DOCSLIB.ORG

Moonlight Stage Productions' “A Chorus Line” Set for August 18

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Moonlight Stage Productions' “A Chorus Line” Set for August 18 PRESS RELEASE FOR IMMEDIATE USE MEDIA CONTACT Fred Tracey Marketing/PR Director [email protected] “Ah 5-6-7-8!” Moonlight Stage Productions’ “A Chorus Line” Set for August 18 – September 4 VISTA, CA (August 4, 2021) – One of the longest-running musicals in Broadway history, “A Chorus Line” returns to The Moonlight for the first time in 29 years. Director and Choreographer Hector Guerrero will restage the original choreography created by the show’s creator and original Choreographer Michael Bennett and Co-Choreographer Bob Avian. Performances of “A Chorus Line” continue The Moonlight’s 40th Anniversary at the Moonlight Amphitheatre from August 18 to September 4. Tickets, priced $17 - $59, are on sale online at moonlightstage.com or by phone at (760) 724-2110. The original production ran for 6,137 performances from April 1975 until April 1990 making it one of Broadway’s longest running musicals. The show was an unprecedented hit receiving nine Tony Awards and the 1976 Pulitzer Prize for Drama. The show was conceived, directed and choreographed by Michael Bennett, Bob Avian was co-choreographer, music was composed by Marvin Hamlisch, lyrics by Edward Kleban, and the book by James Kirkwood, Jr. and Nicholas Dante. The development of “A Chorus Line” was pioneering for its day as it was born from life stories told into a tape recorder in 1974 over multiple nights by chorus dancers. These stories were interwoven into the book of the show and as it worked through its workshop phase, the stories of the actors in the show were also incorporated into the script. Never before had actors been such an integral part of a Broadway musical’s creative process. Set on the bare stage of a Broadway theatre, “A Chorus Line” is centered on 17 Broadway dancers auditioning for a spot on the chorus line of a new Broadway show. One by one, the dancers come forward to share the stories that shaped their lives and their paths to becoming dancers. The show’s score features the iconic musical hits “I Hope I Get It,” “The Music and the Mirror,” “One” and many more. The Moonlight production features Danielle Airey (Kristine), Ellie Barrett (Lois), Lacey Beegun (Bebe), Laurel Bollard (Vicki), Drew Bradford (Al), Tyler Matthew Burk (Zach), Xavier J. Bush (Richie), Wes Dameron (Butch), Holly Echsner (Val), Donny Gersonde (Bobby), Colby Hamann (Tom), Jennifer Knox (Cassie), Milan Magana (Diana), Sarah Morgan (Judy), Emma Nossal (Maggie), Natalie Nucci (Sheila), Cheyenne Omani (Tricia), Emma Park (Connie), Jeffrey Scott Parsons (Mike), Trevor Rex (Greg), Steven Ruvalcaba (Paul), Nick Schrier (Mark), Jupityr Shaw (Don), Samuel Shea (Larry), Ala Tiatia-Garaud (Frank) and Anthony Vacio (Roy). Joining Director and Choreographer Hector Guerrero on the creative team is Dr. Randi Rudolph as Music Director and Conductor and Devon Hunt as Associate Music Director. Lighting Design and technical direction is by Jennifer Edwards, Sound Design by Jim Zadai, costumes are based on the original designs by Theoni V. Aldredge and the show is stage managed by Marie Jahelka. For more information, visit moonlightstage.com or call (760) 724-2110. CALENDAR INFORMATION "A Chorus Line" August 18 – September 4, 2021 Gates open at 6:30 p.m. for dining and picnicking; curtain at 8:00 p.m. HEALTH & SAFETY The Moonlight is poised to respond to the