Chapter 34 ____ in the U.S
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Walt Disney and the Power of Music James Bohn
Libri & Liberi • 2018 • 7 (1): 167–180 169 The final part of the book is the epilogue entitled “Surviving Childhoodˮ, in which the author shares her thoughts on the importance of literature in childrenʼs lives. She sees literature as an opportunity to keep memories, relate stories to pleasant times from the past, and imagine things which are unreachable or far away. For these reasons, children should be encouraged to read, which will equip them with the skills necessary to create their own associations with reading and creating their own worlds. Finally, The Courage to Imagine demonstrates how literature can influence childrenʼs thinking and help them cope with the world around them. Dealing with topics present in everyday life, such as ethnic diversity, fear, bullying, or empathy, and offering examples of child heroes who overcome their problems, this book will be engaging to teachers and students, as well as experts in the field of childrenʼs literature. Its simple message that through reading children “can escape the adult world and imagine alternativesˮ (108) should be sufficient incentive for everybody to immerse themselves in reading and to start imagining. Josipa Hotovec Walt Disney and the Power of Music James Bohn. 2017. Music in Disneyʼs Animated Features: Snow White and the Seven Dwarfs to The Jungle Book. Jackson, Mississippi: University Press of Mississippi, 294 pp. ISBN 978-1-4968-1214-8 DOI: 10.21066/carcl.libri.2018-07(01).0008 “The essence of a Disney animated feature is not drawn by pencil […]. Rather, it is written in notes”, states James Bohn in the conclusion to his 2017 book Music in Disney’s Animated Features: Snow White and the Seven Dwarfs to The Jungle Book (201). -
Hollywood Musicals
i HOLLYWOOD MUSICALS Hollywood Musicals offers an insightful account of a genre that was once a main- stay of twentieth- century fi lm production and continues to draw audiences today. What is a fi lm musical? How do musicals work, formally and culturally? Why have they endured since the introduction of sound in the late 1920s? What makes them more than glittery surfaces or escapist fare? In answering such questions, this guidebook by Steven Cohan takes new and familiar viewers on a tour of Hollywood musicals. Chapters discuss defi nitions of the genre, its long history, different modes of analyzing it, the great stars of the classic era, and auteur directors. Highlights include extended discussions of such celebrated musicals from the studio era as The Love Parade, Top Hat , Holiday Inn , Stormy Weather, The Gang’s All Here, Meet Me in St. Louis, Cover Girl, Mother Wore Tights, Singin’ in the Rain , Gentlemen Prefer Blondes, The Band Wagon , Seven Brides for Seven Brothers , and Jailhouse Rock as well as later fi lms, such a s Cabaret , All that Jazz, Beauty and the Beast, and La La Land. Cohan brings in numerous other examples that amplify and extend to the present day his claims about the musical, its generic coherence and fl exibility, its long and distinguished history, its special appeal, and its cultural signifi cance. Clear and accessible, this guide provides students of fi lm and culture with a succinct but substantial overview that provides both analysis and intersectional context to one of Hollywood’s most beloved genres. Steven Cohan’s books include Masked Men: Masculinity and the Movies in the Fifties, Incongruous Entertainment: Camp, Cultural Value, and the MGM Musical , and Hollywood by Hollywood: The Backstudio Picture and the Mystique of Making Movies. -
Happy Birthday!
