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Roger Steptoe, Including a Performance Diary, May Be Found at for News of Recent Works, Please See
ROGE R STEPTOE Stainer & Bell CONTENTS Biographical Note .............................................................2 Orchestral Works ..............................................................3 Solo Voice and Orchestra ..................................................3 Solo Instrument and Orchestra .........................................4 Chorus and Orchestra ......................................................5 Works for Choir ................................................................6 Vocal Works......................................................................7 Chamber Music ................................................................8 Music for Strings ............................................................11 Music for Wind ...............................................................12 Music for Solo Piano .......................................................12 Discography....................................................................13 Note biographique ...........................................................14 Alphabetical List of Works ..............................................16 Please see the back cover for Ordering Information. Further information about the music of Roger Steptoe, including a performance diary, may be found at www.stainer.co.uk/steptoe.html For news of recent works, please see www.rogersteptoe.com September 2015 1 ROGER STEPTOE In a postmodern era often characterised by various aesthetic movements, it is especially enriching to encounter an artist like Roger Steptoe, -
A Conversation with Anthony Powers
Tempo http://journals.cambridge.org/TEM Additional services for Tempo: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here RANGING OVER THE FOREST: A CONVERSATION WITH ANTHONY POWERS Nicholas Jones Tempo / Volume 58 / Issue 228 / April 2004, pp 23 - 31 DOI: DOI:10.1017/S0040298204000117, Published online: 19 May 2004 Link to this article: http://journals.cambridge.org/abstract_S0040298204000117 How to cite this article: Nicholas Jones (2004). RANGING OVER THE FOREST: A CONVERSATION WITH ANTHONY POWERS. Tempo, 58, pp 23-31 doi:DOI:10.1017/S0040298204000117 Request Permissions : Click here Downloaded from http://journals.cambridge.org/TEM, IP address: 131.251.254.238 on 30 Jul 2014 Tempo 58 (228) 23–31 © 2004 Cambridge University Press 23 DOI: 10.1017/S0040298204000117 Printed in the United Kingdom : Nicholas Jones The following is an edited transcript of a conversation between Nicholas Jones and Anthony Powers in Lower Breinton, Hereford, on 28 April 2003. Square-bracketed dates and other parentheses are editorial. Anthony Powers (photo: Malcolm Crowthers) Powers Anthony NJ: I understand that you are currently taking a sabbatical this year from your teaching at Cardiff University so you can concentrate on composi- tion. What are you working on at the moment? AP: I’ve just finished a big choral and orchestral piece for the Three Choirs Festival called Air and Angels, which is settings of John Donne poems [selected from Holy Sonnets and Songs and Sonnets]. That’s now in rehearsal and I’m finishing the orchestral score at the moment. The first performance will be in August. -
Anthony Powers Complete Piano Music 1983-2003
AP 1-8_BOOKLET24 19/02/2020 11:02 Page 1 Anthony Powers Complete Piano Music 1983-2003 Richard Casey piano Recorded and produced by Stephen Plews at Holy Trinity church, Hereford, August 2016 and St Ann’s Church Manchester July 2018 Edited and mastered by Phil Hardman . All works published by Oxford University Press Cover Photo The Villa d'Este, Tivoli, Italy. View from above the Fountain of Hercules ©Alex Ramsay, all rights reserved Prima Facie is grateful for financial assistance provided by RVW Trust. 