Other Publications: Goldstar Rocks the Magazine (Aug)

LETTER FROM THE EDITOR Jordonna Lobese

The most interesting things in life are the things people do behind closed doors when no one else is watching. For artists, what they do in private, eventually comes to the forefront to be seen and heard by both large and small audiences. For the artists featured in this month’s Goldstar Rocks, The Magazine -- Stonebreed, Black Valentine, The Slit, The Who Generation, and Christopher Shayne, they have worked on their craft in front of audiences over the years as well as behind the scenes, and some have gone through lineup changes and adjust- ments. they are still trudging along making better and better music. These artists are progressing while shaping and molding our musical climate and becoming part of our culture. The time they put in to hone their craft is commendable, while others give up and fall by the wayside. Stonebreed, our cover story, is dropping their much anticipated cd in september. THese “hard rockers with a Southern metal edge” worked with “the legendary producer” Bill Metoyer who has worked with Slayer and Armored Saint amongst other great artists. Black Val- entine is working on their music tediously while playing live shows all over, The Slit is making headway through their music combined with social messages, and Christopher Shayne is commanding attention with their newest album “Turning Stones.” The Who Generation has seemed to capture the magic formula and make it their own after years of working in other The Who tributes. They have managed to build a successful career and are known as the “The next best thing to seeing The Who.” Rolly DeVore of The Who Generation says it best when he says, “If you’re gonna do something, then really DO IT.”

Goldstar Rocks, The Magazine was created, essentially, out of the love for music and for the admiration of our beloved artists. We have really noticed over the, almost, 2 years with Goldstar and Goldstar Rocks just how important these publications have become in giving the artist/s a forum to show their works and for “exposure.” With the lack of publishing houses, record labels, and financing, these artists are having to seek out alternative means of exposure in a quest to show the work that is done “behind the scenes” and in private. Frank Yanno of Black Valentine makes a great point when he says , “First of all, this is not a good time to be a Musician. At this point in our Society people would rather spend $5 on a Coffee that’s gone in 10 minutes (but cost pennies and took all of 3 minutes to make) than 99 cents on a Song that they can keep forever (that cost Thousands of Dollars and hundreds of Hours to Write, Record, Manufacture, and Release).”

Jim Madonna, host of The Power Rock podcast and radio personality, has carved out his niche and found his placement in the industry by providing these artists another means of exposure as well. This has proved a successful career move for him after, due to illness, he could no longer work his conventional job. Jim is also featured in this month’s issue. Goldstar Rocks, The Magazine is always seeking out new writers that would like to donate their time in hopes of finding their placement in today’s changing industry. We are open to suggestions and comments. You can email [email protected] with your suggestions and comments.

Thank you for supporting Goldstar and Goldstar Rocks, The Magazine!

2 3 4 produce a bit of an art form or a show that is a The Slit definite “must see.” From the use of the LED lights to the on-stage antics, they don’t disap- “Taking the Road point. When asked where their energy comes from, they say that it is out of frustration for our Less Traveled” society that is putting energy into the wrong places by spending on things they don’t need. They By Jordonna Lobese don’t want society to live on “crutches” and be dependent on the corporations. They want to see people make wiser and better thought out choic- es. A nonconforming society is a free society or Genre: “”Guitar/heavy grinding rock with psyche- an original society. The Slit doesn’t play by the delic metal tinged with punk tendencies” “hard- rules. Although their music is unique with songs core grunge riffs” such as Beg, Elephant, and Powder, that leave Record Label: Come On Death the audience wanting more, their life philosophies Influences: Black Sabbath and Led Zeppelin are definitely demanding some attention or at least the yearning to look over in their direction. Band members: They are paving the way artistically through their Dustin Liggitt -- Vocals words, actions, lyrics, and presentations. With a Thad Coleman -- Bass strong Washington grunge influence, their songs Bizzaro -- Drums are angst-filled and draw from classic rock, metal, Rob Ogles-- Guitar as punk genres. Other influences are Black Sab- bath and Zeppelin. They have a loyal fan base Website: www.comeondeath.com and are playing to sold out houses. Their upcom- Press: [email protected] ing shows, music, videos, and contact information Current Location: Los Angeles, CA can be found on their webpage at http://www. ComeOnDeath.com. Forget everything you’ve learned. Throw it out the window, and listen up! Live in the moment, but think beyond it and much deeper, if you can. Q. How was The Slit formed or creat- These are some of the concepts “The Slit,” mu- ed? sical artists from Los Angeles, California, would have you thinking about. The French philosopher A.I created it as an outlet for creative ideas in and moralist, Jean de la Bruyere, once said, audio form but has evolved into a sort of protest “There are certain things in which mediocrity is against the lame ass bands that are doing cov- not to be endured, such as poetry, music, paint- ers or originals that sound like everything else ing, public speaking.” The Slit runs with this idea so they might as well be covers and do it with by doing, “what is not easy” and by making truly little effort into their stage show. These people original music and presenting it as such. They are fans of music and should just stay as fans. don’t want to conform or bend to society and live Enough with the cosplay!! ‘regular’ lives; they want to be known for their originality and for leading the pack. They are Q. I’ve watched your performances and artists and want to be respected as such. They want to know where your energy comes are not followers. Or as Edgar Allan Poe once from? With Dustin doing somersaults suggested in his famous poem “The Road Not repetitiously on the floor in a pair of Taken,” it takes courage to take the road less tights or running all over the stage in followed; and The Slit are taking that road. a pair of shorts to the guitarist putting out some heavy riffs to the drummer in If you have ever seen one of their live perfor- that mask banging on the percussions. mances, they are definitely unusual, and they Is that mask comfortable to wear while 5 headbanging?

A.The energy comes with the angry and frustration that I deal with living in a dumbed down society that will complain about the price of bananas being 79¢/lbs instead of 59¢/lbs but then will go out and spend $4 on a trendy coffee drink or $5 on a glass of draft beer. Too many people are caught up in this false state of reality that they will spend money on cable television that is at least 25% of adver- tisements convincing them to spend money on things they don’t need while making them feel help- less and poor because when people feel independent they can do things for themselves and don’t buy the garage they are selling.

Q. The Slit has quite a following, and the audiences appear to get involved at your shows. How have you managed to gain and keep your followers? What makes them so loyal (aside from the great music and show presence)?

A.I get them involved by not playing by the rules of the safety of the stage. Real art happens in the chaos of the unknown. Whenever you put yourself in a situation where things could go wrong you force yourself to create what the slaves to the society thought impossible. The fear is what keeps people on the stage and keeps people in line. The fear is what keeps people in line and restricted to their meaningless lives. Whether it’s the fear of religion or money. Some people spend their whole meaningless lives saving their money for an uneventful death. So maybe they are loyal because they are celoso they can’t get beyond the false boundaries they have created based on what they were taught.

Q. Dustin, you are doing both vocals as well as bass. Do you find it harder to take on both roles in the band? Or do you wish you had a fourth member to play that role?

A.It wasn’t harder, I only did it out of necessity because I didn’t have a competent bass player at the time. Now I have Thad to handle the bass, and now I am more free to achieve more in the show then I could when I had the responsibility of 50% of the music to play.

Q. The Slit puts on some insane shows both visually and auditory. You utilize LED drums, masks, as well as play these sort of characters while on stage. Are these characters part of who each of you are off stage or is it for show presence or just as an “alter ego”?

A.It’s not about characters or alter egos, it’s about putting more work into something we care about than most people have the energy to do. It’s easy to make dumb songs and play them in your favorite band t-shirt. Again, fans need to recognize they are fans. Imagine if the NFL let a few fans take a hand-off in a real game.

Q. You have played all over the place from The Rainbow to The Hub Bar and Lounge. What is your favorite place to play? Any plans on traveling outside of CA to tour?

A.I don’t have a favorite place. I pretty much just do whatever I feel wherever I am, ignoring the sur- roundings.

