Tableaux Modernes & École De Paris
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Impressionist & Modern
IMPRESSIONIST & MODERN ART Thursday 1 March 2018 IMPRESSIONIST & MODERN ART Thursday 1 March 2018 at 5pm New Bond Street, London VIEWING ENQUIRIES Brussels Rome Thursday 22 February, 9am to 5pm London Christine de Schaetzen Emma Dalla Libera Friday 23 February, 9am to 5pm India Phillips +32 2736 5076 +39 06 485 900 Saturday 24 February, 11am to 4pm Head of Department [email protected] [email protected] Sunday 25 February, 11am to 4pm +44 (0) 20 7468 8328 Monday 26 February, 9am to 5pm [email protected] Cologne Tokyo Tuesday 27 February, 9am to 3pm Katharina Schmid Ryo Wakabayashi Wednesday 28 February 9am to 5pm Hannah Foster +49 221 2779 9650 +81 3 5532 8636 Thursday 1 March, 9am to 2pm Department Director [email protected] [email protected] +44 (0) 20 7468 5814 SALE NUMBER [email protected] Geneva Zurich 24743 Victoria Rey-de-Rudder Andrea Bodmer Ruth Woodbridge +41 22 300 3160 +41 (0) 44 281 95 35 CATALOGUE Specialist [email protected] [email protected] £22.00 +44 (0) 20 7468 5816 [email protected] Livie Gallone Moeller PHYSICAL CONDITION OF LOTS ILLUSTRATIONS +41 22 300 3160 IN THIS AUCTION Front cover: Lot 16 Aimée Honig [email protected] Inside front covers: Lots 20, Junior Cataloguer PLEASE NOTE THAT THERE IS NO 21, 15, 70, 68, 9 +44 (0) 20 7468 8276 Hong Kong REFERENCE IN THIS CATALOGUE Back cover: Lot 33 [email protected] Dorothy Lin TO THE PHYSICAL CONDITION OF +1 323 436 5430 ANY LOT. -
Impressionniste & Moderne
IMPRESSIONNISTE & MODERNE 14 décembre 2020 1 CONTACTS POUR CETTE VENTE IMPRESSIONNISTE & MODERNE Responsable du département Directeur du pôle Arts classiques Expert Eugénie Pascal + 33 (0)1 41 92 06 43 Charlotte Reynier-Aguttes [email protected] + 33 (0)1 41 92 06 49 [email protected] Vente aux enchères Lundi 14 décembre 2020, 14h30 Le nombre de place étant limité *, nous vous demandons Chargée de recherches de vous inscrire au préalable pour assister à la vente. Alice Noël + 33 (0)1 47 45 93 03 [email protected] Exposition privée sur rendez-vous Jusqu’au lundi 14 décembre, 12h Si les photos au catalogue valent exposition en cette période particulière, Enchères par téléphone Relations presse nous sommes à votre disposition pour tout renseignement et demande Ordre d’achat d’envoi de rapports de condition, de photos ou de vidéos complémentaires. Sébastien Fernandes Nous actualiserons régulièrement ces informations sur notre site internet [email protected] + 33 (0)1 47 45 93 05 dans le respect des préconisations gouvernementales. [email protected] *Selon la réglementation en vigueur Relations acheteurs Relations Asie +33 (0) 4 37 24 24 22 [email protected] Aguttes 拍卖公司可提供中文服务 (普通话及粤语), 请直接联系 Délivrances et expéditions [email protected] + 33 (0)1 41 92 06 43 [email protected] Président Claude Aguttes SAS Claude Aguttes Catalogue et résultats visibles sur aguttes.com (SVV 2002-209) Enchérissez en live sur drouotonline.com Associés Directeurs associés Commissaires-priseurs habilités Hugues de Chabannes, Philippine Dupré la Tour Claude Aguttes, Sophie Perrine Charlotte Reynier-Aguttes SELARL Aguttes & Perrine Important : Les conditions de vente sont visibles en fin de catalogue Associés Commissaire-priseur judiciaire Nous attirons votre attention sur les lots précédés de +, °, *, #, ##, ~ Sophie Perrine, Gautier Rossignol pour lesquels s’appliquent des conditions particulières décrites en fin de catalogue. -
Télécharger Le