4 1 AP 1-8_BOOKLET24 19/02/2020 11:02 Page 2 Piano Sonata No.1 (1983) Richard Casey was born in Manchester in 1966 and started playing the piano at the age of seven. After graduating in Music and Modern Languages at St John’s College, Cambridge, he studied I: Allegro energico piano at the Royal Northern College of Music with Marjorie Clementi and Martin Roscoe, and II: Lento sereno later with Ronan O’Hora. In 1997 Richard won first prize in the British Contemporary Piano III: Lento moderato – Theme and Variations – Allegro molto – Presto Competition, an achievement which attracted a series of solo engagements in the UK and abroad. Based in Manchester, Richard complements his solo career with a strong commitment to chamber This Sonata, written between August and October 1983, was commissioned by Paul Roberts music. He frequently gives 2-piano concerts with his duo partner, Ian Buckle, specialising in who gave the first performance at the Purcell Room, South Bank Centre, London on 1 May repertoire from the twentieth and twenty-first centuries. -
British and Commonwealth Concertos from the Nineteenth Century to the Present
BRITISH AND COMMONWEALTH CONCERTOS FROM THE NINETEENTH CENTURY TO THE PRESENT A Discography of CDs & LPs Prepared by Michael Herman Composers Q-Z PRIAULX RAINIER (1903-1986) Born in Howick, Natal, South Africa. She sudied violin at the South African College of Music in Capetown and later in London at the Royal Academy of Music. At the latter school she also studied composition with John McEwen and subsequently joined its staff as a professor of composition. In Paris she was also taught by Nadia Boulanger. Among her other orchestral works are a Sinfonia da Camera, Violin Concerto and a Dance Concerto "Phala-Phala." Cello Concerto (1963-4) Jacqueline du Pré (cello)/Norman del Mar/BBC Symphony Orchestra (rec. 1964) ( + Elgar: Cello Concerto and Rubbra: Cello Sonata) BBC LEGENDS BBCL 42442 (2008) THOMAS RAJNA (b. 1928) Born in Budapest. He studied at the Franz Liszt Academy under Zoltan Kódaly, Sándor Veress and Leó Weiner. He went to London in 1947 where he studied at the Royal College of Music with Herbert Howells and later on had teaching position at the Guildhall School of Music and the University of Surrey. In 1970 he relocated to South Africa to accept a position at the University of Cape Town. He became a well- known concert pianist and composed for orchestra, chamber groups and voice. For orchestra there is also a Clarinet Rhapsody and a Suite for Strings. Piano Concerto No. 1 (1960-2) Thomas Rajna (piano)/Edgar Cree/South African Broadcasting Corporation Symphony Orchestra (rec. 1974) ( + 11 Preludes and Capriccio) AMARANTHA RECORDS 014 (2001) (original LP release: CLAREMONT GSE 602) (1985) Piano Concerto No. -
Guest Faculty Recital
Illinois State University ISU ReD: Research and eData School of Music Programs Music 9-11-2007 Guest Faculty Recital David Campbell Clarinet Illinois State University Sarah Field Saxophone Mike Hamnett Marimba Follow this and additional works at: https://ir.library.illinoisstate.edu/somp Part of the Music Performance Commons Recommended Citation Campbell, David Clarinet; Field, Sarah Saxophone; and Hamnett, Mike Marimba, "Guest Faculty Recital" (2007). School of Music Programs. 3193. https://ir.library.illinoisstate.edu/somp/3193 This Concert Program is brought to you for free and open access by the Music at ISU ReD: Research and eData. It has been accepted for inclusion in School of Music Programs by an authorized administrator of ISU ReD: Research and eData. For more information, please contact [email protected]. I )ltinois State U niversit_y I College of fine Arts School of Music I I Canterbur_y Christ Church (J niversit_y Canterbur_y, E_ngland I I Guest f acult_y l\.edtal David Campbell, Clarinet I Sarah field, Saxophone I Mike Hamnett, Maninba I I I I Kemp Recital Hall I September 1 1, 2008 T uesda9 E_vening I 8:00 p.m: This is the eighth program of the 2007-2008 season. I .I New.York Counterpoint (1985) Steve Reich f'rogram I (born 1936) David Campbell, clannet Flease tum ott cell phones a nd pagers tor the duration of the concert. Thank You. I I * My Mountain Top (1998) Andy Scott Sarah Field, saxophone Ultimatum 1 Nebojsa Zivkovic (born 1962) 1 fl Divertimento ( 1968) Akira Yuyama Michael Hamnett, marimba Sarah Field, saxophone Sea Air (1985) Anthony Powers (born 1953) I I • - USA F remiere · David Cam pbell , clarinet •• -World Fremiere * Rounds and Cannons Richard Stoker (born 1938) I I F rogram Notes Sarah Field, saxophone David Campbell, clan"net Michael Hamnett, marimba Tonight's programme mixes works by four Canterbury based composers alongside other I fl leading British composers as well as composers from America and the Far-East. -