Q.You have described your music as having elements of “classic rock, punk, psy-

6 chedelia, grunge, and met- and soundcloud.com/TheSlit al.” What or who has influ- are two places to hear and see enced your style of music everything. that you have categorized as “unique”? Q. Your songs are pow- erful and leave the au- A.I learn everything about the dience wanting to hear music from Elliott Smith and Trent more. How do you come Reznor. up with your hooks, and what is the process of Q. “Come on Death” ap- your songwriting? Do pears to be a common each of you contribute or theme throughout your one does most and the page from your label to others contribute? your website. How did you pick up on that theme? A.The process is rather simple, just start with the most abstract A.Nirvana - come on death wild animal you can let out of the cage and then try to wrestle Q. Any plans on some new it into something that you can let music or singles coming loose in a live setting. out soon or any big events coming up? PHOTO CREDITS: Sara Beller

A. There is several songs ready and plenty in the works. We will put the time and money into recording it when the time seems right.

Q. You sell merchandise and your CD’s on your website. Anywhere else someone can go to listen to your music and see where you are playing next?

A.facebook.com/ComeOnDeath

7 The Who Generation By Jordonna Lobese

Members: Larry Hampton (Pete Townshend) Guitarist Rolly DeVore (Keith Moon) Drums Stephen Shareaux (Roger Daltrey) Vocals Brian Paulson (John Entwistle) Bass

From: Orange

“If you’re gonna do something, then really DO IT.” -- Rolly DeVore

Not just a tribute band, but an “amazing” tribute band paying homage to The Who, The Who Gener- ation has been fortunate to have two members play with Roger Daltrey, who has also praised them -- “Great drums! Really, really tight.” And Michael Vail Blum, Producer/Engineer for Roger Daltrey has said, “Love this band! Their playing is just like the real thing.” The Who Generation is also recording a “Who Tribute” album with Roger Daltrey’s engineer/producer Michael Blum. Rolly not only admits that success consists of hard work, but luck as well. It also helps that each member had been part of various Who tribute bands somewhere along the line. They have been celebrated as “The next best 8 thing to seeing The Who,” and their live performances are visual and sonic masterpieces and works of art. Together, these four artists, Larry, Rolly, Stephen, and Brian have come together to form one of the best tributes of all time; and they have appeared on AXS-TV’s “World’s Greatest Tribute Bands” television show, which Rolly says, “was definitely a highlight.” The Who Generation are the originators of the “Rock Op- era,” such as Tommy and Quadrophenia, which were made into major motion pictures, notable award-winning plays, and many hit singles. When asked what the secret to their success is, Rolly answers, “We are fortunate to be riding the musical wave that THE WHO produced and celebrating the amazing music of this incredible band. We’re trying to give audiences a bit of the feeling of seeing the original band; and if we put a smile on a face, our mission has been accomplished. To have Roger Daltrey be grateful for what we do too, is simply wonderful.” Fans can view upcoming shows and listen to their music on the following websites: www.TheWhoGen.com and http://www.facebook.com/TheWhoGen.

Q. How was The Who Generation formed to create such a successful tribute band?

Rolly: We had all been a part of several different “Who tribute” bands in the past, and our singer Stephen Shareaux starred in a musical production of The Who’s “Quadrophenia” entitled QUAD. Our paths from our various “Who” projects from the past crossed; and ,fortunately, we found each other and are traveling the “Who” road together now.

Q. You have been touted as “The next best thing to seeing The Who.” Has there ever been a moment when you have ever felt that you have possibly improved upon The Who’s music (not that their music isn’t spectacular as it is)?

Rolly: Oh goodness no! Nobody did it like them. It’s incredibly challenging to try to recreate THE WHO’s music, and the physical energy alone that it takes can take a lot out of you. We all sleep well after a gig!

Q. Have you ever taken any of The Who’s music and rearranged/changed it to become your own?

Rolly: Not really, although when THE WHO performed some of their songs that had a bit of a “live jam” as part of the song, they never did it exactly the same way twice. These would include several songs that appeared on their “Live a Leeds” album. When performing these particular songs, we may take a few liberties during the “jam” sections, but always approach it with the riffs of Townshend, Entwistle, and Moon.

Q. How does it feel on stage when you become one of the greatest, most respected rock bands of all time? And how does that feeling compare to how you feel while playing as yourselves?

Rolly: That’s where living out the fantasy definitely comes into play. Seeing fellow “Who” fans singing along to the songs with all this feeling in their faces and big smiles is just the best! We play fairly often, so when we do have an occasional gig where we’re ourselves, it can feel odd to some of us lately. What do “we” wear exactly? Hmmmm...

Q. Roger Daltrey has been quoted as saying about the drum playing, “Great drums! Really, really tight.” And Michael Vail Blum, Producer/Engineer for Roger Daltrey has said, “Love this band! Their playing is just like the real thing.” Two members of The Who Generation have played with The Who’s Roger Daltrey. How do you take in the compliments from members of The Who and their producer? And how can you top yourselves after those types of compliments and actually playing with the band, The Who?

Rolly: Oh man. Those moments have been truly magical. Even as kids we never expected any of these things to happen, so I know we can die happy! It’s still surreal to think about.

9 Q. Your live performances have been praised as being “sonically and visually” superior to most performances. You just don’t get up on stage and sing and play instruments. You put on a full sensory production. How do you prepare yourselves before each show to give such great live performances?

Rolly: Fortunately, everyone in the band are all great friends, and we sort of feed off of each other’s energy and humor before a show. The music is so passionate and energetic that it definitely fuels us once we start playing. By the end of the show, usually everyone is on their feet, if they haven’t been on them already!

Q. Have there been moments that stand out when you know that you actually achieved success as a tribute band? What were some of those moments?

Rolly: Our appearance on AXS-TV’s “World’s Greatest Tribute Bands” television show was definitely a highlight. Also, we’re recording a “Who Tribute” album with Roger Daltrey’s engineer/producer Michael Blum. We’ve worked hard, but have been very lucky too.

Q, Any advice to entertainers/musicians that want to put together a successful tribute band? Any pitfalls to watch out for?

Rolly: If you’re gonna do something, then really DO IT. Invest your time in not only learning the music note for note, but invest in the visuals too. Dress like the band you’re portraying. If your hair doesn’t match the musician you’re portraying, don’t be afraid to put on a wig (and get a good one!). Buy the same guitars and drums they used. Anything less is falling short, and not completely bringing it.

Q. You have an upcoming show on September 2nd at APCAL in Madera, CA. Do you have a favorite place to play; and if so, where and why?

Rolly: Anywhere with fellow WHO fans and a good P.A. is awesome!

Q. Each of you have other projects you work on; such as, Larry Hampton is also in Elton. You, Rolly DeVore, is in Elton, Cheap Tricked, and KO-ED KISS. Stephen Shareaux has his solo record, “Golden,” coming out in November. And Brian Paulson is busy with the band at hand, The Who Generation. How do you each balance life with your work projects?

Rolly: It’s definitely a juggling act, because, we all have other work we do as well (mostly during the week). Our drummer Rolly DeVore is Larry David’s stand-in on the HBO television show “Curb Your Enthusiasm” and they just finished shooting another season. Fortunately, a lot of our shows are on the weekends, so it all works out somehow.

Q. Where can fans go to see what you’ve got coming up and listen to your music? What social media sites?

Rolly:

www.TheWhoGen.com

http://www.facebook.com/TheWhoGen

PHOTO CREDITS: Black and White photo by Steve Gaglio Photography Stage performance photo by Sal Gomez Photography AXS tv photo by Renee Silverman Photography 10 11 12 BEFORE THE AFTERSHOCK By Jordonna Lobese

Aftershock 2017’s preview lineup is here! It’s Sacramento’s most anticipated 2-day event for die-hard rockers, metal heads, and music enthusiasts of all ages. Once a year, fans from all over come together to participate in Monster Energy’s one-of-a-kind lineup of artists; such as, Nine Inch Nails, Ozzy Osbourne, Stone Sour, Highly Suspect, and Marilyn Manson. The event takes place on October 21st and 22nd at Sacramento’s Discovery Park. The lineup is the following:

Saturday, October 21

Nine Inch Nails, A Perfect Circle, Run The Jewels, Stone Sour, Mastodon, Highly Suspect, Gojira, Eagles of Death Metal, Tech N9ne, August Burns Red, Anti-Flag, Nothing More, Deap Vally, Frank Carter & The Rattlesnakes, Code Orange, Greta Van Fleet, While She Sleeps, Bleeker

Sunday, October 22

Ozzy Osbourne, Five Finger Death Punch, Marilyn Manson, Hailstorm, In This Moment, Hollywood Undead, Of Mice & Men, Suicidal Tendencies, Steel Panther, Beartooth, Starset, Fozzy, Power Trip, New Year’s Day, DED, Black Map, Them Elvis

Aftershock is put on by Danny Wimmer, an industry veteran and mastermind of festivals both large and small. Danny Wimmer Presents main commitments are: building strong community relationships, presenting unparalleled expe- riences, and making a significant economic impact. With its colossal lineup of some of the music industry’s most respected artists, Aftershock 2017 will be one of the most economically progressive events of 2017 for Sacramento. Hotels, restaurants, and other local businesses can only benefit from this prodigious event.

