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Lightning Round 1 Ttgtll VI: Lick My Love Pump Written by Andrew Juhl and the University of Iowa Academic Quiz Club
Lightning Round 1 TTGTll VI: Lick My Love Pump Written by Andrew Juhl and the University of Iowa Academic Quiz Club. Edited by the University ofIowa Academic quiz Club. BEGIN ROUND 1 " ... What smells like blue?" After metal is put in the microwave in the process of making popcorn, the crewmembers in this episode are then transported through a space hole in the universe to 1947, where they find themselves on an Army Air Base in New Mexico. This won an Emmy in 2002 for Outstanding Animated Programming for Programming Less Than One Hour, with Maurice LaMarche as the voice of President Harry Truman. FTP, name this Futurama episode from season 3 in which Fry becomes his own grandfather in a plot that explores the possibilities of the Roswell Incident, as well as time travel. Answer: Roswell That Ends Well Born as John Rowlands in the Welsh town of Denbigh in 1841, he lived in a poorhouse until he was fifteen, and fled to New Orleans in 1859. He fought for both sides in the Civil War and began to work as a reporter during the Indian Wars. His work, mostly fabricated, caught the eye of the _New York Herald_, who appointed him foreign correspondent in 1868. Later in his career, he helped King Leopold II of Belgium stake out his claim to the Congo. FTP, name this man, most famous for his 1869 expedition to find the lost Dr. David Livingstone. Answer: Henry M. Stanley This mineral displays the rare trait of having both perfect cubic cleavage and a conchoidal fracture. -
Gulf Islands
Fulford Day Swimmers $ 25 (incl. GST) Schedule of Events Off to provincials. SEE PAGE 30 1 INSIDE Summer sun Care tips. SEE PAGE 29 GULF ISLANDS Wednesday, August 8, 2007 — YOUR COMMUNITY NEWSPAPER SINCE 1960 47TH YEAR – ISSUE 32 VITR Safety concerns hold up project Issue winds up in Supreme Court BY STACY CARDIGAN SMITH DRIFTWOOD STAFF Just when you thought it was a done deal, the British Colum- bia Transmission Corpora- tion’s (BCTC) Vancouver Island Transmission Reinforcement (VITR) project met further holdups this week when a Salt Spring man renewed the fi ght against the controversial plan. John Quesnel has lived on his Rainbow Road property for 11 years and owned it for the past fi ve. His land falls along the provincial right of way (ROW) and, as such, includes a PHOTO BY DERRICK LUNDY number of power poles. PARADING HISTORY: Children aboard the Ganges Village Market fl oat head past Mouat’s during a Saturday parade that honoured Mouat’s 100th Although Quesnel knew anniversary of doing business on Salt Spring. More photos, Page 11. about opposition towards the VITR project, he didn’t get involved because he thought AFGHANISTAN ESSAY the project unstoppable. That all changed when BCTC recently installed the new power lines on his property. Author centre of national controversy The poles, measuring 30 meters (98.4 feet) in height, piece as a blatant example of “insensitive war feature wires that hang just 9.1 Depiction of Canadian soldier’s death in Afghanistan porn” versus defenders of free speech began metres (30 feet) off the ground fl ooding the magazine’s website last week. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
I Huvudet På Bender Futurama, Parodi, Satir Och Konsten Att Se På Tv