The Panufnik Legacies
London Symphony Orchestra LSO Discovery THE PANUFNIK LEGACIES François-Xavier Roth London Symphony Orchestra Page Index THE PANUFNIK LEGACIES 2 Track listing François-Xavier Roth 3 About the scheme London Symphony Orchestra 4 Notes & composer biographies 9 Conductor biography 10 Orchestra personnel list 11 LSO & LSO Discovery biographies 1 Andrew McCormack Incentive 8’10’’ 2 Christian Mason … from bursting suns escaping … 3’44’’ 3 Charlie Piper Flēotan 3’46’’ 4 Eloise Nancie Gynn Sakura 3’50’’ 5 Edward Nesbit Parallels I 2’54’’ 6 Edward Nesbit Parallels II 6’28’’ 7 Jason Yarde Rude Awakening! 5’56’’ 8 Martin Suckling Fanfare for a Newborn Child 3’41’’ 9 Christopher Mayo Therma 3’52’’ 10 Elizabeth Winters Sudden Squall, Sudden Shadow 3’42’’ 11 Vlad Maistorovici Halo 10’20’’ Total time 56’23’’ The LSO Panufnik Young Composers Scheme is generously supported by the Helen Hamlyn Trust. It was devised by the LSO in association with Lady Panufnik in memory of her late husband, the composer Sir Andrzej Panufnik. Recorded 27 & 28 October 2012 at LSO St Luke’s, London Jonathan Stokes for Classic Sound Ltd producer & audio editor Neil Hutchinson for Classic Sound Ltd balance engineer David Millinger artwork design & booklet editor © 2013 London Symphony Orchestra, London UK P 2013 London Symphony Orchestra, London UK 2 © Kevin Leighton LSO Panufnik Young Composers Scheme Panufnik Scheme Composers Key * Panufnik commission By the time this recording is released the LSO Panufnik Young 2013 Kim Ashton, Benjamin Graves, Jae-Moon Lee, + UBS Soundscapes: Pioneers Commission Composers Scheme will have entered its 9th year, with more than James Moriarty, Elizabeth Ogonek, Richard Whalley ^ LSO Artist Commission (commissioned to write a piece for a 50 composers taking part since 2005. -
New Haven Symphony Orchestra with Tai Murray, Violin March 17, 2019 • Valley Regional High School
New Haven Symphony Orchestra with Tai Murray, violin March 17, 2019 • Valley Regional High School This afternoon’s concert sponsored by MASONICARE AT CHESTER VILLAGE Artist sponsor: GUILFORD SAVINGS BANK the 2019 fenton brown emerging artist concert New Haven Symphony Orchestra William Boughton, artistic director and conductor 2019 fenton brown emerging artist Tai Murray, violin Please see insert for program notes Symphony No. 31 in D major, K. 297, “Paris” W. A Mozart (1756-91) Allegro assai Andantino Allegro Violin Concerto in G minor Sergei Prokofiev (1891-1953) Allegro assai Andantino Allegro ~ INTERMISSION ~ Adagio for Strings Samuel Barber (1910-81) Symphony No. 102 in B-flat Franz Joseph Haydn (1732-1809) Largo — Vivace Adagio in F major Menuetto: Allegro Finale: Presto 47 • Essex Winter Series New Haven Symphony Orchestra Now in its 125nd year of operation, the New Haven Symphony Orchestra continues to fulfill its mission of increasing the impact and value of orchestral music for its audiences through high quality, affordable performances and educational programming. In 2007, William Boughton became the tenth Music Director and Principal Conductor of the New Haven Symphony Orchestra. Under his leadership programs have expanded both geographically and musically, with concerts being performed in new venues, and new partnerships offering opportunities to share the NHSO’s high musical standards with audiences throughout Connecticut. Community Partnerships with other arts organizations have expanded the reach of the orchestra throughout the region. The NHSO’s Young People’s Concerts are a vital part of a curriculum-rich education program and reach over 10,000 students each year. Deeply committed to new American music, the NHSO has performed eight world pre- mieres in the past eight seasons; the orchestra received the ASCAP award for Adventur- ous Programming in 2010 and 2014. -