ART MODERNE & CONTEMPORAIN 16 mai 2019 2, boulevard Montmartre - 75009 PARIS Tél. : (33)1 53 34 14 44 - Fax : (33)1 53 34 00 50 [email protected] BLANCHET www.blanchet-associes.com BLANCHET & Associés Société de ventes volontaires Agrément N°2002-212 & Associés BLANCHET & Associés PIERRE BLANCHET & AURORE POMMERY COMMISSAIRES-PRISEURS ASSOCIÉS DROUOT-RICHELIEU - Salle 11 9, rue Drouot - 75009 Paris - Tél. : (33)1 48 00 20 20 - Fax : (33)1 48 00 20 33 JEUDI 16 MAI 2019 - 14 H TABLEAUX RUSSES ART MODERNE & CONTEMPORAIN EXPOSITIONS PUBLIQUES À DROUOT-RICHELIEU - Salle 11 Mercredi 15 mai 2019 l 11 h à 18 h Jeudi 16 mai 2019 l 11 h à 12 h Téléphone pendant l’exposition et la vente : 01 48 00 20 11 Catalogue en ligne : www.blanchet-associes.com - www.gazette-drouot.com 2, boulevard Montmartre - 75009 PARIS Tél. : (33)1 53 34 14 44 - Fax : (33)1 53 34 00 50 www.blanchet-associes.com [email protected] En couverture lots n° 248, 264, 290, 291 Société de ventes volontaires Agrément N°2002-212 INDEX AESCHBACHER ......................................304 GAURY ......................................................50 NATACHA ................................................120 ALVAREZ .........................................280, 292 GIRAUD ...................................................299 NURDIN .....................................................82 AMBILLE .................................................279 GLEF ............................................39, 98, 138 OLSON ....................................................298 -
Twentieth Century Masters
TWENTIETH CENTURY MASTERS FINDLAY GALLERIES Gallery Collection on View Balthus (1908 - 2001) Braque (1882 - 1963) Camoin (1879 - 1965) Chagall (1887 - 1985) D'Espagnat (1870 - 1950) Degas (1834 - 1917) Friesz (1879 - 1949) Glackens (1870 - 1938) TWENTIETH Hassam (1859 - 1935) CENTURY Homer (1836 - 1910) Lachaise (1882 - 1935) Laurencin (1883 - 1956) Le Sidaner (1862 - 1939) Lebasque (1865 - 1937) Lebourg (1849 - 1928) Luce (1858 - 1941) Martin- Ferrieres (1893 - 1972) Matisse (1869 - 1954) Metzinger (1883 - 1956) Pissarro- (1830 - 1903) Prendergast (1858 - 1924) Renoir (1841 - 1919) Valtat (1869 - 1952) Van Dongen (1877 - 1968) Vlaminck (1876 - 1958) Vuillard (1868 - 1940) KEES VAN DONGEN (1877 - 1968) Portrait de jeune femme au petit chien, c. 1920 oil on canvas 59 x 59 inches Signed 'van Dongen' (middle right) 137616 3 // FINDLAY TWENTIETH CENTURY MASTERS Findlay Galleries continues its long tradition of presenting highly important paintings to fine art collectors throughout the world. The Masters' Collection offers a cross-section of highlights from our collection including recent acquisitions of Impressionist and Modern Masters. The Galleries' global position in the art market for nearly 148 years has distinguished it as a leader in providing unique opportunities for collectors. Many of the paintings in this exhibition have appeared in museums around the globe and in distinguished collectors' homes. Several of these works have been privately collected and quietly passed down from generation through generation. As always, our art consultants offer unparalleled excellence in assisting our clients as they enhance or begin their collections. As a dealer to individuals, institutions and corporate collectors alike, Findlay Galleries continues to celebrate its traditions of presenting exhibitions featuring collections of diverse, original, and outstanding works. -
RECAPITULATIFS 01/03/2021 Au 31/03/2021
Page 1 / 1 RECAPITULATIFS Liste d'affichage au REPERTOIRE DES METIERS Editée le : 01/04/21 01/03/2021 au 31/03/2021 Département Immatriculations Département Modifications Département Radiations 44 537 44 243 44 137 49 189 49 171 49 137 53 101 53 55 53 33 72 119 72 67 72 38 85 215 85 161 85 67 5 1 Somme : 412 Somme : 1 166 Somme : 698 Département EIRL 44 7 49 8 53 4 72 4 85 7 Somme : 30 Page 1 / 138 IMMATRICULATIONS du : 01/03/2021 au 31/03/2021 Edité le : 01/04/21 TERRITOIRE DT44 Date Nom / Dénomination Siren immatriculation Dpt Date début Entreprise Numéro de gestion Activité artisanale Adresse du siège Dirigeants, libellé fonction activité Forme juridique code APRM FARES KHALID ARTISAN- 844553958 101 AVENUE WILLY 01/03/21 Khalid FARES 44 COMMERCANT- 0202321521 nstallation de fibre optique BRANDT 01/01/21 EXPLOITANT INDIVIDUEL MICRO- 4321AA 44400 REZÉ ENTREPRENEUR ABIDI ABBES 799679287 3 IMPASSE MARIE 01/03/21 Abbes ABIDI 44 ARTISAN MICRO- 0199721521 peinture carrelage LAURENCIN 01/03/21 EXPLOITANT INDIVIDUEL ENTREPRENEUR 4334ZC 44800 SAINT-HERBLAIN BOGHEN NATHALIE 481855013 01/03/21 29 RUE MONTE AU CIEL Nathalie BOGHEN 44 ARTISAN MICRO- 0201021521 creation de produits ceramique 01/03/21 44100 NANTES EXPLOITANT INDIVIDUEL ENTREPRENEUR 2341ZZ 409 RUE DE BREMOND JEREMY 894569110 01/03/21 CHATEAUBRIAND Jeremy BREMOND 44 ARTISAN MICRO- 0201321521 electricien 01/03/21 44150 ANCENIS SAINT EXPLOITANT INDIVIDUEL ENTREPRENEUR 4321AB GEREON KHITER HAMZA 894484724 01/03/21 installation fibre optique 7 RUE DE LA FANTAISIE Hamza KHITER 44 ARTISAN -