Lunds universitet Oscar Jansson Avd. för litteraturvetenskap, SOL-centrum LIVR07 Handledare: Paul Tenngart 2012-05-30 I huvudet på Bender Futurama, parodi, satir och konsten att se på tv Innehållsförteckning Förord ......................................................................................................................................... 3 Inledning ..................................................................................................................................... 4 Tidigare forskning och utmärkelser ................................................................................... 7 Bender’s Head, urval och disposition ................................................................................ 9 Teoretiska ramverk och utgångspunkter .................................................................................. 11 Förförståelser, genre och tolkning .................................................................................... 12 Parodi, intertextualitet och implicita agenter ................................................................... 18 Parodi och satir i Futurama ...................................................................................................... 23 Ett inoriginellt medium? ................................................................................................... 26 Animerad sitcom vs. parodi ............................................................................................. 31 ”Try this, kids at home!”: parodins sammanblandade världar ........................................ -
SIMPSONS to SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M
CONTEMPORARY ANIMATION: THE SIMPSONS TO SOUTH PARK-FILM 4165 (4 Credits) SPRING 2015 Tuesdays 6:00 P.M.-10:00 P.M. Social Work 134 Instructor: Steven Pecchia-Bekkum Office Phone: 801-935-9143 E-Mail: [email protected] Office Hours: M-W 3:00 P.M.-5:00 P.M. (FMAB 107C) Course Description: Since it first appeared as a series of short animations on the Tracy Ullman Show (1987), The Simpsons has served as a running commentary on the lives and attitudes of the American people. Its subject matter has touched upon the fabric of American society regarding politics, religion, ethnic identity, disability, sexuality and gender-based issues. Also, this innovative program has delved into the realm of the personal; issues of family, employment, addiction, and death are familiar material found in the program’s narrative. Additionally, The Simpsons has spawned a series of animated programs (South Park, Futurama, Family Guy, Rick and Morty etc.) that have also been instrumental in this reflective look on the world in which we live. The abstraction of animation provides a safe emotional distance from these difficult topics and affords these programs a venue to reflect the true nature of modern American society. Course Objectives: The objective of this course is to provide the intellectual basis for a deeper understanding of The Simpsons, South Park, Futurama, Family Guy, and Rick and Morty within the context of the culture that nurtured these animations. The student will, upon successful completion of this course: (1) recognize cultural references within these animations. (2) correlate narratives to the issues about society that are raised. -
Summer 2019 Vol.21, No.3 Screenwriter Film | Television | Radio | Digital Media
CANADIAN CANADA $7 SUMMER 2019 VOL.21, NO.3 SCREENWRITER FILM | TELEVISION | RADIO | DIGITAL MEDIA A Rock Star in the Writers’ Room: Bringing Jann Arden to the small screen Crafting Canadian Horror Stories — and why we’re so good at it Celebrating the 23rd annual WGC Screenwriting Awards Emily Andras How she turned PM40011669 Wynonna Earp into a fan phenomenon Congratulations to Emily Andras of SPACE’s Wynonna Earp, Sarah Dodd of CTV’s Cardinal, and all of the other 2019 WGC Screenwriting Award winners. Proud to support Canada’s creative community. CANADIAN SCREENWRITER The journal of the Writers Guild of Canada Vol. 21 No. 3 Summer 2019 ISSN 1481-6253 Publication Mail Agreement Number 400-11669 Publisher Maureen Parker Editor