Orson Welles' Intermedial Versions of Shakespeare in Theatre, Radio and Film
ORSON WELLES’ INTERMEDIAL VERSIONS OF SHAKESPEARE IN THEATRE, RADIO AND FILM by Clara Fernández-Vara B.A. English Studies, Universidad Autónoma de Madrid (Spain), 2000 Thesis Supervisor: Peter S. Donaldson Submitted to the Department of Comparative Media Studies in partial fulfilment of the requirements for the degree of Master of Science in Comparative Media Studies at the Massachusetts Institute of Technology, September 2004. © 2004 Clara Fernández-Vara. All rights reserved The author thereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part. 2 3 INDEX ABSTRACT .......................................................................................................................... 5 INTRODUCTION ................................................................................................................ 9 PARADOXES AND AMBIGUITIES IN ORSON WELLES’ OEUVRE ............................................ 17 ORSON WELLES AS AUTEUR ............................................................................................... 23 THESIS STRUCTURE............................................................................................................ 31 CHAPTER 1: 1937-1939: THE FEDERAL THEATRE PROJECT AND FAUSTUS; THE MERCURY THEATRE AND JULIUS CAESAR .................................................. 36 THE FABRICATION OF A THEATRE STAR ............................................................................ 36 THE FEDERAL THEATRE PROJECT: THE -
Howard Skempton Wins at the British Composer Awards
Oxford Spring 2009 musicnow33 Howard Skempton wins at the British Composer Awards Howard Skempton’s The Moon is Flashing was the jury’s choice in the Vocal category of the 2008 British Composer Awards, hosted in London by the British Academy of Composers and Songwriters. English composer, painter, and writer Other Awards for Oxford Chris Newman, who lives in Berlin. This engaging text is a modern lyrical ballad Composers of great honesty and clarity. The third * The recent CD Spotless Rose: Hymns song is Snake, one of the better-known to the Virgin Mary, recorded by the fine poems by D H Lawrence. The narrative Phoenix Bach Chorale and including is simple enough but the writer bides his Cecilia McDowall’s Three Latin Motets, time, dwelling on his feelings in language won at the 51st annual Grammy Awards both vivid and urgent.’ this year. The disc was nominated in This is the second time that Howard has four categories and won the Best Small Photo: Katie Vandyck been honoured at the British Composer Ensemble Performance Award. Howard Skempton Awards, having won in the Chamber Music category in 2005 for his string * In May 2007 Richard Causton was The Moon is Flashing is a large-scale song awarded a coveted Royal Philharmonic cycle for tenor and orchestra. It was quartet, Tendrils. The same work was winner of the 2005 Royal Philharmonic Society Award in the category for commissioned by the BBC, and first Chamber-Scale Composition for his performed by BBC National Orchestra Society Award for Chamber-Scale work, Phoenix. The judges praised the of Wales and James Gilchrist conducted Composition. -
The Cambridge Companion to Michael Tippett Edited by Kenneth Gloag and Nicholas Jones Frontmatter More Information
Cambridge University Press 978-1-107-02197-6 - The Cambridge Companion to Michael Tippett Edited by Kenneth Gloag and Nicholas Jones Frontmatter More information The Cambridge Companion to Michael Tippett Sir Michael Tippett is widely considered to be one of the most individual composers of the twentieth century, and his music continues to be performed to critical acclaim throughout the world. Written by a team of international scholars, this Companion provides a wide-ranging and accessible study of Tippett and his works. It discusses the contexts and concepts of modernism, tradition, politics, sexuality and creativity that shaped Tippett’s music and ideas, engaging with archive materials, relevant literature and models of interpretation. Chapters explore the genres in which Tippett composed, including opera, symphony, string quartet, concerto and piano sonata, to shed new light on his major works and draw attention to those that have not yet received the attention they deserve. Directing knowledge and expertise towards a wide readership, this book will enrich the listening experience and broaden understanding of the music of this endlessly fascinating and challenging composer. KENNETH GLOAG is Reader in Musicology at Cardiff University. NICHOLAS JONES is Co-ordinating Lecturer for Humanities at the Centre for Lifelong Learning, Cardiff University. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02197-6 - The Cambridge Companion to Michael Tippett Edited by Kenneth Gloag and Nicholas Jones Frontmatter More information © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-02197-6 - The Cambridge Companion to Michael Tippett Edited by Kenneth Gloag and Nicholas Jones Frontmatter More information The Cambridge Companion to MICHAEL TIPPETT ........................... -
Letter to the Editor News Section
Letter to the Editor From Guy Rickards banishment for the composer. Indeed, its gentle style is winning and close to the classic Russian In the light of the growing interest in the music of concertos of Tchaikovsky, Glazunov, even Nikolai Roslavets, seen most recently in his Konius, for all the intricate chromaticism of some inclusion in the South Bank's 'Russian Spring' parts of the work which would have passed most festival (reviewed by David Wright in Tempo 177) listeners by (and would do today, I am sure, if so and the CD issue of the Piano Trio No. 3, what is much were not made of it). still less than clear is what precisely caused his Roslavets's attempts at chromatic system- total eclipse from Soviet musical life - at least in ization bring obvious parallels to mind with Western Russia (far worse than anything schoenberg, Hauer, Valen, et al, but to my ears Shostakovich was later to endure). While works relate back to Scriabin as much as anything and such as Aux heures de la nouvelle lune and the stringcertainly retain a distinctly Russian character. quartets (both included in 'Russian Spring'; why Schoenberg was not yet the Great Formalist did the Tempo review omit rhe fine single- Bugbear so the language of the Concerto in itself movement Third Quartet?) were undoubtedly hardly seems a legitimate cause. Perhaps glasnost radical for the period, especially in Russia, it is will extend further to reveal this particular the later, mellower Violin Concerto that is skeleton: in the meantime one can but listen to usually cited as the reason for his exile. -
SIXTEEN LOVE SONGS for Piano Sixteen Love Songs
William Howard plays SIXTEEN LOVE SONGS for piano Sixteen Love Songs 1 Felix Mendelssohn (1809-1847) arr. Franz Liszt (1811-1886) 4.13 Auf Flügeln des Gesanges (On the Wings of Song) 2 Franz Schubert (1797-1828) arr. Liszt 5.42 Ständchen (Serenade) 3 Robert Schumann (1810-1856) arr. Liszt 4.16 Widmung (Dedication) 4 Franz Liszt 4.42 Liebestraum (Love’s Dream) No.3 5 Bedřich Smetana (1824-1884) 2.19 Láska (Love) from Bagatelles and Impromptus (1844) 6 Antonín Dvořák (1841-1904) 5.40 Serenáda (Serenade) from Poetic Tone Pictures Op.85 Zdeněk Fibich (1850-1900) 7 No.44 (Op.41/I) Andante 3.17 8 No.36 (Op.41/I) Andante amoroso 2.12 9 No.139 (Op.41/IV) Lento (Poème) 1.35 10 Vítěslav Novák (1870-1949) 3.38 Serenáda (Serenade) Op.9 No.3 2 11 Josef Suk (1874-1935) 7.01 Píseň Lásky (Love Song) Op.7 No.1 12 Janáček (1854-1928) 3.22 Lístek Odvanutý (A Blown Away Leaf) from On An Overgrown Path 13 Gabriel Fauré (1845-1924) 2.37 Romance sans Paroles (Romance without Words) Op.17 No.3 14 Enrique Granados (1867-1916) 6.48 Quejas ó la Maya y el Ruiseñor (Laments, or The Maiden and the Nightingale) from Goyescas 15 Fritz Kreisler (1875-1962) arr. Sergei Rachmaninov (1873-1943) 5.06 Liebesleid (Love’s Sorrow) 16 Richard Strauss (1864-1949) arr. Max Reger (1873-1916) 4.00 Morgen (Tomorrow) Total time 66:30 William Howard – Piano 3 Sixteen Love Songs The pieces in this collection are all songs, some originally written for piano and others arranged.