Goldstar Rocks, The Magazine covered Aftershock in its January 2016 issue and will be covering Aftershock 2017 in its November issue, which will be dedicated to Aftershock 2017. Discovery Park is Aftershock’s location, which is a 302 acre scenic park with picnic sites on the outskirts of downtown Sac. It’s big enough to house the estimated 50,000+ rockers, metal heads, and music enthusiasts who are gearing up for a weekend of exceptional and unparalleled head- liners, “top-notch” food options from local food trucks, caterers, and vendors, as well as spending of time with great friends. Monster Energy Aftershock 2017 is fast-approaching, and the countdown is on. Don’t miss out on attending this unprecedented musical weekend long extravaganza. Tickets are available online, and make sure to pick up No- vember 2017 Goldstar Rocks featuring Aftershock 2017.

13 cian friends, he started Power Rock Podcast in Host Jim Madonna 2015; and he says of having no prior radio background, “My background in radio is zero. I have “LEAVING BEHIND A no formal training. I am self-taught and always learning.” While listening to Jim conduct one of LEGACY” his podcasts, I couldn’t tell. He sounds relaxed, as if he’s a novice and been doing it for years. By Jordonna Lobese Another reason Jim decided to “fill” or devote his time to doing something he loves is because Power Rock Podcast © he believes, “People are looking for a change; http://powerrockpodcasts.com/ but on the same note, many people are afraid of change.” His generosity of time and dedication Facebook to his work aren’t going unnoticed. He has inter- https://www.facebook.com/HostAtPowerRock- viewed such artists as: Michael Sweet, front man Podcast/ for Stryper; Bill Leverty, guitarist of FireHouse; Rock Metal Network Canadian artist Ed Roman and Donnie Vie From Enuff Z’ Nuff; Brandon Lee Of TRIBULANCE, https://www.r-m-n.com/power-rock-podcast Jim Crean, Roy Cathey Of THE FIFTH, Giancar- lo Floridia Of Faithsedge; and Tim Gaines Of Twitter Stryper; https://twitter.com/JHost_PowerRock Zach Sheffield, vocalist/guitarist for Banana Blonde; Bret Elizabeth Kaiser, front man for From: Syracuse, New York Madam X; Erik Larsson, Swedish lead vocalist/ guitarist for Apocalypse Orchestra; and Canadian “Music is love, and music is what I choose to vocalist/guitarist, Sabrina Fallah and many oth- share,” Jim says. Jim Madonna is leaving be- ers. And although he has been diagnosed with hind his gift to the world while leaving a lasting an aggressive disease, he is optimistic about the positive impression on his ever growing fan base. future, or at least his time he has left when he Jim, through his radio show, provides an out- says, “I see Power Rock Podcast getting bigger let or a “vehicle” for indie to mainstream artists and better and louder and louder.” Jim, through to be able to expose their works and be heard his work, is building a legacy, and he can be while entertaining both their fans and Jim’s with found on Facebook, Twitter, and http://powerrock- his notorious sense of humor and his “not-go- podcasts.com/. ing-down-without-a-fight” attitude. In 2012 he was diagnosed with Brittle Diabetes Mellitus and Q. How long have you been doing your pod- Insulin Resistant along with Diabetic Nephropa- cast, and how did you get started? thy, which is a progressive form of nerve pain or disorder that can cause considerable burden on Jim: I started Power Rock Podcast in April 2015. hospital, social, and family resources due to mul- How I got started was, in 2012, I had become tiple hospital admissions. Most diabetic patients very sick. I was diagnosed with Brittle Diabetes experience swings in blood glucose levels, which and insulin resistant. This is common; but the are larger and less predictable than in non-dia- illness affects people differently along with a se- betics. When those swings become intolerable vere case of Diabetic Nephropathy to the point of and cause disruption to the person’s daily life almost losing my ability to walk. I have become and or prolonged hospitalization, that person has disabled, and my life will be shortened from this “labile” or “brittle” diabetes. Rather than, “feeling changing it forever. Feeling sorry for myself, I sorry for himself,” Jim said to himself, “What the needed to find something to fill up my time. A hell. I’m going for it.” few years later, knowing many artists in the music business, I reached out to them and said, “What After enlisting the help from some of his musi- the hell. I’m going for it.” 14 Q. What made you decide to give of your time in support of the music industry? And how are the artist/s responding? Jim: As I say in my biography: “Music is love and music is what I choose to share.”

Q. Is there a band out there that you haven’t interviewed as of yet that you would love to interview; and if so, who are they?

Jim: Yes. Lzzy Hale from Halestorm I feel is a totally amazing.

Q. Although I am sure you have enjoyed interviewing all the artists you have come in contact with, do you have a favorite; and if so who is that and why?

Jim: I have enjoyed all the artists that have been a guest on my show. It’s not easy for me to have a favorite. If I had to choose, I would say Michael Sweet of Stryper. Michael’s voice along with his amazing guitar playing has stood the test of time.

Q. I know your podcast honors indie artists as well as mainstream artists. Is there a particular reason why you have chosen to focus on indie artists?

Jim: Yes. There are so many amazing Indie artists across the world that, in my opinion, they also need to be heard.

Q. What is your background in radio, and do you still work in it? 15 Jim: My background in radio is zero. I have no formal training. I am self-taught and always learning.

Q. What is the benefit to the type of work that you do, and where do you see your podcast going?

Jim: I would have to say one of the benefits to doing interviews is I get the opportunity to speak with amazing artists and develop new friendships.

Q. Have you ever thought of doing live TV – maybe a show of some type?

Jim: Yes, I have. This September I will be interviewing Roxy Petrucci of Madam X and Vixen at the Turning Stone Casino.

Q. What type of research do you do to prepare for your podcasts?

Jim: The research I do is very simple if I’m not real familiar with the artist or band. I keep in my mind Google is your friend.

Q. Do you work alone, or do you have a staff or help? And how do you research or pick the artists that you are going to interview?

Jim: I work alone as I seek out artists. I’m blessed to have many come to me, and that is such an honor.

Q. I hear that you are quite the comedian. Any aspirations on becoming one?

Jim: I love to make people laugh. Laughter is medicine I feel we all need.

Q. Do you have any opinions on where you think the future of radio is going?

Jim: I feel that Radio “FM” is a joke. They are required to play what the labels or other affiliates tell them. I feel Internet Radio is the big bang.

Q. Where do you see your podcast ending up in the future?

Jim: I see Power Rock Podcast getting bigger and better and louder and louder.

Q. What motivates you or inspires you to keep giving of your time to the industry?

Jim: I feel it goes back to the Indie music that needs to be heard. I truly feel people are looking for a change; but on the same note, I feel many people are afraid of change.

