Festival Guide Online
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Classical Nakedness in British Sculpture and Historical Painting 1798-1840 Cora Hatshepsut Gilroy-Ware Ph.D Univ
MARMOREALITIES: CLASSICAL NAKEDNESS IN BRITISH SCULPTURE AND HISTORICAL PAINTING 1798-1840 CORA HATSHEPSUT GILROY-WARE PH.D UNIVERSITY OF YORK HISTORY OF ART SEPTEMBER 2013 ABSTRACT Exploring the fortunes of naked Graeco-Roman corporealities in British art achieved between 1798 and 1840, this study looks at the ideal body’s evolution from a site of ideological significance to a form designed consciously to evade political meaning. While the ways in which the incorporation of antiquity into the French Revolutionary project forged a new kind of investment in the classical world have been well-documented, the drastic effects of the Revolution in terms of this particular cultural formation have remained largely unexamined in the context of British sculpture and historical painting. By 1820, a reaction against ideal forms and their ubiquitous presence during the Revolutionary and Napoleonic wartime becomes commonplace in British cultural criticism. Taking shape in a series of chronological case-studies each centring on some of the nation’s most conspicuous artists during the period, this thesis navigates the causes and effects of this backlash, beginning with a state-funded marble monument to a fallen naval captain produced in 1798-1803 by the actively radical sculptor Thomas Banks. The next four chapters focus on distinct manifestations of classical nakedness by Benjamin West, Benjamin Robert Haydon, Thomas Stothard together with Richard Westall, and Henry Howard together with John Gibson and Richard James Wyatt, mapping what I identify as -
Andreoni, Valeria and Speake, Janet (2019) Urban Regeneration and Sus- Tainable Housing Renewal Trends
Andreoni, Valeria and Speake, Janet (2019) Urban regeneration and sus- tainable housing renewal trends. In: Sustainable Cities and Communities. Encyclopedia of the UN Sustainable Development Goals . Springer. ISBN 978-3-319-95717-3 Downloaded from: https://e-space.mmu.ac.uk/622100/ Version: Accepted Version Publisher: Springer Please cite the published version https://e-space.mmu.ac.uk Urban regeneration and sustainable housing renewal trends Valeria Andreoni and Janet Speake Valeria Andreoni, PhD Senior Lecturer in Economics Manchester Metropolitan University Business School, All Saints Campus, Oxford Road, Manchester M15 6BH, UK Email: [email protected] Janet Speake, PhD Associate Professor in Geography Department of Geography and Environmental Science, Liverpool Hope University, Hope Park, Liverpool, L16 9JD, UK Email: [email protected] 1. Introduction: The Sustainable Development Goals (SDGs) have been specifically designed to address some of the main socio-economic and environmental issues affecting developed and developing countries. Aiming to ‘improve people’s lives and to protect the planet for future generation’ the SDGs will be used to frame the political agenda over the next 15 years. Adopted by UN Member States in September 2015, the SDGs are composed of 17 goals and 169 targets to be achieved by 2030. Between them, goal number 11 – Sustainable Cities and Communities, is specifically oriented to make cities inclusive, safe, resilient and sustainable. Since more than half of the world population is presently living in urban context, with numbers expected to increase, the socio-economic and environmental sustainability of cities is today an important priority (UN, 2014). Urban planning, affordable houses, services provision and protection of the cultural and natural heritage are some examples of elements that would need to be considered in the design of sustainable urban realities. -
Liverpool Development Update
LIVERPOOL DEVELOPMENT UPDATE November 2016 Welcome Welcome to the latest edition of Liverpool Development Update. When I became Mayor of the city in 2012, I said that Liverpool’s best days were ahead of it. If you consider the levels of investment being seen across the city today in 2016, my prediction is now ringing true. Since the start of 2012, we have seen over £3.8 billion worth of investment which has brought new businesses, new homes, new schools, and new and improved community and health facilities to Liverpool. We have seen the creation of nearly 15,000 job spaces, many of which will be filled with new jobs to the city. We have also created thousands more construction jobs. There is more good news. Several major new schemes are now in delivery mode. I am pleased to see rapid progress on Derwent’s Liverpool Shopping Park at Edge Lane, whilst Project Jennifer is now well underway with construction about to commence on its new Sainsburys and B&M stores. In addition, Neptune Developments have started work on the Lime Street Gateway project, and I can also report that work is underway on the first phase of the Welsh Streets scheme that will now see many of the traditional terraces converted to larger family homes. Meanwhile, some of the new schemes have started under the Strategic Housing Delivery Partnership which will build a further 1,500 new homes and refurbish another 1,000 existing ones. Plans for new schemes continue to be announced. The Knowledge Quarter is to be expanded with a new £1billion campus specialising in FRONT COVER: research establishments, whilst we are now also seeking to expand the Commercial Office District with new Grade A office space at Pall Mall which this city so vitally needs. -