Explorateurs Musée Faure Aix-Les-Bains
EXPLORATEURS MUSÉE FAURE AIX-LES-BAINS DÉCOUVRE LE MUSÉE FAURE EN T’AMUSANT ! LIVRET JEUNE PUBLIC PLAN DU MUSÉE FAURE CHER JEUNE VISITEUR ! Le Musée Faure et toute son équipe sont heureux de t’accueillir ! Ce livret Explorateurs te propose Étage 2 : Sculptures de Rodin Chambre de Lamartine un voyage au cœur de l’art du 19e siècle ! Lorsqu’on parle du dix-neuvième siècle – tu le Salle Lamartine trouveras souvent écrit 19e ou XIXe – on parle des années allant de 1801 à 1900. 8 À cette époque, l’art et la société connaissent de Salle Rodin 9 grands changements ! La ville d’Aix-les-Bains a la chance de posséder un Étage 1 : Peintures musée qui aborde plusieurs des styles artistiques Mouvements artistiques du 19e siècle qui ont marqué ce siècle. Ce livret comporte des jeux et des informations qui te feront découvrir le 1 2 Musée Faure et l’art en général*. 3 Alors laisse-toi guider, et bonne visite ! 5 *Durée : de 30 minutes à 1h30 si on s’attarde longtemps sur les textes et les œuvres. 7 4 Salle 3 6 Salle 4 Que veulent dire les symboles du livret ? À TOI DE JOUER ! Salle 2 Rez-de-chaussée Les consignes dans le livret te guideront pour réaliser les jeux. Tu pourras Salle 1 vérifier les réponses en page 15 de ton livret Explorateurs. Accueil Exposition temporaire INFO MUSÉES ! 1 REGARDE BIEN ! Familiarise-toi avec le Le numéro se réfère au plan, il Entrée monde des musées et t’indique la salle où se trouvent les de l’histoire de l’art. -
Impressionist & Modern
IMPRESSIONIST & MODERN ART Wednesday November 16, 2016 IMPRESSIONIST & MODERN ART Wednesday 16 November 2016 at 4pm New York BONHAMS BIDS INQUIRIES Automated Results Service 580 Madison Avenue +1 (212) 644 9001 New York +1 (800) 223 2854 New York, New York 10022 +1 (212) 644 9009 fax William O’Reilly +1 (212) 644 9135 bonhams.com ILLUSTRATIONS To bid via the internet please visit [email protected] Front cover: Lot 24 PREVIEW www.bonhams.com/23446 Agnieszka Perche Inside front cover: Lot 10 Wednesday November 9 +1 (917) 206 1603 Facing page: Lot 14 Session page: Lot 38 and 21 10am to 5pm Please note that telephone bids [email protected] Inside back cover: Lot 28 Thursday November 10 must be submitted no later Los Angeles Back cover: Lot 24 10am to 5pm than 4pm on the day prior to Friday November 11 Alexis Chompaisal the auction. New bidders must 10am to 5pm +1 (323) 436 5469 Saturday November 12 also provide proof of identity [email protected] 12pm to 5pm and address when submitting Sunday November 13 bids. Telephone bidding is only Kathy Wong 12pm to 5pm available for lots with a low +1 (323) 436 5415 Monday November 14 estimate in excess of $1000. [email protected] 10am to 5pm Tuesday November 15 Please contact client services London 10am to 5pm with any bidding inquiries. India Phillips Wednesday November 16 +44 20 7468 8328 10am to 2pm [email protected] Please see pages 108 to 111 for bidder information including 23446 Business Development SALE NUMBER: Conditions of Sale, after-sale Lots 1 - 51 Pamela Bingham collection and shipment. -
Henri Lebasque 1865-1937
Henri Lebasque 1865-1937 « Jeune Femme à la Ceinture Bleue » Oil on canvas / Signed lower left Dimensions : 65 x 54 cm Dimensions : 25.59 x 21.26 inch 32 avenue Marceau 75008 Paris | +33 (0)1 42 61 42 10 | +33 (0)6 07 88 75 84 | [email protected] | galeriearyjan.com Henri Lebasque 1865-1937 Biography Henri Lebasque was born in Champigné (Maine et Loire) in 1865. The son of a modest family, he started his artistic education at the Ecole des BeauxArts in Angers, before moving to Paris where he studied in the Studio of the portraitist Leon Bonnat at the Beaux-Arts Academy. He began to exhibit regularly at the annual art society