THE THURSDAY, APRIL 1, 2021 Quote of the Day “That’s what I love about dance. It makes you happy, fully happy.” Although quite popular since the ~ Debbie Reynolds 19th century, the day is not a public holiday in any country (no kidding). Happy Birthday! 1998 – Burger King published a full-page advertisement in USA Debbie Reynolds (1932–2016) was Today introducing the “Left-Handed a mega-talented American actress, Whopper.” All the condiments singer, and dancer. The acclaimed were rotated 180 degrees for the entertainer was first noticed at a benefit of left-handed customers. beauty pageant in 1948. Reynolds Thousands of customers requested was soon making movies and the burger. earned a nomination for a Golden Globe Award for Most Promising 2005 – A zoo in Tokyo announced Newcomer. She became a major force that it had discovered a remarkable in Hollywood musicals, including new species: a giant penguin called Singin’ In the Rain, Bundle of Joy, the Tonosama (Lord) penguin. With and The Unsinkable Molly Brown. much fanfare, the bird was revealed In 1969, The Debbie Reynolds Show to the public. As the cameras rolled, debuted on TV. The the other penguins lifted their beaks iconic star continued and gazed up at the purported Lord, to perform in film, but then walked away disinterested theater, and TV well when he took off his penguin mask into her 80s. Her and revealed himself to be the daughter was actress zoo director. Carrie Fisher. ©ActivityConnection.com – The Daily Chronicles (CAN) HURSDAY PRIL T , A 1, 2021 Today is April Fools’ Day, also known as April fish day in some parts of Europe. -
German Operetta on Broadway and in the West End, 1900–1940
Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 Downloaded from https://www.cambridge.org/core. IP address: 170.106.202.58, on 26 Sep 2021 at 08:28:39, subject to the Cambridge Core terms of use, available at https://www.cambridge.org/core/terms. https://www.cambridge.org/core/product/2CC6B5497775D1B3DC60C36C9801E6B4 German Operetta on Broadway and in the West End, 1900–1940 Academic attention has focused on America’sinfluence on European stage works, and yet dozens of operettas from Austria and Germany were produced on Broadway and in the West End, and their impact on the musical life of the early twentieth century is undeniable. In this ground-breaking book, Derek B. Scott examines the cultural transfer of operetta from the German stage to Britain and the USA and offers a historical and critical survey of these operettas and their music. In the period 1900–1940, over sixty operettas were produced in the West End, and over seventy on Broadway. A study of these stage works is important for the light they shine on a variety of social topics of the period – from modernity and gender relations to new technology and new media – and these are investigated in the individual chapters. This book is also available as Open Access on Cambridge Core at doi.org/10.1017/9781108614306. derek b. scott is Professor of Critical Musicology at the University of Leeds. -
Download Booklet
BIS-CD-1049STEREO lDD Dl Totalplaying time: 46'36 E Introduction l'28 tr O Lord My God!(How Great Thou Art) 5'15 Words & Music by Carl Bctberg.Arranged & Sequencedby Hiro lida Voeol 4rronpemcnrht Vorlon \ondcrt tr Beautyand the Beast 3'23 Worclsby Howarcl Ashman I Music by Alan Menken. Arranged & Sequencedby Jamshied Sharifi E Star Dust 1'07 Words by Michell Parish I Music by Hoag.\'Carmichael Arranged by Gil Goldstein (Dedicqted to Lili Goldstein) E IfI LovedYou 3'35 Words by Oscar Hammerstein II I Music b,t Richard Rogers Arranged by Gil Goldstein (Dedicated to Lili Goldstein) tr SilentNight 3'39 Words by Joseph Mohr I Music by Franz Gruber. Arranged by Gil Goldstein tr The Meaningof Wonder 4',59 Wordt & 14usicbt Cil Coldstein E Some Day My Prince Will Come 1r(t Words by Larr1, Morel l Music by Frank Churchill. Arranged & Sequencedby Hi'o Iida tr O Holy Night 3'36 EnglishWonls by D.S. Du'ight I Music by Adolphe Adam. Arranged and Sequencedby Jamshied Shartf @ Music of the Spheres 5'33 Words & Music br Gil Goldstetn E White Christmas 5'21 Words & Music b:" Ining Berlin. Arrqnged & Sequencedbl Hi'o lida E WhenYou Wish Upona Star 4'08 Words by NedWashingt<n I Music by Leigh Harline. Art'anged by Andy Erzin Yoshikazu Mera, counter-tenor Yoshikazu Mera, Japan's leading counter-tenor, is a winner of the highest prize at the eighth Early Music Competition (1994) and the third prize at the sixth Sogakudo JapaneseLied Com- petition (1995). He is highly acclaimedin sacredand early music field, appearingas a soloist with the Bach Collegium Japan and in opera. -