Industry and the Ideal
INDUSTRY AND THE IDEAL Ideal Sculpture and reproduction at the early International Exhibitions TWO VOLUMES VOLUME 1 GABRIEL WILLIAMS PhD University of York History of Art September 2014 ABSTRACT This thesis considers a period when ideal sculptures were increasingly reproduced by new technologies, different materials and by various artists or manufacturers and for new markets. Ideal sculptures increasingly represented links between sculptors’ workshops and the realm of modern industry beyond them. Ideal sculpture criticism was meanwhile greatly expanded by industrial and international exhibitions, exemplified by the Great Exhibition of 1851, where the reproduction of sculpture and its links with industry formed both the subject and form of that discourse. This thesis considers how ideal sculpture and its discourses reflected, incorporated and were mediated by this new environment of reproduction and industrial display. In particular, it concentrates on how and where sculptors and their critics drew the line between the sculptors’ creative authorship and reproductive skill, in a situation in which reproduction of various kinds utterly permeated the production and display of sculpture. To highlight the complex and multifaceted ways in which reproduction was implicated in ideal sculpture and its discourse, the thesis revolves around three central case studies of sculptors whose work acquired especial prominence at the Great Exhibition and other exhibitions that followed it. These sculptors are John Bell (1811-1895), Raffaele Monti (1818-1881) and Hiram Powers (1805-1873). Each case shows how the link between ideal sculpture and industrial display provided sculptors with new opportunities to raise the profile of their art, but also new challenges for describing and thinking about sculpture. -
Review of 'Sculpture Victorious: Art in an Age of Invention, 1837–1901' At
Review of ‘Sculpture Victorious: Art in an Age of Invention, 1837–1901’ at the Yale Center for British Art, 11 September to 30 November 2014 Jonathan Shirland Stepping out of the elevator onto the second floor, the trio demand attention immediately, and thereby recalibrate our (stereotyped) relation- ship to Victorian sculpture at a stroke. They are impossible to ignore, or walk past. Yet they are a difficult grouping, with the darkly coloured, male, full-length statue of James Sherwood Westmacott’s Saher de Quincy, Earl of Winchester of 1848–53 in uncertain relation to the two very different yet equally captivating busts of Victoria positioned to his left (Fig. 1). Francis Leggatt Chantrey’s rendering from 1840 makes the nineteen-year-old queen sexy: the animated mouth and nostrils, bare neck and shoulders, and subtle folding of the tiara into the plaits of hair reinforcing an exem- plary demonstration of the sensuality of marble. Yet, Alfred Gilbert’s mon- umental three-foot bust made between 1887 and 1889 for the Army & Navy Club in London looms over the shoulder of Chantrey’s young queen; the multiple textures, deep undercutting, and surface detail present an ageing Victoria at her most imposing. So what is Westmacott’s piece doing here as an adjunct to this pairing of sculptural portraits? The curators were perhaps keen to show off the first of their many coups by immediately pre- senting to us a novel sculptural encounter: Westmacott’s Earl is normally removed from close scrutiny, looking down on the chamber of the House of Lords from a niche twenty-five feet above the floor, alongside statues of seventeen other barons and prelates who in 1215 helped to secure the signing of the Magna Carta. -
Granby 4 Streets CLT SUMMER 2017 : NEWSLETTER
Granby 4 Streets CLT SUMMER 2017 : NEWSLETTER It’s all go at the moment with the Community Land Trust, so this is a bumper issue to update you on all our current projects, some of our up-and-coming ideas and schemes and how you can get involved. Want more information? Check out our website www.granby4streetsclt.co.uk or contact us via [email protected] or pop in to 142 Granby Street (Karen and Sam’s old newsagents) on a Wednesday between 10.00am and 4.00pm. Granby Street Market SATURDAY 1ST JULY EID CELEBRATION This month’s street market on Saturday 1st July 2017 will be a special Eid al-Fitr Celebration where we will be wishing Eid Mubarak to all our friends and neighbours. As well as having our usual mix of stalls we will be celebrating Eid through a range of family- friendly activities from donkey rides and face painting, to henna decorations and tattoos. Since moving the market to Granby Street, it Working with community groups and residents has continued to grow and grow which is good in Granby we will be offering themed food news for our local residents and neighbours stalls, music and performances. If you would who shop and sell there, but not so much for like to be part of our celebrations please our over-worked but merry band of volunteers contact either Sara or Shanaz on who manage the market as well as setting it up [email protected] or if you would and taking it down each month. We want to like a stall at the market, please contact see it grow even more and become the largest Theresa at community street market in the North, but to do [email protected]. -
