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Best Fiction 2015
From The New York Times Top .From The New York Times Top 100 *God Help the Child – Toni Morrison Preparation for the Next Life – Atticus Lish Child abuse cuts a jagged scar through Morrison’s novel, a Lish’s gorgeous, upsetting debut novel follows the doomed Ten of 2015 List of 2015 brisk modern-day fairy tale with shades of the Brothers love affair of a traumatized soldier and a Muslim immigrant. *The Door – Magda Szabo Grimm, and a blunt moral: What you do to children matters. Beatlebone – Kevin Barry *Purity – Jonathan Franzen In Szabo’s haunting novel, a writer’s intense relationship In razor-sharp prose, Barry’s novel imagines John Lennon in Harriet Wolf’s Seventh Book of Wonders – Connections emerge slowly as lies and secrets are revealed in with her servant — an older woman who veers from aloof 1978, on a journey through the west of Ireland in search of Julianna Baggott this intricately plotted novel about the corruptions of money indifference to inexplicable generosity to fervent, implacable his creative self, conversing with an Irish driver. The title character’s final novel has gone missing in this and power. rage — teaches her more about people and the world than her tenderhearted story about the legacy of loss. – Valeria -Luiselli long days spent alone, in front of her typewriter. This supple The Beautiful Bureaucrat – Helen Phillips *The Story of My Teeth translation shows how a story about two women in 20th- Hollow Land – Jane Gardam This playful collaborative novel invites reader participation. An administrative worker’s experiences pose existential century Hungary can resonate in a very different time and questions in Phillips’s riveting, drolly -surreal debut novel. -
Federal Communications Commission Before the Federal
Federal Communications Commission Before the Federal Communications Commission Washington, D.C. 20554 In the Matter of ) ) Existing Shareholders of Clear Channel ) BTCCT-20061212AVR Communications, Inc. ) BTCH-20061212CCF, et al. (Transferors) ) BTCH-20061212BYE, et al. and ) BTCH-20061212BZT, et al. Shareholders of Thomas H. Lee ) BTC-20061212BXW, et al. Equity Fund VI, L.P., ) BTCTVL-20061212CDD Bain Capital (CC) IX, L.P., ) BTCH-20061212AET, et al. and BT Triple Crown Capital ) BTC-20061212BNM, et al. Holdings III, Inc. ) BTCH-20061212CDE, et al. (Transferees) ) BTCCT-20061212CEI, et al. ) BTCCT-20061212CEO For Consent to Transfers of Control of ) BTCH-20061212AVS, et al. ) BTCCT-20061212BFW, et al. Ackerley Broadcasting – Fresno, LLC ) BTC-20061212CEP, et al. Ackerley Broadcasting Operations, LLC; ) BTCH-20061212CFF, et al. AMFM Broadcasting Licenses, LLC; ) BTCH-20070619AKF AMFM Radio Licenses, LLC; ) AMFM Texas Licenses Limited Partnership; ) Bel Meade Broadcasting Company, Inc. ) Capstar TX Limited Partnership; ) CC Licenses, LLC; CCB Texas Licenses, L.P.; ) Central NY News, Inc.; Citicasters Co.; ) Citicasters Licenses, L.P.; Clear Channel ) Broadcasting Licenses, Inc.; ) Jacor Broadcasting Corporation; and Jacor ) Broadcasting of Colorado, Inc. ) ) and ) ) Existing Shareholders of Clear Channel ) BAL-20070619ABU, et al. Communications, Inc. (Assignors) ) BALH-20070619AKA, et al. and ) BALH-20070619AEY, et al. Aloha Station Trust, LLC, as Trustee ) BAL-20070619AHH, et al. (Assignee) ) BALH-20070619ACB, et al. ) BALH-20070619AIT, et al. For Consent to Assignment of Licenses of ) BALH-20070627ACN ) BALH-20070627ACO, et al. Jacor Broadcasting Corporation; ) BAL-20070906ADP CC Licenses, LLC; AMFM Radio ) BALH-20070906ADQ Licenses, LLC; Citicasters Licenses, LP; ) Capstar TX Limited Partnership; and ) Clear Channel Broadcasting Licenses, Inc. ) Federal Communications Commission ERRATUM Released: January 30, 2008 By the Media Bureau: On January 24, 2008, the Commission released a Memorandum Opinion and Order(MO&O),FCC 08-3, in the above-captioned proceeding. -
THE WORLD PREMIERE CONCERT FILM of F*CK7THGRADE BEGINS STREAMING on JANUARY 25Th Singer/Songwriter Jill Sobule Shares Her Rock & Roll Life Story on Screen
