview to make sure the festivities don’t stop. CHRISTMAS DINING PARTY NIGHTS TRIBUTE NIGHTS 1st - 24th December (Monday - Sunday) Friday 4th, Saturday 5th, Friday 11th, Friday 4th December Christmas Afternoon Tea Saturday 12th December Freddie Mercury Tribute Concorde Party Nights 1st - 23rd December (Monday - Saturday) Saturday 5th & 12th December Christmas Fayre Lunch & Fayre Dinner Sunday 29th November, Thursday Princes of Motown 3rd, Sunday 6th, Wednesday 9th, 6th, 13th, 20th December Thursday10th, Sunday13th, Thursday17th Friday11th December Festive Sunday Lunch December ABBA Fever Friday 25th December Ballroom Party Nights Friday 18th December Christmas Day Luncheon & Carvery NEW YEAR Complete Madness Saturday 19th December Thursday 31st December Elvis Presley Tribute New Year’s Eve Gatsby Ball 01 02 CHRISTMAS AFTERNOON TEA 2020 CAFÉ BAR CONCERTO CHRISTMAS & NEW YEAR Looking for somewhere to take a break from Christmas shopping? Christmas Afternoon Tea 04 Treat yourself or a friend to a luxurious and truly traditional experience Christmas Fayre Lunch & Dinner 05 - 06 and sample the delights of our Christmas Afternoon Tea. Christmas Tribute Party Nights 07 £19.95 per person | £10.95 per child 3 –10 years Christmas Tribute Events 08 - 09 A selection of sandwiches including: Christmas Private Parties 10 Turkey, Stuffing & Cranberry Christmas Party Nights 11 - 12 Salmon & Cream Cheese Blini Festive Sunday Lunch 13 Brie & Cranberry Quiche Christmas Day Luncheon & Carvery 15 - 16 Selection of Festive Cakes Boxing Day Luncheon 17 Orange & Cinnamon Dusted Scones New Year’s Eve Gatsby Ball 18 Mince Pies Gift Voucher 19 Freshly brewed pot of tea or filter coffee Drinks Packages 20 Accommodation 21 Monday – Sunday | 12 midday – 5pm Terms & Conditions 24 Available from Tuesday1st December – Thursday 24th December Please make us aware of dietary requirements upon booking.
    [Show full text]
  • Central Florida Future, Vol. 23 No. 55, April 11, 1991
    University of Central Florida STARS Central Florida Future University Archives 4-11-1991 Central Florida Future, Vol. 23 No. 55, April 11, 1991 Part of the Mass Communication Commons, Organizational Communication Commons, Publishing Commons, and the Social Influence and oliticalP Communication Commons Find similar works at: https://stars.library.ucf.edu/centralfloridafuture University of Central Florida Libraries http://library.ucf.edu This Newsletter is brought to you for free and open access by the University Archives at STARS. It has been accepted for inclusion in Central Florida Future by an authorized administrator of STARS. For more information, please contact [email protected]. Recommended Citation "Central Florida Future, Vol. 23 No. 55, April 11, 1991" (1991). Central Florida Future. 1060. https://stars.library.ucf.edu/centralfloridafuture/1060 Thentral Flori Volume 23, Number 55 Serv.ing The University of Central Ftorida Since 1968 Thursday April 11, 1991 Senate debates' fund~ng Greek system b Sandra ~icini . · say,:~se~~-tu~es .~o not all.ow ·.·· :-- so\ll!~d ~e had ~a~e. a_ presentatio~.... 1-\i~lli, who co~tac~~ SG to I~t them lj c~NTRAL FLQ;lpA FUTURE w fun~g to ·~ifan.izations that d1scrtW"F ~ t,he ,~tte·e expl3;1Ilmg that the Gr.e~k ~ow-that funding ofJ!ie Greei system nate ·On the ~as1s of race, sex or rell- system 1s not considered an organ1za- is allowed by state statutes. The Student Government Activities gion, committee Ohair Cash IBmer said. tion that discriminates on the basis of SG is one of three major sources of .
    [Show full text]