Credibility in Comedy Is No Joke
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Atom Smashersrel
FOR IMMEDIATE RELEASE CONTACT Voleine Amilcar, ITVS 415-356-8383 x 244 [email protected] Mary Lugo 770-623-8190 [email protected] Cara White 843-881-1480 [email protected] For downloadable images, visit itvs.org/pressroom/photos/ For the program companion website, visit pbs.org/independentlens/atomsmashers “THE ATOM SMASHERS,” AN EXCITING INSIDE LOOK AT THE FRONTIER OF SCIENTIFIC RESEARCH, TO HAVE ITS BROADCAST PREMIERE ON THE EMMY ® AWARD–WINNING PBS SERIES INDEPENDENT LENS ON TUESDAY, NOVEMBER 25, AT 10 PM “Finding this Higgs particle will help scientists figure out why the universe is made of something instead of nothing, why there are atoms, people, planets, stars and galaxies. But it also will do much more than that. It will open a door to a hidden world of physics, where scientists hope to find unimagined wonders that will make relativity and quantum mechanics seem like Tinker Toys.” —Ronald Kotulak, Chicago Tribune (San Francisco, CA)—Physicists at Fermilab, the world’s most powerful particle accelerator laboratory, are closing in on one of the universe’s best-kept secrets, the Holy Grail of physics: why everything has mass. With the Tevatron, an underground particle accelerator buried deep beneath the Illinois prairie, Fermilab scientists smash matter together, accelerating protons and antiprotons in a four-mile-long ring at nearly the speed of light, to find a particle—the Higgs boson—whose existence was theorized nearly 40 years ago by Scottish scientist Peter Higgs. The physicists searching for the Higgs boson are excited; they may be approaching the discovery of a lifetime, and there’s almost certainly a Nobel Prize for whoever finally finds it. -
International Students' Perceptions of Source Credibility for the U.S. Media And
International Students' Perceptions of Source Credibility for the U.S. Media and International Outlets A thesis presented to the faculty of the Scripps College of Communication of Ohio University In partial fulfillment of the requirements for the degree Master of Science Mengchen Li August 2015 © 2015 Mengchen Li. All Rights Reserved. This thesis titled International Students' Perceptions of Source Credibility for the U.S. Media and International Outlets by MENGCHEN LI has been approved for the E. W. Scripps School of Journalism and the Scripps College of Communication by Yusuf Kalyango Jr. Associate Professor of Journalism Scott Titsworth Dean, Scripps College of Communication ii Abstract LI, MENGCHEN, M.S., August 2015, Journalism International Students' Perceptions of Source Credibility for the U.S. Media and International Outlets Director of Thesis: Yusuf Kalyango Jr. Source credibility has generated some interest in the media and communication field, but primarily focusing on domestic sources. To advance our understanding of source creditability on a global scale, this study, guided by media credibility and international mobility, explored how international students in the United States perceived international news coverage in U.S. media and in their home-country media outlets. Specifically, it examined two dimensions of credibility: believability and community affiliation. Three focus group discussions were conducted between January 30 and February 5, 2015 on the Ohio University campus. Thematic analysis of data from 32 participants found that source credibility was not the only motivation for them to seek U.S. media outlets. International students in this study showed that believability and community affiliation are of concern based on international news coverage from U.S. -
February 26, 2021 Amazon Warehouse Workers In
February 26, 2021 Amazon warehouse workers in Bessemer, Alabama are voting to form a union with the Retail, Wholesale and Department Store Union (RWDSU). We are the writers of feature films and television series. All of our work is done under union contracts whether it appears on Amazon Prime, a different streaming service, or a television network. Unions protect workers with essential rights and benefits. Most importantly, a union gives employees a seat at the table to negotiate fair pay, scheduling and more workplace policies. Deadline Amazon accepts unions for entertainment workers, and we believe warehouse workers deserve the same respect in the workplace. We strongly urge all Amazon warehouse workers in Bessemer to VOTE UNION YES. In solidarity and support, Megan Abbott (DARE ME) Chris Abbott (LITTLE HOUSE ON THE PRAIRIE; CAGNEY AND LACEY; MAGNUM, PI; HIGH SIERRA SEARCH AND RESCUE; DR. QUINN, MEDICINE WOMAN; LEGACY; DIAGNOSIS, MURDER; BOLD AND THE BEAUTIFUL; YOUNG AND THE RESTLESS) Melanie Abdoun (BLACK MOVIE AWARDS; BET ABFF HONORS) John Aboud (HOME ECONOMICS; CLOSE ENOUGH; A FUTILE AND STUPID GESTURE; CHILDRENS HOSPITAL; PENGUINS OF MADAGASCAR; LEVERAGE) Jay Abramowitz (FULL HOUSE; GROWING PAINS; THE HOGAN FAMILY; THE PARKERS) David Abramowitz (HIGHLANDER; MACGYVER; CAGNEY AND LACEY; BUCK JAMES; JAKE AND THE FAT MAN; SPENSER FOR HIRE) Gayle Abrams (FRASIER; GILMORE GIRLS) 1 of 72 Jessica Abrams (WATCH OVER ME; PROFILER; KNOCKING ON DOORS) Kristen Acimovic (THE OPPOSITION WITH JORDAN KLEPPER) Nick Adams (NEW GIRL; BOJACK HORSEMAN; -