ever-evolving health guidelines from the state and has measures in place including a socially distanced seating option, hand sanitizing stations placed throughout the theatre and daily cleaning of common areas. A socially distanced seating area has been established in the theatre’s “great lawn” section for those who have not received Covid-19 vaccinations or for those who are vaccinated but wish to remain distanced from others. Patrons who plan to sit in any of the theatre’s other seating areas are asked to be fully vaccinated or to have received a negative Covid-19 test 48 hours prior to their ticketed performance. The Moonlight is requiring audience members to wear face masks while they are in the theatre except for when they are eating or drinking in their seats. Moonlight has instituted measures for its artists and staff to minimize health risks and is proactively working with the Actors’ Equity Association to ensure a healthy working environment on and backstage. FOOD AND PICNICKING For the 2021 summer season, The Moonlight welcomes Bread and Cheese Eatery as the theatre’s new concessionaire. Audiences may reserve a table for $5 a person on the Moonlight Patio to enjoy charcuterie boards and other menu items from Bread and Cheese Eatery for an additional purchase. Audiences are also invited to bring their own picnic suppers and non-alcoholic beverages into the Amphitheatre. Outside alcohol is not permitted. A variety of wine and beers will be available for purchase from Bread and Cheese Eatery. THE 2021 SEASON CONTINUES "On Your Feet! The Story of Emilio and Gloria Estefan" September 15 – October 2, 2021 Gates open at 6:00 p.m. for dining and picnicking; curtain at 7:30 p.m. TICKET INFORMATION Single tickets are priced $17 - $59 with additional general lawn discounts for seniors, students and the military. ABOUT THE MOONLIGHT & MOONLIGHT STAGE PRODUCTIONS Winner of several San Diego Theatre Critics Circle Awards, including “Best Resident Musical” for 2019's “West Side Story” and 2017’s “In the Heights,” Moonlight Stage Productions has been named "San Diego's #1 Outdoor Theatre" by readers of 'San Diego Magazine.’ Moonlight Stage Productions provides high- caliber Broadway musical theatre in the 2000-person capacity Moonlight Amphitheatre, owned and operated by the City of Vista. Audiences attend from throughout San Diego, Southern Riverside, and Orange Counties, making the Moonlight a regional destination for Broadway musical theatre. The Moonlight's summer season of Broadway musicals is produced in the picturesque Moonlight Amphitheatre and has been a summertime tradition experienced by more than one million people since the theatre’s founding by Kathy Brombacher in 1981. Throughout the decades, the Amphitheatre has seen numerous transformations, but nothing as dramatic as the total reconstruction of the stage house in 2008- 2009. A state-of-the-art venue was revealed with a grand reopening in June 2009, including a modern stage and audience facilities. Since then, the Amphitheatre has extended its entertainment offerings with the addition of concerts and other special events held throughout the year through Moonlight Presents and ClubM. Moonlight Stage Productions is the cultural arts program of the City of Vista and is produced in partnership with the Moonlight Cultural Foundation, a 501(c)(3) non-profit organization which supports the programming at The Moonlight year-round in addition to offering youth education programs through Moonlight Youth Theatre. # # # .
