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Secret Agent Clank
Secret Agent Clank (PSP) Version: Freigegeben ab: 12 Jahren Hersteller: Sony Spieltyp: Hauptspiel Name des Entwicklers: High Impact Games Land des Entwicklers: USA Bekannte Titel vom Entwickler: Ratchet & Clank - Size Matters (PS 2, PSP) Info Tel: 06102-4330 Fax: 06102-433555 Patch: Webcode: 20363 Weitere Versionen: Spielumfang: Steuergeräte: keine 17 Spielabschnitte, 8 Waffen Gamepad/Standardsteuerung Maximale Spieleranzahl: Hardware-Mindestanforderungen: Gerät Netzwerk Internet PSP 1 0 0 Ideal für: Weitere Versionen: Gelegenheitsspieler und Fortgeschrittene FALSCH PC FALSCH Xbox FALSCH GBA FALSCH PS FALSCH Xbox 360 FALSCH DS FALSCH PS2 FALSCH Gamecube FALSCH PS3 FALSCH Wii FALSCH PSP FALSCH Handy Prozent Note Spielspaß (Einzelspieler-/Mehrspielermodus: Mehrspielermodus nicht vorhanden) Spieleinstieg 10,00% Sie bekommen vielfältige Unterstützung bei Ihren ersten 2,00 Schritten als Geheimagent. Einzelspieler-Wertung (gewichtet insgesamt mit 25 Prozent) 25,00% 3,11 Faszination der Spielwelt 8,00% Witzige Agenteneinsätze, deren Atmosphäre aber durch 3,00 zu viele Szenenwechsel gestört wird. Langzeitspaß 7,00% Auf Dauer ist es etwas ermüdend, immer wieder die 3,40 gleichen Agententricks anwenden zu müssen. Spielvariationsmöglichkeiten 4,00% Clanks Aufgaben fesseln, die von Daxter und den 3,00 anderen Figuren sind weniger überzeugend. Gegnerverhalten/Spielintelligenz 6,00% Die Gegner reagieren größtenteils berechenbar, aber 3,00 innerhalb ihrer Möglichkeiten durchaus logisch. Mehrspieler-Wertung (gewichtet insgesamt mit 0 Prozent) 0,00% - Faszination der Spielwelt 0,00% - Langzeitspaß 0,00% - Spielvariationsmöglichkeiten 0,00% - Spielbalance 0,00% - Grafik (gewichtet insgesamt mit 14 Prozent) 14,00% 2,13 Darstellung der Figuren 7,00% Liebevoll gestaltete Spielfiguren im Comic-Stil. 2,25 Bewegungen 7,00% Actiongeladene Kämpfe, coole Agententricks. 2,00 Sound (gewichtet insgesamt mit 9 Prozent) 9,00% 1,83 Musik 3,00% Einige Melodien passen gut zum Agenten-Thema. -
Theescapist 055.Pdf
in line and everything will be just fine. two articles I fired up Noctis to see the Which, frankly, is about how many of us insanity for myself. That is the loneliest think to this day. With the exception of a game I’ve ever played. For those of you who fell asleep during very brave few. the classical mythology portion of your In response to “Development in a - Danjo Olivaw higher education, the stories all go like In this issue of The Escapist, we take a Vacuum” from The Escapist Forum: this: Some guy decides he no longer look at the stories of a few, brave souls As for the fact that thier isolation has In response to “Footprints in needs the gods, sets off to prove as in the game industry who, for better or been a benefit to them rather than a Moondust” from The Escapist Forum: much and promptly gets smacked down. worse, decided that they, too, were hindrance, that’s what I discussed with I’d just like to say this was a fantastic destined to make their dreams a reality. Oveur (Nathan Richardsson) while in article. I think I’ll have to read Olaf Prometheus, Sisyphus, Icarus, Odysseus, Some actually succeeded, while others Vegas earlier this year at the EVE the stories are full of men who, for crashed and burned. We in the game Gathering. The fact that Iceland is such whatever reason, believed that they industry may not have jealous, angry small country, with a very unique culture were not bound by the normal gods against which to struggle, but and the fact that most of the early CCP constraints of mortality. -
2K and Bethesda Softworks Release Legendary Bundles February 11