Reassessing Journalism 'S Global Future
Challenge & Change: REASSESSING JOURNALISM’S GLOBAL FUTURE Alan Knight Edited By CHALLENGE AND CHANGE Reassessing Journalism’s Global Future Edited by Alan Knight First published in 2013 by UTS ePRESS University of Technology, Sydney Broadway NSW 2007 Australia http://epress.lib.uts.edu.au/ © 2013 Copyright rests with the respective authors of each chapter Challenge and change : reassessing journalism’s global future Edited by Alan Knight ISBN: 978-0-9872369-0-6 The chapters in this book are peer reviewed. Table of Contents Chapter One Journalism re-defined : Alan Knight 1 Chapter Two The rise and fall of newspapers : Paolo Hooke 30 Chapter Three One World? Globalising the Media : Tony Maniaty 53 Chapter Four Reporting a world in conflict : Tony Maniaty 76 Chapter Five Networked journalism in the Arab Spring : Alan Knight 107 Chapter Six Ethics in the age of newsbytes : Sue Joseph 126 Chapter Seven Data Drive Journalism : Maureen Henninger 157 Chapter Eight Information Sources and data discovery: Maureen Henninger 185 Chapter One: Journalism Re-defined Prof. Alan Knight –––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––––– “The future of journalism can and will be better than it’s past. We have never had a more open ecosystem for the expression of information and ideas”. Richard Gingras, Director of news and social products at Google August 9, 2012 in Chicago. (Gingras, 2012)1 Journalists were once defined by where they worked; in newspapers, or radio and television stations. Now, the internet promises everyone, everywhere can be a publisher. But not everyone has the skills or training to be a journalist; defined by their professional practices and codes of ethics. -
The Vision Unsplendid for Australian Newspapers
Hold the Presses: The vision unsplendid for _. Australian newspapers Bruce Montgomery Submitted in fulfilment of the requirements for the degree of Master of Arts University of Tasmania January 2009 Declaration of originality This thesis contains no material that has been accepted for a degree or diploma by the University or any other institution except by way of background information and is duly acknowledged in the thesis, and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due acknowledgement is made in the text of the thesis, nor does the thesis contain any material that infringes copyright. Bruce Montgomery - ii - Statement of authority of access This thesis may be made available for loan and limited copying in accordance - iii - Abstract The destiny of Australian newspapers and the journalists who work for them came into sharp focus in August 2008 when Fairfax Media announced it was cutting five per cent of its Australian and New Zealand workforce. At the same time it flagged it would be outsourcing some editorial production, notably the sub-editing of non-news pages, to private contractors. Fairfax's cost-cutting measures illustrate the extent to which the survival of some of our biggest newspapers is threatened by the modem medium of the Internet. This thesis synthesises and assesses the views of notable players in the news industry on the future of Australian newspapers. Its concern is the future of the print platform per se, not the likely structure and future output of today's newspaper companies. -
Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (75Th, Montreal, Quebec, Canada, August 5-8, 1992)
DOCUMENT RESUME ED 349 622 CS 507 969 TITLE Proceedings of the Annual Meeting of the Association for Education in Journalism and Mass Communication (75th, Montreal, Quebec, Canada, August 5-8, 1992). Part XV: The Newspaper Business. INSTITUTION Seneca Nation Educational Foundation, Salamanca, N.Y. PUB DATE Aug 92 NOTE 324p.; For other sections of these proceedings, see CS 507 955-970. For 1991 Proceedings, see ED 340 045. PUB TYPE Collected Works Conference Proceedings (021) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS *Business Administration; *Economic Factors; *Employer Employee Relationship; Foreign Countries; Journalism History; Marketing; *Mass Media Role; Media Research; *Newspapers; Ownership; *Publishing Industry; Trend Analysis IDENTIFIERS *Business Media Relationship; Indiana; Newspaper Circulation ABSTRACT The Newspaper Business section of the proceedings contains the following 13 papers: "Daily Newspaper Market Structure, Concentration and Competition" (Stephen Lacy and Lucinda Davenport); "Who's Making the News? Changing Demographics of Newspaper Newsrooms" (Ted Pease); "Race, Gender and White Male Backlash in Newspaper Newsrooms" (Ted Pease); "Race and the Politics of Promotion in Newspaper Newsrooms" (Ted Pease); "Future of Daily Newspapers: A Q-Study of Indiana Newspeople and Subscribers" (Mark Popovich and Deborah Reed); "The Relationship between Daily and Weekly Newspaper Penetration in Non-Metropolitan Areas" (Stephen Lacy and Shikha Dalmia); "Employee Ownership at Milwaukee and Cincinnati: A Study in Success and -