Load more

Recommended publications
  • The 200 Plays That Every Theatre Major Should Read
    The 200 Plays That Every Theatre Major Should Read Aeschylus The Persians (472 BC) McCullers A Member of the Wedding The Orestia (458 BC) (1946) Prometheus Bound (456 BC) Miller Death of a Salesman (1949) Sophocles Antigone (442 BC) The Crucible (1953) Oedipus Rex (426 BC) A View From the Bridge (1955) Oedipus at Colonus (406 BC) The Price (1968) Euripdes Medea (431 BC) Ionesco The Bald Soprano (1950) Electra (417 BC) Rhinoceros (1960) The Trojan Women (415 BC) Inge Picnic (1953) The Bacchae (408 BC) Bus Stop (1955) Aristophanes The Birds (414 BC) Beckett Waiting for Godot (1953) Lysistrata (412 BC) Endgame (1957) The Frogs (405 BC) Osborne Look Back in Anger (1956) Plautus The Twin Menaechmi (195 BC) Frings Look Homeward Angel (1957) Terence The Brothers (160 BC) Pinter The Birthday Party (1958) Anonymous The Wakefield Creation The Homecoming (1965) (1350-1450) Hansberry A Raisin in the Sun (1959) Anonymous The Second Shepherd’s Play Weiss Marat/Sade (1959) (1350- 1450) Albee Zoo Story (1960 ) Anonymous Everyman (1500) Who’s Afraid of Virginia Woolf Machiavelli The Mandrake (1520) (1962) Udall Ralph Roister Doister Three Tall Women (1994) (1550-1553) Bolt A Man for All Seasons (1960) Stevenson Gammer Gurton’s Needle Orton What the Butler Saw (1969) (1552-1563) Marcus The Killing of Sister George Kyd The Spanish Tragedy (1586) (1965) Shakespeare Entire Collection of Plays Simon The Odd Couple (1965) Marlowe Dr. Faustus (1588) Brighton Beach Memoirs (1984 Jonson Volpone (1606) Biloxi Blues (1985) The Alchemist (1610) Broadway Bound (1986)
    [Show full text]
  • “Kiss Today Goodbye, and Point Me Toward Tomorrow”
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by University of Missouri: MOspace “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 A Dissertation Presented to The Faculty of the Graduate School At the University of Missouri In Partial Fulfillment Of the Requirements for the Degree Doctor of Philosophy By BRYAN M. VANDEVENDER Dr. Cheryl Black, Dissertation Supervisor July 2014 © Copyright by Bryan M. Vandevender 2014 All Rights Reserved The undersigned, appointed by the dean of the Graduate School, have examined the dissertation entitled “KISS TODAY GOODBYE, AND POINT ME TOWARD TOMORROW”: REVIVING THE TIME-BOUND MUSICAL, 1968-1975 Presented by Bryan M. Vandevender A candidate for the degree of Doctor of Philosophy And hereby certify that, in their opinion, it is worthy of acceptance. Dr. Cheryl Black Dr. David Crespy Dr. Suzanne Burgoyne Dr. Judith Sebesta ACKNOWLEDGEMENTS I incurred several debts while working to complete my doctoral program and this dissertation. I would like to extend my heartfelt gratitude to several individuals who helped me along the way. In addition to serving as my dissertation advisor, Dr. Cheryl Black has been a selfless mentor to me for five years. I am deeply grateful to have been her student and collaborator. Dr. Judith Sebesta nurtured my interest in musical theatre scholarship in the early days of my doctoral program and continued to encourage my work from far away Texas. Her graduate course in American Musical Theatre History sparked the idea for this project, and our many conversations over the past six years helped it to take shape.
    [Show full text]
  • Marvin Hamlisch
    tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE MUSIC OF MARVIN HAMLISCH Monday, October 19, 2015 ~ 8 pm Coolidge Auditorium Library of Congress, Thomas Jefferson Building The Ira and Leonore Gershwin Fund in the Library of Congress was established in 1992 by a bequest from Mrs. Gershwin to perpetuate the name and works of her husband, Ira, and his brother, George, and to provide support for worthy related music and literary projects. "LIKE" us at facebook.com/libraryofcongressperformingarts loc.gov/concerts Please request ASL and ADA accommodations five days in advance of the concert at 202-707-6362 or [email protected]. Latecomers will be seated at a time determined by the artists for each concert. Children must be at least seven years old for admittance to the concerts. Other events are open to all ages. • Please take note: Unauthorized use of photographic and sound recording equipment is strictly prohibited. Patrons are requested to turn off their cellular phones, alarm watches, and any other noise-making devices that would disrupt the performance. Reserved tickets not claimed by five minutes before the beginning of the event will be distributed to stand-by patrons. Please recycle your programs at the conclusion of the concert. The Library of Congress Coolidge Auditorium Monday, October 19, 2015 — 8 pm tHE iRA AND lEONORE gERSHWIN fUND IN THE lIBRARY OF cONGRESS AN EVENING WITH THE mUSIC OF MARVIN hAMLISCH WHITNEY BASHOR, VOCALIST | CAPATHIA JENKINS, VOCALIST LINDSAY MENDEZ, VOCALIST | BRYCE PINKHAM, VOCALIST
    [Show full text]
  • 10Th Grade Monologue Packet
    10th Grade Monologue Packet M - T​he Glass Menagerie:​ Tennessee Williams T​om 2 F - T​he Crucible:​ Arthur Miller A​ bigail (A) 2 F - T​he Crucible:​ Arthur Miller A​ bigail (B) 2 F - A​ View from the Bridge: A​ rthur Miller C​ atherine (A) 2 F - A​ View from the Bridge: A​ rthur Miller C​ atherine (B) 3 M - T​he Dark at the Top of the Stairs: W​ illiam Inge S​ ammy 3 F - N​ ight, Mother:​ Marsha Norman J​essie 3 F - A​ scension Day:​ Timothy Mason F​aith 4 M/F - A​ unt Dan & Lemon:​ Wallace Shawn L​emon 4 F - L​ike Dreaming, Backwards:​ Kellie Powell N​ atalie 4 M - M​ ermaid in Miami:​ Wade Bradford E​ mperor Tropico 5 F - M​ y Fair Lady:​ Alan Jay Lerner E​ liza Doolittle 5 M - I​n Arabia We’d All Be Kings: S​ tephen Adly Guirgis C​ harlie 5 M - “​Master Harold”…And the Boys: A​ thol Fugard H​ ally 6 M - S​ ammy Carducci’s Guide to Women: R​ onald Kidd S​ ammy 6 F - O​ ur Town: T​hornton Wilder E​ mily 6 F - T​he Clean House:​ Sarah Ruhl V​irginia 7 F - T​he Effect of Gamma Rays on Man-In-The-Moon-Marigolds:​ Paul Zindel T​illie 7 M/F - T​ill We Meet Again:​ Colin and Mary Crowther U​ nknown 7 F - C​ harlene:​ Unknown C​ harlene 8 M/F - I​rreconcilable Differences:​ Nancy Meyers and Charles Shyer C​ asey 8 F - J​uno:​ Diablo Cody J​uno 8 F - D​ irty Dancing:​ Eleanor Bergstein F​rances 9 F - F​elicity: J​.J.
    [Show full text]
  • JONATHAN CHARLES SMITH 2001 Master of Fine Arts, Dance Sam
    Name: JONATHAN CHARLES SMITH Title: Visiting Assistant Professor of Dance Department: Theatre and Dance College: Arts and Sciences Degrees Earned 2001 Master of Fine Arts, Dance Sam Houston State University Huntsville, Texas 1992 Bachelor of Arts, Theatre Arts and Dance University of Houston at Clear Lake Clear Lake, Texas Professional Licensure and Certifications PROFESSIONAL ORGANIZATIONS (Memberships) AEA‐Actors Equity Association‐Nationwide Professional Actors Union SSD&C‐Society of Stage Directors and Choreography‐Nationwide Professional Union for Directors and Choreographers‐New York City, New York Miss America Scholarship Organization‐Member of Board of Directors for Three Local Miss Texas Franchises and Pageants. Peer‐Review Publications and Artistic Performances/Exhibitions Articles Books Chapters Proceedings Artistic Performances CHOREOGRAPHY AND DIRECTION (University Theater and Musical Theater Direction and Choreography) The Best Little Whorehouse in Texas Sam Houston State Choreography University, Fall l994 The All Night Strut Sam Houston State Direction and Choreography University, Fall 1996 A Christmas Carol Sam Houston State Chorography and Musical Staging University, Fall (play) 1996 The Pirates of Penzance Sam Houston State Choreography University, Spring 2000 Dames at Sea Sam Houston State Direction and Choreography University, Fall MFA Thesis Concert 2000 A Grand Night for Singing Sam Houston State Direction and Choreography University, Fall 2001 The Sound Of Music Sam Houston State Choreography University, Spring