Merchandise -- hats, t-Shirts, pens, coffee mugs, and so on are available by contacting Jim Madonna via a message on his Face

16 17 18 Christopher Shayne By Jordonna Lobese

Genre: Rock, Southern Rock, Blues, Country, and Desert Rock Christopher Shayne – Lead vocals/Guitar Dave Lansing – Vocals/Guitar Mark Blades – Vocals/Bass Guitar Trevor Hammer – Percussion Zachary Hughes – Organ/Guitar/Vocals From: Phoenix, AZ Press contact: Magician Media/[email protected] Website: Christophershaynemusic.com Style: “Country rock with a blast of southern desert heat.” Marilyn Monroe once said, “Everything happens for a reason. People change so that you can learn to let go. Things go wrong so you can appreciate them when they’re right. And sometimes things fall apart so better things can come together.” When asked how Christopher Shayne was formed, it is Dave Lansing, vocalist and guitarist, that answers, “CS started as Chris and myself picking ourselves up, dusting ourselves off, and getting back on our horses. We spent some time in reflection after our last project dissolved, and got to a point where we both said, Wait a minute. We’re too good at doing this together, and we are nowhere near done!!! We went back to what made us happy in the first place -- the songs and vibes we get down too and started writing what would be “Turning Stones….”’ It is their newest album Turning Stones that is turning heads and in a positive way. Chris admits that Turning Stones is “very personal and autobiographical.” He says the album came about like they were turning stones looking for what they wanted it to be. Chris adds, “The album lyrically explores things I’ve missed out on in my life, things I’ve experienced, and things I’ve dreamed of experiencing.” Christopher Shayne’s determination is what led them to success with Turning Stones. These are some of the reviews: “Debut album by American guitarist and Southern blues-rock singer Christopher Shayne sounds like Chris Cornell of Soundgarden gave birth to a love child of Lynyrd Skynyrd. Firmly pounding blues rock with strong vocals and guitar riffs that crawl towards the corner hard rock. Listen Opinion: Hard turning while driving 70 miles per hour on the highway in your Oldsmobile.” -- Blues Magazine

“12 tracks of countryfied southern desert rock which interweaves rebellious ynyrdL Skynyrd spirit with a vocal growl reminiscent of Chris Cornell and The Black Crowes swagger.” -- Maximum Volume Magazine With an insane voice, Chris’s vocals have been compared to Chris Cornell with a grunge-like quality, but his movements or “swagger” is reminiscent of The Black Crowes. It is his organic voice the spews clarity and forcefulness that instantaneously catches one’s attention. His raw, commanding sound can be heard on Turning Stones’ Give A Damn. Take Your Time and When I Come Down are both smooth and easy tunes. Turning Stones and Rolling Bones are bluesy, foot-stomping great country rock songs -- “Went to speak my mind, but they bought and sold the rights.” Find Our Way has a Bret Michaels’ flair with deep dug lyrics. Heartache pulls the listener in within the first few notes. Black Mariah, with organs playing in the background, touches the soul as it sounds as if it could be playing in the backdrop to a movie scene as it tells a story. Each song on Turning Stones is special and unique as Christopher Shayne’s time has come to fruition. Their time is now. Everything has come together -- years of experience, tribulations; and each band member’s contribution is on target. Mark Blades, vocalist/bass guitar, and Trevor Hammer, percussion, have found their place together pro- fessionally as they have played together for over ten years in a few other bands, Lit Up and The Blue

19 And what was the process in making that album? What is the overall message of the album? Chris: This record was written from the rubble of various ideas we had. The title of the record “Turn- ing Stones” came from the idea that we were turning stones looking for what we wanted this to be, sound like, and who we were at the time. The album lyrically explores things I’ve missed out on in my life, things I’ve experienced, and things I’ve dreamed of experiencing. It’s a very personal record for me as it is very auto-biographical. Our fans are definitely resonating with what I set out to do, and it’s been amazing hearing their responses from the angst written songs to the ones that touch more emotional chords. Q. Do one of you write the foundation of the music and the rest add to it, or do you all contribute from the beginning? Chris: It really depends. The songwriting is split between Dave and I. We both write so fast that often times, the music, lyrics, or melody will be done and we just present to the other person to make the changes they see or to just add their flair to it. Dave loves to hit those riffs and musical hooks that really draw you in, and I stick with chords and simple melodies. It’s fun watching both styles collide, and I think we always Rose Band. Their relationship is “instinctual;” strike a good balance between the two perspectives, if and as Mark explains they, “forge an extremely doesn’t amount to a little hair pulling every now and tight rhythm section.” Dave Lansing has played then. in numerous other bands in many other states Q. You have described your music as “Country Rock and appears to have found his home too. Even with a blast of Southern desert heat.” What has playing though Dave has been positively influenced both and making music in Arizona contributed culturally to musically and personally by the musicians he has your music? You have traveled all over playing, what played with along the way, he says of Christopher is it about Arizona that keeps Christopher Shayne in Shayne, “I prefer the music scene where I am Arizona? now.” And, of course, CS would not be the same Chris: Arizona is an awesome melting pot (excuse the without Zach’s organ playing, which sets the tone pun) of a lot of different styles. We get the benefit of on Black Mariah and other songs; and Zach plays having all those country western motifs, while getting a third guitar further adding dimension to Chris- the drama from Hollywood. So we’ve translated that topher Shayne’s overall sound. Turning Stones into our music. We take all these great southern vibes was produced by producer/engineer Chuck Alkazian, blown to us from the East and grab the up’s and down’s whose experience and professionalism is said to bring from the west coast, to make something a little differ- out the best in his clients. Some of Chuck’s clients are ent! Arizona just seems like a great inbetween for all Melissa Etheridge, Bob Seger, Soundgarden, and many these places. Given the industry as it stands now, you others. Christopher Shayne’s music can be listened to don’t really need to be geologically close to conduct and merchandise can be purchased by visiting their business any more. Just need a pro-tools rig and an website at www.christophershaynemusic.com. And internet connection! their music can be downloaded on iTunes, Spotify, and Q. Your vocals sound extremely organic and non-rep- Amazon. licable, just like Johnny Cash’s voice and other well-re- Q. Your newest album, Turning Stones, has just been spected artists in the industry. How did you start released. How are your fans responding to the songs? musically, and where did you get that voice? 20 Chris: I originally cut my teeth in theater in High School. I never sang publicly before, and out of sheer boredom I decided to audition for Little Shop of Horrors and was shocked when I got the part of the villainous plant. My family, nor my friends, had any idea I had done this; so they were shocked when they first heard me sing. It was pretty funny watching my mom scramble to bring everyone to see me. I then carried on this hosting karaoke night after night, and inherited a myriad of bad habits.