The Connoisseur (Sir Gerald Ryan
1 TheConnoisseur An Illustrated Magazine For Collectors Edited by C. Reginald Grundy Vol. LIX. (JANUARY—APRIL. 1921) LONDON Published by the Proprietor, W. CLAUDE JOHNSON, at tiii., Editorial and Advertisement Okkices of The Connoisskuu, AT I, Duke Street, St. James's, S.W. i 192 1 MROSE AND SONS 1 DERIIY AND I.ONDO 8(i 1)656 NDEX ARTICLES AND NOTES A Beautiful Jacobean Hanging (Note) .Authors and Contributors—coiilinucd. "A Citv Banquet," by Fred Roc, K.I., R.B.C. Richardson, Mrs. Herbert. The Fashion Plates '(Note) of Horace Vernet (Art.) ... ... ... yy Adam and other Furniture (Note) ... Roberts, C. Clifton. Salopian China (Art.) ... 2.( Aitken, John E., Drawings by (Note) Roe. F. Gordon. The Life and Work of F. W. An Outpost of London, by Criticus (Note) Hayes, A.R.C.A., F.R.G.S. (Art.) 103 Angelica Kautfmann and Her .Art. by Lady Victoria Rusconi, Art. Jahn. The Tapestries of Mantua Manners (.\rt.) by Raphael (Art.) 77 Another New Gallery (Note) Williamson, Dr. G. C. Some Notes on the Portraits of Sir Pliilip Sidney (Art) ... Antique Business Extension (Note) 217 Antiques at Waring's (Note) Books Reviewed. Aquatints. Old (Note) A Bookseller's igo Authors and Contributor.s. Catalogue " A Catalogue of Etchings by Augustus John, Andrews, Cyril Bruyn. The Valencia Altar-piece 1901-1914." by Campbell Dodgson ... 5S (Art.) " A Dweller in Mcsnpntamia," by Donald Maxwell 1S7 Brochner, Georg. Old Danish Furniture (.Art.)... " A Hamll.".i. ..I Imlini Art," by E. B. Havell ... 188 Brockwell. Maurice W. Frans Hals Pictures at " Haarlem (Note) A Histiii\ <\ I \ri\,l,iy Things in England," by M. -
15-10-07S Assemble Granby Turner Prize Workshop Catalogue
CATALOGUE 2015 GRANBY WORKSHOP This is a catalogue for Granby Workshop, a In 2011 they entered into an innovative form new social enterprise in Granby, Liverpool of community land ownership, the Granby Four manufacturing handmade products for homes. Streets Community Land Trust (CLT), and Every product within these pages can be bought secured 10 empty houses for renovation as online at www.granbyworkshop.co.uk. affordable homes. Granby Workshop has grown out of the As new occupants are finally moving into community-led rebuilding of a Liverpool freshly renovated terraces that had been empty neighborhood, following years of dereliction for thirty years, Assemble have set up Granby and institutional neglect. Our first range Workshop as a means of continuing to support of products is a set of handmade features, and encourage the kind of hands on activity designed for refurbished homes in Granby to that has brought about immense change in the replace elements that were stripped out of the area. Training and employing local people in houses as they were boarded up by the council. experimental manufacturing processes, the Mantelpieces, door knobs, furniture, fabrics Workshop will sell a range of products that and tiles have been made and developed in the are Made in Granby. Profits will support a Workshop’s current premises on Granby Street. programme engaging young people aged 13 to 18 in creative, practical projects. Granby Street was once a lively high street at the centre of Liverpool’s most racially Mantelpieces cast using brick and rubble and ethnically diverse community. The construction waste from the Four Streets, demolition of all but four of Granby’s streets ceramic door handles smoke-fired in sawdust of Victorian terraces during decades of filled barbeques and tiles decorated with ‘regeneration’ initiatives saw a once thriving colorful hand cut decals have already been community scattered, and left the remaining installed in the CLT houses. -
FFT Fall 2006.Indd
ODYSSEY A PUBLICATION OF FUND FOR TEACHERS VOLUME 2 FALL 2006 Fellowships Impacting Teachers, Classrooms and Communities Students tackle Erie Canal rewatering project as part of school curriculum A teacher dreams. That dream comes which have rivers or canals in the heart of those four communities,” said Hillman. into fruition with a Fund for Teachers fel- the city. Those that have been revitalized “Each group gained different valuable lowship. The fellowship inspires teachers, have become a hub for recreational activi- information such as taxes, the historical students and schools. The school takes the ties, tourism and economic growth. significance and the far-reaching impact on reins in leading a community-wide effort. The students met with mayors, devel- the community.” That’s exactly what has transpired at opers, marketing personnel and other After returning home, they analyzed Genesee Community Charter School in dignitaries who helped them encompass data collected, built spreadsheets with Rochester, New York. the project’s magnitude. valuable statistics and prepared a written Shannon Hillman, a sixth grade teacher, “The students were very well received in See CANALS, Page 4 applied for a FFT grant to research the re- lationship between select European canals and their surrounding communities. Students met with She visited Ireland, England, Scotland Mayor David N. Cicilline and Italy. in Providence, Rhode “I was able to bring back numerous Island last year to learn more about that cityʼs resources for the school staff and students rewatering efforts. to use regarding information on the canals, Below, they are working simple machines and community benefits on canal revitalization due to revitalization,” explained Hillman. -