CONTACT: Nikki Battestilli Marketing Director [email protected] CityTheatreCompany.org FOR IMMEDIATE RELEASE THE WORLD PREMIERE CONCERT FILM OF F*CK7THGRADE BEGINS STREAMING ON JANUARY 25th Singer/Songwriter Jill Sobule Shares Her Rock & Roll Life Story On Screen Performers: Jill Sobule, Kristen Henderson, Sarah Siplak, and Julie Wolf Pittsburgh, PA (January 10, 2021): As the Covid-19 pandemic continues to prevent a safe return to indoor performances, City Theatre is excited to announce the world premiere concert film of F*ck7thGrade. F*ck7thGrade began its journey at City Theatre three years ago when Associate Artistic Director and dramaturg Clare Drobot met singer/songwriter Jill Sobule in New York. City Theatre paired Ms. Sobule with playwright Liza Birkenmeier, who wrote the book for the show, and workshopped and presented what would become F*ck7thGrade in the theater’s 2018 Momentum Festival of New Plays. After adding OBIE Award-winning director Lisa Peterson and music director Julie Wolf to the creative team, the show was further developed at the Colorado New Play Festival in Steamboat Springs and at Actor’s Express in Atlanta, supported by the National New Play Network. The world premiere production was slated as the final show of City Theatre’s 2019/20 season when the Covid-19 pandemic stopped live performances across the country. The team at City Theatre created an outdoor, drive-in venue at Hazelwood Green and staged the concert version of the show over three nights in front of an invited audience. Videographers Mickey and Molly Miller of Human Habits captured the show live and served as editors, working closely with the directors, sound engineer Brad Peterson, and City Theatre’s artistic staff to create this theatrical, multi-camera concert film. -
Carolyn Smart
CAROLYN SMART Professor Department of English, Queen’s University Kingston, ON K7L 3N6 613-533-6000 Ext. 74434 Electronic mail: [email protected] Academic Background: BAH Trinity College, University of Toronto, 1973 Employment--Academic: 2016- Professor, Department of English, Queen’s University 2010-2016 Continuing Adjunct, Department of English, Queen's University 2003-2009 Term Adjunct, Department of English, Queen’s University 1989-2003 Adjunct I, Department of English, Queen’s University Associated Literary Activities: Associate Editor, McGill-Queen’s Press, MacLennan Poetry Series, 2013 - Consultant, Broadview Press, Creative Writing texts, 2013- The Banff School of Fine Arts, Faculty, Writing with Style, Poetry, 2011 Editorial Board member, McGill-Queen’s Press, MacLennan series, 1996-2006 Awards and Honours: Fred Cogswell Award For Excellence in Poetry, 2nd prize, for CAREEN, 2016 Dora Mavor Moore Award: Outstanding New Play, nomination for HOOKED, 2015 Showcase Award, Alberta Magazine Publishers Association, finalist, 2014 K.M. Hunter Artist Awards (Literature) nominated, 2011 ReLit Award, long-listed, 2010 CBC Literary Contest, 1st Prize, Personal Essay Category, for an excerpt from AT THE END OF THE DAY, 1993 National Magazine Awards, Honourable Mention, for a poem published in Quarry, 1992 Publications—Books Authored CAREEN, Brick Books, London ON 2015, 2016 HOOKED - Seven Poems, Brick Books, London ON 2009, 2010, 2011 AT THE END OF THE DAY, A MEMOIR, Penumbra, Manotick ON 2001 THE WAY TO COME HOME, Brick Books, London ON -
Universities, Iowa Public Radio, and the Board Office
BOARD OF REGENTS AGENDA ITEM 5 STATE OF IOWA AUGUST 5, 2009 Contact: Brad Berg FY 2010 BUDGETS – UNIVERSITIES, IOWA PUBLIC RADIO, BOARD OFFICE Actions Requested: Consider approval of FY 2010: 1. Regent institutional budgets as presented on pages 5-9. 2. Iowa Public Radio budget as presented in Attachment D on page 23. 3. Board Office operating budget as shown in Attachment E on page 24. Executive Summary: Consistent with the Board’s strategic plan to demonstrate public accountability and effective stewardship of resources, all institutional budgets are approved annually by the Board. The FY 2010 budgets for the special schools were approved at the June 2009 meeting. In April, the Board considered key budgetary issues to provide guidance in the development of the FY 2010 institutional budgets. In June, the Board approved the institutional salary policies and received FY 2010 budget development updates from Iowa’s public universities, which included the projected application of one-time federal economic stimulus funding. The Board also adopted a resolution to hold salaries flat in FY 2010 for all non-bargaining unit employees with exceptions being approved by the institutional heads upon consultation with the Board Office. The Board is now asked to consider approval of the proposed budgets for the universities, Iowa Public Radio, and the Board Office. The Regent institutional budgets include two basic types of funds: General operating funds include operational appropriations, interest income, tuition and fee revenues, reimbursed indirect costs, and sales and services revenues. Some appropriations are designated for specific operating uses and cannot be used for other purposes. -