Leonard Bernstein's MASS
27 Season 2014-2015 Thursday, April 30, at 8:00 Friday, May 1, at 8:00 The Philadelphia Orchestra Saturday, May 2, at 8:00 Sunday, May 3, at 2:00 Leonard Bernstein’s MASS: A Theatre Piece for Singers, Players, and Dancers* Conducted by Yannick Nézet-Séguin Texts from the liturgy of the Roman Mass Additional texts by Stephen Schwartz and Leonard Bernstein For a list of performing and creative artists please turn to page 30. *First complete Philadelphia Orchestra performances This program runs approximately 1 hour, 50 minutes, and will be performed without an intermission. These performances are made possible in part by the generous support of the William Penn Foundation and the Andrew W. Mellon Foundation. Additional support has been provided by the Presser Foundation. 28 I. Devotions before Mass 1. Antiphon: Kyrie eleison 2. Hymn and Psalm: “A Simple Song” 3. Responsory: Alleluia II. First Introit (Rondo) 1. Prefatory Prayers 2. Thrice-Triple Canon: Dominus vobiscum III. Second Introit 1. In nomine Patris 2. Prayer for the Congregation (Chorale: “Almighty Father”) 3. Epiphany IV. Confession 1. Confiteor 2. Trope: “I Don’t Know” 3. Trope: “Easy” V. Meditation No. 1 VI. Gloria 1. Gloria tibi 2. Gloria in excelsis 3. Trope: “Half of the People” 4. Trope: “Thank You” VII. Mediation No. 2 VIII. Epistle: “The Word of the Lord” IX. Gospel-Sermon: “God Said” X. Credo 1. Credo in unum Deum 2. Trope: “Non Credo” 3. Trope: “Hurry” 4. Trope: “World without End” 5. Trope: “I Believe in God” XI. Meditation No. 3 (De profundis, part 1) XII. -
Django Reinhardt
Data » Personalities » Django Reinhardt http://romani.uni-graz.at/rombase Django Reinhardt Peter Wagner Today is the 1st of November, 1928, All Saint’s Day, late in the evening. The Reinhardt family shares this holiday with the souls of the deceased, particularly with a young one, only lately deceased, for whom the caravan has been decorated with artificial flowers. Young Django Reinhardt is returning from a concert, most probably preoccupied by an offer by Jack Holton, the English master of symphonic jazz, to move to him to England and play in his orchestra. Fate, however, had decreed otherwise. He lights the candles, and with them the flowers, and immediately the whole caravan catches fire; the family is glad to escape with their lives. For the young, promising musician, this incident is a catastrophe. His left leg is badly burnt, it will later have to be operated on, but what is worse, two fingers of his left hand remain unable to function, which is to lose the basis of existence for a goldsmith or a musician. But not Django Reinhardt. A fanatic love of music had already rooted in him, and a present – a guitar which should support his therapy – makes it break out. Notwithstanding his handicap, an inner need to express himself via music makes him return in all his virtuosity within one and a half years, equipped with additional, original means of expression. His new technique arouses amazement and curiosity with a whole generation of guitarists and musical researchers. It is difficult to judge the role of his handicap in this still significant– mainly among the Roma – school. -
ELLINGTON '2000 - by Roger Boyes