exhibitions and at the Paris Salon. Meanwhile, he assisted the artist Ferdinand Humbert with the decorative murals at the Pantheon for 6 years. Very soon he decided to give up his studies and befriended the artists Paul Signac, Bonnard and Vuillard, cofounders of the Nabis group and the " Intimists " group, who favoured the quietness and lightness of domestic subject matters, and from whom he would learn the significance of a colour theory which stressed the use of complementary colours in shading. He also met Camille Pissaro, in 1902, and Renoir. Both would have a large influence on his work. Travelling abroad, he went to London where he discovered the work of Turner. A friend of Matisse, Manguin and Rouault, he did not share their style, violent colours and strong brushstoke, but stayed closer to the subtlety of Impressionism until 1905. In 1906, the discovery, (thanks to his friend Manguin), of the South of France and its very specific light would lead him to a drastic change of style. -
The Turn of a Great Century
cover:Layout 1 8/27/09 9:34 PM Page 1 Guarisco Gallery The Turn of a Great Century 19th and Early 20th Century Paintings, Sculptures & Watercolors 1 WHY 19TH AND EARLY 20TH CENTURIES (The Optimal Period for Collecting) T he turn of the 19th century into the 20th has always proven to be one of the most interesting eras in art history. It is the century that witnessed the greatest expression of the Academic tradition and it is the era that launched modernism through the developments of Impressionism and Post-Impressionism. * * * * * * * * * * * * Academic: Realism. It is best defined as an artist’s mastery of a variety of painting techniques, including the depiction of atmosphere and natural light, intended to produce a picture that mimicked reality. This style reached its height in the latter part of the 19th century. Major artists of this period include: William Bouguereau, Jean-Léon Gérome, Alexandre Cabanel, Briton Riviere, and Lawrence Alma-Tadema. Modern: Impressionism and Post-Impressionism; the commencement of modern painting. This period is the beginning of experimentation with form, color, brushwork, and subject matter leading to modern art. These artists experimented with depicting the effects of light and using expressive color and brushwork to portray both figures and landscapes. Founding members include: Claude Monet, Eugène Boudin, Camille Pissarro, Pierre Auguste Renoir, and Albert Guillaumin—and their contemporaries—Edmond Petitjean, Henri Lebasque, Henri Martin, and Georges d’Espagnat. These artitsts produced works which continue to be most favored for their market value and aesthetic merit. 2 (at The Ritz-Carlton) Welcome to Guarisco Gallery Guarisco Gallery is a leading international gallery founded in 1980 specializing in museum quality 19th - and early 20th - century paintings and sculpture. -
Ggcataloguefall2014.Pdf
Guarisco Gallery Claude-Emile Schuffenecker French, 1851-1934 Le Square (au Luxembourg), 1885 43’’ x 49 ½’’ fr., o/c 1 Guarisco Gallery has recently opened a 2nd Location at Ritz Carlton, DC NEW at Four Seasons, Georgetown 1120 22nd St., NW | Washington, DC 20037 2828 Pennsylvania Ave., NW | Washington, DC 20037 202-333-8533 202-847-3098 Monday - Sunday Monday - Sunday www.guariscogallery.com 2 ARMAND GUILLAUMIN, one of the founding members of the Impressionists, was the most loyal to the tenets of the movement–a bright palette, vigorous brushwork, contemporary subject, and en plein air painting. Guillaumin has recently been “rediscovered” and acknowledged for his importance within the Impressionist movement and as a major influence on Post-Impressionists including van Gogh, Paul Signac, and Henri Matisse. Here, Guillaumin creates an intimate portrait of his wife in pastel. The use of pastel was popular in the 17th century, but was re- introduced by the Impressionists in the 19th century, most notably by Edgar Degas, Mary Cassatt, and Henri Toulouse Lautrec. Armand Guillaumin La Femme de l’artiste French, 1841-1927 23’’ x 20’’ fr. Signed L.R., Pastel 3 44 Pointillism The Post-Impressionist period was a hothouse of varied artistic philosophies, including Pointillism, Symbolism, and Fauvism. Branching from Impressionism, Seurat and Signac developed this technique in 1886. Pointillism, also known as divisionism, is a mode of painting in which small, distinct dots of pure color are applied in patterns to form an image. Unlike the academic artists who blended colors on the palette before applying paint to canvas, this new modern movement relied on the ability of the eye and mind of the viewer to blend color spots into clearer and more defined forms. -