They Hate US for Our War Crimes: an Argument for US Ratification of the Rome Statute in Light of the Post-Human Rights
UIC Law Review Volume 52 Issue 4 Article 4 2019 They Hate U.S. for Our War Crimes: An Argument for U.S. Ratification of the Rome Statute in Light of the ost-HumanP Rights Era, 53 UIC J. MARSHALL. L. REV. 1011 (2019) Michael Drake Follow this and additional works at: https://repository.law.uic.edu/lawreview Part of the Human Rights Law Commons, International Humanitarian Law Commons, and the Military, War, and Peace Commons Recommended Citation Michael Drake, They Hate U.S. for Our War Crimes: An Argument for U.S. Ratification of the Rome Statute in Light of the Post-Human Rights Era, 53 UIC J. MARSHALL. L. REV. 1011 (2019) https://repository.law.uic.edu/lawreview/vol52/iss4/4 This Comments is brought to you for free and open access by UIC Law Open Access Repository. It has been accepted for inclusion in UIC Law Review by an authorized administrator of UIC Law Open Access Repository. For more information, please contact [email protected]. THEY HATE U.S. FOR OUR WAR CRIMES: AN ARGUMENT FOR U.S. RATIFICATION OF THE ROME STATUTE IN LIGHT OF THE POST-HUMAN RIGHTS ERA MICHAEL DRAKE* I. INTRODUCTION ......................................................... 1012 II. BACKGROUND ............................................................ 1014 A. Continental Disparities ......................................... 1014 1. The International Process in Africa ............... 1014 2. The National Process in the United States of America ............................................................ 1016 B. The Rome Statute, the ICC, and the United States ................................................................................. 1020 1. An International Court to Hold National Leaders Accountable ...................................................... 1020 2. The Aims and Objectives of the Rome Statute .......................................................................... 1021 3. African Bias and U.S. -
Public Notice >> Licensing and Management System Admin >>
REPORT NO. PN-2-210125-01 | PUBLISH DATE: 01/25/2021 Federal Communications Commission 45 L Street NE PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 ACTIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000122670 Renewal of FM KLWL 176981 Main 88.1 CHILLICOTHE, MO CSN INTERNATIONAL 01/21/2021 Granted License From: To: 0000123755 Renewal of FM KCOU 28513 Main 88.1 COLUMBIA, MO The Curators of the 01/21/2021 Granted License University of Missouri From: To: 0000123699 Renewal of FL KSOZ-LP 192818 96.5 SALEM, MO Salem Christian 01/21/2021 Granted License Catholic Radio From: To: 0000123441 Renewal of FM KLOU 9626 Main 103.3 ST. LOUIS, MO CITICASTERS 01/21/2021 Granted License LICENSES, INC. From: To: 0000121465 Renewal of FX K244FQ 201060 96.7 ELKADER, IA DESIGN HOMES, INC. 01/21/2021 Granted License From: To: 0000122687 Renewal of FM KNLP 83446 Main 89.7 POTOSI, MO NEW LIFE 01/21/2021 Granted License EVANGELISTIC CENTER, INC From: To: Page 1 of 146 REPORT NO. PN-2-210125-01 | PUBLISH DATE: 01/25/2021 Federal Communications Commission 45 L Street NE PUBLIC NOTICE Washington, D.C. 20554 News media info. (202) 418-0500 ACTIONS File Number Purpose Service Call Sign Facility ID Station Type Channel/Freq. City, State Applicant or Licensee Status Date Status 0000122266 Renewal of FX K217GC 92311 Main 91.3 NEVADA, MO CSN INTERNATIONAL 01/21/2021 Granted License From: To: 0000122046 Renewal of FM KRXL 34973 Main 94.5 KIRKSVILLE, MO KIRX, INC. -
Radio Broadcasting