“My vocal style came from basically me trying to find me. I’ve tried singing like other people, masking my voice behind this style and that, and no matter how hard I try… it is always me.” -- Christopher Shayne Q. One of my favorite songs on Turning Stones is The River Revival. What was your inspiration for that song? It has just the right blend of blues, country, and rock but the vocals sound a little “grungy” and “Skynyrd.” Chris: I love playing with religious themes and music. I really wanted to play with that classic, evangelical church style of music as it was something new that I’ve never tried before. I’m really happy how it turned out too as that was something of the scariest, “out of my element writing” I’ve tried to date. Q. What was it like working with producer/engineer Chuck Alkazian who also worked with Bruce Springsteen and Bob Seger? Chris: Chuck is a very, very close friend of mine, and he is always a blast to work with. Things can get a little heated and intense in the studio sometimes when ideas are placed on the chopping block; however, he always knows how to find the middle ground. It was amazing being in his studio, with his talent, surrounded by such musical history. Q. You have played NASCAR, Alice Cooper’s Solid Rock Foundation, and many other places and events. You played a show on July 15th at Cripple Creek Music Fest in Cripple Creek, Colorado. How do you prepare for your shows? And do you have a favorite place/venue to play at and why? Chris: Practice, practice, practice. I never stop learning new techniques to try on stage or new ideas to break up the songs for us. Pre show – I have my “pre show get hyped playlist” that I blast while I do my push ups and mini workout. Honestly, scenes change and venues are coming and going so quickly now; it’s hard to develop an attachment to any one place any more. With the way people approach live music now, I find it hard to find to get close to certain places as they may not be there much longer. Q. Maximum Volume Magazine has said of your voice and Turning Stones, “12 tracks of countryfied southern desert rock which interweaves rebellious Lynyrd Skynyrd spirit with vocal growl reminiscent of the late Chris Cornell and The Black Crowes swagger.” How do you feel about being compared to some of the greatest musical influences of all time? Chris: It really means a lot to hear these comments and these comparisons. It gets overwhelming sometimes, so I find myself trying to shut those out occasionally so I can stay focused on finding who/what I am in this great musical mosaic constantly being built. Q. What is next for Christopher Shayne? Are you recording any new music, and any plans on coming to Cali- fornia? Chris: We’re constantly recording and writing. There’s a very cool thing happening that I’m not allowed to dis- cuss right now, but you’ll see some new stuff from us very soon. If you’ve been to a show, you’ve probably heard what we’ve been working on! California is on the radar! I know I was talking with my booking agent about getting over there soon, so more details on that to follow! Q. Any advice you would give to up-and-coming artists on how to be successful in today’s musical climate? Any pitfalls to watch out for? Chris: Honestly…. The best advice is to fall in all the pitfalls you can. Embrace it and learn from it. It sucks, but the only way to learn is to plow right through it. The best advice, though, would be to just keep going! “Everyone is going to tell you “no,” and it’s your job to flip them the bird and move past them. So just keep going!” -- Christopher Shayne Q. Where do you draw inspiration/motivation from while writing, singing, and playing? Any influences? And how did they affect you musically? Chris: Inspiration comes from a lot of places. Lyrically, I love listening to rap and hip hop. The way certain artists like Run the Jewels form their rhymes and hit certain letters is absolutely an inspiration. Musically and 21 singing wise, I’ve always been inspired by the old blues of the 30’s and 40’s. That kind of toe-tapping, head scoop- ing resonance of just a man and his guitar fills me with such joy that I always seem to voice my music out of those roots. Q. Any huge shows coming up in August and September? And where can someone go to see your music and to see where you play next? Chris: August will look like a little bit of a lull for us. We have a lot of things planned that month and none of which I’m allowed to talk about. But if you watch our socials, I’m sure you’ll be seeing all those little behind the scenes teasers. Q. Zachary Hughes studied Audio Engineering at Cras-Conservatory of Recording Arts & Sciences. Has that come in handy when working in the studio recording your albums? Zachary: We are quite fortunate to have a very skilled group of engineers that we have worked with so far; and honestly, we haven’t had to do much except show up and do our thing. However, if there’s one thing that I do know from my time at CRAS, it’s to stay out of the way. Most engineers have a very particular way of doing many things; and if you’re jumping in there trying to help, it becomes easy to screw up the vibe or the mojo of a session and put someone or multiple people in a bad mood. So I guess, honestly, the best thing you can do is just to let the engineers do their work and be ready when it’s time to do your own. If you’re not in anyone’s way, everyone stays happy! Q. Dave Lansing is from Wisconsin. How has the move been musically to Arizona? Does he prefer the music scene in Wisconsin or Arizona and why? Dave: I have played in bands in WI, NC, CA, and now here in AZ with amazing musicians and friends at each juncture. I have learned a lot and been influenced by every single one of them personally and musically. That being said, I prefer the music scene where I am now! Keep the beer and whiskey on ice, folks. We’ll come see you soon as we can!! “My boots are firmly planted in the dusty desert landscape, my band has horsepower to spare, & I’m playing with my best friends.” -- Dave Lansing Q. Mark Blades also plays with Lit Up and The Blue Rose Band. How does he have the time to wear 3 different hats and do such a great job with all three projects? Mark: Trevor and I actually play together in both of those bands as well. We have played together for the past 10 years in numerous bands starting with the Blue Rose Band. The two of us are practically joined at the hip when it comes to our musical endeavors. As a result, we instinctively know where the other person is going when we play, and this forges an extremely tight rhythm section. And then there’s the “Hammer & Blades” moniker itself… it speaks volumes before we even play a single note. Q. Trevor Hammer is also working on other projects too – Lit Up and Lightning Fury. How does he balance that and still manage to be spot on for his performances with Christopher Shayne? Trevor: It does get busy at times, but at the end of the day, Christopher Shayne takes priority above all else. Play- ing in multiple bands, taking on an outside studio project or sitting in for a friend on a gig just helps to keep you learning, practiced and most importantly, out in the scene meeting new people. It’s fun to perform. So with that in my DNA, it’s hard to say no to anything that puts a smile on my face. PHOTO CREDITS: The full band pic with logo is Credited to Sic Pic Photography The 2 with logo in top right are credit to Melody Meyers Creative Band 2 photo credit is Daniel Miller

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24 25 26 27 in, not what you think people want to hear. And never pay money up front to anyone trying to sign Stonebreed you, manage you, promote you, or exploit you. “Coming To A City Near You Lol.” This is not bad advice coming from the Soon!” boy who use to sing in the backseat of his mom’s station wagon to all the a.m. gold songs as a By Jordonna Lobese kid, started buying 45s and listening to bands like KISS, Starz, The Sweet, and Angel. Carlos says, “But when I saw KISS on tv and went to Band Members: my first Aerosmith concert, that’s when I knew I CARLOS CRUZ-VOCALS wanted to be a rock n’ roll singer! I used to host, BRANDON PAUL-GUITARS direct, and produce a television show in Austin, JOHNNY ZELL-BASS Texas.” He also used to be a DJ at clubs; and, ORION RAINZ-DRUMS now. Carlos and his band, Stonebreed, are about to release their newest and long anticipated CD From: Los Angeles, CA. HEART OF STONE. Webpage: http://www.stonebreed.com Record Label: www.RockAveRecords.com This “hard rock with a southern metal edge” band New CD Release: September 2017 “HEART OF that, “likes to party and have fun on stage,” has STONE” accumulated quite a loyal following. They have Photo Credits: Eddy Schneider III (COVER fans from their inception that are still with them PHOTO) and bright colored group photos with today. When I asked Carlos how Stonebreed has Stonebreed on top. Email -- absoluteddy@ya- retained, maintained, and consistently garnished hoo.com; group photo is Cruella Photography. new and loyal fans, he answers, “That’s a great question. That, I honestly don’t know the answer “Coming to a city near you soon!” is Stonebreed’s too. I’d like to think it’s because they love our motto, and they will be out there promoting their music, like us as people, and enjoy being part of new CD hitting the market in September 2017! our team, so to speak. We have an amazing fan HEART OF STONE is their new CD, which was base and love our fans. We interact with all of recorded at Skull Seven Productions Studio in them and try our best to communicate and stay in Van Nuys, California with legendary producer Bill contact with each and every one of them.” This Metoyer. Bill is former Vice President of Metal hard working band with a hardcore work ethic Blade Records and has produced such great art- is out there putting forth the effort to make great ists like Slayer, Armored Saint, Wasp, and many music while pleasing the fans in a big way and others. Carlos Cruz, songwriter and vocalist having fun at the same time. Carlos adds, “I says, “We have been working on this album close personally just like to make sure I’m well-rested to a year now. It’s really just inspired by our real so that I can go out and give 110% performance. life, love, faith, relationships, being on the road, We just treat every show like it’s the biggest show partying, having fun -- LIFE, JUST LIFE.” When we have ever played in our life, no matter how big asked what HEART OF STONE’s overall theme the size of the venue or audience.” For as much is, Carlos says, “it’s just rock n’ roll music that as Stonebreed’s fans love them, Stonebreed needs to be heard.” Carlos, Brandon, Johnny, appreciates its fans too. Each week, one fan and Orion have been together for four years now is selected to carry on the honor of “Fan of the and appear to have found a formula for success, Week,” and the winner is chosen by the following and Carlos says of his band members, “we just criteria: Who goes to all of their shows, who buys click as a band, like a fine tuned, well oiled ma- merchandise, who runs one of their street team chine.” And he had this advice to new artists group pages, and who posts/likes/comments on about how to become successful in today’s music their social media pages, and who shares their industry environment, “Just stay true to your- stuff, etc. Not only is their Fan of the Week self, write and perform what you like and believe announced on their website, but new music and 28 upcoming shows can also be found at www.stonebreed.com -- and of course all social media: Face- book, Twitter, Instagram, Snapchat, YouTube, Reverbnation, sound cloud, Pandora, Pollstar, Bands in Town, long haired rock guys looking for groupies.com, etc. And they have an online EPK at www. stonebreedepk.com. Stonebreed has upcoming shows at the end of August in Arizona and in Sep- tember in Bakersfield, CA. Check out their website to see date/time specifics and be sure to support your local musicians and artists!

Q. How was Stonebreed formed, and how do you stay together while there are so many bands that don’t stay together for long or switch up their lineup often?

Carlos: Well, we also have had a few lineup changes over the years; so when replacing members for whatever reason, I was looking for guys with the same work ethic that could go the distance.

Q. You have been quoted as saying that Stonebreed’s interests are: “playing live, writing, recording, and meeting cool people!” Who does the writing in Stonebreed? Is it a collaborative effort, or does one of you do the majority and then bring it to the studio where each of you contribute?