It Is Very Rare in the History of Art That an Artist Has Equal Talent for Painting and Sculpture
Lot 13 (detail) European Art & Old Masters AUCTION Sale 1656 Tuesday, February 18 at 12pm 2400 Market St Philadelphia PA freemansauction.com VIEWING TIMES Friday, February 14: 10am - 5pm Saturday & Sunday, February 15 & 16: 12pm - 5pm Monday, February 17: 10am - 5pm Tuesday, February 18: by appointment only DEPARTMENT David Weiss Senior Vice President | Head of Department [email protected], 267.414.1214 Alasdair Nichol Chairman | Division Head [email protected], 267.414.1211 Raphaël Chatroux Specialist [email protected], 267.414.1253 Opposite: Lot 34 (detail); Cover: Lot 48; Inside Front Cover: Lot 37 (detail); Inside Back Cover: Lot 38 (detail) Lot 12 (detail) The Rhinoceros is one of Albrecht Dürer’s rarest prints. This woodcut, executed in eight states, is 1 a visual record of an Indian rhinoceros brought Albrecht Dürer (German, 1471–1528) to Emanuel I, King of Portugal in 1513 and known The Rhinoceros to Dürer from a sketch by the painter Valentin Ferdinand. In 1515, Emanuel I sent the rhinoceros 1515. Woodcut on paper with a Single-Headed to Pope Leo X as a gift, though the animal died in a Eagle watermark (Meder 224), a good impression of the sixth state (of eight). Printed by Hendrick shipwreck. While Dürer never saw the rhinoceros, Hondius, The Hague, circa 1620. The Dutch text he refers to it in an inscription in the edition of the trimmed, as is common; with an inscription in French print with letterpress text as being “fast, impetuous on the reverse and cunning.” Dürer’s Rhinoceros is a highly stylized Image size: 8 3/8 x 11 3/4 in. -
A Revista Martín Fierro E a Promoção Das Artes De Vanguarda Na Argentina La Revista Martín Fierro Y La Promoción De Las Artes De Vanguardia En Argentina
A revista Martín Fierro e a promoção das artes de vanguarda na Argentina La revista Martín Fierro y la promoción de las artes de vanguardia en Argentina Dra. Helaine Nolasco Queiroz Doutora em História pela Universidade Federal de Minas Gerais E-mail: [email protected] ORCID: https://orcid.org/0000-0002-5600-0929 RESUMO: O presente artigo examina a contribuição da revista Martín Fierro para a consolidação do campo artístico, especialmente o das vanguardas, na Argentina, durante a década de 1920. Os textos sobre artes plásticas e as reproduções de obras na publicação permitem traçar um panorama da produção artística no período e perceber as interpretações e o impacto da arte de vanguarda no público de Buenos Aires. Pretende-se compreender como se dá a recepção da arte moderna pelos argentinos, o papel pedagógico assumido por Martín Fierro de ensinar o público a apreciar e entender essa arte, além de suas iniciativas para promover artistas, espaços e instituições. Palavras-chave: Martín Fierro. Vanguarda. Argentina. Artes visuais. RESUMEN: El presente artículo examina la contribución de la revista Martín Fierro hacia la consolidación del campo artístico, especialmente el de las vanguardias en Argentina en la década de 1920. Los textos sobre artes y las reproducciones de cuadros en Martín Fierro permiten trazar un panorama de la producción artística en el período y percibir las interpretaciones y el QUEIROZ, Helaine Nolasco. A revista Martín Fierro e a promoção das artes de vanguarda na Argentina PÓS:Revista do Programa de Pós-graduação em Artes da EBA/UFMG. v.9, n.18: nov.2019 Disponível em <https://eba.ufmg.br/revistapos> 367 impacto del arte de vanguardia en el público de Buenos Aires.