    [Show full text]
  • News Release
    News Release FOR IMMEDIATE RELEASE PRESS CONTACT: Ben Randle, Artistic Associate & Publicist ~ 415.694.6156 ~ [email protected] Pictures and Press Kit: nctcsf.org/press HARBOR BY TONY® AWARD-NOMINEE CHAD BEGUELIN MAKES WEST COAST PREMIERE AT NCTC Acclaimed new comedy exploring uncharted waters of the shifting meaning of family to be directed by Founder & Artistic Director Ed Decker January 23 – March 1, 2015 San Francisco, CA (December 12, 2014) — In January, New Conservatory Theatre Center presents the West Coast Premiere of the sharp and timely new comedy, Harbor by Chad Beguelin, directed by NCTC Founder & Artistic Director Ed Decker. Kevin’s seemingly perfect world hits troubled waters in this "wickedly funny" play (Variety) when his ne’er-do-well sister, Donna and her teenage daughter show up unexpectedly at the Sag Harbor home he shares with his husband, Ted. This sharp and timely comedy sails through the riptides of family and the unpredictability of the lives we lead. Starring at Ted is former NCTC Conservatory Director, Andrew Nance, last seen at NCTC in an acclaimed performance in Del Shores’ Yellow, last season. Harbor runs January 23 – March 1, 2015 in NCTC’s intimate Walker Theater. Opening Night is Saturday, January 31, 2015 at 8pm. Tickets are $25 - $45 and available at nctcsf.org or by calling (415) 861-8972. Harbor premiered at Westport Playhouse, followed by a New York production at Primary Stages. Variety raves Harbor is “witty and tender” and adds, “The characters in Chad Beguelin’s comedy-drama are hopelessly – and sometimes hysterically – adrift as they seek safe havens in relationships, family, and career.
    [Show full text]
  • To Get a Job in a Broadway Chorus, Go Into Your Dance:" Education for Careers in Musical Theatre Dance
    University of Northern Colorado Scholarship & Creative Works @ Digital UNC Master's Theses Student Research 9-30-2019 "To Get a Job in a Broadway Chorus, Go into Your Dance:" Education for Careers in Musical Theatre Dance Lauran Stanis [email protected] Follow this and additional works at: https://digscholarship.unco.edu/theses Recommended Citation Stanis, Lauran, ""To Get a Job in a Broadway Chorus, Go into Your Dance:" Education for Careers in Musical Theatre Dance" (2019). Master's Theses. 108. https://digscholarship.unco.edu/theses/108 This Text is brought to you for free and open access by the Student Research at Scholarship & Creative Works @ Digital UNC. It has been accepted for inclusion in Master's Theses by an authorized administrator of Scholarship & Creative Works @ Digital UNC. For more information, please contact [email protected]. © 2019 LAURAN STANIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School “TO GET A JOB IN A BROADWAY CHORUS, GO INTO YOUR DANCE:” EDUCATION FOR CAREERS IN MUSICAL THEATRE DANCE A Thesis Submitted in Partial Fulfillment Of the Requirements for the Degree of Master of Arts Lauran Stanis College of Performing and Visual Arts School of Theatre Arts and Dance Dance Education December 2019 This Thesis by: Lauran Stanis Entitled: “To Get a Job in a Broadway Chorus, Go into Your Dance:” Education for Careers in Musical Theatre Dance has been approved as meeting the requirement for the Degree of Masters in Arts in the College of Performing and Visual Arts in the School of Theatre and Dance, Program of Dance Education Accepted by the Thesis Committee: _________________________________________________ Sandra L.