TH THE INTERNATIONAL BULLETIN22 year of publication OEMSDUKE ELLINGTON MUSIC SOCIETY | FOUNDER: BENNY AASLAND HONORARY MEMBER: FATHER JOHN GARCIA GENSEL As a DEMS member you'll get access from time to time to / jj£*V:Y WL uni < jue Duke material. Please bear in mind that such _ 2000_ 2 material is to be \ handled with care and common sense.lt " AUQUSl ^^ jj# nust: under no circumstances be used for commercial JUriG w «• ; j y i j p u r p o s e s . As a DEMS member please help see to that this Editor : Sjef Hoefsmit ; simple rule is we \&! : T NSSESgf followed. Thus will be able to continue Assisted by: Roger Boyes ^ fueur special offers lil^ W * - DEMS is a non-profit organization, depending on ' J voluntary offered assistance in time and material. ALL FOR THE L O V E D U K E !* O F Sponsors are welcomed. Address: Voort 18b, Meerle. Belgium - Telephone and Fax: +32 3 315 75 83 - E-mail: [email protected] LOS ANGELES ELLINGTON '2000 - By Roger Boyes The eighteenth international conference of the Kenny struck something of a sombre note, observing that Duke Ellington Study Group took place in the we’re all getting older, and urging on us the need for active effort Roosevelt Hotel, 7000 Hollywood Boulevard, Los to attract the younger recruits who will come after us. Angeles, from Wednesday to Sunday, 24-28 May This report isn't the place for pondering the future of either 2000. The Duke Ellington Society of Southern conferences or the wider activities of the Ellington Study Groups California were our hosts, and congratulations are due around the world. -
Fréhel and Bessie Smith
University of Connecticut OpenCommons@UConn Doctoral Dissertations University of Connecticut Graduate School 9-18-2018 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson University of Connecticut - Storrs, [email protected] Follow this and additional works at: https://opencommons.uconn.edu/dissertations Recommended Citation Jackson, Tiffany Renée, "Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer" (2018). Doctoral Dissertations. 1946. https://opencommons.uconn.edu/dissertations/1946 Fréhel and Bessie Smith: A Cross-Cultural Study of the French Realist Singer and the African American Classic Blues Singer Tiffany Renée Jackson, DMA University of Connecticut, 2018 ABSTRACT In this dissertation I explore parallels between the lives and careers of the chan- son réaliste singer Fréhel (1891-1951), born Marguerite Boulc’h, and the classic blues singer Bessie Smith (1894-1937), and between the genres in which they worked. Both were tragic figures, whose struggles with love, abuse, and abandonment culminated in untimely ends that nevertheless did not overshadow their historical relevance. Drawing on literature in cultural studies and sociology that deals with feminism, race, and class, I compare the the two women’s formative environments and their subsequent biographi- cal histories, their career trajectories, the societal hierarchies from which they emerged, and, finally, their significance for developments in women’s autonomy in wider society. Chanson réaliste (realist song) was a French popular song category developed in the Parisian cabaret of the1880s and which attained its peak of wide dissemination and popularity from the 1920s through the 1940s. -
Read Book Just for the Record
JUST FOR THE RECORD PDF, EPUB, EBOOK Geri Halliwell | 320 pages | 01 Nov 2003 | Ebury Publishing | 9780091888046 | English | London, United Kingdom Just For The Record PDF Book Jeff Randall Kenneth Cope When the Sun Comes Out. Pargiter Olivia Hamnett Ager Arlen Koehler Yellen. Barbra Streisand feat: Don Rickles. The Barbra Streisand Album , Marty Hopkirk Annette Andre Stoney End , Movies I have seen. Liner notes. Energetic Happy Hypnotic. DeSylva Lew Brown. Andre Mallot James Forrest Back to Broadway Halloween Movies for the Whole Family. Miss Marmelstein Harold Rome. Browne ultimately awarded the collection a grade of A- and called it a good representation of the singer's ability to "chang[e the] definition of pop" and "make mainstream adult pop that was strong, elegant, [and] even passionate". Another common usage of the idiom involves clarifying a person's motivation for saying something or engaging in a particular action. Rainy Day Relaxation Road Trip. Barbra Streisand feat: Judy Garland. The Broadway Album , Don't Rain on My Parade. Title: Just for the Record 15 Jan The Best Horror Movies on Netflix. Alternately, someone may use it to explain why he did something that appeared particularly unintelligent. I Can Do It. Other tracks were compiled from various live performances, TV specials, and previous albums from her back catalog. Warm All Over Frank Loesser. Lost Inside of You. My Honey's Lovin' Arms. Lorenz Hart Richard Rodgers. It includes 24 of the songs from Just for the Record The Moon and I. You're the Top Cole Porter. Cryin' Time. Add the first question. -