Carlos: Most of the time our guitarist Brandon will write a riff, and I will start writing a melody and lyrics. The rest of the band joins it on their parts and, boom, we got a song :)

Q. You started out playing some cover tunes. How did you evolve into a self-sustaining, booked solid, producing your own albums, consistent and well-respected band? And what is the secret to your success?

Carlos: As an artist, you grow. When first starting out, it’s easy to play stuff that you’re familiar with like covers to gel with your bandmates. As you grow and progress, you start to develop your own style in writing original music.

Q. Do each of you work on other projects on the side? And do each of you work “regular” jobs as well?

Carlos: Johnny and ORION both have side cover bands. As far as jobs, I own a small compa- ny in LA, and Brandon teaches guitar lessons. ORION has a online sales business, and John- ny is a full-time working musician who plays in several various bands like Rock, Jazz, Blues, Christian, funk, etc.

Q. Stonebreed has played all over from Southern California, Central California, to Arizona. What is your favorite place to play and why?

Carlos: We love playing every show, every stage, every city and state. That’s why we do what we do. But, of course, playing our hometown in LA at one of the many venues we love has got to be our favorite -- like The Whiskey, The Canyon Club, House of Blues , Yost Theater, Malone’s, etc.

Q. Stonebreed has been called “working class musicians,” by one of your fans, which I tend to agree with because of your dedication and hard work to your artistry, touring schedule, and the fact you are not intimidating, but welcome fans and public attention. How would you describe Stonebreed’s style?

Carlos: We like the audience to have fun with us. We don’t growl and scream on stage and try 29 to look evil or intimidating. We don’t look and act idols had been playing since really young, so I always felt like we’re trying to scare you and beat you up. like I had to catch up. I’d practice 6-10 hours everyday in We are FUN. high school. I am also just a very passionate, determined person in general, not just with music/guitar, but with Q. Orion, I’ve heard your female fans love your everything I put my mind too. All in or nothing! arms, probably due to your use of them beating the drums so hard. Do you work out? And what Q. Johnny, you play in a tribute called The Fighter Pilots. other traits or hidden talents that your female fans How do you manage to balance the two bands? You are should know about? How did you start playing also from Colorado, how has Colorado Springs influ- on the drums and choose them as your musical enced you musically, if it has? instrument of choice? Johnny: I play in many different types of bands: a) be- ORION: I’m not sure where you could have cause my only source of income is that of a musician! b) I heard such a thing, but it is true. The girls do love different styles of music, and it’s hard to find musi- like to admire my arms, among other parts of my cians alike that encompass all the styles i like! c) because body. I do work out on a pretty consistent basis i love music! I was born in Colorado merely because my and eat fairly healthy, but I’m sure playing drums dad was stationed there in the Air Force Academy. Once helps to keep my shoulders and arms nice and tone. he served his time and got the call to be Lawrence Welk’s As for hidden traits and talents, I am abundant with: Lead Trumpet Player, we headed west and never went I’m an avid reader and love spending a night with a back! good book; I played semi-pro football for one season; I used to sing in a GnR tribute band; I enjoy playing Q. Out of all the songs that Stonebreed plays, is there a the piano; I have an NASM certification as a person- song that the audiences like to hear live? al trainer; I’ve restored cars and build engines; and, recently, I remodeled a house I bought. I often get the Carlos: Before we started playing new songs off the urge to draw in my spare time when I see a nice piece upcoming CD, crowd favorites were Back Home, Last of art -- to name a few off the top of my head. When I Dollar, and Miss Me. Now that we have been playing started playing, it wasn’t on drums. It was actually on some of the new songs, people are really digging the song ice cream buckets. I never chose to be a drummer. It Jet City and Pain. chose me. My dad gave me a KISS record when I was 6 years old; and for some reason, I just started keeping Q. Where do you see Stonebreed in the next 5-10 years? beat to the songs. I, actually, was more interested in Any big plans for the band? singing and playing guitar. But for some reason, the drums came more naturally. So I went with it. Carlos: Hopefully, with a good successful career under our belts, a few good album releases, a few good tours Q. Brandon, you are becoming well-known for your around the world , a Grammy, and a an induction into guitar solos. You have earned praise for your Ultimate the Rock & Roll Hall of Fame. LOL. Jam Night playing Holy Wars by Megadeth and other songs as well as online social media Bark at the Moon. Q. What are some obstacles that Stonebreed as a band For someone so young, you show an incredible work has overcome, and how have you overcome the issues? ethic. Where did you get your ethic from or is there an experience that you draw from that makes you so Carlos: I think the biggest obstacle was keeping the right determined and willing to work so hard to hone your members, finding the right guys that all want the same craft? goals that are willing to make sacrifices to get to the next level -- guys that are hungry and want it bad -- Oh, and Brandon: Thanks. I really appreciate the kind words! convincing venues to pay us the same amount of money I had a blast performing at the Ultimate Jam Night they pay tribute bands! every time alongside such talented musicians. Ever since I started playing guitar (16 years old), I always Q. Any advice for rejection in the industry for other art- felt a little “behind” per say. All my older friends and ists? Advice on how to create and sustain as a successful 30 band that is well-respected for being hard-working and playing great music?

Carlos: Just work really hard, stay very humble, always support the scene, don’t get cocky with the rockstar attitude, and ENJOY what you do. HAVE FUN.

Black Valentine

“DEFINING BLACK VALENTINE” By Jordonna Lobese www.blackvalentinemusic.com From: Los Angeles Mission: Redefine today’s hard rock and heavy metal music

Members: Frank Yanno – Guitarist and Founder Earl Drummond – Vocals Merle Gregory – Bass Jesse Wolff – Drums

As guitarist and founder Frank Yanno describes it “Black Valentine arose out of the ashes of my previous band tHe CoNStAnT.” “Replacing a Singer is not an easy thing to do, but we’ve come out of this far better than we were,” says Frank Yanno of Black Valentine’s newest addition -- vocalist Earl Drummond. Unfortunately, It was just this past May that Jeff Knemeyer, their previous lead vocalist, passed away after parting ways with the band in January. “But to be clear, if things hadn’t gone the way they did, Jeff would still be in the band,” Frank admits. The way both Jeff Knemeyer and Earl Drummond were chosen had eerie similarities. They both sounded “current;” and gave that ‘wow’ factor while auditioning. And just as Jeff did before his passing, Earl is taking the band to another level and helping to define who and what Black Valentine is all about. Frank adds, “He’s opened avenues in the band’s songwriting that we previously couldn’t follow, and his pitch is so on point.” World Gone Wrong and Slingshot Rebels were the last two albums with Jeff as the vocalist. Prior to Slingshot Rebels release, they began recording 2 albums worth of Remakes in which they took other people’s songs and played them how they would’ve written them. Earl Drummond has tracked vocals on 12 of those remakes, and Frank says “They sound outstanding!!” The 1st album of Remakes is set to be released within the next few months followed by the 2nd album sometime next year.

Frank says of his musical inspirations (Black Sabbath, Led Zeppelin, Judas Priest, Journey, Foreigner, and others), “What made those bands shine were their Songwriting.” Their next set of originals will feature more songs and music from both Merle Gregory and Earl Drummond which will further establish who Black Valentine is as a band. Like Frank Yanno, Earl Drummond is an accomplished songwriter and Merle Gregory has a unique way of visualizing music.

Black Valentine has shared the stage with Stephen Pearcy of RATT, Joe Lynn Turner of Rainbow and Deep Purple, and Juan Croucier of RATT as well as many other well-respected musicians and artists. Most recently they directly supported Orgy at the Rose Theater in Pasadena. Black Valentine likes to surround themselves with quality bands and musicians. And Frank says, “It’s always very gratifying to play with the Legends you grew up listening to. Music is a Community, NOT a Competition. We’re very big on Supporting. You cannot ask people to Support if you’re not willing to do so yourself.” Black Valentine appreciates the support of everyone who attends their shows.

Their next shows are at Mongo’s in Grover Beach, CA. on September 1st and 2nd, and you can check out their songs from both albums, music videos, live videos, photos, plus purchase CD’s, t-shirts, girls shirts, hoodies, hats, beanies, and more at: www.blackvalentinemusic.com. And be sure to “like” them at: www.facebook.com/blackvalentinemusic.