APPROVALS The Academy of Radio Broadcasting, 16052 Beach Blvd., Suite 263, Huntington Beach, CA 92647 has been approved to operate by The Bureau for Private Postsecondary Education (www.bppe.ca.gov) under the California Education Code Section 94915. Approval to operate means that The Academy is in compliance with the minimum state standards and does not imply any endorsement or recommendation by the state or by The Bureau. The educational program offered by The Academy is validated by the Accrediting Commission of the Accrediting Council for Continuing Education and Training (ACCET), a national accrediting agency listed with the U.S. Department of Education. Radio Broadcasting (Campus) The Radio Broadcasting Program is a comprehensive training program that consists of 36 Quarter Credits (900 hours) of studio time and instruction over a 30-week period equaling one full academic year. Students must attend at least 24 hours per week to be a full time student for financial aid purposes. The education combines hands-on, live broadcasting from fully equipped studios with practical and theoretical information, production, Vocal Coaching, Personal Instruction, and Career Guidance. The Course provides complete skills training allowing graduates access to entry-level career positions in the broadcast industry as Air Personalities, Newscasters, Sportscasters, Commercial Producers, and as well as other stimulating opportunities, including self-employment on their own Internet radio station, and voice over and commercial production via the Internet. The Academy will coordinate with students, as space and practicality permit, the best times for them to attend. This open structure allows Students to attend to their personal responsibilities while pursuing their career goals. -
Program Submissions
PRI Submission Guidelines About PRI: Celebrated as a driver of innovation in public media, Public Radio International (PRI) was founded in 1983 to diversify and expand the content available on public platforms, enabling U.S. listeners to "hear a different voice™" and to connect with one another and the larger world. PRI leads by identifying critical but unmet content needs and partnering with producers, stations, digital networks and funders to develop multi-platform resources to meet those needs. By creating an environment in which innovation can thrive, PRI supports the creation and distribution of content that would otherwise be unavailable and that brings new voices, global journalism and cultural perspectives to the American public. PRI content is available on pri.org and via podcasts, and is broadcast on over 824 public radio stations. More than 13 million people access PRI content each week through these sources. PRI's newest production is "The Takeaway™," a groundbreaking morning-drive news show co-produced with WNYC Radio. Its best known programming includes "This American Life," produced by Chicago Public Radio; PRI's "The World," a co- production of BBC World Service, PRI and WGBH Radio Boston; "Living on Earth," produced by World Media Foundation Inc.; "Michael Feldman's Whad'Ya Know?," produced by Wisconsin Public Radio; "The Tavis Smiley Show," produced by Smiley Radio Properties Inc.; and "Studio 360 from PRI and WNYC®," produced by PRI and WNYC; as well as 24-hour program services — "Classical 24®," produced by American Public Media; and BBC World Service, produced by the British Broadcasting Corporation. For more information, visit www.pri.org. -
Boston Symphony Orchestra Concert Programs, Season 113, 1993-1994
Boston Symphony Orchestra Twentieth Anniversary Season 19 9 3-94 *,* 'K> ye €B€L the architects of ti m e beluQO Soft and elegant. Hand sculpted in Switzerland exclusively in 18 karat gold. Water resistant Five year international limited warranty. Intelligently priced. E.B. HORN Jewelers Since 1839 Positively The Best Value In Jewelry 429 WASHINGTON ST BOSTON 02108 ALL MAJOR CREDIT CARDS ACCEPTED • BUDGET TERMS MAIL OR PHONE ORDERS 542-3902 • OPEN MON. AND THURS. TIL 7 Seiji Ozawa, Music Director One Hundred and Thirteenth Season, 1993-94 Trustees of the Boston Symphony Orchestra, Inc. J. P. Barger, Chairman George H. Kidder, President Mrs. Lewis S. Dabney, Vice-Chairman Nicholas T. Zervas, Vice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman andTreasurer David B. Arnold, Jr. Nina L. Doggett George Krupp Peter A. Brooke Dean Freed R. Willis Leith, Jr. James F. Cleary Avram J. Goldberg Mrs. August R. Meyer John F. Cogan, Jr. Thelma E. Goldberg Molly Beals Millman Julian Cohen Julian T. Houston Mrs. Robert B. Newman William F. Connell Mrs. BelaT. Kalman Peter C. Read William M. Crozier, Jr. Allen Z. Kluchman Richard A. Smith Deborah B. Davis Harvey Chet Krentzman Ray Stata Trustees Emeriti Vernon R. Alden Archie C. Epps Irving W. Rabb Philip K. Allen Mrs. Harris Fahnestock Mrs. George Lee Sargent Allen G. Barry Mrs. John L. Grandin Sidney Stoneman Leo L. Beranek Mrs. George I. Kaplan John Hoyt Stookey AbramT. Collier Albert L. Nickerson John L. Thorndike Nelson J. Darling, Jr. Thomas D. Perry, Jr. Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Michael G. -
The Unfairness Doctrine - Balance and Response Over the Airwaves, 1 Hastings Comm
Hastings Communications and Entertainment Law Journal Volume 1 | Number 1 Article 1 1-1-1977 The nfU airness Doctrine - Balance and Response over the Airwaves Steven J. Simmons Follow this and additional works at: https://repository.uchastings.edu/ hastings_comm_ent_law_journal Part of the Communications Law Commons, Entertainment, Arts, and Sports Law Commons, and the Intellectual Property Law Commons Recommended Citation Steven J. Simmons, The Unfairness Doctrine - Balance and Response over the Airwaves, 1 Hastings Comm. & Ent. L.J. 1 (1977). Available at: https://repository.uchastings.edu/hastings_comm_ent_law_journal/vol1/iss1/1 This Article is brought to you for free and open access by the Law Journals at UC Hastings Scholarship Repository. It has been accepted for inclusion in Hastings Communications and Entertainment Law Journal by an authorized editor of UC Hastings Scholarship Repository. For more information, please contact [email protected]. The "Unfairness Doctrine" - Balance and Response Over the Airwaves By STEVEN J. SIMMONS Assistant Professor, Program in Social Ecology, University of California, Irvine; Visiting Scholar, Boalt Hall School of Law, 1976-77; B.A., Cornell University, 1968; J.D., Harvard University, 1972; Member, California Bar. Introduction T HE SO-CALLED "fairness doctrine" requires television and radio licensees to do two things. Part one of the doctrine obligates broad- cast licensees to devote a reasonable percentage of their programming to controversial issues of public importance. Part two of the doctrine mandates that contrasting viewpoints be aired when such issues are covered.' Under the doctrine, licensees are judged by a reasonableness, good faith standard, and are given wide discretion. As long as a licensee's @ Copyright 1977, Steven J. -
GLOBAL CHILLING the Impact of Mass Surveillance on International Writers
The Impact of Mass Surveillance on International Writers GLOBAL CHILLING The Impact of Mass Surveillance on International Writers Results from PEN’s International Survey of Writers January 5, 2015 1 Global Chilling The Impact of Mass Surveillance on International Writers Results from PEN’s International Survey of Writers January 5, 2015 © PEN American Center 2015 All rights reserved PEN American Center is the largest branch of PEN International, the world’s leading literary and human rights organization. PEN works in more than 100 countries to protect free expression and to defend writers and journalists who are imprisoned, threatened, persecuted, or attacked in the course of their profession. PEN America’s 3700 members stand together with more than 20,000 PEN writers worldwide in international literary fellowship to carry on the achievements of such past members as James Baldwin, Robert Frost, Allen Ginsberg, Langston Hughes, Arthur Miller, Eugene O’Neill, Susan Sontag, and John Steinbeck. For more information, please visit www.pen.org. CONTENTS INTRODUCTION 4 PRESENTATION OF KEY FINDINGS 7 RECOMMENDATIONS 15 ACKNOWLEDGMENTS 17 METHODOLOGY 18 APPENDIX: PARTIAL SURVEY RESULTS 24 NOTES 35 GLOBAL CHILLING From August 28 to October 15, 2014, INTRODUCTION PEN American Center carried out an international survey of writers1, to in- vestigate how government surveillance influences their thinking, research, and writing, as well as their views of gov- ernment surveillance by the U.S. and its impact around the world. The survey instrument was developed and overseen by the nonpartisan expert survey research firm The FDR Group.2 The survey yielded 772 responses from writers living in 50 countries.