Television Satire and Discursive Integration in the Post-Stewart/Colbert Era
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Masters Theses Graduate School 5-2017 On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era Amanda Kay Martin University of Tennessee, Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_gradthes Part of the Journalism Studies Commons Recommended Citation Martin, Amanda Kay, "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/ Colbert Era. " Master's Thesis, University of Tennessee, 2017. https://trace.tennessee.edu/utk_gradthes/4759 This Thesis is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Masters Theses by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a thesis written by Amanda Kay Martin entitled "On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era." I have examined the final electronic copy of this thesis for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Master of Science, with a major in Communication and Information. Barbara Kaye, Major Professor We have read this thesis and recommend its acceptance: Mark Harmon, Amber Roessner Accepted for the Council: Dixie L. Thompson Vice Provost and Dean of the Graduate School (Original signatures are on file with official studentecor r ds.) On with the Motley: Television Satire and Discursive Integration in the Post-Stewart/Colbert Era A Thesis Presented for the Master of Science Degree The University of Tennessee, Knoxville Amanda Kay Martin May 2017 Copyright © 2017 by Amanda Kay Martin All rights reserved. -
Speculating the Queer (In)Human: a Critical, Reparative Reading of Contemporary LGBTQ+ Picturebooks
84 ARTICLES Speculating the Queer (In)Human: A Critical, Reparative Reading of Contemporary LGBTQ+ Picturebooks JON M. WARGO & JAMES JOSHUA COLEMAN Radically questioning and reparatively reading the (in)human, this article extends what counts as queer in critical multicultural children’s literature. HISTORICALLY, EARLY lesbian, gay, bisexual, to spotlight the speculative promise and potential of the transgender, and queer-inclusive (LGBTQ+) picture- fantastic queer (in)human.1 More specifically, we ask: books deployed representations of (in)human characters How is the queer (in)human represented in contempo- (i.e., birds, bunnies, shapeshifters, and more) to open rary LGBTQ+ picturebooks? readers to queer subjects (Young, 2019). While useful What, if anything, does a reparative reading reveal for expanding conceptions of queer life, such a move has about the speculative potential of the queer (in)human? had unintended consequences. The (in)human—here in parentheticals to highlight the violence that minoritized In so doing, we qualify how abject animals and other subjects traverse in their vacillation of human/nonhuman fantastical creatures trouble the ontological underpin- status—has furthered certain undesirable outcomes for nings of both the “human” and the “animal.” For us, such queer representation in critical multicultural children’s representations promise spaces of speculation and repair literature. In seeking to achieve stable humanity, through which we might recognize, while also imagin- LGBTQ+ picturebooks have propelled particular forms ing beyond, the anti-Blackness, misogyny, and queerpho- of queer visibility. Tacitly aligned with 18th-century bia that, as Jackson (2020) pointed out, are inherent in Enlightenment concepts of the liberal hu/Man, LGBTQ+ representations in picturebooks have been primarily 1 Speculation and the speculative—while related to fantasy and white, cisgender, able-bodied, and rational. -
Kayla Nadel-Lamotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231
Kayla Nadel-LaMotta [email protected] | 914-263-6211 240 Sackett Street, Apt 4 Brooklyn NY 11231 Experience: Freelance Production work - April 2017 - Present The Jena Friedman Show - interview show/pilot for Adult Swim - currently an AP working on several segments. CNN + Roads and Kingdoms - research + coordinating logistics and travel for small crew on tour of numerous Asian cities for Bourdain’s ‘Explore Parts Unknown’. First Look Media (Spotlight, The Intercept) - untitled Franchesca Ramsey pilot (starring F.R. + Michelle Buteau) Above Average Productions - 2012-2017 PRODUCER, Jan. 2016 - March 2017 Lead producer on a variety of projects including a number of original comedy series (“The Cream Brothers” created by John Lutz (Late Night) + Tim Robinson (SNL), “Flatbush Zombies Solve a Mind Crime”), two PSA’s for The White House + Civic Nation (“Heads Up America”, to raise awareness for a free comm. college program, and “It’s On Us” to aid in prevention of sexual assaults, both launched by President Barack Obama), original topical video that aired on Elizabeth Banks’s WhoHaHa.com, taped live stand up shows including Sasheer Zamata’s (SNL) monthly show, Party Time! and comedy shows at SXSW, TV Partner series (several in development for IFC’s Comedy Crib), Katie Rich Interview Series (SNL. 1st guest: Leslie Jones). Worked with all creators to develop, prep and produce all shows through post. Includes all manner of creative + physical producing. PRODUCTION COORDINATOR, 2014-2016 Supported all producers on all projects as sole coordinator, any & all tasks related to prep, production and post. Including original comedy one-offs and series ("Hudson Valley Ballers" with Paula Pell, "Storytime" dir. -