Reconstructing Public Housing Liverpool’S Hidden History of Collective Alternatives
Reconstructing Public Housing Liverpool’s hidden history of collective alternatives Reconstructing Public Housing Liverpool’s hidden history of collective alternatives Reconstructing Public Housing Matthew Thompson LIVERPOOL UNIVERSITY PRESS First published 2020 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2020 Matthew Thompson The right of Matthew Thompson to be identified as the author of this book has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. British Library Cataloguing-in-Publication data A British Library CIP record is available ISBN 978-1-78962-108-2 paperback eISBN 978-1-78962-740-4 Typeset by Carnegie Book Production, Lancaster An Open Access edition of this book is available on the Liverpool University Press website and the OAPEN library. Contents Contents List of Figures ix List of Abbreviations x Acknowledgements xi Prologue xv Part I Introduction 1 Introducing Collective Housing Alternatives 3 Why Collective Housing Alternatives? 9 Articulating Our Housing Commons 14 Bringing the State Back In 21 2 Why Liverpool of All Places? 27 A City of Radicals and Reformists 29 A City on (the) Edge? 34 A City Playing the Urban Regeneration Game 36 Structure of the Book 39 Part II The Housing Question 3 Revisiting -
Regeneration of a City Centre Liverpool
liverpool 1 regeneration of a city centre liverpool regeneration of a city centre Front cover; Liverpool One site boundary overlaid on the Designed by BDP city’s historic shoreline. (BDP). © 2009 BDP Produced by contents 2 Looking north towards the 3 Mersey Estuary – Liverpool One in the Heart of the City. introduction 4 1 a historical overview of liverpool 6 2 city regeneration 22 3 masterplan evolution 42 4 planning strategy 60 5 concept designs 70 6 the park 98 7 active streets 112 8 beyond 2008 128 epilogue 136 acknowledgments 138 introduction 4 by terry davenport It’s very rare to lead an undertaking that and fitted out in an eight year period plus, of undoubted impact that Liverpool One has had 5 transforms the fortunes of a great city. It’s course, all the enormous infrastructure works on the city, its visitors and proud inhabitants. even more unusual for that city to be your required for such an initiative. However, more importantly in these uncharted home town and place of birth. Because of The public support for the project times, the challenge to the industry is how my personal familiarity it has been a great was evident from the outset. So many to maintain the regeneration of our towns privilege for me to have led the Liverpool One disappointments over so many past years and cities under a quite different set of masterplan team, on behalf of Grosvenor, from meant that the public’s appetite for change was circumstances, circumstances which mean that the first day of the project. -
Strategic Green and Open Spaces Review Board
Strategic Green and Open Spaces Review Board Final Report 2016 A city becomes magnificent when the spaces between the buildings equal the architecture they frame Contents Mayoral Preface .................................................................................................................................................................. 6 Chair’s Note ........................................................................................................................................................................ 8 1. The Strategic Green and Open Spaces Review Board ............................................................................................... 9 Board Members .................................................................................................................................................................................. 9 2. Overview and Introduction .......................................................................................................................................... 13 Background and Context ................................................................................................................................................................. 13 Time of Austerity .............................................................................................................................................................................. 13 The Review ......................................................................................................................................................................................