    [Show full text]
  • February 7 - 8, 2020
    February 7 - 8, 2020 As a courtesy to the artists and for the uninterrupted enjoyment of your fellow patrons, please turn off all electronic devices. No portion of this performance may be photographed, recorded, filmed, taped, broadcast or mechanically reproduced without the written consent of the Artist and/ or the Presenter. Mayo Performing Arts Center is not responsible for lost or stolen items. Program subject to change. 2 WORK LIGHT PRODUCTIONS presents Book, Music and Lyrics by Jonathan Larson Set Design Costume Design Lighting Design Sound Design Paul Clay Angela Wendt Jonathan Spencer Keith Caggiano Original Concept & Musical Arrangements Additional Lyrics Dramaturg Steve Skinner Billy Aronson Lynn M. Thompson Musical Direction Set Design Adaptation Production Stage Manager Mark Binns Matthew E. Maraffi Gabrielle Norris Tour Marketing Associate Associate Casting & Press Director Choreographer Wojcik | Seay Casting Allied Touring Trey Ellett MiRi Park Production Management General Management Company Manager Port City Technical Work Light Productions Kerrick Dougherty Music Supervision and Additional Arrangements Tim Weil Choreography Marlies Yearby Directed by Evan Ensign Based on Original Direction by Michael Greif Originally produced on Broadway by Jeffrey Seller Kevin McCollum Allan S. Gordon and New York Theatre Workshop EXCLUSIVE TOUR DIRECTION by THE BOOKING GROUP www.thebookinggroup.com 3 CAST (in order of appearance) Roger Davis ...................................................................................... COLEMAN
    [Show full text]
  • The Essentialism of Music in Human Life and Its Roots in Nature
    Linfield University DigitalCommons@Linfield Senior Theses Student Scholarship & Creative Works 12-2014 The Essentialism of Music in Human Life and Its Roots in Nature Katricia D. F. Stewart Linfield College Follow this and additional works at: https://digitalcommons.linfield.edu/muscstud_theses Part of the Music Commons Recommended Citation Stewart, Katricia D. F., "The Essentialism of Music in Human Life and Its Roots in Nature" (2014). Senior Theses. 6. https://digitalcommons.linfield.edu/muscstud_theses/6 This Thesis (Open Access) is protected by copyright and/or related rights. It is brought to you for free via open access, courtesy of DigitalCommons@Linfield, with permission from the rights-holder(s). Your use of this Thesis (Open Access) must comply with the Terms of Use for material posted in DigitalCommons@Linfield, or with other stated terms (such as a Creative Commons license) indicated in the record and/or on the work itself. For more information, or if you have questions about permitted uses, please contact [email protected]. 1 LINFIELD COLLEGE McMinnville, Oregon The Essentialism of Music in Human Life and its Ties to Nature A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Bachelor of Arts in Music Katricia Darlene Frances Stewart Presented to the Department of Music December 2014 Signature redacted Signature redacted 2 Table of Contents Prologue ....... ..................................................................................................................... 3 Introduction
    [Show full text]
  • Press Release: Clear Space Presents INTO the WOODS May 3
    P R E S S R E L E A S E From: Clear Space Theatre Company Contact: Wesley Paulson Phone: 302.227.2270 Email: [email protected] April 17, 2019: FOR IMMEDIATE RELEASE David Button steps out of his director’s chair and INTO THE WOODS at Clear Space On Friday, May 3, David Button, Artistic Director for Clear Space Theatre, steps back onto the Clear Space stage for INTO THE WOODS. The show, which first opened on Broadway in 1987, was nominated for 10 Tony Awards and won three, including those for Best Book (James Lapine) and Best Score (Stephen Sondheim). Asked what it was about this show which lured him onto the stage (for the first time since 2016), Button replied, “I became familiar with INTO THE WOODS when I was in high school, and immediately fell in love with both the artistry of the interweaving stories and its musicality. This show demonstrates that musical theatre – no matter how frivolous at times – can have a heart and substantial meaning. How could I resist being in such a show?!” Those interweaving stories feature many characters familiar to audiences: Cinderella, Jack (of beanstalk fame), and Little Red Riding Hood are among them. Each has a familiar wish s/he is seeking to fulfill, be it to attend a ball, get milk from a cow, or provide bread to a grandmother. But our fairy tale friends are not the only wishful folk going INTO THE WOODS: On their own quest are a Baker (Button) and his wife (Erin Bobby), who seek the ingredients for a spell to break the Witch’s (Lorraine Steinhoff) curse which has left them childless.