Jeremy Jordan
Jeremy Jordan Jeremy Jordan was born and raised in Corpus Christi, Texas. He was always a singer, but at the age of 17, he accidentally fell in love with acting when cast as The Mute in the musical, The Fantasticks. After high school, Jeremy went on to study drama at Ithaca College and moved to New York City after graduating in 2007. After about a year of catering and waiting tables, he began to book some regional theatre work, and in early 2009, landed his first Broadway show, Rock of Ages. He was a swing, understudying several roles including the lead. In December of 2009, he left Rock of Ages to play Tony in Broadway's West Side Story. After West Side Story, Jeremy traveled to Sarasota, Florida to play Clyde Barrow opposite Laura Osnes in Bonnie & Clyde. He then headed to Atlanta, Georgia to shoot his first feature film, “Joyful Noise,” opposite Dolly Parton and Queen Latifah. Todd Graff, who wrote and directed the film, decided to cast him in the movie after coincidentally attending Jeremy's very first performance as the lead in Rock of Ages. In the fall of 2011, Jeremy fulfilled a childhood dream when he was cast as Jack Kelly in Disney's world premiere production of Newsies at Paper Mill Playhouse in New Jersey. He played Jack at night, and during the day rehearsed Bonnie & Clyde, which was coming to Broadway shortly after Newsies finished its regional run. Bonnie & Clyde opened on Broadway in November, 2011 but sadly would close after only 69 performances. -
Nbc Smash & the Voice
NBC SMASH & THE VOICE Problem: How does a network drive viewership in a highly competitive time slot? Solution: Use digital OOH formats to blanket the market on the air date to keep the shows top of mind. BACKGROUND NBC wanted to ensure high viewer rates for the second season of The Voice and the debut of its new show Smash. OBJECTIVE The planning agency was tasked with creating an out of home campaign to publicize the second season of The Voice, and the premiere of newcomer Smash, which would both debut on the Monday following Super Bowl Sunday. STRATEGY To ensure NBC dominated the Monday after the Super Bowl, the planning agency blanketed the full day Monday February 6, with Smash and The Voice tune- in messaging across out of home, supplementing the print, broadcast, radio, and digital efforts from agency partners. The planning agency, working with the client and digital specialists, identified 300+ digital OOH screens across 12 markets to supplement the existing efforts across print, broadcast, radio, and digital. The result was NBC’s “Day of Digital,” a national campaign that gave the network share of voice domination across all me- dia. On Monday, February 6, digital OOH advertisements for Smash and The Voice went live across the selected markets. PLAN DETAILS Markets: Los Angeles, New York, Chicago, Philadelphia, Atlanta, Boston, Minneapolis, Sacramento, Detroit, Phoenix, Dallas, Seattle Flighting Dates: January - February 2012 Out of Home Formats: New York and Los Angeles were the markets of primary focus and where the traditional OOH mostly ran: taxi tops, station dominations, wrapped double- decker buses, and a Times Square Spectacular in New York, while engaging a media mix of bus shelters, bulletins, and wrapped double-decker buses in Los Angeles. -
Media Credibility: a Triangulation Test
Journal of Content, Community & Communication Amity School of Communication Vol. 6 Year 3, June - 2017 [ISSN: 2395-7514 (Print)] Amity University, Madhya Pradesh [ISSN: 2456-9011 (Online)] Media credibility: A triangulation test Malini Srinivasan* and Francis P. Barclay** ABSTRACT Understanding credibility is crucial for newspapers to produce reliable-effectual content. In the present study, credibility of news articles is evaluated using three frames—media, message and source. To test interdependencies among these three credibility frames, a triangulation experiment involving content analysis and questionnaire was conducted with 102 articles (on 34 topics) sourced from three English newspapers published from the Indian state of Tamil Nadu. As many as 306 readers evaluated the credibilities of these articles. Test results showed that there was a significant difference in media, message and source credibilities of the chosen three newspapers. Credibility factors, however, did not depend on gender of the readers but had significant relationships with their age and education. Message credibility was positively associated with both source and media credibilities. However, there was no correlation between media credibility and source credibility, indicating that news sources did not affect the overall perception about trustworthiness of newspaper. Keywords: Media credibility, message credibility, source credibility, newspaper, experiment. INTRODUCTION concerns about public trust and media responsibility, and both groups saw public Though online