Q. How did you come up with the concept for Black Valentine and how were you formed?

Frank: Black Valentine was born out of the ashes of my previous band tHe CoNStAnT. That band was much more Progressive. We were auditioning Singers when I came upon an Ad on Craig’s List for Jeff Knemeyer who had just moved to LA from Washington State. I set up 3 Auditions that night with Jeff being the last. The person before him came in and killed it and we had all but made up our minds but felt we owed Jeff his Audition. He came in only knowing one Song and completely blew us away. The way I describe that night, the guy before him made the current band better, but Jeff made us sound “current.” However, because his Voice brought the Band to new levels, it also completely changed our Sound.

We couldn’t continue as tHe CoNStAnT so we took a title from one of our Songs and called the band Black Val- entine. Because it was all so different, I began formulating a concept for the band, Songs, Direction, Logo, etc. Instead of playing more progressive Songs littered with “look at me” moments, I started writing in a more direct, concise, go for the throat sort of way that made us stand out from the rest. It’s funny- being a fairly accomplished Guitarist I’ve never been a fan of lengthy Guitar Solos. This new Direction was simply an extension of that.

“ I’d rather see 4 Musicians up on stage kicking ass as a unit than 4 individual Musicians showing off.” -- Frank Yanno

Q. Black Valentine recently promoted Earl Drummond as lead singer. How has this changed Black Valentine? Have you noticed that the songs have a different feel to them with a different vocalist? And how is he “acquimat- ing” to Black Valentine?

Frank: In the 4th year of working with Jeff in Black Valentine, it became apparent that his excesses were getting the better of him. In the beginning of January of this year Jeff left the band because in his words, he couldn’t keep letting us down. Sadly, in May his Demons got the better of him; and Jeff passed away. We all were stunned but not surprised. We all had hoped he’d pull himself out of this downward spiral; but in the end, he couldn’t. It’s a very difficult thing to process that we’ll never see him again. We are all so very heart-broken.

However, with Jeff’s exit began the search for a new Singer, and we got extremely lucky. I remembered being introduced to a Singer named Earl Drummond by a mutual friend at the local bar and decided to give him a call. He had seen the band a couple times; and when I asked him if he was interested, he jumped at the chance.

We had Earl come try out; and much like Jeff’s Audition 4 years prior, we were completely blown away. Our Bass Player Merle had asked on the way to the Audition what did it feel like when Jeff came in. On the way home, I told him it felt exactly like Earl’s Audition. What I remember about it was Earl walking in with such a swagger carrying two 40’s in pure Rock Star fashion saying “Let’s do this!” So in what I was afraid would take Months to find Jeff’s replacement, we found in 3 weeks.

To be honest, Earl is a much better, more diverse Singer than Jeff. He’s opened avenues in the band’s Songwriting that we previously couldn’t follow, and his Pitch is so on point. It’s funny. In all of his previous bands, Earl was basically me. He wrote the Songs, Booked the Gigs, etc. Like me, he lives for Writing, Recording, and Perform- ing. So finding him was truly a blessing; because, now I have a real Songwriting Partner. Regardless, Earl has taken the Bull by the Horns and made Black Valentine his own- from his approach to the Songs right down to how he signs our CD’s. From what our fans have said, Earl is much more personable and approachable from the Audience’s standpoint.

Q. A second album “Slingshot Rebels” was released last August. How are you transitioning musically from Jeff over to Earl with the albums?

Frank: Slingshot Rebels was released last August. It was our 2nd and last Album with Jeff. We’ve been performing those Songs for over a year, now. However, before Slingshot Rebels was released we began Recording 2 Albums worth of Remakes where we took other people’s Songs and played them how we would’ve written them. Earl has tracked Vocals to 12 of those Songs which I will begin Mixing in July. Trust me. They sound outstanding!! What’s most gratifying is that I don’t have to give much guidance at all to Earl. He already gets it. With Jeff there was a lot of direction I had to give in how he approached Singing the Songs.

Q. What was the inspiration for your albums? Which songs have special meaning and why?

Frank: I love every Song on Slingshot Rebels. It is the finest Recording I’ve done to date in my almost 40 years of being a Musician. 16 Songs and none of them filler, none of them the same. I am so very proud of it. Song-wise, it is the clearly the next step from our previous Album World Gone Wrong in defining who Black Valentine is as a Band.

That being said, this Remake Album is already starting to sound even better!!

Q. How do you go about the songwriting process? Do each of you contribute, or does one of you bring in the foundation and you build upon it?

Frank: I can only speak for myself in the Band, but generally I write in 3 different ways.

First and most often, I’ll come up with a Musical idea that I’ll Demo off. I’ll have it playing in the Car while driving and will start singing along with it to come up with some sort of Melody. Then, I’ll start to form words out of the syllables, which will lead me to an overall concept for what the Song is about. And then I’ll come up with the Lyrics.

On a very few rare occasions, in the second way I write, I’ll pick up a Guitar and start singing and playing; and almost magically, an entire Song from beginning to end will come out in like 3 minutes. Again, that’s happened maybe 5 times in my career. But those Songs are some of my favorites and remain almost exactly how they were written. “My Heart” on Slingshot Rebels was written that way.

The 3rd way I write, which is more of a Producer’s standpoint, is to take someone’s idea and run with it, which I did with the Remakes we’ve Recorded. Since we’ve started incorporating other members’ Songs and Ideas, I’ve done this with one of Earl’s Songs called “Bad Taste,” which we debuted on Tour and one of Merle’s ideas that we’re currently working on -- again, no major changes. It’s just making little alterations, so that a Song fits in with the Band’s Style and Direction.

Up until this point, I’ve been the main Songwriter in the Band. However, now that the line-up has been solid- ified and the Musicians in the Band aren’t learning an already conceived set of Songs, our next set of Originals will feature more Songs and Music from Merle and Earl. As stated, we’ve already began work on some of them.

Once a Song or Idea is brought to the Band, it’ll go through a process of Evolution that happens when Musicians Play. Parts become more defined, honed in, Arrangements get changed, shortened, lengthened, etc. Even if we played something the same as it was written, each of us will put our own spin on the Performance.

As we begin a new Song, I’ll try to take on the role of Producer. I’m big on trimming the fat. Most times there’s no need for lengthy Intros, Solos, 3rd Verses, etc. to get your point across. I tell the guys all the time I may not know what works, but I definitely will know what doesn’t. With that in mind, I feel very strongly that if someone has an idea for a part in a Song, we need to try it; because, there is no way you can know whether it will work or not unless you hear it. But on a side note:

“Change for the Better is always good; but Change for the sake of Change, is not. That just makes something unnecessarily different.” Frank Yanno

Q. Directed by Jeff Bitran, your video Masquerade, is an interesting video compilation of black and white scenes and some scenes that are of color tones of black, gold, and red. The song is badass. What was the inspiration for that video?

Frank: Love that Song. Lyrically, it’s very Political; and, Musically, it’s very challenging -- not an easy one to pull off Live. When it came to the Video, Jeff asked us to simply trust him; and that’s exactly what we did. What you see On Screen is 100% Jeff Bitran’s vision.

Q. You are all veteran musicians who have been in the industry for many years. Any advice to up and coming artists? Any pitfalls to watch out for?

Frank: First of all, this is not a good time to be a Musician. At this point in our Society, people would rather spend $5 on a Coffee that’s gone in 10 minutes (but cost pennies and took all of 3 minutes to make) than 99 cents on a Song that they can keep forever (that cost Thousands of Dollars and hundreds of Hours to Write, Record, Manufacture, and Release).

My daughter Kylie Francesca is an accomplished Singer. I wrote an entire Album for her. When she came to me and said she didn’t really want to Sing as a career, I was relieved. This is not an easy life to choose. Live Venues are closing, the Music Scenes are evaporating, and with the advent of EDM, anyone with a Computer thinks they can be a Musician, Producer, and Songwriter.

I honestly blame ourselves for it. There was such a Renaissance of Music in the 90’s with bands like Nirvana, STP, Soundgarden, Alice in Chains, Pearl Jam, etc., but the secondary wave of bands that followed them did not have the Songwriting Chops to keep that going. Without great Songs, people went elsewhere and Rock Music lost its Audience.