Tom Villemaire [email protected] Contents Director of Communications Lana Castleman Cover Editorial Advisory Board There’s #NoChill When it Comes Michael Amo to Emily Andras’s Wynonna Earp 6 Michael MacLennan How 2019’s WGC Showrunner Award winner Emily Susin Nielsen Andras and her room built a fan and social media Simon Racioppa phenomenon — and why they’re itching to get back in Rachel Langer the saddle for Wynonna’s fourth season. President Dennis Heaton (Pacific) By Li Robbins Councillors Michael Amo (Atlantic) Features Mark Ellis (Central) What Would Jann Do? 12 Marsha Greene (Central) That’s exactly the question co-creators Leah Gauthier Alex Levine (Central) and Jennica Harper asked when it came time to craft a Anne-Marie Perrotta (Quebec) heightened (and hilarious) fictional version of Canadian Andrew Wreggitt (Western) icon Jann Arden’s life for the small screen. -
INDEPENDENT PRODUCTION AGREEMENT ("Agreement")
-·- ·· -·--- ---------- INDEPENDENT PRODUCTION AGREEMENT ("Agreement") covering FREELANCE WRITERS of THEATRICAL FILMS TELEVISION PROGRAMS and OTHER PRODUCTION between The WRITERS GUILD OF CANADA (the "Guild") and The CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION ("CFTPA") and THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELJ~:VISION DUQUEBEC ("APFTQ") (the "Associations") January 1, 2010 to December 31, 20 II © 2010 WRITERS GUILD OF CANADA and CANADIAN FILM AND TELEVISION PRODUCTION ASSOCIATION AND THE ASSOCIATION DES PRODUCTEURS DE FILMS ET DE TELEVISION DU QUEBEC. TABLE OF CONTENTS Section A: General -AU Productions p. Article AI Recognition, Application and Term p. Article A2 Definitions p. 4 Article A3 General Provisions p. 14 Article A4 No Strike and Unfair Declaration p. 16 Article AS Grievance Procedures and Resolution p. 16 Article A6 Speculative Writing, Sample Pages and Unsolicited Scripts p.22 Article A7 Copyright and Contracts; Warranties, Indemnities and Rights p.24 Article A8 Story Editors and Story Consultants p.29 Article A9 Credits p. 30 Article AIO Security for Payment p.42 Article All Payments p.44 Article Al2 Administration Fee p.52 Article Al3 Insurance and Retirement Plan, Deductions from Writer's Fees p. 52 Article Al4 Contributions and Deductions from Writer's Fees in the case of Waivers p.54 Section 8: Conditions Governing Engagement p.55 Article 81 Conditions Governing Engagement for all Program Types p.55 Article 82 Optional Bibles, Script/Program Development p. 61 Article 83 Options p.62 Section C: Additional Conditions and Minimum Compensation by Program Type p.63 Article Cl Feature Film p.63 Article C2 Optional Incentive Plan for Feature Films p. -
V I T O V I S C O
VITO VISCOMI – LOS ANGELES 323-314-5448 [email protected] KATHY A ROCCHIO – VANCOUVER 604-506-3460 [email protected] COLLECTIVE PERSONAL CREDITS FOR PARTNERS Vito Viscomi WGA/WGC WRITER SKETCH/REALITY MTV MOVIE AWARDS ’06 Writer Tenth Planet/MTV LAST LAUGH ’05 and ‘06 Writer Tenth Planet/COMEDY CENTRAL BLUE COLLAR TV Writer/Co-Prod WB VIVA LA BAM Writer MTV NICK & JESSICA VARIETY HOUR Writer ABC Variety Special JACKASS Writer MTV JACKASS: THE MOVIE Writer MTV Films I’M WITH BUSEY Writer Jimco/Comedy Central SMOKING GUN Writer Court-TV special BOMBITTY OF ERRORS Co-EP MTV pilot ANIMAL PRANKSTERS Writer Stone-Stanley/Animal Planet special THE ANDY DICK SHOW Senior Writer MTV series THE TOM GREEN SHOW Writer MTV series THE VACANT LOT Writer/Creator Lorne Michaels/COMEDY CENTRAL TALK THE HOWARD STERN SHOW Senior Producer CBS-TV THE LATE EDITION Supervising Producer CNBC SITCOM THE ROAMING GNOME Co-EP, Creator USA Studios/Pilot APARTMENT 2F Story Editor/Writer MTV ANIMATION KID VS. KAT Writer Studio B / YTV / Jetix RICKY SPROCKET Writer Studio B / Teletoon / Nicktoons MR. MEN