Accentuate the Positive Unit 1 Lesson 1 & 2
Accentuate The Positive: Unit 1: Lessons 1 & 2 Lesson #1: “Accentuate the Positive” (1944) by Johnny Mercer & Harold Arlen Lesson Overview These lessons are an introduction to Johnny Mercer, the Great American Songbook, and lyric writing. Classes will receive the original Accentuate the Positive: Guide to Lyric Writing for Kids programming. Students will be exposed to different subject matters and will have opportunities to learn tools for lyric writing and creating personal lyrics, all while fulfilling national core standards. Have fun! Objectives Upon completion of this lesson students will be able to: Know about songwriter Johnny Mercer Understand the definitions of lyricist and composer Have an understanding of songwriting skills: Rhyme, Personification Write lyrics for a song Standards Nat’l Core Arts - Music: Creating. Students will generate musical ideas, rhythms and will be encouraged to create their own melodies. English/Lang Arts Standards: STRANDS--Reading Foundational & Writing. Students will apply phonics and word recognition as well as writing personal opinionated texts using the figurative language concepts discussed in the lessons. Top of Form Bottom of Form Time Required One class period of at least 45-50 minutes Lesson Preparation Ask students what music they like and have them start to investigate who wrote those songs. Materials: Accentuate the Positive: Guide to Lyric Writing for Kids booklet Whiteboard space for teacher/teaching artist Writing paper and pencils Resources: The Johnny Mercer Foundation: www.johnnymercer.org If needed, refer to the video of the educator workshop on the Accentuate the Positive webpage. Johnny Mercer Collections at Georgia State University: http://library.gsu.edu/mercer -1- Accentuate The Positive: Unit 1: Lessons 1 & 2 (con’t) Lesson Procedure Introduce the program and Johnny Mercer. -
Broadway-Our-Way-2015.Pdf
Our Mission Rainbow Women’s Chorus works together to develop musical excellence in an atmosphere of mutual support and respect. We perform publicly for the entertainment, education and cultural enrichment of our audiences and community. We sing to enhance the esteem of all women, to celebrate diversity, to promote peace and freedom, and to touch people’s hearts and lives. Our Story Rainbow Women’s Chorus is a nonprofit corporation governed by the Action Circle, a group of women dedicated to realizing the organization’s mission. Chorus members began singing together in 1996, presenting concerts in venues such as Christ the Good Shepherd Lutheran Church, Le Petit Trianon Theatre, the San Jose Repertory Theater and Triton Museum. The chorus also performs at church services, diversity celebrations, awards ceremonies, community meetings and private events. Rainbow Women’s Chorus is a member of the Gay and Lesbian Association of Choruses (GALA). In 2000, RWC proudly co-hosted GALA Festival in San Jose, with the Silicon Valley Gay Men’s Chorus. Since then, RWC has participated in GALA Festivals in Montreal (2004), Miami (2008), and Denver (2012). In February 2006, members of RWC sang at Carnegie Hall in NYC with a dozen other choruses for a breast cancer and HIV benefit. In July 2010, RWC traveled to Chicago for the Sister Singers Women’s Choral Festival. But we like it best when we are here at home, singing for you! Support the Arts Rainbow Women’s Chorus and other arts organizations receive much valued support from Silicon Valley Creates, not only in grants, but also in training, guidance, marketing, fundraising, and more.