Musicians today tend to not look back far enough for Inspiration. They may look back and be Inspired by Pan- tera, Metallica, Slayer, etc. without realizing those Bands were inspired by Black Sabbath, Led Zeppelin, Deep Purple, AC/DC, Judas Priest. Even Bands like Foreigner and Journey are huge Inspirations for me. What made those bands shine were their Songwriting. That gets diluted if you only look to the Bands that came after them for Inspiration, cuz at that Point all you’re learning is Technique and Emulation. So learn from the masters on how to Write a good Song.

To be honest, I do this because I can’t NOT do it. So besides learning how to Write a good Song, my only real advice to Musicians is to do it cuz you LOVE it -- not for Fame, Fortune, or any of those trappings; because, you stand a much better chance winning the Lottery.

“And Support the Music Scene and other Musicians and Bands. It’s not just about you.” -- Frank Yanno

Q. Black Valentine has recorded covers of popular songs and made them your own. Do you like taking covers and changing them up/rearranging them musically and vocally?

Frank: Absolutely. I’m not really big on doing Covers, but I LOVE doing Remakes. I really dig watching people’s faces as they slowly begin to realize what they’re hearing sounds familiar; and then it dawns on them that they know this Song!! For me, it’s all about making the Original Song not just different but hopefully better. At this point, it’s hard for us to listen to the original versions of the Songs we’ve Remade.

Q. Frank, being from Mount Morris, New York, how has that area affected you musically?

Frank: Mount Morris is a very small town in Western New York. I planned to be an Artist and have been able to Draw all of my life. I graduated from Rochester Institute of Technology with an AS in Graphic Design and a BFA in Illustration. But in 9th grade, I met my longtime friend and fellow Guitarist John Gillette who introduced me to Music. From that point on, Music became my reason for getting out of Bed every Morning.

So in essence, If I hadn’t grown up in Mount Morris and met John, I probably would have lived a small, local life with my white picket fence and 2.3 kids. Instead, I’m Living the Dream in Los Angeles as an Endorsed Artist (by GHS Strings, Rocktron, Baker Guitars, Zemaitis Guitars, etc.) Headlining Shows, opening for Major Acts, Tour- ing, Performing Internationally, Writing, Recording, and Producing Music for TV and Movies, as well as Produc- ing Bands and Songs in my recording studio Gossamer Studios.

Quite a left turn, huh?

Q. Since Merle Gregory is a Former Sgt for the United States Air Force, do you find that Black Valentine is gath- ering a military audience?

Frank: Yes!! We just ended our East Coast Tour Performing both Days at the American Warrior Festival in Leroy, NY for an entire Audience of Active and Retired Military. Giving back is important to us. Merle is also working on setting up some Interviews with Military based Radio Shows and Personalities.

Q. And Jesse Wolff, is he single? Okay. I’ll stop. He studied Culinary Arts at Le Cordon Bleu College in LA. Has he cooked for Black Valentine?

Frank: That’s a funny story. Everyone in the Band LOVES to cook -- me especially. While we were On Tour, I had planned on doing the Cooking for us. But Earl pulled me aside and told me to let Jesse do it; and it dawned on me- Oh, yeah. Let Jesse do it! So I did and it was great to have someone cook for ME!! Ha, ha. His food is delicious, by the way.

Q. Any upcoming shows or events? And where can our readers find you online to listen to your music and see where your upcoming shows are?

As guitarist and founder Frank Yanno describes it “Black Valentine arose out of the ashes of my previous band tHe CoNStAnT.” “Replacing a Singer is not an easy thing to do, but we’ve come out of this far better than we were,” says Frank Yanno of Black Valentine’s newest addition -- vocalist Earl Drummond. Unfortunately, It was just this past May that Jeff Knemeyer, their previous lead vocalist, passed away after parting ways with the band in January. “But to be clear, if things hadn’t gone the way they did, Jeff would still be in the band,” Frank admits. The way both Jeff Knemeyer and Earl Drummond were chosen had eerie similarities. They both sounded “current;” and gave that ‘wow’ factor while auditioning. And just as Jeff did before his passing, Earl is taking the band to another level and helping to define who and what Black Valentine is all about. Frank adds, “He’s opened avenues in the band’s Songwriting that we previously couldn’t follow, and his pitch is so on point.” World Gone Wrong and Slingshot Rebels were the last two albums with Jeff as the vocalist. Prior to Slingshot Rebels release, they began recording 2 albums worth of Remakes in which they took other people’s songs and played them how they would’ve written them. Earl Drummond has tracked vocals on 12 of those remakes, and Frank says “They sound outstanding!!” The 1st album of Remakes is set to be released within the next few months followed by the 2nd album sometime next year. Frank says of his musical inspirations (Black Sabbath, Led Zeppelin, Judas Priest, Journey, Foreigner, and others) “What made those bands shine were their Songwriting.” Their next set of originals will feature more songs and music from both Merle Gregory and Earl Drummond which will further establish who Black Valentine is as a band. Like Frank Yanno, Earl Drummond is an accomplished songwriter and Merle Gregory has a unique way of visualizing music.

Q. How did you come up with the concept for Black Valentine and how were you formed?

“ I’d rather see 4 Musicians up on stage kicking ass as a unit than 4 individual Musicians showing off.” -- Frank Yanno

Regardless, Earl has taken the Bull by the Horns and made Black Valentine his own- from his approach to the Songs right down to how he signs our CD’s. From what our fans have said, Earl is much more personable and approachable from the Audience’s standpoint.

Q. A second album “Slingshot Rebels” was released last August. How are you transitioning musically from Jeff over to Earl with the albums?

Q. What was the inspiration for your albums? Which songs have special meaning and why?

That being said, this Remake Album is already starting to sound even better!!

Q. How do you go about the songwriting process? Do each of you contribute, or does one of you bring in the foundation and you build upon it?

Frank: I can only speak for myself in the Band, but generally I write in 3 different ways.

“Change for the Better is always good; but Change for the sake of Change, is not. That just makes something unnecessarily different.” Frank Yanno

Q. You are all veteran musicians who have been in the industry for many years. Any advice to up and coming artists? Any pitfalls to watch out for?

I think things will turn around. Hopefully, people will start to realize they aren’t listening to people actually playing Instruments. Just like Nirvana made music a visceral thing again, we’re trying to get people to notice there’s no Emotion or Connection to Music created by a Computer. I honestly blame ourselves for it. There was such a Renaissance of Music in the 90’s with bands like Nirvana, STP, Soundgarden, Alice in Chains, Pearl Jam, etc., but the secondary wave of bands that followed them did not have the Songwriting Chops to keep that going. Without great Songs, people went elsewhere and Rock Music lost its Audience.

“And Support the Music Scene and other Musicians and Bands. It’s not just about you.” -- Frank Yanno

Q. Black Valentine has recorded covers of popular songs and made them your own. Do you like taking covers and changing them up/rearranging them musically and vocally?

Q. Frank, being from Mount Morris, New York, how has that area affected you musically?

Quite a left turn, huh?

Q. Since Merle Gregory is a Former Sgt for the United States Air Force, do you find that Black Valentine is gath- ering a military audience?

Q. And Jesse Wolff, is he single? Okay. I’ll stop. He studied Culinary Arts at Le Cordon Bleu College in LA. Has he cooked for Black Valentine? Frank: That’s a funny story. Everyone in the Band LOVES to cook -- me especially. While we were On Tour, I had planned on doing the Cooking for us. But Earl pulled me aside and told me to let Jesse do it; and it dawned on me- Oh, yeah. Let Jesse do it! So I did and it was great to have someone cook for ME!! Ha, ha. His food is delicious, by the way.

Q. Any upcoming shows or events? And where can our readers find you online to listen to your music and see where your upcoming shows are?

Frank: There are a couple promising offers on the table including opening for Lynch Mob in September. Apart from that, our main focus is to get this first Remake Album Mixed and Released while continuing to finish our 2nd Remake Album and Write and Record our 3rd Original Album. PHOTO CREDITS: Group photo w/Black Valentine in red is by Bougie Photography and edited by Frank Yanno Group photo w/Black Valentine on top is by Bougie Photography and edited by Frank Yanno Group photo w/stream on bottom and Black Valentine on top is by Bougie Photography. 2 photos containing 4 individual band member photos with Black Valentine and stream on bottom is by Rick Austin and edited by Frank Yanno. Individual band member photos are by GTX Media SUBSCRIBE NOW! Prepared by MagCloud for Jim Madonna. Get more at goldstarthemagazine.magcloud.com.