Writer Cartoon Network ROLLBOTS Story Editor/Writer Amberwood/YTV BEING IAN Story Editor/Writer Studio B/YTV WEIRD YEARS Writer Lenz Entertainment/YTV AMAZING ADRENALINI BROS. Writer Studio B/YTV MONSTER BUSTER CLUB Writer Marathon/YTV BARNYARD Add’l Writing Steve Oedekerk Feature YAKKITY YAK Story Editor/Writer Studio B/Nicktoons/Teletoon THE GODTHUMB Writer Steve Oedekerk, DVD release DIRK DERBY Writer Steve Oedekerk/Nicktoons JOHN CALLAHAN’S QUADS Writer Nelvana YVON OF THE YUKON Writer Studio B/YTV Canada Vito Viscomi continued… RUGRATS GO WILD Add’l Writing Klasky Csupo Feature AWARDS/HONORS ELAN AWARDS (Canada) ‘Being Ian’ – Best Writing – WINNER GOLDEN ROSE AWARD (International) 'The Vacant Lot' - Outstanding Comedy Series - Finalist. -
2013 CANADIAN SCREEN AWARDS Television Nominations
2013 CANADIAN SCREEN AWARDS Television Nominations Best Animated Program or Series Almost Naked Animals YTV (Corus) (9 Story Entertainment Inc.) Vince Commisso, Tanya Green, Tristan Homer, Steven Jarosz, Noah Z. Jones Jack TVO (TVOntario) (PVP Interactif / Productions Vic Pelletier, Spark Animation -Wong Kok Cheong) François Trudel, Wong Kok Cheong, Vincent Leroux, Vic Pelletier Producing Parker TVtropolis (Shaw Media) (Breakthrough Entertainment) Ira Levy, Jun Camerino, Laura Kosterski, Peter Williamson Rated A for Awesome YTV (Corus) (Nerd Corps Entertainment) Ace Fipke, Ken Faier, Chuck Johnson Best Breaking News Coverage PEI Votes CBC (CBC) (CBC PEI) Julie Clow, Mark Bulgutch, Sharon Musgrave CBC News Now: Gadhafi Dead CBC (CBC) (CBC News) Nancy Kelly, Tania Dahiroc, Rona Martell Eaton Centre Shooting Citytv (Rogers) (Citytv) Kathleen O'Keefe, Irena Hrzina, James Shutsa, Kelly Todd CBC News Now: Jack Layton's Death CBC (CBC) (CBC) Jennifer Sheepy, Layal El Abdallah, Paul Bisson, Gerry Buffett, Patricia Craigen, Seema Patel, Marc Riddell, Bill Thornberry Global National - Johnsons Landing Slide Global TV (Shaw Media) (Global National) Doriana Temolo, Mike Gill, Bryan Grahn, Francis Silvaggio, Shelly Sorochuk Best Breaking Reportage, Local CBC News Ottawa at 5, 5:30, 6:00 - School Explosion CBC (CBC) (CBC Ottawa) Lynn Douris, Omar Dabaghi-Pacheco, Marni Kagan CBC News Toronto - CBC News Toronto - Miriam Makashvili CBC (CBC) (CBC Television) John Lancaster, Nil Koksal Best Breaking Reportage, National CBC News The National - Reports -
Rapport Annuel 2009–2010 Annuel Rapport CTF Annual Report 2009–2010 Rapport Annuel Du FCT 2009–2010 Rapport Annual Report CTF
rapport annuel 2009–2010 annuel rapport CTF annual report 2009–2010 rapport annuel du FCT annual report 2009–2010 BAILLEURS DE FONDS Le Fonds canadien de télévision (FCT) est appuyé Le FCT remercie tous ses bailleurs de fonds de leur appui par le ministère du Patrimoine canadien et par constant à la production canadienne dans l’industrie de la les entreprises de distribution de radiodiffusion télévision et des médias numériques. En 2009-2010, le FCT du Canada. a bénéficié de l’apport financier des organismes suivants : PRÉFACE La publication du Rapport annuel 2009-2010 du Fonds n’y a pas de données relatives aux médias numériques canadien de télévision vise à communiquer à ses pour la période antérieure à l’exercice 2008-2009, car le intervenants des informations clés sur l’industrie. Le programme n’existait pas avant cet exercice. Les parts rapport contient des renseignements détaillés sur les d’auditoire décrites dans les tableaux de données ont été résultats de financement du FCT pour l’exercice 2009-2010, arrondies. Ainsi, lorsqu’on indique une part de 0 %, cela allant du 1er avril 2009 au 31 mars 2010 et présente l’analyse signifie que le taux d’activités serait inférieur à 1 %. Les des auditoires canadiens pour l’année de radiodiffusion sources de financement sont définies en annexe. Lorsque 2008-2009. Bien que les références aux prix, ventes et des distinctions régionales sont établies, les villes de autres formes de reconnaissance mettent en vedette des Toronto (TOR) et de Montréal (MTL) sont considérées productions couronnées de succès en 2009 ou 2010, comme des régions distinctes en raison du volume celles-ci peuvent avoir bénéficié de l’apport financier du particulièrement important de productions qu’elles FCT avant l’exercice 2009-2010. -