2K and Bethesda Softworks Release Legendary Bundles February 11, 2014 8:00 AM ET The Elder Scrolls® V: Skyrim and BioShock® Infinite; Borderlands® 2 and Dishonored™ bundles deliver supreme quality at an unprecedented price NEW YORK--(BUSINESS WIRE)--Feb. 11, 2014-- 2K and Bethesda Softworks® today announced that four of the most critically-acclaimed video games of their generation – The Elder Scrolls® V: Skyrim, BioShock® Infinite, Borderlands® 2, and Dishonored™ – are now available in two all-new bundles* for $29.99 each in North America on the Xbox 360 games and entertainment system from Microsoft, PlayStation®3 computer entertainment system, and Windows PC. ● The Elder Scrolls V: Skyrim & BioShock Infinite Bundle combines two blockbusters from world-renowned developers Bethesda Game Studios and Irrational Games. ● The Borderlands 2 & Dishonored Bundle combines Gearbox Software’s fan favorite shooter-looter with Arkane Studio’s first- person action breakout hit. Critics agree that Skyrim, BioShock Infinite, Borderlands 2, and Dishonored are four of the most celebrated and influential games of all time. 2K and Bethesda Softworks(R) today announced that four of the most critically- ● Skyrim garnered more than 50 perfect review acclaimed video games of their generation - The Elder Scrolls(R) V: Skyrim, scores and more than 200 awards on its way BioShock(R) Infinite, Borderlands(R) 2, and Dishonored(TM) - are now available to a 94 overall rating**, earning praise from in two all-new bundles* for $29.99 each in North America on the Xbox 360 some of the industry’s most influential and games and entertainment system from Microsoft, PlayStation(R)3 computer respected critics. -
Simple, Fun... Magic
Expert Guidance on Children’s Interactive Media, Since 1993 INSIDE: Electric Cars (p. 3) Duck Duck Moose’s Golden Egg (p. 5) 46 reviews Simple, fun... Magic A closer look at the magical ingredients of Toca Band, on page 17 Dr. Seuss Bookshelf, p. 23 LEGO: The Lord of the Rings, p. Tabeo, p. 25 Children’s Technology HappiTaps: Puppi Love, p. 23 24 Tizzy Seasons, p. 18 Review Harry and the Haunted House* Luna Interactive Projection To the Farm!, p. 19 p. 8 Camera, p. 24 Toca Band*, p. 19 October 2012 Harry Potter for Kinect*, p. 8 Math to the Rescue*, p. 13 Tortoise and the Hare, The I Spy Two Game Pack, p. 23 Meet Heckerty*, p. 13 (iPad), p. 20 Vol. 20, No 10, Issue 151 IMAG*N*O*TRON*, p. 9 Mozart Interactive, p. 14 VTech University, p. 25 InnoTab 2 Learning App Tablet, now!Board Portable Interactive WEBEE, p. 26 Counting Ants Math Adventure, p. 9 Whiteboard, p. 14 Who Stole the Moon?*, p. 20 p. 7 Jakks Pacific Power Trains Auto Picture Me Trick or Treat*, p. 14 YogiPlay, p. 26 Crayola DigiTools 3-D Pack, p. 22 Loader City, p. 10 Pixel'd*, p. 15 Zoomy Handheld Digital Crayola DigiTools Airbrush Pack, Kids Preschool Puzzle, p. 10 Pokémon Black Version 2*, p. 15 Microscope*, p. 21 p. 22 Kinect Nat Geo TV, p. 11 Pokémon Conquest*p. 16 Crayola DigiTools Deluxe Pack, Kinect Sesame Street TV, p. 11 Pokémon White Version 2*, p. p. 22 LeapPad2, p. 12 16 Crayola DigiTools Effects Pack, p. -
Module 2 Roleplaying Games
Module 3 Media Perspectives through Computer Games Staffan Björk Module 3 Learning Objectives ■ Describe digital and electronic games using academic game terms ■ Analyze how games are defined by technological affordances and constraints ■ Make use of and combine theoretical concepts of time, space, genre, aesthetics, fiction and gender Focuses for Module 3 ■ Computer Games ■ Affect on gameplay and experience due to the medium used to mediate the game ■ Noticeable things not focused upon ■ Boundaries of games ■ Other uses of games and gameplay ■ Experimental game genres First: schedule change ■ Lecture moved from Monday to Friday ■ Since literature is presented in it Literature ■ Arsenault, Dominic and Audrey Larochelle. From Euclidian Space to Albertian Gaze: Traditions of Visual Representation in Games Beyond the Surface. Proceedings of DiGRA 2013: DeFragging Game Studies. 2014. http://www.digra.org/digital- library/publications/from-euclidean-space-to-albertian-gaze-traditions-of-visual- representation-in-games-beyond-the-surface/ ■ Gazzard, Alison. Unlocking the Gameworld: The Rewards of Space and Time in Videogames. Game Studies, Volume 11 Issue 1 2011. http://gamestudies.org/1101/articles/gazzard_alison ■ Linderoth, J. (2012). The Effort of Being in a Fictional World: Upkeyings and Laminated Frames in MMORPGs. Symbolic Interaction, 35(4), 474-492. ■ MacCallum-Stewart, Esther. “Take That, Bitches!” Refiguring Lara Croft in Feminist Game Narratives. Game Studies, Volume 14 Issue 2 2014. http://gamestudies.org/1402/articles/maccallumstewart ■ Nitsche, M. (2008). Combining Interaction and Narrative, chapter 5 in Video Game Spaces : Image, Play, and Structure in 3D Worlds, MIT Press, 2008. ProQuest Ebook Central. https://chalmers.instructure.com/files/738674 ■ Vella, Daniel. Modelling the Semiotic Structure of Game Characters. -