    [Show full text]
  • Arthur Miller's Contentious Dialogue with America
    Louise Callinan Revered Abroad, Abused at Home: Arthur Miller’s contentious dialogue with America A thesis submitted in fulfilment of the requirement for the degree of Doctor of Philosophy at St Patrick’s College, Dublin City University Supervisor: Auxiliary Supervisor: Dr Brenn a Clarke Dr Noreen Doody Dept of English Dept of English St Patrick’s College St Patrick’s College Drumcondra Drumcondra May 2010 I hereby certify that this material, which I now submit for assessment on the programme of study leading to the award of PhD is entirely my own work and has not been taken from the work of others save and to the extent that such work has-been cited and acknowledged within the text of my work. Signed: Qoli |i/U i/|______________ ID No.: 55103316 Date: May 2010 ACKNOWLEDGEMENTS I am forever indebted to Dr. Brenna Clarke for her ‘3-D’ vision, and all that she has so graciously taught me. A veritable fountain of knowledge, encouragement, and patient support, she- has-been a formative force to me, and will remain a true inspiration. Thank you appears paltry, yet it is deeply meant and intended as an expression of my profound gratitude. A sincere and heartfelt thank you is also extended to Dr. Noreen Doody for her significant contribution and generosity of time and spirit. Thank you also to Dr. Mary Shine Thompson, and the Research Office. A special note to Sharon, for her encyclopaedic knowledge and ‘inside track’ in negotiating the research minefield. This thesis is an acknowledgement of the efforts of my family, and in particular the constant support of my parents.
    [Show full text]
  • The New National Tour of Cameron Mackintosh's
    Tweet it! Experience the acclaimed new production of @MissSaigonUS when it makes its premiere in Philly @KimmelCenter 03/19-03/31. More info at kimmelcenter.org. #BWYPHL #ArtHappensHere Press Contacts: Lauren Woodard Carole Morganti, CJM Public Relations (215) 790-5835 (609) 953-0570 [email protected] [email protected] THE NEW NATIONAL TOUR OF CAMERON MACKINTOSH’S DYNAMITE BROADWAY REVIVAL OF BOUBLIL AND SCHÖNBERG’S LEGENDARY MUSICAL MISS SAIGON ARRIVES IN PHILADELPHIA FOR ITS KIMMEL CENTER CULTURAL CAMPUS PREMIERE MARCH 19 – 31, 2019 FOR IMMEDIATE RELEASE (Philadelphia, PA, January 31, 2019) – Cameron Mackintosh’s acclaimed new production of Boublil and Schönberg’s legendary musical Miss Saigon —a smash hit in London, Broadway, and across the UK— comes to Philadelphia March 19 – 31, playing at the Academy of Music on the Kimmel Center Cultural Campus for the first time ever. “We are ecstatic to welcome this brand-new production of Miss Saigon to Philadelphia!” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Our Broadway Philadelphia audiences will be spellbound by this epic love story along with the iconic Broadway score brought back to the stage in spectacular fashion as only Cameron Mackintosh can do.” Cameron Mackintosh said “It’s hard to believe that it has been over 27 years since Miss Saigon first opened in North America but, if anything, the tragic love story at the heart of the show has become even more relevant today with innocent people being torn apart by war all over the world. This brilliant new production, directed by Laurence Connor and featuring the original dazzling choreography by Bob Avian, takes a grittier, more realistic approach that magnifies the power and epic sweep of Boublil and Schönberg’s tremendous score.
    [Show full text]