Tratamiento De Los Referentes Culturales En La Serie Futurama
MASTER EN TRADUCCIÓN AUDIOVISUAL, SUBTITULADO PARA SORDOS Y AUDIODESCRIPAÓN III edición (2007-2008) Tesina El tratamiento de los referentes culturales en la serie Futurama Yazmina M* Arbelo Navarro Directora: Celia Martín de León Filmado: Firmado: El Director El alumno Diciembre de 2008 UNIVERSIDAD DE US PALMS DE GRAN CANARIA PT' •'" Facultad de Traducción e Interpretación ,f,ifia IN' ..'.. .:^Í^32Z^ ÍNDICE I. INTRODUCCIÓN 1 i. Motivación 1 ii. Propuesta 1 iii. Hipótesis 1 iv. Objetivo 2 II. LA TRADUCCIÓN.. 2 i. La Traducción Audiovisual 3 ii. El Código Lingüístico y el Código Visual 4 iii. La Traducción del Humor 5 III. EL DOBLAJE 6 IV. LOS REFERENTES CULTURALES 9 i. Generalización 10 ii. Exotización 11 iii. Domesticación 12 V. SERIES DE ANIMACIÓN PARA ADULTOS 14 i. Futurama 17 i. Personajes Principales 18 ii. Otros Personajes 19 iii. El Futuro según Futurama 20 ii. El Humor de Futurama 21 iii. Futurama en España 22 VI. TRATAMIENTO DE LOS REFERENTES CULTURALES EN FUTURAMA 23 i. Ejemplos de Generalización 23 í. Primera Temporada 23 ii. Segunda Temporada 24 iii. Tercera Temporada 26 IV. Cuarta Temporada 27 ii. Ejemplos de Exotización 31 I. Primera Temporada 31 ii. Segunda Temporada 34 iii. Tercera Temporada 38 iii. Ejemplos de Domesticación 43 iv. Casos Más Aceptables 44 I. Primera Temporada 44 ii. Segunda Temporada 46 iii. Tercera Temporada 48 IV. Cuarta Temporada 50 V. Casos Menos Aceptables 52 I. Primera Temporada 53 ii. Tercera Temporada 54 iii. Cuarta Temporada 57 VIL CONCLUSIONES 62 El tratamiento de los referentes culturales en la serie Futurama 1. INTRODUCCIÓN 1.1. -
11-CSA Nombre De Nominations TV
PRIX ÉCRANS CANADIENS Nombre de nominations - Télévision Flashpoint (Bell Media) – 11 Nominations Less Than Kind (Astral Media) – 10 Nominations MiChael: Tuesdays & Thursdays (CBC) – 8 Nominations Bomb Girls (Shaw Media) – 6 Nominations CBC News The National (CBC) – 6 Nominations Combat Hospital (Shaw Media) – 6 Nominations Degrassi (Bell Media) – 6 Nominations Good God (Astral / Corus) – 6 Nominations HoCkey Night in Canada (CBC) – 6 Nominations London 2012 OlympiC Games (Bell Media) – 6 Nominations Sunshine Sketches of a Little Town (Broadcaster: CBC) – 6 Nominations Todd and the Book of Pure Evil (Bell Media) – 6 Nominations Call Me Fitz (Astral / Corus) – 5 Nominations Continuum (Shaw Media) – 5 Nominations Cyberbully (Corus) – 5 Nominations The 2012 Juno Awards (Bell Media) – 5 Nominations 16 x 9 The Bigger PiCture (Shaw Media) – 4 Nominations Being EriCa (CBC) – 4 Nominations The Borgias (Bell Media) – 4 Nominations CTV W5 (Bell Media) – 4 Nominations DesCending (Rogers) – 4 Nominations John A: Birth of a Country (CBC) – 4 Nominations Lost Girl (Shaw Media) – 4 Nominations Love Lies Bleeding (CBC) – 4 Nominations MagiC Beyond Words: The JK Rowling Story (Astral) – 4 Nominations RiCk MerCer Report (CBC) – 4 Nominations Romeos & Juliets (CBC) – 4 Nominations Rookie Blue (Shaw Media) – 4 Nominations the fifth estate (CBC) – 4 Nominations Wrath of Grapes: The Don Cherry Story 2 (CBC) – 4 Nominations Global National (Shaw Media) – 4 Nominations 2011 Vanier Cup (Bell Media) – 3 Nominations 2012 MuchMusiC Video Awards (Bell Media) – 3