Found in Translation
Monaco: What’s Yours is Mine Interpreting Feedback and Maintaining Your Vision “Design is a plan for arranging elements in such a way as best to accomplish a particular purpose” - Charles Eames Monaco: What’s Yours is Mine • Released: – April 24th, 2013 • Platforms – Windows – Mac – Linux – Xbox 360 Best Idea Ever!!! + Feedback “That’s the worst idea I’ve ever heard.” – Andy Schatz “You’re going to injure yourself.” – Andy Schatz “You’re the most retarded person I’ve ever met.” – Andy Schatz Part 1 INTERPRETING FEEDBACK Beta Questionnaire 1. What did you like? 2. What didn’t you like? 3. What confused you? 3 MOST COMMON FEEDBACK 1. Did not like LOS • Wanted to plan more • Traditional Stealth “Observe your enemies from afar, manipulate them with your tools, and execute your plan with precision” – Mark of the Ninja 2. Did not like Random AI • Wanted AI patterns • “Solve” the game 3. Did not like lack of failure • Wanted strict punishment • Mandatory stealth • Rewards “ghosting” Monaco’s Design Goals • Unpredictability • Improvisation • Emotional Range What did Pocketwatch do? 1. Kept the LOS 2. Kept Guard AI 3. Cannot Ghost Change the Narrative 3 INDUSTRY EXAMPLES 1. Journey • Journey friend invites – “I want to talk with my friend” What did thatgamecompany do? • “We want friend chat” • Removed friend invites 2. Borderlands • Feedback on Skag Gully – “This isn’t fun” – “Too many enemies” What did Gearbox do? • “Too many enemies” • 3x number of enemies • Became a “Combat Zone” 3. World of Warcraft • Fatigue XP • Player’s HATED it • Punished -
Game Developer Magazine
>> INSIDE: 2007 AUSTIN GDC SHOW PROGRAM SEPTEMBER 2007 THE LEADING GAME INDUSTRY MAGAZINE >>SAVE EARLY, SAVE OFTEN >>THE WILL TO FIGHT >>EXCLUSIVE INTERVIEW MAKING SAVE SYSTEMS FOR CHANGING GAME STATES HARVEY SMITH ON PLAYERS, NOT DESIGNERS IN PANDEMIC’S SABOTEUR POLITICS IN GAMES POSTMORTEM: PUZZLEINFINITE INTERACTIVE’S QUEST DISPLAY UNTIL OCTOBER 11, 2007 Using Autodeskodesk® HumanIK® middle-middle- Autodesk® ware, Ubisoftoft MotionBuilder™ grounded ththee software enabled assassin inn his In Assassin’s Creed, th the assassin to 12 centuryy boots Ubisoft used and his run-time-time ® ® fl uidly jump Autodesk 3ds Max environment.nt. software to create from rooftops to a hero character so cobblestone real you can almost streets with ease. feel the coarseness of his tunic. HOW UBISOFT GAVE AN ASSASSIN HIS SOUL. autodesk.com/Games IImmagge cocouru tteesyy of Ubiisofft Autodesk, MotionBuilder, HumanIK and 3ds Max are registered trademarks of Autodesk, Inc., in the USA and/or other countries. All other brand names, product names, or trademarks belong to their respective holders. © 2007 Autodesk, Inc. All rights reserved. []CONTENTS SEPTEMBER 2007 VOLUME 14, NUMBER 8 FEATURES 7 SAVING THE DAY: SAVE SYSTEMS IN GAMES Games are designed by designers, naturally, but they’re not designed for designers. Save systems that intentionally limit the pick up and drop enjoyment of a game unnecessarily mar the player’s experience. This case study of save systems sheds some light on what could be done better. By David Sirlin 13 SABOTEUR: THE WILL TO FIGHT 7 Pandemic’s upcoming title SABOTEUR uses dynamic color changes—from vibrant and full, to black and white film noir—to indicate the state of allied resistance in-game. -
Remaster Edition Features
Deceived by the forces of evil into prematurely bringing about the end of the world, War – the first Horseman of the Apocalypse – stands accused of breaking the sacred law by inciting a war between Heaven and Hell. In the slaughter that ensued, the demonic forces defeated the heavenly hosts and laid claim to the Earth. Brought before the sacred Charred Council, War is indicted for his crimes and stripped of his powers. Dishonored and facing his own death, War is given the opportunity to return to Earth to search for the truth and punish those responsible. Hunted by a vengeful group of Angels, War must take on the forces of Hell, forge uneasy alliances with the very demons he hunts, and journey across the ravaged remains of the Earth on his quest for vengeance and vindication. Remaster Edition Features • PS4, Xbox One and Wii U versions of Darksiders (Wrath of War) • Native 1080p rendering resolution • Doubled all the texture resolutions • Rendering improvements and rework • Better shadow rendering quality • Post processing effects Apocalyptic Power – Unleash the wrath of War, combining brutal attacks and supernatural abilities to decimate all who stand in your way • 60 FPS in moment to moment gameplay (PS4, Xbox One, PC, 30 for WiiU) Extreme Arsenal – Wield a devastating arsenal of angelic, demonic and Earthly weapons; and blaze a trail of destruction atop Ruin, War’s fiery phantom steed Epic Quest – Battle across the wastelands and demon-infested dungeons of the decimated Earth in your quest for vengeance and redemption Character Progression – Uncover powerful ancient relics, upgrade your weapons, unlock new abilities, and customize your gameplay style Battle Heaven and Hell – Battle against all who stand in your way - from war-weary angelic forces to Hell’s hideous demon hordes © 2016 by Nordic Games Licensing AB, Sweden. -
Rapport Annuel Document De Reference
atari IDEF08 rapport.qxd 19/08/08 15:34 Page 1 RAPPORT ANNUEL DOCUMENT DE REFERENCE Le présent document de référence a été déposé auprès de l’Autorité des Marchés Financiers le 1er août 2008, conformément à l’article 212-13 de son Règlement général. Il pourra être utilisé à l’appui d’une opération financière s’il est complété par une note d’opération visée par l’Autorité des Marchés Financiers. Le présent document ne contient pas d’informations pro forma . En application de l’article 28 du règlement de la Commission Européenne (CE) n° 809/2004, les informat ions suivantes seront incluses par référence dans le présent document de référence : les comptes consolidés et le rapport des Commissaires aux comptes y afférent pour l’exercice clos le 31 mars 2007, tels que présentés dans le document de référence enregistré le 31 juillet 2007 sous le numéro D 07-0784, tel qu’actualisé le 19 décembre 2007 sous le numéro D 07-0784 A01. les comptes consolidés et le rapport des Commissaires aux comptes y afférent pour l’exercice clos le 31 mars 2006, tels que présentés dans le document de référence enregistré le 22 septembre 2006 sous le numéro D 06-0869. Comptes consolidés Exercice clos le 31 mars 2008 1 SOMMAIRE PRESENTATION GENERALE........................................................................................................................ 4 PROFIL ........................................................................................................................................................... 4 STRATEGIE ................................................................................................................................................... -
Esport Research.Pdf
Table of content 1. What is Esports? P.3-4 2. General Stats P.5-14 3. Vocabulary P.15-27 4. Ecosystem P.28-47 5. Ranking P.48-55 6. Regions P.56-61 7. Research P.62-64 8. Federation P.65-82 9. Sponsorship P.83-89 Table of content 10. Stream platform P.90 11. Olympic P.91-92 12. Tournament Schedule-2021 P.93-95 13. Hong Kong Esports Group P.96-104 14. Computer Hardware Producer P.105-110 15. Hong Kong Tournament P.111-115 16.Hong Kong Esports and Music Festival P.116 17.THE GAME AWARDS P.117-121 18.Esports Business Summit P.122-124 19.Global Esports Summit P.125-126 1.What is Esports? • Defined by Hong Kong government • E-sports is a short form for “Electronic Sports”, referring to computer games played in a competitive setting structured into leagues, in which players “compete through networked games and related activities” • Defined by The Asian Electronic Sports Federation • Literally, the word “esports” is the combination of Electronic and Sports which means using electronic devices as a platform for competitive activities. It is facilitated by electronic systems, unmanned vehicle, unmanned aerial vehicle, robot, simulation, VR, AR and any other electronic platform or object in which input and output shall be mediated by human or human-computer interfaces. • Players square off on competitive games for medals and/ or prize money in tournaments which draw millions of spectators on-line and on-site. Participants can train their logical thinking, reaction, hand-eye coordination as well as team spirit. -
Music Games Rock: Rhythm Gaming's Greatest Hits of All Time
“Cementing gaming’s role in music’s evolution, Steinberg has done pop culture a laudable service.” – Nick Catucci, Rolling Stone RHYTHM GAMING’S GREATEST HITS OF ALL TIME By SCOTT STEINBERG Author of Get Rich Playing Games Feat. Martin Mathers and Nadia Oxford Foreword By ALEX RIGOPULOS Co-Creator, Guitar Hero and Rock Band Praise for Music Games Rock “Hits all the right notes—and some you don’t expect. A great account of the music game story so far!” – Mike Snider, Entertainment Reporter, USA Today “An exhaustive compendia. Chocked full of fascinating detail...” – Alex Pham, Technology Reporter, Los Angeles Times “It’ll make you want to celebrate by trashing a gaming unit the way Pete Townshend destroys a guitar.” –Jason Pettigrew, Editor-in-Chief, ALTERNATIVE PRESS “I’ve never seen such a well-collected reference... it serves an important role in letting readers consider all sides of the music and rhythm game debate.” –Masaya Matsuura, Creator, PaRappa the Rapper “A must read for the game-obsessed...” –Jermaine Hall, Editor-in-Chief, VIBE MUSIC GAMES ROCK RHYTHM GAMING’S GREATEST HITS OF ALL TIME SCOTT STEINBERG DEDICATION MUSIC GAMES ROCK: RHYTHM GAMING’S GREATEST HITS OF ALL TIME All Rights Reserved © 2011 by Scott Steinberg “Behind the Music: The Making of Sex ‘N Drugs ‘N Rock ‘N Roll” © 2009 Jon Hare No part of this book may be reproduced or transmitted in any form or by any means – graphic, electronic or mechanical – including photocopying, recording, taping or by any information storage retrieval system, without the written permission of the publisher. -
More Human Than Non/Human: Posthumanism, Embodied Cognition, and Video Games As Affective Experience
The Philosophy of Computer Games Conference, Malta 2016 More Human than Non/Human: Posthumanism, Embodied Cognition, and Video Games as Affective Experience Sandy Appleöff Lyons Laguna College of Art + Design Lisa Brown Jaloza Laguna College of Art + Design On the Incomplete Just as it would be impossible for an individual to play every single game, no scholar could ever hope to read all the things. At some point, they have to switch gears from researching to writing, or else they’d never finish anything. In the interest of full disclosure, we would like to inform you, dear reader, that this particular paper and the project it represents are, at this moment in time, incomplete. Given that the paper is being written in preparation for the 10th Annual Philosophy of Computer Games Conference, that’s not necessarily a bad thing; after all, academic and professional conferences are powerful sites of knowledge production that enable individuals to come together and share their work with a broader collective before they revisit, revise, and ultimately strengthen an argument. Much as we might wish to claim this as our rationale, that is not, in fact, the case. Rather, ours is a story of contingency, precarity, and refusal. Couched in no uncertain terms, our research has taken us in several divergent yet promising directions and we have been unable to read as much as we would like. The institution at which we are both employed (one of us as a part-time adjunct) does not offer tenure, and our program is a nascent one—as such, contract renewals for the present academic year were by no means guaranteed.